This audio book was a full-cast production, although it's more aptly described as a full body-cast production since if I'd bought it, I would have felt stiffed. It's based on the novel which itself is rooted in a true story. The true story which occurred in 1914, was not done justice at all, which is a sad thing to say about a novel set in a prison!
None of this made me feel this was worth listening to. At times it was positively obnoxious, and the musical interludes rather spoiled it, than added to it for me. This is a problem for me - when they put music into audio books. I can see, in this case, some motivation for it, but the author's original novel - unless it came issued with a CD or something! - had no music in it, so this goes beyond whatever the author had imagined - assuming she didn't originally imagine it being produced in this form when she wrote it.
Far too many audiobooks have music included and it ruins it for me, particularly when the book isn't about music at all, and therefore the music is completely random and totally inappropriate since it has, I'm guessing, little or nothing to do with any authorial input. This is why I never want to go with Big Publishing&Trade, because you lose all rights to your work even as, legally speaking, they remain with you. You don't get to say who publishes the audio book, or whether or not it has music and what that music is like. You don't get to choose the cover, which is why this book has a cover which is totally inappropriate to the content, making it look like the novel was about a risqué fifties jazz singer! That's not for me; I'd rather sell none than sell out.
Sooo, onto the story! Libby Dodge is 16, and in Sherborn women's prison for reasons I never did find out since I DNF'd this. Maybe we never did learn, or maybe I just missed it. Sherbourn was a real prison and they did put on a performance of Gilbert and Sullivan's The Pirates of Penzance. Other than that, the work is fiction, although one or two real names are used for the people involved. The novel tells of the arrival of Mrs. Wilkinson, the new cleric on site, who starts in with this progressive treatment of prisoners, much to the chagrin of the warden. In real life, this warden later did become more benign and progressive in her own outlook.
There is a truly uplifting story (the real one) to which this book is an insult. I can't define it any better than that. It just never resonated - never clicked - with me and I couldn't get into it. I didn't like it, so I can't recommend it. The singing was obnoxious at times, so this was one issue.
Some of the characterizations were so amateur and pathetic that they really distracted from the book itself. I think a story about the warden would have made for a better read, but it's not what we got, and what we did get wasn't good enough. It seemed to be a problem with allowing other people to take charge of your creation and run with it. Instead of running, they fell flat on their faces in their shabby shorts, and not only because they had such poor material in which to run in the first place.