Showing posts with label Sean O’Neill. Show all posts
Showing posts with label Sean O’Neill. Show all posts

Friday, January 31, 2014

Rocket Robinson and the Pharaoh's Fortune by Sean O’Neill





Title: Rocket Robinson and the Pharaoh's Fortune
Author: Sean O’Neill
Publisher: BoilerRoom Studios
Rating: worthy!

DISCLOSURE: Unlike the majority of reviews in this blog, I've neither bought this book nor borrowed it from the library. This is a "galley" copy ebook, supplied by Net Galley. I'm not receiving (nor will I expect to receive or accept) remuneration for this review.

Here it is: THIRTY ONE TITLES IN THIRTY ONE DAYS - and they said it couldn't be done!

This is a comic book or graphic novel adventure featuring Ronald, aka "Rocket" Robinson on the trail of treasure and villainy in early 20th century Egypt. The novel appears to be written for a pre-young-adult audience and in general it's a pretty good adventure for the age range, with mystery, thrills and dangerous adventures. I'm willing to rate this as a worthy read, but I do want to highlight some problems I saw in it.

I found it a bit sad that the villain is made 'villainous" by means of giving him only one eye (the other is covered by a patch, and making him bald. I know a graphic novel has to portray the villain somehow, but it was taking rather an easy and clichéd out by drawing him thus. That aside, the artwork is really good, and the lettering is done neatly and very legibly, which I always appreciate! I'm not sure of the point of his monkey, but at least it doesn’t talk. For me, it (and many points in the story in general, for example, the chase across Cairo) were far too reminiscent of Disney's 1992 Aladdin movie.

Rocket begins his adventure traveling by train in Egypt, and he's bored with nothing but sand to look at. He quickly learns of some evil machinations, but his dad - who looks way too young to be an important official for the US State Department, doesn’t believe him, of course. It would be nice to see one of these tales where the father does believe, or where he 'believes' but only that his son is playing a fantasy game.

The richness of their rented house in Cairo doesn't seem to match (on the inside) the appearance of the house on the outside! That was a small oddity, but it's an accumulation of oddity and incongruity which can trip up even a good story. For example, the pigeon English spoken by one of the villains is bad. He wouldn’t speak English to himself and his own thoughts in his native language would not be pigeon! That felt a bit klutzy to me. Worse than this, though, was the "gypsy" girl who speaks perfect English even though she's living on the street in Cairo. That seemed unlikely at best, and although 'gypsy' was probably the term which was used back then, it would have been nicer to see her correct his employment of that term with a more accurate and less weighted description, such as Romany or Traveler.

But these qualms aside, the story is interesting and moves quickly and with determination despite some unlikely events. Rocket ends up with a paper with hieroglyphs which make no sense even to an expert. The eye-patch villain, Otto, is trying to recover it and villains under his employ kidnap Rocket. There's really no reason for this since they only want the note that he can’t read, and he has a copy so he has no reason not to give it to them, especially since they do get it in the end.

One panel depicts a misspelled version of Archaeology in "Archealogy Digest" on page 111. Maybe it’s not a journal of archaeology but of the study of an ancient form of bacteria called archaea?!

I did like the cool code-breaking by Rocket - this would definitely have impressed me were I in the intended age range, but then we hit the downside of the improbability of having a canal under the Nile - into which the Nile drains! It would flood! The Nile would empty! But I'm betting that most children in the intended age range would not be so critical, so perhaps I should not be either! There was lots of daring action, and thrilling escapes from some rather sneaky pyramid booby traps, but our heroes were no boobies, and they successfully navigated them all, supporting each other and sticking together to the end. Overall, this is a great romp for age-appropriate audience, delivering lots of fun and offering a good ending. When all's said and done, I rate this a worthy read!