Robinson Crusoe by Daniel Defoe

Title: Robinson Crusoe
Author: Daniel Defoe
Publisher: Books on Tape
Rating: WARTY!

Read in a rather strained voice by Jim Weiss.

I learned a few things from this novel. For example in 1719, 'nor' was not paired with 'neither' and no one cared what they ended a sentence with. I learned that Crusoe's original name was Robinson Kreutznaer, that the long form of 'viz' is 'videlicet', and that the original title of this novel was:

The Life and Strange Surprizing Adventures of Robinson Crusoe, Of York, Mariner: Who lived Eight and Twenty Years, all alone in an un-inhabited Island on the Coast of America, near the Mouth of the Great River of Oroonoque; Having been cast on Shore by Shipwreck, wherein all the Men perished but himself. With An Account how he was at last as strangely deliver'd by Pyrates.

That aside, this novel was one of the most tediously interminable and boring novels I've ever had the misfortune to read in my life (I guess the title should have told us that, but no one uses the original title any more for good reason). I swear that the more of these so-called 'classics' that I read, the less do I understand how they ever became classics. Unless 'classic' is merely a euphemism for 'shit'.

Published in 1719, the novel is of interest in that it's a historical novel which was actually contemporary when it was written - or nearly so. The novel is set a half century before, in the 1650's.

The problem is that it's nothing more than a litany of Crusoe's repeated maritime disasters - and not just the one for which he's known. There was a troubled voyage from Hull to London, wherein he was shipwrecked. He set out again, this time on the high seas and was captured by pirates, becoming a slave for two years, whereupon he escaped and ended-up founding a plantation after winding-up in South America.

He sets out to bring slaves from Africa and gets his sorry ass shipwrecked again, and for my money he could have rotted there. The way slaves are talked about - exactly as they were treated unfortunately - as pieces of equipment, as commodities, as tools, as machines, as possessions - is truly sickening. And all of these slavers and slave owners were religious people - they believed in the Christian god, or the Islamic god, or the Judaic god. All of them.

His man, Friday, is given that name by Crusoe who then tells Friday that his own name is "Master"! I know this was how things were back then, and if the novel had some literary merit, I would view it a bit differently, but it has no literary merit. It's nothing more than a tedious recital of things he did: salvaging material from a wrecked ship, putting up a 'tent', digging out a cave, planting corn. Planting more corn. What a great corn yield he had. He must plant more corn. It's corny to the max.

When he's not obsessing on corn, he's obsessing on his fowling pieces (shotguns) and how many pounds of shot and powder he has to hand. I wished he would just shot his mouth.

I cannot recommend this drivel.

Rebels of the Kasbah by Joe O'Neil

Title: Rebels of the Kasbah
Author: Joe O'Neill (unable to locate as website)
Publisher: Black Ship Publishing (unable to locate a website)
Rating: WARTY!

DISCLOSURE: Unlike the majority of reviews in this blog, I've neither bought this book nor borrowed it from the library. This is a "galley" copy ebook, supplied by Net Galley. I'm not receiving (nor will I expect to receive or accept) remuneration for this review. The chance to read a new novel is reward aplenty!

(Note: don't confuse this writer with the Irish writer Joseph O'Neill or freelance writer Joe O'Neill!)

This novel, set at the beginning of the twentieth century, is about four young (middle-grade) children who have been kidnapped for slavery: Aseem, Fez, and Tariq are Arab boys of different skin hues from light to very dark, who were kidnapped in Tangier. They all end-up being taken to the kasbah (pretty much the same as a castle, but note that kasbah is actually an Indian, not a Middle-Eastern, term per se) of Caid Ali Tamzali to be trained as jockeys to race camels for the entertainment of the desert tribesmen.

Margaret is an English girl who was kidnapped into white slavery to be given as a gift to the son of Tamzali. The four children meet each other and from a blood-bond of friendship. They begin planning their escape immediately, but fail to take advantage of several opportunities, which was not only frustrating to me, it made me doubt both their sincerity and their chops! It's only when they reach the kasbah and begin training and racing that a plan comes together, and they escape with the help of a rebel tribe.

That was as far as I got. I didn't like this story for several reasons, not least of which were the graphic depictions of brutality which seemed to me to be inappropriate for the intended age range. While we know that slavery even today is brutal and appalling, I don't need to read that for entertainment in a novel, in gory detail yet, and children certainly do not need this kind of detail.

Even had that not been a factor, I would still have disliked this novel on technical grounds because while it began in an exciting manner, it kept periodically slamming the brakes on the story to tell the back-story of many of the characters which not only destroyed the excitement and flow of the narrative, but bored the pants off me.

I began routinely skipping the chapters which had these back-stories, but even aside form those, there was too much detail in the action sequences to let them flow properly. I found myself wanting to jump a sentence here and a paragraph there in order to get on with the action, and this is never a good sign for me!

When we reached a chapter which was a back-story not of one of the main characters but of another character who was helping the main ones, I said "Check please! I'm done." I really didn't care. I wasn't interested in going back and forth like a bouncing bungee for the main characters, so why would I be interested in learning the history of one of the incidental ones tossed right into the middle of the narrative flow?

I'm a parent of middle-grade kids and I think these fictional kids could have been truly interesting and had a worthy story told about them. This was not that story and I will not recommend it. You need to do more than put kids in an exotic location to make a story worth the telling.

Watership Down by Richard Adams

Title: Watership Down
Author: Richard Adams
Publisher: Simon & Schuster
Rating: WORTHY!

It's very heartening for the rest of us writers that this novel was turned down by several staid and self-interested Big Publishing%trade; concerns before a small publishing house was smart enough to give it a chance. There's always a chance - especially now when we no longer need to kow-tow to Big Publishing%trade; - that we can not only get our works out there, but enjoy some success with them, too, and without being born down under the yoke of big business interests.

This is the story of how brothers Hazel and Fiver, two rabbits on the fringe of their society, lead a band of disaffected fellow rabbits in an escape from their warren, through hassles and trials until in the end, they get to establish their own warren in a new and pleasantly safe environment far from their original home, which true to Fiver's psychic predictions, fell afoul of a human - or rather an inhuman - development which began by gassing all the rabbits in the neighborhood.

The neighborhood is the Sandleford warren, a very large and rather disorganized habitat in which the owsla, the rabbit 'police force' was given privilege after privilege with the rest of the rabbits suffering in consequence. It wasn't hard to find a party of rabbits who were looking to set out on their own.

All-in-all, Adams did a remarkable (and very successful) job, but where he failed, especially given that this novel began as nothing more than stories he told his two daughters (Juliet and Rosamunde, believe it or not) on long drives, was in representing female interests. His daughters were the ones who begged and urged him to write the stories down, so it's particularly sad that Where he evidently got it wrong was that rabbits have a rather matriarchal society whereas Adams misrepresented it as patriarchal.

Since Adams was loosely basing the stories he told on his own wartime exploits, it's hardly surprising that he primarily considered males to be the protagonists. Even that wouldn't have been so bad if he'd had some leading female rabbits along for the ride, but this apparently wasn't in his mindset. The story isn't entirely devoid of decent female representation, however.

The only other real complaint I have is that there are parts of this story which are ponderously slow. Yes, there are some beautiful descriptions of the English countryside, but there's also a lot of rambling, which might be wonderful were we actually in the country, but which is never a good thing in an action novel.

When a visit to the warren's chief rabbit fails to stir interest in addressing the impending doom of the warren as foreseen by Fiver, and indeed gets the owsla member Bigwig, punished for allowing these crazy rabbits into the chief rabbit's presence, Hazel decides to go on the run himself, with anyone who will come along, regardless of rank or position. This is dangerous, because it's one of the duties of the owsla, led by Captain Holly, to prevent rabbit runs (so to speak!).

On the night of the big escape, several rabbits show up: Acorn, Bigwig - with no reason to stay now he's lost his owsla privileges, and Blackberry - a really smart and inventive rabbit who often comes up with great plans to achieve whatever it is that Hazel seeks to do. He's instrumental on their first day of their escape, devising a way to float Pipkin and Fiver across a stream on a plank of wood. Others escaping are Buckthorn, Dandelion - a story-telling rabbit, Fiver - the prophet and seer, Hawkbit, Hazel - Fiver's brother and a wise leader in the making, Pipkin, the smallest rabbit to run with them, who proves to be loyal and overcomes his fears, Silver - a new and disaffected owsla member, and Speedwell. But these are all bucks - no does in sight.

After a nightmarish journey across a seemingly endless heath terrain, the rabbits arrive in an area which looks like it might be worthwhile colonizing. Fiver warns that this isn't a good place, and that they should head for the hills (the distant Watership Down), but everyone is tired, disillusioned, and scared, and they foolishly ignore him.

As they try to settle in and scratch a few shallow holes for shelter under an old Oak tree, they encounter a very large and sleek rabbit named Cowslip, who invites them to join his warren which, after hesitation and debate, they do. It seems like a wonderful place, and has a large underground gathering space which impresses Hazel, but something seems not quite right here. The rabbits behave oddly, and will never answer any question that begins with "Where...". Despite this, the local rabbits are all large and well-fed, so the rag-tag rabbits in Hazel's party cannot figure out what's wrong. They just know something is; then tragedy strikes.

They suddenly realize, as the life of one of them is almost lost, that Fiver is not someone to be ignored when he issues a warning. They quickly abandon the camp and head towards watership Down as Fiver advised. One of the local rabbits, Strawberry, follows them, and Hazel lets him join their band. Before long they make it to Watership Down, and scratch a temporary home under some bushes near the top. Soon they're planning out their warren and excavating it, making it look, as far as they can, like the warren they just escaped - with a large meeting chamber underground.

As they work on building it, several things happen. Hazel rescues a mouse, which pledges to help them in return. After a fright, they discover Captain Holly and Bluebell, from Sandleford warren, hiding out in a hedgerow, Holly almost dead from injury. They nurse him back to health and he tells them a horror story of the last minutes of the old warren. Also, a seagull, Kehaar, shows up, with whom they make friends. Just when it sounds like their adventure is over, it's really only just beginning with their most daring adventure yet to come.

Despite a few issues I had with this, I recommend it. It was engrossing, fun and inventive, and while there was, at times, a little too much description, this novel does hark back to a time when life was not rushed, where there was no such thing as a sound bite, and where people (that is they who actually had leisure time) took time to do things and were better for it.

Kiki Strike: The Empress's Tomb by Kirsten Miller

Title: Kiki Strike: The Empress's Tomb
Author: Kirsten Miller
Publisher: Bloomsbury
Rating: WORTHY!

The title of this novel is something of a misnomer, implying that it's about Kiki Strike when it actually isn't. Yes, she appears at crucial times throughout the narrative to facilitate the action, a bit like a deus ex machina, but Kiki is side-lined by her protector Veruska's life-threatening illness, and she takes a back seat in this adventure (as indeed does most of the crew to one extent or another), leaving the stage to Oona and to Ananka, who is telling the story again. This is the second in what is a series. I already reviewed the first one. The third is now available. I suspect that there will be at least seven, because there are seven main characters in the irregulars:

Iris isn't shown here, nor is she mentioned in the irregulars group at the web site. I don't know why. The web site is worth a visit if you're into this series. It has a lot of interesting stuff.

The girls are now fourteen years old and still together as the irregulars, still righting wrongs and fighting the good fight, but there's some dissension in the ranks. Ananka is growing increasingly suspicious of Oona's behavior, thinking she's going over to the dark side. This becomes especially startling when Oona's father, the notorious Chinese gangster Lester Liu, who escaped capture in volume one, pops up again, seemingly reformed and asking Oona back into his life - the girl he tossed away at her birth like garbage because of her "useless" gender. His life now, he claims, is to be one of contrition and philanthropy.

Oona has a secret which she wants to share with the irregulars, but no one seems to have time to listen, and some are antagonistic towards her for being spoiled, snooty, rich, and unkind to their newest honorary member, Iris, who is two or three years younger than the rest of them.

So what are these distractions? Well, the first is the break-in at a pet store which occupies the ground-floor of an apartment block. The apartments are subsequently invaded by animals which were released from the store, each critter sporting a necklace which itself sports a small sign saying "I want to go home" or words to that effect. The immediate suspect is the legendary Kiki Strike, but Ananka doesn't believe it's her - it's not Kiki's style. The next thing is the new artwork appearing all over the city - a form of artistic graffiti that depicts squirrels issuing warnings about abusing animals. As if that isn't plenty to consider, large squirrels start mugging people in Central Park! And why did Phineas run away from his psychologist parents?

As if all that isn't enough on her plate, and intent upon mapping the last section of tunnel in the Shadow City, Ananka discovers a boy, and later a girl, both of whom have evidently been kidnapped from China. The two are talented artists, but why would someone want to illegally "export" artistic children? There is increasing pressure from Ananka's parents (who are suddenly a lot more hands-on than they ever were in volume 1) to wake up at school and bring her grades up, otherwise she'll be kidnapped herself, and exported to West Virginia to a farm school, which fills her with dread. But she has an ally in the principle of Atalanta school - or so she hopes.

This novel was a little bit too drawn-out for me. It could have benefited from being somewhat shorter, especially with regard to the finale. Still, it was really good - as good as the first one. It's the same kind of set-up, with Ananka's astute and often caustic observations as well as her end-of-chapter tips on topics like how to be mysterious, what to do with secrets, how to appreciate odors, and what not to put in your trash if you don't want someone to learn secrets about you.

I rate this novel a worthy read. The message here is make good friends and then trust them, and part of making good friends is to give them the benefit of the doubt, and to listen to them when they have something to say. This story is well-told and as intriguing as it is engaging. It builds on the groundwork laid in volume one, but is not so dependent upon it that you don't know where you are, even if you haven't read volume one. However, I'd recommend reading these in order. The first volume is so good and it will enrich the experience of reading this one.

Kiki Strike Inside the Shadow City by Kirsten Miller

Title: Kiki Strike Inside the Shadow City
Author: Kirsten Miller
Publisher: Bloomsbury
Rating: WORTHY!

Not to be confused with Kirsten Miller the South African writer and artist, nor with actor Kristin Miller, nor with poet Kirsten Miller, it’s novelist Kirsten Miller's work that I'm reviewing here!

Not to be confused with Kirsten Miller the South African writer and artist, nor with actor Kristen Miller, nor with poet Kirsten Miller, it’s novelist Kirsten Miller's work that I'm reviewing here!

Note that this is a book by a girl, for girls, about girls. It’s not that boys aren't allowed, it’s that they’re simply not needed. This novel is a magnificent exemplar of how to write a novel about strong, independent, no-nonsense young women. Miller gets it and isn't shy about showing it. I wish a host of young-adult authors would take a leaf (or fifty) from this novel and re-write some of their sorry and sad main female characters. Having said that, these girls are only twelve, and so aren't even within the YA range, and I have to wonder where parenting was! A story like this is fine for some fun fiction, but the sad thing is that there are really young girls out there who are saddled with, shall I term it 'disengaged' parents and unfortunately, those children are certainly not having the time of their lives.

Kiki Strike is the subject of this novel, but it's told in first person (and not obnoxiously, so this proves it can be done if you know how to do it!) by Ananka Fishbein, who attends the Atalanta school for girls, where some get in on their money, others on scholarships. It's needless to say how Ananka is there. It's Ananka who first starts getting interested in Kiki, and the two of them eventually hook up and recruit four others to help them: Luz Lopez, DeeDee Morlock, Betty Bent, and Oona Wong. Luz Lopez is the 'electro-genius' (inventor) and she is good friends with DeeDee Morlock, but often clashes with her, quick to point out the fact that DeeDee is much more well-off and privileged than she. She's installed a fire extinguisher which saves Deedee's life many a time. Although Luz is innocent, she has a criminal record which she is often worried about. She is very poor, but more than meets the eye. Betty is expert in disguise, Dee-Dee in explosives and chemistry, and Oona in forgery.

Miller inserts some text here and there throughout this novel offering some delightful (if potentially dangerous), and amusing advice for young female adventurers on how to lie, how to disguise yourself, how to properly prepare for exploration adventures, and so on. Heaven knows where she came up with this stuff, but I loved it, particularly the smart portions of it, even as I hoped that there are no twelve-year-old girls who would read this and then actually try to follow some of the more questionable advice! On the topic of text, here's one weird bit: "…but there was one thing I knew for certain. At least some of the people who had called Shadow City home had never left." This screams for a colon between 'certain' and 'At' in place of the period.

But beefs aside, Miller keeps this story cooking at a warm temperature, continually revealing new and interesting character and plot twists as she goes. The five girls display their individual talents as they ramp-up their plan to discover an entrance to Shadow City, and to explore it fully. Ananka has no special talent, but she has a repository of wonderful books, collected by her parents, at her apartment and so her 'talent' is considered to be that of a librarian. Oona brings her abilities in forgery and computer hacking, DeeDee brings her chemical and explosives knowledge, and Betty her ability to create amazing disguises. Kiki's avowed intention is to own Shadow City, locking-up weak spots to prevent a criminal element from making use of it, even as they explore and map every tunnel of the underground world, seeking "treasure" that might be lurking in forgotten nooks.

Given that they wait for the summer holidays as they prepare and plan, I failed to grasp why they then pursued their avocation at night. It made no sense whatsoever, and necessitated the majority of the girls lying to their parents and exposing themselves to unnecessary risks. This would have been fine had there been some explanation offered for the nocturnal nature of the activities, but Miller offers none. She just expects us to accept that this is the way it is. That was a weak spot for me, but not a killer.

As the explorations begin, Ananka becomes increasingly suspicious of Kiki, but she's the only one who seems to suspect an ulterior motive for her putting together this talented team of feisty fillies. At one point, Kiki is insistent that DeeDee blow open a door against Ananka's objections. DeeDee has done this kind of thing before, but this time something goes wrong, and DeeDee is injured, a flood ensues as a pipe is ruptured, and Kiki disappears with a sack of what appear to be gold coins which the quintet had discovered that night!

That's all the spoilers you’re getting! Of course, here we’re meant to think ill of Kiki, and Miller has put in some decent attempts to sour her for us, but I refused to be fooled. I don’t see the how you can title your novel 'Kiki Strike' and then make her into the villain, so that attempt at slapping a big red herring in my face was squandered!

In conclusion, this novel was excellent: it was inventive, entertaining, and full of adventure. I recommend it.

Tiernay West, Professional Adventurer by Janni Lee Simner

Title: Tiernay West, Professional Adventurer
Author: Janni Lee Simner
Publisher: Cholla Bear Press (website unavaiable)
Rating: WORTHY!

DISCLOSURE: Unlike the majority of reviews in this blog, I've neither bought this book nor borrowed it from the library. This is a "galley" copy ebook, supplied by Net Galley. I'm not receiving (nor will I expect to receive or accept) remuneration for this review.

This review will be shorter than my usual ones because this is a very short novel, and it's new, so I don't want to give out too many spoilers here. Let's talk about the importance of names and titles! This novel is a classical example of picking the right name for your novel in my opinion. It was originally titled Secret of the Three Treasures, which is very tame. It's almost hard to believe what a quick switcheroo can do, but now we have the magnificent title Tiernay West, Professional Adventurer - can you believe that? I think that's leagues ahead of the original and really catchy. I probably never would have read this had it retained its original name. I'm not one for going on much about covers (unless they really tick me off), because authors typically have little to do with their cover (and all-too-often little to do with their title!), but this cover is also wonderful. It amplifies the title perfectly.

This is yet another novel where I fell so in love with the title that I couldn't not read it! Of course, as I've discovered with other novels, a great title doesn’t guarantee a great read, but I'm always optimistic that a writer who can come up with a title like that can also write a novel like that, and unlike my previous experience with such a title, this novel kept me on-board to the very end.

I did get tripped up by the very first sentence. The author amusingly writes a short paragraph at the start of each chapter in italics, as though Tiernay truly is an adventurer. I loved this, but the very first one confused me. At first I thought it was written badly, but after I’d run it through my mind about four times employing different emphasis, pauses, and speeds, I realized it’s perfectly fine. Maybe it was just me, but I’d be a wee bit worried having a novel, even one with a brilliant title, starting out with a sentence that it takes a reader three or four passes through it before he gets it! Here's the sentence in case you're interested in seeing if you're sharper than I am!

Tiernay west stalked through the forest, silent as the great cats of the African plains, deadly as the fabled Royal Assassins of Arakistan.

Now when I read it, it seems perfectly fine to me. I think it was the juxtaposition of 'forest' and 'plains' which tripped me up initially; then my mind was so focused on that, that I couldn’t grasp the rest of the sentence!

I am so in love with Tiernay Markowitz (from which you know it’s only a short hop to 'West'). She's an admirably feisty and determined young woman. She wants to be an adventurer, and to take after the hero in the novels her dad writes. Not that she sees dad much these days, since he and mom have split up. Now she has to deal with the new man in her mom's life, Greg, who seems like a nice guy, but who doesn’t seem even remotely interested in adventuring; nor does his young son Kevin - at least, not at first. I loved Tiernay's long-suffering mom, too. She was the perfect combination of feistiness herself, and of face-palming patience in the face of her daughter's aggressive self-confidence

Acting on information received (by eavesdropping on a nearby table at the restaurant where they ate lunch), Tiernay learns of treasure! This treasure could even be in her home town. Admirably, she heads to the library and discovers a really interesting book about her ancestors, and what should drop out of the book but a short, handwritten note, which mentions not one, but three treasures! Tiernay is on the job, and next she does some Internet research. Yes! She uses the library and the Internet! She researches. She doesn't have things miraculously drop into her lap (apart from that one note!). She doesn't have magical powers. She isn't 'the chosen one'. She's not part angel, part demon or whatever, she's just a regular ordinary child who refuses to be hobbled by others' perceptions of her age and gender and so becomes extraordinary. In short, she's how every main female character should be. How hard is that? Why can more authors - especially female ones who write about females - not get what Jannie Lee Simner has grasped so firmly in both hands?

Tiernay is the kind of daughter I would have chosen, had I had one to choose. She's smart, fearless, indomitable, and completely adorable. She's not afraid to go out on a limb, even under the derision of others. She's always optimistic, she sticks to her guns (even though she carries none!), and she selflessly plays it out to the end. There's rather more than a handful of YA novelists I could name who could learn how to craft a strong female main character by reading this novel, let me tell you! I recommend this novel without reservation not just for the appropriate age group reader but for anyone who likes a good yarn, and for any writer who wants to know how it should be done.

I'm not a big fan of series, but once in a while there comes along a character who has earned the right to be in a trilogy or series, and Tiernay "West" is definitely such a character. I'd like to see more of her. I'd also like to see an adult fiction about the grown-up Tiernay, perhaps where her life didn't quite turn out to be the adventuring existence she had envisioned as a child, where she's in an interesting but relatively mundane job (maybe she's a tour guide, so at least she gets to travel) and then, quite by chance, something pops up on her radar and leads to a rollicking adventure. Yeah. I want to be a beta reader for those stories!

Le Tour du Monde en Quatre-vingts Jours par Jules Verne

Title: Around the World in Eighty Days
Author: Jules Verne
Publisher: Listening Library
Rating: WORTHY!

Translated from the French by Michael Glencross. You can both listen to and read this novel here.

Normally I'd do a movie-book review, because there is more than one movie/TV show/documentary based on this novel. The problem is that, unlike with novels, I only review movies that I really like. I detested the 1956 movie starring David Niven, Cantinflas, Robert Newton, and Shirley MacLaine. It was bigoted, condescending, and abysmally extravagant, and with the exception of maybe half-a-dozen scenes, this bloated three-hour extravaganza featuring cameos by an utterly absurd number of actors was a shameful disaster which bore no resemblance to the original novel.

Around the World in Eighty Days by Jules Verne, was originally published as Le Tour du Monde en Quatre-vingts Jours, in 1873. This CD to which I listened was read remarkably well by Jim Dale, the same guy who narrates the Harry Potter extra material on the DVDs and also the Potter audio books. His range of characterizations was good, and his rendition of Passepartout was hilarious.

Phileas Fogg and Jean Passepartout (from the French Passé partout, meaning 'master key' - or get out of jail free, if you like!) travel the world in 80 days on a wager which Fogg has with four colleagues at the London Reform Club - a bet which would be valued at well over a million pounds today. Fogg is wealthy yet doesn't flaunt it, and he lives his life with a precision and an efficiency which borders on his having an OCD. This bet pretty much constitutes Fogg's entire fortune, and he stands to lose everything should he fail.

He plans to take steamships and railroad rides, spending a week to get to Egypt, and travel the Suez canal. He will then take almost two weeks by ship to get to Mumbai (then called Bombay) in India and he will cross India in 3 days, leaving Kolkotta on a steamship bound for Hong Kong, China. From there he will take just under a week to reach Yokohama, Japan, and then almost three weeks sailing to San Francisco USA. A further week will see him across that continent by rail, and finally nine days to get to Liverpool on England's North-West coast; then down to London.

Of course, it's nowhere near as easy as that. His entire success depends upon him making connections, one after another, between a steamship arrival and a train departure or vice-versa. He runs into one problem after another, not least of which is his pursuit by a detective named Fix, who has pinned him as the thief in a fifty-thousand pound bank robbery from the Bank of England. In India, Fogg discovers that the railroad, which he had counted on to get him across that sub-continent has, contrary to newspaper reports, not yet been completed, and that would seriously seem to, er, derail his chances, but the imperturbable Fogg merely buys an elephant and continues on his way. Him see, Hindu....

It's in India that a completely unforeseen situation arises as Fogg and Passepartout discover that there's a woman who is purportedly a Sati - a young woman named Aouda who plans on immolating herself on her husband's funeral pyre. Except that unlike some Indian women (including some recent ones), this one is not partaking voluntarily. Passepartout engineers a daring rescue, and in order to prevent her falling into these evil religious men's hands again, Fogg agrees to accompany her to Hong Kong, where she can stay with a relative. The relative, of course, no longer lives in HK, but has moved to Europe, so Aouda continues with them to the USA and thence to England.

Barely on schedule, Fogg, after a horrific trip through the US, finds he has missed the boat - literally. For a small fortune, Fogg buys passage on a ship to Bordeaux. The captain cannot be persuaded to re-route to Liverpool (why Fogg is so obsessed with Liverpool is a mystery - Southampton would be faster, although the soccer team there isn't quite as prestigious...!). Yes, Liverpool is fifty miles closer to Cobh (then, Queenstown, in Éire) than S'hampton is, but S'hampton to London is only 60 miles, whereas Liverpool to London thrice that. Anyway, Fogg bribes the crew to mutiny, but discovers that going at full tilt, they've used up too much coal and cannot complete the journey, not even to Liverpool. Fogg buys the ship from the captain at more than it's worth and promptly begins tearing up the wooden superstructure to burn in the ship's boiler!

Fogg arrives in England in plenty of time to win, but now they're back on English soil, Fix realizes that he has both Fogg and warrant in the same place at the same time, and arrests him! Once it's been discovered that the actual thief was already apprehended, Fogg is free to go, but he's missed the train to London and therefore his deadline - so he believes. I told you he should have headed for S'hampton!

Fogg eventually navigates his way to London five minutes late and depressed, so he gives up every idea of anything, and doesn't even repair to the Reform Club. He goes home where he starts to put his (bankruptcy) affairs in order. In what is remarkable both for its inverse approach to marriage proposals as well as its bi-racial overtones, Aouda, who has been consistently and very formally referred to as Mrs. Aouda, proposes to Fogg, and he accepts. It is this very proposal which saves him, because it forces the redoubtable Passepartout to venture out to set a time for the marriage the next day, and thereby he learns that because of the speed and direction of their journey, their personal calendar is out by a day as compared with those who stayed in England. Fogg rushes to the Reform Club in perfect time to win his bet after all, but his real reward is, of course, finding love with Aouda

Jules Verne has written an interesting, eventful and really quite funny novel here, and it's a pleasure to recommend this as a worthy read (or listen!).

Chicago Bound by Sean Vogel

Title: Chicago Bound
Author: Sean Vogel
Publisher: MB Publishing
Rating: WORTHY!

DISCLOSURE: Unlike the majority of reviews in this blog, I've neither bought this book nor borrowed it from the library. This is a "galley" copy ebook, supplied by Net Galley. I'm not receiving (nor will I expect to receive or accept) remuneration of any kind for this review.

This novel is, quite frankly, way too young for me. It’s off the lower end of young-adult, written for an audience even younger than that. If you think of the movie Home Alone, you will be in the right ball-park, especially given that this novel has some large helpings of Home Alone slapstick at the end. But I knew, going into this, that it would be a younger read, so I'm not about to down-grade it for that. This novel is a worthy read for the right age group and I'm sure lots of kids close to, or just venturing into their teens will appreciate it. As I mentioned, it has significant elements of Home Alone in it, and while they're unrealistic, they will no doubt appeal to the target adience. In addition to that, it takes a surprisingly mature approach to the characters, despite what I've just said about the target age range.

Jake Mcgreevy is a fifteen-year-old boy whose mother was killed when he was only two years old. He is bound for Chicago for a two week music camp. The camp is inexplicably set over the Christmas and New Year's holiday period, and I have no idea why. That seems odd to me. If there was an explanation in the novel, I must have missed it. I admit I did skim some parts here and there which were not really very engrossing for me (and then had to track back on more than one occasion to catch up on something important that I’d missed!).

Jake and his best friend Ben play violin, which is a refreshing difference, and the two of them travel to Chicago on a specially arranged bus with ther best friend Julie, who is a gymnast. On the bus they meet Natalie, another violinist. All four children are smart, capable, curious about the world, well-educated, caring, and playful and all have a good sense of right and wrong, even though they don’t always heed it. They bond well, and are very loyal to each other, all of them becoming embroiled in the predictable unravelling of the mystery of Jake's mother's death - ruled a hit and run, but which, predictably, turns out to be anything but that simple.

Jake discovers cryptic clues left in a Chicago museum thirteen years earlier, by his mother. The clues are far too cryptic and unrealistic, but perhaps the target age range will not notice this. I should have my own son read this and comment on it from that PoV, but he's notoriously hard to talk into reading something which doesn't already have an inclination towards! If I do succeed, I'll add his comments to the blog review. Anyway, Jake follows the clues and eventually discovers a forged painting to which his late mother led him (she was evidently too late...), and he traps the bad guys, one of whom killed his mom. In process of slowly tracking down these unlikely clues the foursome goes through all sorts of interesting days at the music camp, getting into issues and scrapes which kids of their age inevitably will, but resolving them with smarts, a willingness to share, a willingness to take responsibility, a desire to resolve problems amicably, and a bit of early teen naughtiness!

I recommend this novel for age-appropriate readers.

Gideon Smith and the Mechanical Girl By David Barnett

Title: Gideon Smith and the Mechanical Girl
Author: David Barnett
Publisher: Tor
Rating: worthy

DISCLOSURE: Unlike the majority of reviews in this blog, I've neither bought this book nor borrowed it from the library. This is a "galley" copy ebook, supplied by Net Galley. I'm not receiving (nor will I expect to receive or accept) remuneration of any kind for this review. Since this is a new novel, this review is less detailed so as not to rob the writer of their story, but even so, it will probably still be more in-depth than you'll typically find elsewhere!

Erratum in galley ebook
P23 "glitterving" should be "glittering"

The male protagonist of this steam-punk novel is Gideon Smith, a 24-year-old who lives with his father in a small fishing village near Whitby, Yorkshire. Both of my parents hailed from Yorkshire, and I've actually been to Whitby, a seaside town which is featured in Bram Stoker's Dracula, so it’s no surprise that Barnett has Gideon meet Bram Stoker there.

I have to say up front that I'm not a fan of Victorian dramas which seem obligated to drag historical people unnecessarily into the fiction. I find that boring and uninventive, and all-too-often patronizing of, and insulting to the persons so press-ganged. In fact, I made the mistake of reading the prologue to this novel and I found that even more boring and uninventive since it parades out the discredited story that Eddy, the son of Queen Victoria's son Edward (the Edward who gave his name to the Edwardian period of English history) was somehow entangled with the Jack the Ripper murders. This myth was the basis of the Johnny Depp movie From Hell and is patent nonsense. Having said that, Barnett has added a twist to this one which makes his "crime" forgivable, in my book at least!

So, it was not an auspicious start to this novel, but I have to say that Barnett started to win me over with chapter one, where Gideon enters the picture. His father is a struggling trawler captain, and Gideon often helps him on his fishing trips, but the one morning when his father decides to let Gideon sleep in, is the day that the entire crew of the trawler disappears without explanation, and Gideon is left alone in the world, his mother and two brothers having already died some time before.

Well there is an explanation, of course, but that's for you to read, and at that point in the story it was more of a mystery than an explanation (but it clarifies nicely as the novel progresses)! The local fishing community just accepts these disappearances as the sea's dividend for allowing humans to sample its bounty. Gideon is a big fan of Captain Lucian Trigger, a story-book hero who, if not completely fictional, is, I guessed, not remotely like his fictional portrayal. Gideon doesn't quite grasp this, and so he endeavors to contact the man in hopes that he can help with another local mystery that has hold of Gideon's imagination.

It’s in process of pursuing this plan that he encounters Bram Stoker, right before a Russian sailboat runs aground with the all the crew save one, missing. The captain is discovered lashed to the wheel and drained of blood, and a large black dog runs ashore and disappears. The only cargo on the ship is three coffins with soil from Transylvania. Anyone who has read Stoker's Dracula will know where that's headed (but don't be too confident: Barnett has added a twist!). The original Dracula novel is excellently reproduced on film in Francis Ford Coppola's 1992 epic, a movie I highly recommend.

Back to this novel! I do like that Barnett has divorced himself from trope with Gideon. He doesn’t have Gideon go haring off into the heart of the mystery like an idiot. He portrays Gideon as a thoughtful, courageous, and smart young man who realizes that he's going to need help to figure out if smugglers might be connected to his father's disappearance and are operating near his village, but when he talks to a friend of his father's, and also to the village constable, he's dismissed and not taken at all seriously. That's when he resorts to calling Captain Trigger and ends up in the company of Bram Stoker. Stoker learned of vampires from his fellow Irish friend Sheridan le Fanu, but he cannot get Gideon interested. Instead, Gideon resolves to set off for London to personally seek Captain Trigger's assistance. That's when he meets the mechanical girl called Maria who. I guessed. is actually modeled after a real person.

But she isn’t just any old clockwork toy. Nope. She has a body made to look as realistic as possible, and although she's clockwork inside her body, inside her head is a different story. Her creator is Hermann Einstein (which coincidentally happens to be the name of Albert Einstein's father...), but he's gone missing. He fitted her empty head with something that he discovered in a most unlikely location. Her head is no longer empty. Far from it.

Gideon learns how abused Maria is by her keeper, a grungy old man with disgusting tastes, who is in charge of the house in Einstein's absence. Gideon invites her to travel to London with him to find her maker, and she agrees, so they take some spare cash which Maria has access to, and borrow another invention of Einstein's: a motorized bike. This prepared, they set off again for London town, home of Queen Victoria.

Meanwhile Bram is poking around Whitby in pursuit of a vampire, and he discovers one of the very last people he might have expected to find - and she is the very antithesis of what he expected a vampire to be! Little does he know that his investigations will bring him right back into contact with Gideon.

And that's all the detail you get for this one! The story continues apace, and continues to be engrossing, as Gideon and his growing ensemble of acquired friends begin pursing seemingly disparate threads that I felt, even before I knew one way or the other, would all lead back to the same source. There are airships (one piloted by a very adventurous woman), there is a trip to a ancient and exotic location where trouble is stirring big time, there's air piracy, there's a threat to the empire over which the sun never sets, and there are truly evil creatures (and that's just those working for the government!). All the threads lead to a fine yarn, and a taut fabric, and though I was less than thrilled with the ending (the novel is evidently the start of a series), the quality of the writing and the plotting merits this story as a worthy read. I recommend it.

My Side of the Mountain by Jean Craighead George

Title: My Side of the Mountain
Author: Jean Craighead George
Pages: 177

Publisher: Puffin Modern Classics
Rating: Worthy!
Perspective: first person past

Review of My Side of the Mountain by Jean Craighead George
by Mac Wood

This is a unique book. It shows in a fictional way what a teenage kid can do in the wild. Bringing only a few items, Sam Gribley lives off the land in the Catskill Mountains. Sam decides to leave his boring life in New York City and experience the mountains first-hand. He soon finds a nice tree to live in, and a peregrine falcon as his BFF. He learns how to fish, to make a door for his tree house from an animal skin, to use a fireplace, and much more.

I got interested in this book because my art teacher read it to my class once. I found it on a bookshelf and decided to read it. I think I learned a lot about survival from this book, too. Even though it's only fiction, it still has some truth in it. My favorite part was when Sam caught his falcon, named Frightful. I recommend this book to young adults who plan on camping out for a week or two. Adventure lovers should read this novel, too!