Showing posts with label WARTY!. Show all posts
Showing posts with label WARTY!. Show all posts

Tuesday, July 10, 2018

The World Book of Records by Tonino Benacquista, Nicolas Barral


Rating: WARTY!

This is NOT from an advance review copy for which I DO NOT thank the publisher.

I have to rate this negatively because of the shabby way the publisher treats people who ask to review it. The graphic novel was not downloadable as ebooks typically are, but set up in some ass-backward "copy protection" system that means you cannot load it, read a part of it, and get back to it later to finish it. You have to constantly download it. What this meant is that the book was locked away ("archived" they call it) before I could finish reading it, and that shabby treatment of a reviewer, I consider WARTY in the extreme.

I don't get paid for this work, except in that I get to read books! But I'd be read books anyway and thanks to Amazon's deliberate and calculated sabotaging of book prices, I could get all the free books I want from them if I didn't refuse to do business with Amazon.

Jeff Bezos in now the richest man ever, BTW. Ahead of Bill Gates. Ahead of Mark Zuckerberg. Ahead of Warren Buffett, and to my knowledge, and unlike those latter three, he hasn't signed on to the pledge to give away at least half his fortune. Yet the authors who publish with him are lucky to get a fraction of the ninety-nine cents he has very effectively forced many people to charge for their hard work. Ninety-nine cents! That's less than the old pulp writers used to get paid! It would be nice if he gave some of his fortune to help out the struggling authors who've helped make him a multi-billionaire, wouldn't it?!

No, I do this because I love books and I feel people have a right to a chance at being read and getting some exposure, but this publisher seems hell bent on sabotaging that process. The format had purportedly extra protection built into it such that it was not possible to download it - a reviewer like me, who can only get the ebook (which is fine - it saves a tree here and there!), has to read this one on a web page or some fly-by-night temporary platform. If you close the page, you then have to go through the laborious process of accessing it all over again.

Worse, there is no means of conveniently navigating from one page to another on my tablet, except by sliding each individual page up or down the screen. If you want to go back and check something at the start, it's a long chore in a two hundred page comic.

The idea behind this is purportedly to protect the work by specifically assigning it to a person's email address, and I can fully understand the need for protection of copyrighted work, but in practice, this method offers no protection whatsoever, since anyone who can read something like this on their screen can take a screen-shot and copy it very effectively and quite anonymously that way. So to me it made no sense, and all it offered in practice was an inconvenience and annoyance to honest reviewers who would never abuse the privilege we have of getting an advance review copy of a work. As I said, I will not be recommending this, and neither will I be requesting anything to review from this publisher (Europe Comics) ever again.


Bessie Stringfield Tales of the Talented Tenth by Joel Christian Gill


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

I have to rate this negatively because it begins with the fictional version of Bessie Stringfield's life, and from that point onward, it necessarily casts doubt on the rest of the story. Bessie Beatrice White was born in Edenton, North Carolina, not Jamaica, and there was no dramatic crossing of the ocean to Boston during which her mother pretty much succumbed to consumption (or whatever) and her father abandoned her in a hotel. Why the author felt he needed to augment this story with pure fiction, even fiction she purveyed herself, is a mystery.

It's like he felt her story wasn't good enough without it. The author/illustrator seems strangely averse to illustrating faces too, such as her parents, the woman who runs the fictional hotel where she's fictionally abandoned, the woman who adopts her, and the woman who interviews her.

The frame of the story is a woman interviewing Bessie who then recounts her life. For me it failed because it made Bessie seem to be an extraordinarily selfish and self-centered person. It also skips a lot of detail. Like how did she pay for her gallivanting after she took off at age nineteen? It mentions later that she performed in carnivals on her bike, but there's nothing about how she financed her trips at such a young age or where her bike came from. The author seems to have bought into more fiction: that of divine miracles!

The story mentions that she had six marriages and no children, but it fails to discuss the fact that that her first marriage gave her three miscarriages. It also says nothing about why she married six times, whether she abandoned each of those husbands, split from them amicably, or they abandoned her.

It relates that she took off after college and started riding around the US, but her criss-crossing the country eight times was during her time as an army courier. Despite working for the US to help the war effort, she was subject to racism repeatedly, and they didn't even have the "excuse" of having a racist, misogynistic, homophobic jackass as president back then.

So while this is a story worth telling, I did not feel this was the version worth reading, and I cannot recommend it.


Saturday, July 7, 2018

Infinity 8 Vol. 1: Love and Mummies by Zep, Lewis Trondheim


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

This graphic novel was a bit of a ill-fated cross between iZombie and the Ood alien race from Doctor Who; it takes the worst elements from them rather than the best. I did not like the story. It made little sense and I DNF'd it about three-quarters of the way through. The main character is far too sexualized and without any good reason for it except that this is what comic books do, of course. It needs to stop.

For reasons unknown, the city-sized spaceship containing a variety of aliens is halfway between the Milky Way and Andromeda when it encounters a debris field. Space being only two-dimensional as it so often is in these stories, the ship can't go over the debris, so it's halted and the captain, again for no good reason, decides to investigate.

The investigation is a joke and goes nowhere nor does it try to go anywhere. Once again, just as in Star Trek, we're faced here with a futuristic society in which all of the robotics, and AI, and drones which we have today, has not only failed to advance, but has also somehow inexplicably been lost to history, so instead of robots going out to investigate, we have to send humans. Fallible. Distractable. Weak. Troublesome humans.

So poor is the management of this ship that aliens also get loose. One of this particular alien race (the Ood rip-offs) is in love with the main character while another of the same race wants her dead - again for no reason, while a bunch more of these aliens are trying to destroy the very ship they're traveling on - and the ship the size of a city evidently has no peacekeepers or law enforcement on board! I think that sense continued the journey while the ship got left behind. That hypothesis honestly explains a lot in this story.

I don't think very many sci-fi writers expend much energy on thinking about how their alien races evolved. They simply create the aliens because they think they look cool and that's the way it is no matter how ridiculous or improbable they all are. So these aliens were once again a poor and irrational assortment, all of them derivative of Earth species, so none of them really looked alien.

Worse, these writers have aliens falling in love with humans without giving any thought to the improbability of it. It would be like trying to get people to take you seriously while your story has a human fall in love with a shark or a boa constrictor. I can't take a story like this seriously, and I cannot recommend this at all.


I Am Not Your Perfect Mexican Daughter by Erika L Sánchez


Rating: WARTY!

This was another disappointing audiobook experiment! First of all it was first person, which is nearly always a bad idea. That in itself can sometimes be bearable, but when your novel title contains the word 'Mexican' and the novel's author is named Sánchez (with the emphasis accent yet!), then you expect a Latin lilt in your narrator, especially if she's named Garcia! At least I'd hoped for one. I was disappointed.

If I had read this myself, I could have at least imagined an accent to enjoy, but Kyla Garcia has no Latin lilt whatsoever to her voice, so there wasn't even that to mellow the delivery and contribute to the listening experience. She didn't do a particularly good job of reading, so I have to wonder why was she even picked for this job? Was it because her name sounds Mexican? That's not a valid reason to pick a narrator!

Maybe that's not relevant, because even if it had been read by a richly-accented Mexican voice, for me the story would still have failed. The reason is that the main character telling this story was obnoxious. She;s racist, bigoted, obnoxiously opinionated, perennially annoying, and I honestly couldn't stand to listen to this. She was incessantly carping about things, and what was supposed to be a tragedy was turned into a joke for me. She was attending her older sister's funeral and it occurred to me that her sister probably committed suicide so she wouldn't have to listen to this whining bitch of a kid sister anymore. Seriously. The title definitely applied to the narrator, but I think it would have been much more a propósito had it been titled "I Am Irremediably Removed From a Perfect Anything."

I started playing the book as I set out on Friday morning to get some chores done and reward myself with a movie, but after about ten minutes I decided silence was better than listening to any more of this crap. I was on my way to the library and ended up dropping this off as well as the book I was returning. I cannot recommend this at all and have no desire to listen to or read anything more by this author.


Thursday, July 5, 2018

The Last Jungle Book by Stephen Desberg, Henri Reculé


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

In Rudyard Kipling's original Jungle Book stories, Mowgli is first introduced as a wild man living in the forest who is recruited into the forest ranger service because of his extraordinary jungle craft. He marries, has a child, and returns to the forest. In later stories, his childhood is related, but it really isn't quite like the sanitized Disney version (is anything?!).

I was very disappointed in this version, which let's face it is more of an introduction than a story. The blurb was completely misleading in that it suggests that Mowgli (rhymes with cow-glee) has returned to the scene of his childhood to write the last chapter in it - which I presumed would the the dispatch of his hated enemy Shere Khan (which means 'Tiger Chief', not 'lame'! 'Lungri' means lame - it was a nickname for Khan, who was lame). The problem is that none of this happens, nor will it since Mowgli is a silver-haired old man now in this story.

All we get is a pictorial re-telling of the popular version of Jungle Book with nothing new added. It makes Mowgli's vow at the end - to drape Shere Khan's pelt over the council rock of the wolves, all the more hollow, since no such thing ever happened in this story. It did happen in the original jungle books stories - not the draping but the capture of the pelt, so maybe there are more volumes to come, but even if there are, I was so disillusioned with this one that I have no interest in reading any more. This contributed nothing new, and while the artwork was acceptable and the writing not awful, neither of these offered anything truly new, original, or outstanding.

I can see why this was on Net Galley's 'Read Now' shelf. I cannot recommend it. I'd recommend going to Kipling's original material and reading that - and I believe it's all out of copyright now if you're looking for story ideas!


Little Mama by Halim


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

This was a story of teen pregnancy and resultant child neglect and abuse and poor life choices, which effectively forced the young kid to become the mother of the household, but it was so heavy-handed and scrappy and the black/white/grayscale line drawing artwork so sketchy that it failed for me.

It was also sometimes hard to tell which character we were looking at and even what exactly was happening on occasion. It had the feeling, to me, of being unfinished - like a draft story roughed-out in some very quickly scribbled panels rather than something that was designed and crafted, and labored over. I did not like it.

The overall feel of the work was not helped by the copy protection "system" that was employed here. The format had purportedly extra protection built into it such that it was not possible to download it - a reviewer like me, who can only get the ebook (which is fine - it saves a tree here and there!), has to read this one on a web page. If you close the page, you then have to go through the laborious process of accessing it again.

Worse, there is no means of conveniently navigating from one page to another on my tablet, except by sliding each individual page up or down the screen. If you want to go back and check something at the start, it's a long chore in a two hundred page comic like this one.

The idea behind this is to protect the work by specifically assigning it to a person's email address, and I can fully understand the need for protection of copyrighted work, but in practice, it offers no protection since anyone who can read something like this on their screen can take a screen-shot and copy it quite anonymously that way. So to me it made no sense and all it offered in practice was an inconvenience and annoyance to honest reviewers who would never abuse the privilege we have of getting an advance review copy of a work.

So I have to say that other than the one or two other such books I already have lined up for review, I will not be requesting any more books to review that have this kind of protection on them. It's far too much of a hassle and inconvenience and simply not worth my time as a 'volunteer' reviewer, not when I'm also trying to put in time on my own projects.

As for this particular volume, I cannot rate it favorably because it simple did not tell a worthy tale for me. This is an important topic and it deserves a better medium than this to relate it.


Herakles by Edouard Cour


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

This was a 'Read Now' graphic novel at Net Galley and a reviewer takes their chances with works in that category! I frequent it because there is a gem in there often enough to make it worthwhile. This was not such a read, unfortunately. The artwork was monotonous, indifferent, and dull, and the story was lacking in anything compelling, although I did finish it, since it's only 160 pages. Had it been longer I would probably have DNF'd it.

The story is of Herakles (more popularly known as Hercules in the same way that nuclear is too often known as nu-cue-ler in our illiterate society unfortunately). Legend has it that Herakles murdered his entire family and to atone for it, he had to live with his cousin, King Eurystheus, for twelve years, during which time, he could have his indentured servant do whatever tasks he saw fit to lay on Herakles.

Herakles was famously tasked with completing ten labors nearly all of which involved animals. I don't know what that says about ancient Greek society (maybe that it was agricultural back then?). In two of these tasks, he was disqualified because he had help, so he ended up doing the dirty dozen (so to speak!):

  1. Slay the Nemean lion, which was a shapeshifter
  2. Slay the Lernaean Hydra which had been created for the express purpose of slaying Herakles
  3. Capture the Ceryneian deer, which was faster than a speeding arrow
  4. Bring back the fearsome Erymanthian Boar alive
  5. Clean the stables of King Augeas which hadn't been cleaned in three decades and which held 1,000 cattle
  6. Defeat the carnivorous Stymphalian birds which had beaks of bronze
  7. Capture the Cretan Bull
  8. Capture the carnivorous Mares of Diomedes
  9. Retrieve the belt of Queen Hippolyta of the Amazons
  10. Rustle the cattle of Geryon
  11. Retrieve some of the golden apples of the Hesperides
  12. Capture Kerberos, the multi-headed hound of Hades
Clearly these tasks are based on constellations!

The author tries to inject humor into the story but it fell flat for me, and I did not enjoy these adventures at all. I wish the author all the best in his endeavors, but I have no intention of reading any more volumes in this series.


Sunday, July 1, 2018

When Friendship Followed me Home by Paul Griffin


Rating: WARTY!

Read by the author - who actually doesn't do too bad of a job - this was another failed audiobook trial. The subject matter! Oh the subject matter. It's aimed at middle-grade boys, and is supposed to be your typical "I survived middle school" story for boys, but what it felt like to me was that the author seemed like he really wanted to tell a Star Wars story without paying a licensing fee to do so.

The first chapter opened with a quote from a Star Wars movie which didn't augur well, and if that had been all there was, it would have been fine, but then there were several more references to Star Wars in that same chapter. That's when I quit it. In the first chapter. It seriously rubbed me up the wrong way. I have devoutly gone off Star Wars - not that I was ever a huge dedicated fan or anything, but while I'm not quite anti-Star Wars, I'm also definitely not remotely interested in it anymore, after episode seven turned out to be nothing more than a remake of episode four. The whole series is uninventive and derivative and it's not entertaining or even interesting to me. So this book was a derivative of a derivative movie series! LOL!

The story is supposedly about this disaffected kid who is adopted by an older woman, and who knows when she retires in three years she's going to move with him to a different locale, so he decides it's not worth making friends? What a moron! Then of course he befriends this dog. Barf. I love dogs, but I hate stories about them. They've been overdone. I'm not even sure why I picked this up at the library, because the whole idea seems way too sugary now I think about it! I can only explain it by positing that I picked up a book, thought it looked okay but not that great, then changing my mind after putting it back, I pulled the wrong book back off the shelf! LOL!

I honestly cannot face listening to any more of that, especially when I have other audiobooks to go at. I'm sure there are middle-graders who will enjoy a story such as this one but that doesn't mean I have to rate it a worthy read! It's schlock and of the lowest form (unless it magically changed after the point at which I quit - which I seriously doubt). It's unimaginative and uninventive, and I can't recommend it.


Strange the Dreamer by Laini Taylor


Rating: WARTY!

I read and enjoyed Daughter of Smoke & Bone but not so much the sequel and I never did finish the trilogy because I cannot drum up the enthusiasm to start on book three after book two turned out to be, though readable, rather disappointing. My verdict on this book has nothing to do with the fact that the title shares its initials with Sexually Transmitted Disease, I assure you!

Since this was a different story (I had not realized it was a trilogy when I picked it up on audio) I decided to give this a try and maybe work my way back to finishing the other trilogy, but it wasn't to be and now I'm done with Laini Taylor. As I've said before of books, it was more like 4F so it was definitely not 2B! The story was boring. That was the biggest problem.

It began well enough but it took forever to get anywhere, and I only made it to ten percent in when I decided to quit because it was dragging and dragging and dragging. The reader, Steve West did not help at all. He pronounced each sentence like it was...well, a sentence! Sonorous, monotonous, tedious. As pronounced by him, everything carried so much import that it made it not only meaningless, but tiresome to listen to.

The story perked up slightly and I thought maybe I could get back into it, but then it went totally off the rails and into a completely different story which I did not appreciate because I liked that one even less. I am sure the two stories join up at some point, but I had no interest whatsoever in this other intrusive story so it was no incentive whatsoever to carry on, and I decided this book was too long to read on faith. Might it turn out to be a worthy read? I really didn't care. I have better things to do with my time than indulge in what was increasingly looking like a sunk cost fallacy.

The story is about (supposedly!) orphan Lazlo Strange, long-obsessed with the now mythical lost city by the absurd name of Weep. It's miles across the desert, so though he longs to go find it, he has no resources, until people from that selfsame city arrive in his own city asking for help. Apparently 200 years ago some disaster befell them, and now they need the expertise of outsiders to recover their civilization, so they're asking for people from Lazlo's city to join them, help them, and reap the rich rewards. Lazlo signs on and it was then, when I sincerely hoped things would actually get moving, that the story ground to a juddering halt and morphed into this thing which seemed like a completely different story. It was then that I resolved to give up on Laini Taylor and return this to the library so someone else can suffer instead of me! I'm sure there are others who will enjoy it, but I cannot recommend this based on my experience of it.


The Golden Compass by Philip Pullman, Stéphane Melchior, Clément Oubrerie, Philippe Bruno, Annie Eaton


Rating: WARTY!

This graphic novel taken from the original novel by Philip Pullman, adapted by Stéphane Melchior, with art by Clément Oubrerie, and coloring by Clément Oubrerie and Philippe Bruno, and translated from the French by Annie Eaton was a disappointment I have to say. The text was so-so and the artwork was blah. Really blah. It told the story in a very workmanlike manner, with no flashes of anything exciting or remarkable. The colors in the artwork were muddy, and the artwork itself really was unappealing.

I cannot recommend this as a worthy read; instead I recommend either the original novel or the audiobook version of it, which is narrated by Pullman himself along with a cast who play the characters. I like the movie, too. It’s pretty sad when a movie makes well-over a third of a billion dollars and is considered non-viable, but the USA is a very fundamentalist religious society, first amendment be damned, and this is effectively what killed this movie series, I think.


Panda-monium by Stuart Gibbs


Rating: WARTY!

Read slightly annoyingly by Gibson Frazier, this audiobook started out interestingly enough. It's part of a series where the middle-grade boy solves mysteries. Frankly, if this is to be the basis of my judgment (I have no other!) then Teddy Fitzroy really doesn't do very much and worse, his life really isn't very interesting! This is, I believe, the fourth in this series, all set in a zoo-cum-theme park named FunJungle - evidently based on SeaWorld® in San Antonio, Texas.

The panda disappeared apparently from a moving truck on a highway, such that when the truck left, the panda was on board, and when the truck arrived, it was no longer there. I thought a cool way to do this for a kids' book would be to have a false panel at the far end of the trailer, so that the panda could be hid behind it and the truck looked empty, but given that the FBI were involved in this investigation (pandas are considered to be the property of China), I doubt such a ruse would fool them!

I never did find out how the theft was done because I DNF'd this one after about a third of it. Judging the rest of the book from what I did read though, it seems to me that there would have been a perfectly mundane explanation - nothing special or daring. As it was, the part of this book that I could bear to listen to was simply too boring, too slowly moving, and had nothing entertaining to offer me. Appropriately aged readers may disagree, but for me, I can’t recommend this and I will not be reading any more in this series. The characters held nothing for me, being a bunch of spoiled, privileged brats, and the story was too light and lacking in substance.

Some other reviewers have mentioned that this author was or is a writer for Disney and that this book had some Disney-ish aspects to it and I can see that in retrospect, but that wasn't on my mind when I was listening to it. I just didn't find it engaging at all. The characters were unappealing and I cannot recommend it as a worthy read.


The Imitation game by Jim Ottaviani, Leland Purvis


Rating: WARTY!

This was disappointing graphic novel which spent too much time on the wrong topics, I felt. Plus it was too long and rambling, and tried to cover too much ground instead of focusing on the core points. That said, it did a better job than the movie of the same name, which was rife with inaccuracies, and no amount of arguing that no-one expects a painting to be a photograph can excuse some of the inexplicable changes that were made in depicting Turing's life at Bletchley Park in that movie, as engrossing and fascinating as it was in parts.

The story is of course Alan Turing's life and his World War Two work on cryptography. Both this and the movie are based on Andrew Hodges's Alan Turing: The Enigma, and at least this graphic novel inspired me to read that, but the biography is over seven hundred pages long, so it will be more of a skim with a detailed reading of points of interest since I do not have the time to read a seven-hundred-page book.

Alan Turing was gay during a time when gay meant something like 'party animal' and nothing more, and when homosexuality was literally illegal - and of course the punishment for a man who loved men was to incarcerate him with a whole lot of men. This made sense how? You could argue (if you were a spiteful SoB) that the way to punish male homosexuals should be to incarcerate them with women, but that seems to me like it wouldn't work either! It makes far more sense not to have it be illegal in the first place!

The art by Purvis was scrappy and unappealing to me and the text by Ottaviani was at times confused or at least confusing and lacking sharpness and clarity, so I took to skimming parts of this. Overall he story was interesting enough to make me game to consult the source rather than read this pale imitation, but as for this version, I can't recommend it.


Bad Girls by Jane Yolen, Heidi EY Semple, Rebecca Guay


Rating: WARTY!

This is a short book padded by large font, spaced text and some okay illustrations by Rebecca Guay. It purports to tell us about bad girls in history - bad for one reason or another, such as spying, betrayal thievery, murder, and so on. I am not sure who it's aimed at; it seems a bit mature for middle grade and a bit simplistic for young adult or older. It's also highly biased towards bad girls in the USA: fifteen out of the twenty-six women reported on. The US is only five percent of the world's population, yet 60% of these stories are US women! Does the US really sport more bad girls than the other seven billion population put together?! I doubt it.

There's also a huge lack of ethnic/racial diversity. Here's the list of suspects:

  • Delilah
  • Jezebel
  • Cleopatra
  • Salome
  • Anne Boleyn
  • Bloody Mary
  • Elizabeth Báthory
  • Moll Cutpurse
  • Tituba
  • Anne Bonney and Mary Read
  • Peggy Shippen Arnold
  • Catherine the Great
  • Rose O'Neal Greenhow
  • Belle Starr
  • Calamity Jane
  • Lizzie Borden
  • Madame Alexe Popova
  • Pearl Hart
  • Typhoid Mary
  • Mata Hari
  • Ma Barker
  • Beulah Annan and Belva Gaertner
  • Bonnie Parker
  • Virginia Hill

Each two- or three-page potted bio is followed by a single comic book page depicting Yolen and her daughter discussing the merits of whether she was a bad girl or just misunderstood or whatever. Those pages contributed nothing save to show what an easy life these two authors truly have if the comic pages are representative of any of their days: trying on shoes, going to a day spa, sitting around drinking a beverage and relaxing. The mini bios tell very little, and since a lot of the "research' comes directly from Wikipedia, you may as well read the Wikipedia page and get more out of it. I was surprised, given all the time these two evidently have on their hands, that they couldn't have put more effort into this.

The only reason I read it was that I thought it might be fun and maybe give me an idea or two for a novel, but I already wrote the Cleopatra one (my middle-grade targeted Cleoprankster) and there really wasn't much meat in the text here to give me something to bite. I can't recommend this/.


The Shelter Cycle by Peter Rock


Rating: WARTY!

I don't know if Peter Rock is the author's real name or not. If it is, his parents evidently didn't know that Peter and Rock mean the same thing. It would be like naming him Rocky Rock! Or more a propos, naming me Woody Wood. And yes, I know where you're going with that, but I'm not going there with you!

I did not like this audiobook. Amy Rubinate's reading was flat and uninspiring, and the story itself was boring and so far out there on the edge as to be lost in the haze. The story is of Francine, who used to be friends with Colville fifteen years before, when they were children and a part of a religious cult (full disclosure: to me all religions are cults!), but they haven't seen each other since the religious prophecies predictably failed, as they always do, and the cult broke apart under its own unsustainable weight as all religions do in one way or another.

Now Francine is married to Wells and they're expecting a child. Perhaps at this point, you see why I opened this by talking about the author's name. I couldn't help but wonder if he had been somehow marked for life by his name, and this is why his characters (male ones at least) have such unusual names like Colville and Wells. But Anyway, Colville shows up out of the blue having tracked Francine down. He claims he is there to help find this young girl who has disappeared from the village, but he really doesn't help in the search and seems much more interested in reconnecting with Francine than in anything else, and perhaps connecting with her as yet unborn child from what I've read in reviews of others. I wisely DNF'd it.

Colville is so creepy as to be stomach-turning, yet neither Wells nor Francine really view him that way, although Wells is predictably more inclined to do so than is his wife ever is. She voluntarily meets with her childhood friend in his motel room at one point because he asked her to. It was at this point that I quit listening because the story was a drag. It was taking forever, going nowhere, and everyone seemed so passive that I imagined the author manipulating them like clay animation figures when he wrote this: people who had to be meticulously positioned over lengthy periods of time before the next vignette in the series could be snapped. Yawn. They felt to me to be the very antithesis of dynamic, and it when I realized that it was never actually going to be animated, that I quit listening.

The author should have dedicated this: For Mica, it was so thin. I cannot recommend a pile of schist like this. I would have preferred a stony silence. I have no desire to read anything else by this author.


Since We Fell by Dennis Lehane


Rating: WARTY!

This was an audiobook I did not like. I liked Shutter Island and the graphic novel based on it, and even the movie. I don't recall disliking Mystic River, although I read that before I started blogging reviews, so I can't go back and check on exactly what I thought about it. This one, however, was a disaster and a DNF and left me with a bad taste in my mouth and no immediate desire to read any more Lehane. Julia Whelan's reading (or performance as it's pretentiously described on the cover) wasn't very good either, so that didn't help.

It started out perfectly fine, but about a tenth of the way through it started getting bogged down in asides that seemed irrelevant to the original thrust of the story, which was this woman's search for her father. From what I read of other negative reviews, it doesn't even stop doing a one eighty there, either, but instead of a normal geometry one-eighty bringing it back around, it goes off into some parallel universe. In view of that, I'm so relieved I quit it when I did, and simultaneously quit wasting my life on this drivel.

The story is about Rachel, an up and coming journalist, whose mother dies unexpectedly, leaving her completely in the dark about who her father was. She has very few clues and a PI suggests she not pursue it because it would be a waste of her money. When she finds a better lead, he takes the case and they finally narrow it down to a guy who turns out to be the one she was looking for, but in a twist, it also turns out he's not her biological father and the secrecy over keeping Rachel in the dark is what caused him to leave her mother. Now he's happily married with children of his own, but is still a father figure to Rachel.

With his help she tracks down the most likely candidate for fatherhood, but he's dead! From that point on we jump many years to where she's an important TV news anchor and the story becomes obsessed with Haiti for an inordinately long time. Yes, it was a awful tragedy of the kind that should never have happened in the first place, much less be repeated, but which will, you know, be repeated, humans being what they are, but it was nothing to do with her father and from what I've read in other reviews, nothing to do with what happens in the rest of the book which also has nothing to do with her father.

More than one reviewer suggested that the author had bits and pieces of several stories lying around with no idea where to take them, and so he decided to fit them all into one! When you're Lennon and McCartney, mashing two different songs into one actually works, such as with A Day in the Life for example, but Lehane doesn't seem to be blessed with that skill. So based on what I read, and regardless of others' reviews, I can't recommend this, but remember that I listened to only ten percent before I skipped out on it. So, a confused and boring mess is what this sounded like to me and I can't recommend it based on what I listened to.


Chimera Book One: The Righteous & The Lost by Tyler Ellis


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

I have no idea what this graphic novel was about, even having read it! It made no sense and was so choppy and disjointed, jumping back and forth between sometimes seemingly unrelated events that even when they turned out to be related offered no clue as to what they were actually all about.

The art work was fine enough, but there was no coherent story there so all we had was a coffee table art book. The blurb claims that "...a crew of thieves is hired for a covert mission in the midst of a galaxy being ripped apart by an interstellar holy war." but I don't recall ever a crew being assembled. There was a rag tag group of four creatures who might be the crew referred to, but not a one of them was appealing as a character.

I did see relentless images of an artist's attempt to invent bizarre and threatening alien creatures, none of which had any inventiveness about them, and some made zero sense, which is what happens when an artist with no idea of biology, or evolution tries to invent alien organisms. I cannot recommend this at all.


The Wormworld Saga Vol 1 The Journey Begins by Daniel Lieske


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

I wasn't impressed with this story and it reconfirmed my rule of thumb never to read any story with the word 'saga' (or 'cycle' or 'chronicles' in the title). I didn't apply that rule to comic books and now I think I shall have to!

Of course it wasn't aimed at me and maybe the middle-graders it is aimed at will go for it, but for me it was too abrupt of an ending - it never really offered any sort of resolution because it was so determined to leave you on a cliff-hanger to draw you into the next one in the series. This is the problem with series, and why I am not very much a fan of them. I appreciate an author more who leaves you wanting to read on because he or she has done such as good job of investing you in the story rather than one who forces you into a choice by breaking the story in the middle of something.

The art work was colorful but a bit plastic in my view, so it left something wanting, although some individual images were really rather fetching. But the story really wasn't anything new: a kid finds a magical portal into some other world where they magical find themselves a special being. It's been done so many times that if you want to do it again, you really need to bring your 'A' game and I felt none of that here. Indeed, I felt like there was more story told in the blurb than ever we had in the actual story which I think is a first for me.

So all in all I cannot recommend this, although I wish the author all the best in his pursuit of this tale.


Once a King by Erin Summerill

Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

There was nothing in the Net Galley page for this book to indicate it was part of a series. If I had known it was I would not have requested to review it. It does not stand alone well. I am not a fan of Sarah J Maas who recommends this. I should have taken her recommendation as a bad omen and steered clear. My bad!

I think books in a series, especially in a trilogy, and especially if it's a YA trilogy should carry a warning sign like on cigarettes. In general terms, and while there are exceptions, series are not known for being inventive. The whole existence is predicated upon derivation and cloning and that's what this felt like, even not having read the first two volumes. The earth, fire, water, and wind motif is overdone in books, and the way it’s depicted here is far too reminiscent of Jim Butcher's Codex Alera series for it to be truly original.

I was really disappointed in this because it offered so little that was new. It's like the author read a dozen popular YA love stories and appropriated the most clichéd parts of each of them. I was still waiting for the king - the male interest - to be revealed to have gold flecks in his eyes when I DNF'd this out of disgust at twenty percent in. Out of sheer devilment I did a search to see if 'gold flecks' or 'gold flecked' appeared in the book, but it doesn't; however, in conducting this search I discovered that the king's other golden traits: hair, skin, eyelashes, are trotted out a sickening number of times, so in my book that counts just as badly as the gold-flecked eyes!

So this is your standard tired story of a man and a woman who hate each other and then fall in love, so there's nothing new there at all. I can't even give any credit for the author making him a king rather than a prince because really? If it had been the other way around and she was the queen and he the 'maiden-in-distress' character that would have made at least a bit of a difference, but as it was, I saw nothing here that I haven't read two dozen times too many in female-penned YA novels.

Why so many female authors pen themselves up this way is a mystery to me, but then I like to read something new when I pick up a new book - not the same tired old thing I've read a score of times before. Far too many YA authors seem not to care about that in their desperation to sell their trilogy, and neither do publishers, evidently. I think it's because, for too many writers, it's not about the writing, it's all about the Benjamins isn't it? They seem like they want play it safe by cloning trilogies of other writers, and recovering old ground endlessly, rather than take the road less traveled and bring us something truly sterling, and it's a crying shame. Rest assured I will never go down that path. It's too boring.

Funnily enough, that wasn't even the worst part. The worst part was that once again the author of a YA story goes for the first person voice and then doubles-down on her error by making it dual first person. I read the first chapter (in the female's voice) and then went on into the second chapter not realizing it had changed to the king's voice. For a screen or two the story made less and less sense than it already had until I realized the author was using worst person times two. That's enough to turn me off a story even if the story is interesting, which I honestly can’t say about this one. Maybe if I’d read the first two volumes it might have made a difference - at least in that I would not have had to read this one?

The main female character, whose name I already forgot, is not an actor, she is a thing which is acted upon: just a girl who can't say "No!" The blurb even tells us that "...when he asks for help to discover the truth behind the rumors, she can’t say no" and maybe it’s a bit cruel to quote that, especially since authors have nothing to do with their blurbs unless they self-publish, but this is actually an accurate portrayal of her weakness. She is controlled and buffeted like an insect in a bathtub drain, and if she'd shown some sign that she was rebelling against this and taking arms against this drain of troubles instead of being the tool of men (take that how you will), I would have at least had the temptation to continue, but she offered me nothing. I wish the author all the best in her career, but I cannot recommend this novel based on the thoroughly unoriginal and uninventive part I could stand to read.


How to Speak Science by Bruce Benamran


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

Translated from the original French by Stephanie Delozier Strobel, this is a chatty, loose look at science and its history and the people who made that history, and it’s often light on the science and heavy on the chat. This might have something to do with the author having a French language You Tube channel (e-penser) on this same topic. The author has an easy, breezy tone, which can make for a nice read, but can also be annoying, and sometimes I think he assumes too much, such as when he says, "The other school of thought was led by Democritus - and of course Leucippus before that."

I found myself asking, why 'of course'? I'm not a scientist nor an expert on science, but I am very well-read for a lay-person and I try to keep up on science and technology as time permits, yet I'd never heard of Leucippus and I'd guess that most people have not, perhaps even including most scientists, so I didn't get why the author writes like everyone knows this already! No, we don't! Or maybe I'm just cantankerous today!

There was some looseness about grammar in the book, too, such as when I read, "...seemed to made it his life's goal...,' which should have been 'make it' (of course!). Not long after this I read, "Such as, running electricity through water (electrolysis) to break down two volumes of water...yields two volumes of hydrogen gas (H2) and one volume of oxygen gas (O2)." I didn't understand the 'two volumes of water' bit! To me it would have made more sense to talk about a volume of water.

Perhaps this sentence, in a section talking about the transmutation of one substance to another and the work of Lavoisier and Dalton, was transmuted itself, but the transmutation didn't complete properly, leaving two half sentences mismatched together instead of one intelligible one? It was issues like this that made me feel this book could use another read-through before publishing. Since this is a translation, it’s hard to say if these problems reside with the translation or with the original authorship, be advised. And since this was a ARC, perhaps these issues have been corrected since this version was made available for review.

There was unintentional humor, too! In a section talking about Giordano Bruno, there was a numeric reference to a footnote which revealed the source of the quote. It's after the colon in the following sentence "Bruno also believed that God was both the mystical minimum and maximum: the monad, source of all numbers" The numeric reference was 6, but it was repeated - a regularly-sized six, followed closely by a smaller, superscript six. I believe this was a duplication of the reference number. It's a pity it wasn't a triplication which would have given us an amusing 666! Although there are some who believe the number of the beast was not 666 but 616, which is several doors down the street. But again, another read-through would benefit the text and catch minor issues like this.

The overall readability though, is good, although there are some oddities and annoyances. The author refers to draft dodger Muhammad Ali when he compares a heavyweight hitter to a problem, but Ali wasn't the greatest by any measure. He comes in third after Wladimir Klitschko and Joe Louis in cumulative title wins, most opponents beaten, and most wins in heavyweight title bouts, and seventh after those two in Longest individual heavyweight championship reigns. There isn't any category where he comes out on top. Except motor mouth, maybe! He was an amusing and sweet guy so I understand but not the self-described greatest.

This is a matter of preference and a minor issue really, but to me it was suggestive of the author going for easy rather than realistic, which is odd choice for a science volume. I could see that sort of thing in a creation "science" book, but in a real work of science? I think the same problem evidences when he tries endearments such as overusing the term "dear readers" and his repeated "joke" when he uses the word 'people' and consistently follows it with "the species, not the magazine" even when 'people' isn't capitalized. The first time might have been amusing, but repeating it endlessly? Not funny. In fact, I found both of these things truly annoying and distracting from the import of the book itself.

On big problem is that this book was written as a print book with academic inclinations, which means it has very wide, tree-killing margins. In an ebook, it matters less because no trees were harmed in its production, but this still doesn't get it off the hook. More voluminous books usurp more energy when stored, retrieved, and transmitted, so a shorter book is always wiser if it can be achieved without seriously compromising readability and quality. Narrower margins would have made this book shorter and less abusive of trees. In a world where trees are really the only entity fighting greenhouse gasses with any determination and application, I can’t favor a book which advocates killing more of them.

There were other issues caused by this being designed from the ground up as a print book and then sent to lowly amateur reviewers like me as an ebook. The organization of the printed page, if it’s anything other than straight-forward text, doesn't translate to screens on a smart phone! The print version has what the author calls 'focus panels' - which I assume are small, hived-off sections, perhaps outlined by a border, which briefly digress into a topic mention in the main text. This might well have worked admirably in the print version, but in the ebook, there is no demarcation between these focus panels and the main text other than a change in font.

Aside from that, one section runs right into another so that, for example, in the chapter on light, in a section talking about Arab scientist Abu Ali al-Ḥasan ibn al-Ḥasan ibn al-Haytham, known more commonly as Alhazen (the author tells us) one screen ends with “...mainly by Ibn“ and the next screen starts with a section on reflection and refraction, which occupies almost the entire screen. Confined tightly to the bottom of that screen is the rest of the sentence that was begun on the previous screen. It’s really disruptive to reading. Evidently no thought whatsoever was given to producing an e-version of the book wherein the focus panels are turned into links which can be tapped to read the content and then tapped again to return to the text. That’s annoying at best.

The section on al-Haytham was regrettable in another way. The author introduces this amazing scientist with the admittedly awkwardly long name, especially for we westerners, and then diminishes the man by saying, "I'm going to shorten that to 'Ali', no offense intended by using the nickname." I did find that offensive. The name Ali is not actually an insulting name in Arabic. It means something along the lines of 'esteemed', or 'worthy', but in western hands it has come to be a term that's at best dismissive and at worst abusive of someone of Arabic descent. I don't understand this patronizing usage. Why not simply use his "last" name (al-Haytham) as he would any other scientist? Why not use the already established 'nickname' of Alhazen? Going the way he went is the equivalent of saying of Einstein, I'm going to shorten that to 'Fritz', no offense intended by using the nickname! Or of saying of Richard Dawkins, I'm going to shorten that to 'Dork', no offense intended by using the nickname. It is offensive, period.

I made it about a quarter of the way though this book. I could read no more of it after I read this in a discussion of the antiquity of telescopes: "[Telescopes] were primarily used on ships for looking at things that were far away...and sometimes, I'm sure, for watching the hottie next door through the window without being seen." I know this guy is French and maybe they think they have a disreputation to keep up, but seriously? It's inappropriate. He couldn’t have said "for spying on the person next door'? Or even 'for spying on the woman next door'? It had to be 'hottie'? That was less than fifteen percent into this book of some 330 pages, so I felt like I ought to have read more than this , but I flatly refuse to continue after a comment like that in a science book. It's supposed to be aimed at the lay reader, not at readers who can only think of getting laid.

In a world where myth, rumor, wild-ass blind conviction, religious fervor, and gossip are all-too-rapidly taking the place of established facts, people need a solid grounding in science and critical-thinking more than ever, and good science books can help. I didn't feel that this one does help, so while I wish the author all the best tackling subjects outside his field of expertise, I cannot recommend this particular effort as a worthy read.


Ready to Ride by Sébastien Pelon


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

This is a young children's book which seems to convey the message that it's just fine for a young kid to go out by himself, meet a stranger, wander off with the stranger without saying a word to mommy, spend hours gone, and then come back and offer no explanation. I felt it was entirely inappropriate and the wrong message to send to kids.

The child in question wants to go out and play on his bike, and the poster parent for bad parenting, who is the kid's mom, lets him out on the street with no supervision and no safety gear such as a helmet or elbow/knee pads. He sees some weird giant creature which is riding a bike and so he follows this creature, which then teaches the kid to ride without his safety wheels.

He does give the kid a helmet, but this is an afterthought and indicates that it's okay to accept gifts from complete strangers. I'm sorry but there are far better ways of achieving the end here than teaching a kid that it's fine to do the things depicted here with someone you don't know and to wander off with a stranger without a word to mom or dad. There are far better ways to have written this, and I cannot approve of this book at all.