This is from an advance review copy for which I thank the publisher.
Richard Marazano is a French writer and illustrator, and in this work he seems to have channeled Chinese mythology very heavily into a very lighthearted story about young girl who strays in a snowstorm from her valley to a nearby one in which is a village occupied by animals who seem very resentful of humans Actually, given how we treat animals I for one am not at all surprised by their attitude.
The girl is a very strong female character and I recommend this story for that to begin with, but it's much more than that. The story is very whimsical, and quirky even, I tend to run in the opposite direction when I read of a story being described as full of whimsy or with quirky characters, but this one nailed it perfectly.
The girl seems resigned to living in this town because no one will help her get back. She's boarded with a foster family of birds, and finds a job working in an energy factory - she has to change out the hamsters in their wheels when they become tired - but her lunches of packed worms, she could do without. She eventually learns she's not the only human child in town.
Because she is a human, Tutu is spied upon by the emperor through his rabbit secret service. The rabbits are adorably inept, but they are also actually helpful to Tutu when she gets lost or doesn't know which bus to catch. Known as yuè tù (moon rabbit) in China, the idea behind these is that while the Moon may look to us westerners like it's the face of a man in the Moon, many other cultures see it as a rabbit in the Moon, which is more intriguing to me.
If you look hard, you can see the long ears (Mare Foecunditatis and Mare Nectaris)stretching to the right, about half way down the Moon's right side, from the head (Mare Tranquilitatis where Apollo Eleven landed) to the left, and the body (Mare Serenitatis and Mare Imbrium below it on the left edge of the Moon's disk. Below that is the Oceanis Procellarum with the big back legs and a tail sticking out to the left. The rabbit appears to be sitting by a box or a bowl, (Mare Nubium), and some cultures see this as a mortar, in which the rabbit is grinding something using a pestle.
The emperor takes a great interest in Tutu and wants her to help him by catching a rare white butterfly, but she's not very impressed with him or the opera he writes. She's especially disrespectful of his surrogate robots which tend to break down when faced with Tutu's sarcasm.
This story was a delight through-and-through, and my only complaint was that this is volume one, so the story didn't end! Although that's really a good thing because if it had ended, there would be no more to look forward to! As it was, I could have kept on reading this for many more pages than there were, and I recommend it as a worthy read.