Showing posts with label mystery. Show all posts
Showing posts with label mystery. Show all posts

Thursday, June 27, 2013

Angel by Nicole Marrow and Laura Hayden

Rating: WORTHY!

I breezed through the first third of this with no effort which I took as a very positive sign! The writing is really good, and my fear that this was going to enter into a sickly embrace with instadore or paranormal trope was swept away leaving no stain on my consciousness. I still didn’t know at that point what was going on with the female protagonist, Angela, but I was on board!

It could have been a novel about an angel, exactly as its title suggests, which would be a big, fat red ink mark in this book's ledger, but it's also:

  1. Not written in the first person present tense
  2. Not a sad YA romance novel
  3. Not a bearer of a prologue
  4. Not written badly
  5. Amusing
  6. and supplied with at least three interesting characters

These are all big fat black ink marks in the ledger, so I'm really quite comfortable - moreso than I feared I would be when I saw this on the library shelf. Believe it or not, I was attracted by the color to begin with - a rich shiny orange which made it stand out from other books; it looked good enough to eat or drink! The title was a bit of a repulsive force-field, but after I read the blurb I was definitely interested, and after I read the first couple of pages, I decided that the writing made it worth a read, so it was not the problem I’d initially visualized.

That's not to say the writing is perfect; there's a handful of screw-ups, such as one p296: "Before Dante could Angela's denial..." which only goes to show that even an expensive production with a professional editor can fail and not end up as good a hob as a conscientious self-publisher can do., but here's the secret: if you write badly and tell and interesting story, you can get a lot further with me than if you write perfect prose, yet tell a crappy story! Marrow and Hayden do neither - they tread very well between those extremes, writing very well for the most part and telling a really engrossing (if somewhat oddball!) story.

I don’t know squat about either Marrow or Hayden, so I can’t say what the deal is with the process that put this novel together. I'm guessing that maybe Marrow had this idea for a novel and Hayden came on board to lend an experienced hand with the writing. Or maybe they're friends and cooked it up together. Whatever the deal is, it works well. Marrow is married to the rapper Ice-T and has been for some time (his real last name is Marrow). According to wikipedia, her nickname 'Coco' derives from her younger sister's inability to say the name 'Nicole' when they were kids! So it's not derived from the song by The Sweet, which they released well before they became big glam-rock stars in England with a string of hits.!

But I digress! The story starts on an airplane where a passenger wakes up and realizes she doesn't know where she is or even who she is. She hardly has time to contemplate this when the plane, which was gliding in for a landing, flips over and breaks up, cartwheeling along the Hudson River in New York City. The only survivors are the woman and the infant she saves from drowning. A news reporter for an online news magazine happens to be on a nearby ferry boat interviewing its captain when the plane crashes and he gets first-hand footage. He also leaps into the water to help this woman and the baby when he sees her swimming and no one else seems to be focusing on her. Later he's instrumental in getting her relocated - when the hospital wants to hastily discharge her - to a psychiatric facility. Her problem is that her memory isn’t coming back.

Her name is determined, by process of elimination, to be Angela, which is very close to the 'Angel of the Hudson' name she'd been dubbed with for saving the baby. Angela seems to have an extraordinarily disturbing effect on men. They seem to vacillate from feeling rather antagonistic towards her, to wanting to jump right into bed with her, no questions asked. A rep from the airline almost seduces her in her hospital room, but he has a heart-attack before anything can happen. Her doctor decides to discharge her as soon as he can because she seems to be a lawsuit waiting to happen, When Dante, the news reporter discovers (from his brother Bryant, who works at the hospital, that she's to be discharged with her memory still not intact, he publishes an article which effectively shames the airline into footing the bill for some extended psychiatric evaluation, to see if her amnesia can't be resolved.

The facility she's sent to is shabby and so it’s value to her as a remedy is highly questionable; clearly the airline hasn’t exactly splurged, but at least it's somewhere to stay! She's roomed with Gretchen, a rather valkeryan woman with serious anger control issues, but Angela, when threatened, uses some Judo move on her, which drops Gretchen to her knees and the two of them become friends after that.

There's one more thing. Angela hears voices which seem quite clearly to be the thoughts of people around her, but she doesn’t get all thoughts all the time. It seems to be a bit like Prince Po in Graceling: - she only seems to get thoughts which are directed specifically at her, although Angela is a bit of a Mary Sue about figuring this out. What transpires is that she finally realizes that it's men she can hear, not women at all, and on one of her daily constitutionals around the grounds, she "overhears" two night-shift orderlies plotting on raping her new roommate (Gretchen is by this point unceremoniously gone, for some reason). In order to defeat the evil orderlies, Angela switches meds on her roommate so she's the one who is out for the count; Angela then switches places with her. I think Marrow and Hayden need to learn a bit more about how medical facilities dispense medications and the power of what inappropriate dosages can do, but they've already established this place as sloppy at best, so I'm willing to let this one slide!

The two men come into her room at midnight and she's suddenly overcome by a desire to have sex with them, but then her previous plan breaks through her delirium, and she beats up on them instead. The next morning she "hears" one of them plotting revenge against, her so she checks herself out of the institution and calls Dante, using the number on the business card he left in her clothing when she was at the hospital. They meet at a diner (although on p170, Marrow mistakenly refers to it as a dinner!) in a bad part of New York City. I've been waiting for these two to get together, so let's see what happens now! I'm in a mood for blitzing this novel and getting it read today. That will also facilitate my starting on something new, which has become more imperative since it has relevance to a news item that's been on the airwaves over the last couple of days.

In the diner, they eat surprisingly tasty food, and Angela shares everything with Dante, including passing him a picture which she has drawn of the man who keeps on appearing in her nightmares - the man who killed her. Dante thinks she may be crazy - but she doesn't know this since he's the first man she cannot "hear". Despite his fear that he's as crazy as she is, he decides to help her. He starts by trying to get together a list of women from the local area who were murdered, and he narrows it down to a list of six he intends to investigate. Angela picks out a specific one: Chloe Mason and without seeing the photograph, identifies the perp, her husband Lars. Curiously, the drawing she did is never mentioned nor is it compared with the photograph. This appears to be an oversight on the part of the authors.

One evening very shortly thereafter, when Dante and Angela are in his cube discussing how to proceed, Dante's miserable boss Victor comes out. Angela hides and Dante talks with him briefly, but just when he thinks Victor is going to leave him in peace, Angela comes out of her hiding place and strikes up a conversation with him. It's during this and the events surrounding it that Dante discovers, as does Angela, that she can change her physical form, so she's not only reacting behaviorally towards fulfilling men's fantasies, she's now reacting physically and actually changing her appearance to match what they desire.

The reason she has done this in this case is that she caught Victor's thoughts - he only came to Dante's cube to plant some evidence which would destroy Dante's career and simultaneously free Victor from suspicion. Victor has been embezzling money from the news organization and was planning on disappearing to Brasil. Angela's transformation and mind-reading bring down Victor and get Dante a promotion: he now runs the news department and he hires Angela to work with him. When he and she are going through the resumes for the people he's considering hiring, Angela remarks that they're all women! Dante does indeed staff up his extraordinarily genderist news department with all female staff.

Three of these, Selma, Althea, and Ivy, are brought into Dante and Angela's confidence about what they're up to. The four of them go after Lars Mason under the pretense of giving him a freebie web spot advertising his sale of his magnificent mansion in the guise of an interview with this successful financier. He claims he's selling the house because it holds too many memories of his wife. Needless to say they bring him down, and that's how this story ends. But while there's no prologue, there is an epilogue which has Dante and Angela jetting off to LA to pursue what Angela was doing out there for two days before she flew back to NYC, became possessed by Chloe, and got into that crash. Clearly this novel was intended as the start of a series, and I have to say that I'd be up for reading a sequel, especially since we still don't know what Angela is or what happened when Chloe died and her "spirit" seemed to fly up and possess Angela's body right as her plane flew over the very place where Chloe was murdered.

Tuesday, June 4, 2013

Three Lives of Tomomi Ishikawa by Benjamin Constable






Title: Three Lives of Tomomi Ishikawa
Author: Benjamin Constable
Publisher: Simon and Schuster
Rating: WORTHY!

DISCLOSURE: Unlike the majority of reviews in this blog, I've neither bought this book nor borrowed it from the library. This is a "galley" copy ebook, supplied by Net Galley. I'm not receiving (nor will I expect to receive or accept) remuneration of any kind for this review. Since this is a new novel, this review is shorter so as not to rob the writer of her story, but even so, it will probably still be more detailed than you'll typically find elsewhere!


I must be fated to start out not liking ebooks as I begin them, liking them as I dig deeper, and then unpredictably either liking them or hating them as I read through to the end! Strange but true. Constable may be a famous last name in English art, but that still didn’t make me want to read any introductions, prefaces, prologues or forewords written by this particular Constable. As I've said before, if it’s worth reading, it’s worth putting into chapter one, which was where I started reading. That's also where I had a problem enjoying it.

Note that the male protagonist in this novel is Benjamin Constable. Why he chose to depict himself - or perhaps more accurately, use his own name for the character - or indeed whether Constable is a real person or merely a pen name for someone, perhaps even a female author, I have no idea at this time. To distinguish between Constable the character and Constable the author, I shall refer to the character as BC, and the author as Constable from this point onwards.

The first thing we get to read is a suicide letter, which normally ought to make a reader perk up and pay attention, but I found myself so distracted by the rather pretentious and overly florid language of the meandering letter that I really started not to care if this person had died! In the end, I felt rather cruelly comforted by her absence from this world, if it meant that she had taken this kind of fluff with her when she left! Fortunately for Constable, the story began to pick up after that, and I found that I’d read some hundred and fifty pages effortlessly, without feeling any awful thoughts towards Constable or towards his female protagonist. The purportedly dead one of his two female protagonists, that is....

The assumption is that she's dead, but I am not convinced. Indeed, given his penchant for not only seeing, but also interacting with a large but non-existent cat, I have to even question whether Tomomi Ishikawa exists at all, much elss whether she did exist and is now dead by her own hand. There is no body, and there is some suggestion that she might still be alive - which even BC himself considers as a possibility eventually! I found myself really starting to like Tomomi Ishikawa even though, as I was to discover, she had some really unlikable traits. Having said this, I have to add, in the end, that I really disliked her! I have a soft spot for Japanese women, so that took some doing! So sue me! Or is it: see Sumo?!

The author of the suicide note had written it on her laptop, printed it out, put it into an envelope, and pushed it under BC's door while he was at work one Friday. Yes, he's quite literally telling this fable about himself - and it’s in the first person! Yes, I know I swore off first-person stories, but I had this one on my e-shelf long before I made that semi-serious declaration. Constable's first person isn’t obnoxious, although he does seem to slip between present and past tenses unpredictably. But maybe this will turn out to be the very first person novel that I've been looking for, as an antidote to the dotes I've been nauseated by of late! We'll see!

BC's ostensibly dead friend is the Tomomi Ishikawa (TI) of the title. The novel is in three parts, one for each of her lives presumably, and the first of these is in Paris, where BC works as an English teacher. Having read the disturbing note, he heads over to her apartment and retrieves her computer, which she evidently intended him to have (since his own is a crappy piece of trash which dies on him soon thereafter). I'm going to blithely assume that his was a nasty old Windows machine and hers is a cool-looking Mac, because I can! There's a complete absence of evidence to the contrary! When he boots it up, he discovers that most of its content has apparently been deleted (and he evidently doesn't know - or doesn’t care - that it’s possible to undelete files if the computer hasn't been wiped with military efficiency). There are several folders apparently left there specifically for his eyes.

At first, these files make no sense (there's a folder titled 'My Dead' which includes his name, for example) along with a handful of others. Some folders contain seemingly random photographs taken all across Paris, others feature entertaining stories (with one or two somewhat boring ones). A couple of the stories relate that TI has killed at least two guys: guys who were evidently suicidal anyway, but this nonetheless makes her at best a Jack Kevorkian-like facilitator and at worst, a murderer. But are the stories true, or are they merely fiction?

BC slowly discovers that TI has left for him a kind of treasure map, whereby if he follows her slightly cryptic clues, which for him are not so cryptic since he knows both TI and Paris so well, he can uncover "treasure" in the form of notebooks or other items (such as, for example, an umbrella) left for him in various hidden locales, secreted in landmarks or hidden in places he and she knew together. These treasures provide further clues which lead him on a journey.

One journey he discovers that he's too chicken to undertake, is to follow a clue which would necessitate him sneaking down into the Paris Metro (subway, underground) tunnels. I thought that this maybe significiant for the novel's finale - and it is! Eventually these clues take him from Paris to Manhattan, where he meets the second female protagonist who accompanies him on his treasure hunt. Her name, curiously, is Beatrice! Curious that is, for me, since I'm currently immersed in writing a parody of Divergent! Yet another weird coincidence in my reading-writing adventures! Maybe I should write a novel à la Constable about those?!

At each place where I had to stop reading this, I found myself looking-forward to resuming it, which is always a good feeling for a reader. This story is a bit like a Dan Brown novel, but with a real story in place of the trade-marked high-speed Brownian motion. And this is enough spoilers for a new novel, so the rest of this review will be much mroe vague observations, not detailed descriptions, and the first of these is that Constable really has a charming way with his characters (the suicide note notwithstanding!). Their interactions (even with TI who can be obnoxious to him at times in his reminscences), and especially with Beatrice, are whimsical and endearing. There is a sly sense of humor running through their conversations which I very much appreciate.

His initial encounter and budding relationship with Beatrice at the New York Public Library and afterwards is completely captivating. I was impressed by the maturity and playfulness of the friendship, with both BC and Beatrice contributing equally to the bond which they created between them, and this is exactly how it should be in my mind. What a pleasure it is to read something of this quality after having dealt with some truly dreadful relationships in YA novels of late! It’s like comparing a blue ribbon mousse with several day-old, rubbery, chewy Jello which is of a flavor you didn’t even like to begin with.

The relationship doesn't come as a gilt-edged security however, because Beatrice is uncomfortable with all the coincidences which seem to be popping up, and rather leery of his treasure hunt. However this doesn’t appear to prevent their relationship from continuing to blossom. BC - who evidently hails from the Midlands (of England), just as I do - also begins to feel uncomfortable, but not with Beatrice. His discomfort comes from the fact that he's still receiving emails from TI forwarded to him by a third party (or from TI herself, perhaps). Whoever it is has evidently followed him from France to the US, and is tailoring the emails to his activities. He's being watched!

In the end, I was a bit disappointed in how this story came to a conclusion, even though it was entirely in character with what had happened before. Pretty much all of my theories were wrong - save one! I felt a bit cheated by the ending; however, given the quality of writing, and the characterization of the main protagonists, Ben, Tomomi, and Beatrice, I highly recommend this: it's excellently well-written and quite enchanting.


Thursday, May 30, 2013

Blind Date by Frances Fyfield






Title: Blind Date
Author: Frances Fyfield
Publisher: Penguin
Rating: worthy

Frances Fyfield is from my own home county of Derbyshire in England, and this is my own signed hardback copy! How cool is that! How many author's signatures do you have on your Nook screen?! lol!

So, too cool, but if only I could be sure I'll like it! So, a blind date with Blind Date! I have to confess that I found this novel almost impossible to get into for the first thirty or forty pages, then it all started settling down. I’d advise a re-write of those first pages were I Fyfield's editor. At one point she's in first person, then loses that for third person. Very little of what she wrote in those pages made very much sense to me; then it’s like someone else took over and the novel was fine.

The story features Elisabeth, a young woman who got drunk one night and tripped over while walking home, and while she was lying there half asleep, some psycho who had been stalking people prior to this, threw acid onto her. Fortunately, she was laying in such a way that her face was largely protected, but her body was severely burned, her skin even dissolved in several places, and her surgery to correct this hasn't exactly been stealthy. I can empathize with Elisabeth a little, having accidentally knocked scalding hot water onto my back when I was very young, but mine is hardly a scar which stands out in public. It does lend a whole nude meaning to "keep your shirt on" though!

We join Elisabeth staying with her mother in Devon at her boarding house. She hates it there, her only comfort being her 12 year old brother (whom I suspect of being the acid thrower, warped wretch that I am, but there is another potential suspect revealed later, so maybe I am as warped as I claim!). Even though she isn't completely recovered from her trauma, Elisabeth prevails upon her friend Patsy (shades of Absolutely Fabulous!) to return her to London. Patsy is something of a fair-weather friend of Elisabeth's, resenting her neediness now that she's injured.

Back in London, Elisabeth moves back into her bell tower. She lives in the bell tower of an old church, one which is largely disused, so the bells haven't rung in years. She wakes up in the night to discover someone else is staying there - a large, gentle young man who was occupying the place during her absence, doing some work around the church. After her initial fear that he was an intruder, they reconcile their positions and he plans on leaving the very next day. She fails to recall that he is the same guy, Joe, who she saw hanging around during one of her hospital visits in Devon....

In addition to Elisabeth, we’re introduced to a small group of young professional women, of which Patsy is one, Hazel another, and Angela the third. They're in relationship doldrums and decide to join an introductory dating service to find a decent guy for themselves. Angela, who has already signed on for this service, but who keeps this secret from the other two, is supposed to meet with a guy (nicknamed 'Owl' because of his eyeglasses) who also joined the dating service but kept it secret from his three male friends (Joe, Rob, and Michael) who were talking about joining it - at Michael's suggestion!

Angela turns up dead. Patsy gets an invitation from the same dating service. None of these girls talk to each other about what they're up to - except that Patsy does confide in Elisabeth, who, having kicked Joe out, has now started to become friendly with him and is lured out for a bus trip around the sights of London with him.

Meanwhile, the rather weird woman who runs the dating service seems to have an oddball relationship with her rather oddball son. The plot sickens! But this story continues to intrigue me. During the first thirty or forty pages I was really becoming frustrated with it, and when I read bits and pieces of it over the weekend, I was frustrated, but reading it at other times, including at lunchtime today, I was drawn right back into it. The problem I think is that this novel is dense and serious and it doesn't take kindly to being read in dribs and drabs, or when there are interruptions going on around you. But if you sit down with it and treat it with respect, and give it some time, then it will be kind to you! How odd is that? It’s like the novel is the physical real-world manifestation of the fictional female protagonist within. I don’t know if Fyfield deliberately created it like this, but it’s a wonderfully enlightening concept which has really made an impression on me as a writer!

So Patsy survives her encounter with Michael, the son of Cynthia, warped and wefted adult child that he is, and she passes on her knowledge of him to Joe and Elisabeth, who are now becoming much more comfortable with each other, although she's as irascible as ever. In a bygone era, I could imagine a young Katherine Hepburn playing her and playing her well. Michael is carrying a psychic wound from someone who was unkind to him, and I believe that the person who did this to him is none other than Elisabeth herself, who caught him stealing when they were both kids, and reported him - although that alone seems insufficient to warp him as much as he is. So now he's killing women who are unkind to him, which is why Patsy is still alive. It makes me worry about what will happen to Elisabeth if this is what happened. How is she going to handle the guilt-trip that drops on her when she learns that she set this killer in motion? Or am I completely wrong in my assessment? It wouldn't be the first time!Both Joe and Elisabeth go to sign on with Cynthia's match-making agency, but Joe deliberately plays himself as an uncouth character and is thrown out, whereas Elisabeth, who remembers Cynthia from the incident during her childhood, is rushed through the sign-on process and hurried out the door a little more kindly. Now it appears that Michael has his hands on a key to her church tower, so things are slowly coming to a head.

I'm not sure I'm too keen on Joe. He strikes me as being a little bit creepy, but Elisabeth I am in love with, and looking forward to reading how this all pans out. As it looks right now, I'm pretty much expecting there to be a showdown in the tower rather reminiscent of the ending to Hitchcock's Vertigo, but with a bell falling on Michael (assuming he's indeed the villain and not an appallingly stinking red herring!) or something along those lines. We'll see!

Well I finished this and I did get something right! The ending struck me as a bit vague, and Joe's behavior seemed so at odds with how he'd been characterized earlier that it bothered me to a degree, but considering characterization and general writing quality, I recommend this novel because of Elisabeth.


Thursday, May 16, 2013

Untraceable by S.R. Johannes






Title: Untraceable
Author: S.R. Johannes
Publisher: Coleman & Stott
Rating: WARTY!

DISCLOSURE: Unlike the majority of reviews in this blog, I've neither bought this book nor borrowed it from the library. This is a "galley" copy ebook, supplied by Net Galley. I'm not receiving (nor will I expect to receive or accept) remuneration of any kind for this review. Since this is a new novel, this review is shorter so as not to rob the writer of her story, but even so, it will probably still be more detailed than you'll typically find elsewhere!


I'm ½-way through this one, which is the first volume in The Nature of Grace series, and I have to say that I'm not very impressed. The premise is a good one, but the execution leaves everything to be desired. There are related novels which I flatly refuse to entertain based on what I've read so far: Unspeakable is either another novel in this world, or it's a very à propos one-word review of Untraceable; Uncontrollable is without question a fair description of the little jerk of a protagonist in Untraceable.

Grace Wells's father has disappeared. He's a park ranger and he's been gone for three months and no one knows what happened to him. Since his radio was found in the river, the assumption is that he drowned, but there's no evidence that anyone has ever scoured the river for him! The police are telling Grace that it's the responsibility of the Park Ranger service, which is about to drop the case. Grace is scouring the woods herself using field-craft that she learned at her father's side, but everything she does is pointless because it's been three months and a few rain storms in the meantime, and any meaningful tracks or trails are long gone.

For a story that's supposed to be centered on a female protagonist, I found it inexplicable that every animal she encounters out in the forest is identified as a 'he'! A cricket, a squirrel, a snake, a rainbow trout (which is slimy by the way, in case we aren't yet girlish enough for you!) are all firmly male with not a suggestion of a female creature in sight. How do these creatures breed out here?! Or are the females of the species staying at home doing the housework? I found that level of genderism appalling in a female-centric novel, and it's an entirely predictable betrayal of the very basis of the novel. Sadly, it's not the only one.

Grace is so pathetically desperate that when she finds a Cheetos bag, she begs the police captain - an old family friend - to dust it for prints because her father ate Cheetos! This says more about how illogical the story is than it does about Grace, however, since she is now effectively telling everyone that her father the Park ranger was a complete slob, who trashed up the very park he was supposed to help maintain! Even if there were his prints on the bag, what would it prove? If this were merely a sign that her therapy isn't cuyting it, that would be one thing, but it turns out that it's not. It's actually a sign that Grace is a stupid, spoiled brat who has no clue as to the meaning of the term 'boundaries' or that of 'decent behavior'. She exhibits increasing stupidity as the story continues, starting with stealing the file on her father from the police captain's office!

On a trip into the forest, we're immediately subjected to the beginnings of a tired, tired, tired cliché of the inevitable young-adult love triangle. There's the standard bad-ass newcomer whom she meets in the forest and with whom she inescapably falls into inescapable instadore, contrasted with the faithful, devoted, good-natured moron whom she abruptly ditched, but who will do anything for her and who consequently, she abuses criminally (I use that word avisedly). Grace is a heartless user, and she deserves no consideration or respect IMO.

She happens to very conveniently overhear two guys talking like they're going bear-hunting out of season, and since we've had it bitch-slapped into our heads that Grace loves bears, she's naturally loaded for bear at hearing this! Pop quiz! So having heard this news about the hunters, Grace now decides that the best thing is to:

  1. Alert the rangers and police, OR
  2. Leave her employer in the lurch by running out on her after-lunch shift, follow these bad guys alone into the deep forest without telling anyone what she's up to, and thereby risk getting herself kidnapped and/or killed?

Which do you think she does? You got it right! And what do you think happens? Yep! Got it in one! And who do you think rescues her from these clichéd caricatures of dumb red-neck brutes into whose evil arms she falls so helplessly? Yep, it's the mysterious bad-ass guy in the forest - you got it right again! So now we learn that this young woman for whom we're supposed to root is not only wilting like an unwatered wallflower, but is also stupid squared. She has a cell phone but never once does she call in where she's going or that she might be in trouble with two poachers, or that she's escaped from two poachers and someone from the Ranger's office needs to come pick them up.

At one point, while she and her rescuer (no word yet on whether his hair falls into his eyes, but he does have recognizable muscle mass) are sheltering in a cave from the conveniently pouring rain which our field-crafter never saw coming (or if she did, she sure kept quiet about it), she actually has this thought: "Maybe it can't hurt to give this guy a chance. Drilling him is much better than being grilled about my encounter."! I did not make that up! She would rather drill him than be grilled! I'm sure that's not what the author intended me to imagine, but it is what she achieved!

Nor did I make up this one which appears a bit later: "Just as I'm about to give up, something nibbles at my fly. Breathing evenly, I do a quick jerk..." Yeah, she's talking about fishing, but there are better ways of writing these things, and if your story is in danger of going over a cliff, you definitely don't need to pile on any more baggage with sloppy syntax or idly composed prose that might tip an already precarious balance in your reader's mind! This guy Mo, the bad-ass savior of Grace, has never harmed her or even looked like he would, and now he's actually saved her life, yet she's having more qualms about him than she did about blindly following two nasty guys into the forest by herself! Honestly? Now she gets all cautious?! Maybe Grace is short for graceless?

I'm sorry, but novels like this, if this is all they have to offer, need to be sold with a free barf bag attached. I was hoping that the other half of this story would be a lot better than the first one, but it seems not. Grace is still doing monumentally dumb things. When she gets back to town, she fails to tell the police of the fact that she was held hostage by people whom she actually considers might have something to do with her dad's disappearance! Yeah, just let 'em run wild, graceless! Instead she goes directly home without even a care for whether someone might be following her. When Les the Ranger shows up, she does tell him, and he goes off after the bad guys Al and Billy, telling Grace to wait at home. Pop quiz! So having been told by a Park Ranger to stay home Grace now decides that the best thing is to:

  1. Stay home as instructed, OR
  2. Promptly heads into the forest without telling a sole where you're going?

Right again! I think Grace might actually have taken the lead from Luce (of Lauren Kate's abysmal Fallen novel) for being the dumbest cluck in the hen-house. The only conclusion I can draw from all this is that the title of this novel refers to Grace's functional neurons.

So predictably, Mo finds her again - what a stalker he must be to always be there when she is! But unlike her behavior with the bad boys Al and Billy, she takes Mo down hard before she realizes who he is. She she can put him down but no one else? Is that the basis of her attraction to him?! Or maybe the basis is the fact that Mo is creepy enough to sneak up on her after all she's been through and not even have the decency to offer a word of greeting on his approach? I skipped an entire chapter at this point because I was in danger of going into a diabetic coma from reading it. The chapters are all titled "Survival Skill #" whatever, and 18 was nothing but Grace flirting cheesily with Mo instead of searching for her dad. I guess she soon dropped that old geezer from her consciousness

"Survival Skill #19" has her unaccountably freaking out over the sound of what might have been gunfire in an area where hunting is regularly going on! Of course it might have been an engine back-firing, but she denies that with a "No way!" when she's ridden her motorbike up there frequently, and she's also followed a truck up there. This makes zero sense. Instead of fearing for the life of Les, whom she sent out here to find those guys, she goes into a panic for herself, and starts running! Mo physically restrains her and demands to know what she's hiding! This is the girl he had to rescue from two deranged guys and he's too stupid to grasp why she might have panicked? She tells him her dad has been missing for "three months, eleven days, twelve hours, and forty three minutes" even though she cannot possibly have it down to the minute or even the hour. No one can.

Brain-dead and graceless fails yet again when Les reveals he has actually brought in Al and Billy. How he managed that when both of them are violent, armed, and have no scruples, is only addressed later and obtusely, but what's a far bigger fail is that all graceless now has to do is accuse them of kidnapping her, and they're in custody for a long time, yet she fails to do so! Instead she goes haring off on some wild-ass chase based on the soda can that Les was drinking from! I want to ditch this novel and move on to something better because I'm now forced to consider that it might be a children's novel and not YA at all.

The only thing actualyl retaining my interest right now is that I'd thought Les would end up getting killed, but since he didn’t, I'm seriously considering that the real villain is Les - or maybe even Mo which would be a pleasant change, but I can't see that happening. So Grace hikes for two hours (wihout telling anyone where she's going, to get to this station based on Les's soda can, and she becomes immediately suspicious when she arrives there, but instead of using her cell phone to call for help, she takes out her knife and lies in wait. This girl is stupid, stupid, stupid, even as she tells herself that this time she needs to be smarter. Snooping around, she finds the station trashed, and a dead bear, hunted illegally, but she does not call it in and she takes zero evidence, not even photos with her phone. Stupid, stupid, stupid. This is definitely a children's story and was therefore pitched to me under false pretenses!

Grace goes back to town and meets with the police captain, but then spends two pages without telling him what the critical problem is, bantering with Wyn instead! When Carl the captain finally drags it out of her that there's a dead bear, he asks her "Are you sure?"! Honestly? Are you kidding me? Maybe it was a dead bee? What could you mistake a dead bear for? Maybe it was an old rug someone tossed out?! But of course since Grace is stupid, stupid, stupid, and incompetent, and didn’t call it in, nor procure evidence, nor take photos, then she has nothing to offer them, and even if she did have evidence, it's not evidence that Al or Billy, or Les had anything to do with it.

Wyn offers to help her but she lies to him, failing to mention Mo. So now Grace is a liar and a jerk, and we’re supposed to root for her? At this point I'm thinking she deserves everything she gets, including a dressing down from Carl for trying to tell him how to do his job. Wyn offers to go the station and get pictures of the dead bear (assuming it was a bear, remember, Grace might have mistaken an old discarded winter coat for a dead bear). Grace immediately forgets how upset and frustrated she is and starts shamelessly flirting with Wyn, which probably accounts for his shameless manhandling of her, with his hands all over her inappropriately and she never raises an objection.

When they arrive at the station, the place is all cleaned up, and the dead bear is gone! Clearly Al and Billy are innocent (at least of the clean-up), but this doesn’t register with Grace, who decides to Google them! She goes out to meet Mo at the river the next day -the hell with continuing her search for her lost father, over which she's been obsessing for months. Who cares about a missing dad when you can squeeze Mister Hottie in the forest with a phishing rod? Naw, it’s much more important to flirt with Mo, who is supposed to be British but uses Americanisms just like a native.

He describes her as a cute girl, and far from being insulted, she shows as little upset from this as she does when he demeans her with 'blossom'. On the contrary, her face heats up and she builds a totally unnecessary fire, apparently just from the heat of her face. When the fire gets going, sparks "twitter" from it! I did not make that up! Twitter! Yep, there's probably a hash tag floating around. Look for #St.iMental.fire. Clearly this is not instadore! This is surely an original Native American Brand True Love™! I mean, get this: "His mouth attack mine with such force that my lips forget to fight back." Yep - demeaning Native American pigeon English! I suppose it’s a typo - that the 's' was missed from the end of 'attacks' but seriously, with the way this scene is going, I wouldn’t at all have been surprised if that sentence had been followed up with something like, "Me Mo. You squaw. Me make heap big love to you in my tipi." So much for the strong female protagonist. Goodbye, graceless, hello Mary Sue! Or maybe we should use a more condescending Native American cliché like 'Dances With Dumbass"?

So Mary Sue goes to Mama Sue for advice on the photos of boot prints she has, and despite not having a single thing by which to judge the size of the prints, Mama Sue nails them down to a size 10 and a size 11. She must be a truly remarkable woman. Mary Sue makes the super-human leap to the astounding conclusion that the smaller boot is Billy's and the larger is Al's. So another day when she could be searching her grid for her dad is blown off to have fun with Mo. How easily she's distracted. Dances With Dumbass make me heap sick. She spends the night with Mo, without calling anyone to let them know where she is. She has a bad dream but eventually she can fall asleep with Mo's arms encircling her in a Mo Original Ring of Safety™. Sigh.

Her mom freaks out when she gets home the next morning and Mary Sue Grace (MSG) offers neither a word of apology nor of explanation. Far from it. She treats her own mother like crap. Her mother complains that she missed her psych session yesterday and MSG declares arrogantly that she will pay for it, since she's a working girl, but guess what? Since at this point, she's not worked throughout this entire novel except for one shift which she blew off at lunchtime, she's hardly working in any meaningful sense, now is she? So her Mom grounds her, but Wyn shows up, and this shameless 16 year old starts kissing him. It must be the power of Wyn telling her that he wants to think for both of them! I am not kidding: that's exactly what he said!

I'm sorry, but I'm outta here. This novel sucks rotten wood like a forest fire. I have better things to read with my time. This is a definite WARTY!

Wednesday, February 20, 2013

False Memory by Dan Krokos





Title: False Memory
Author: Dan Krokos
Pages: 327
Publisher: DAW
Rating: Worthy
Perspective: first person present

False memory is the first in what promises to be a series. Apparently with that in mind, some production company has apparently option it for a TV show. It begins with a 17-year-old girl named Miranda North, who apart from her age and name, pretty much can’t remember anything about herself, but she does know enough to ask a mall cop for help. He thinks she's messing with him and refuses aid and when she's insistent, he grabs her as though he's going to walk her out of the mall! He doesn't even read her Miranda rights! (Yeah, I went there!). Miranda immediately throws him right over her shoulder to the floor, and at that point something emanates from her like a wave, a psychic vibe, heading out in all directions across the mall, inducing real panic in everyone it touches around her. People even jump blindly over the rail from the second floor to escape, evidently killing themselves as they hit the floor below.

When the wave passes, the only person seemingly unaffected by it is Peter, sitting there in the food court. He's a stranger to her, but Miranda talks with him, and he cryptically tells her to come with him, she's 'special' and they need to go 'home'. Again with the zipped lips syndrome. Krokos (which sounds suspiciously like the Dutch word for crocus!) seems to not know that there's a difference between the characters not knowing anything and the reader not knowing enough. It's annoying and I haven't warmed to his style yet.

Miranda leaves the mall, led by Peter, which is kind of intriguing in a gender-confused manner, and they escape the immediate environment in a stolen police car. Shortly, they park by some warehouses, climbing a steel ladder to the warehouse roof (which is just as well because cops show up at the car they left below before too long). Peter explains a little about what's up, but again nowhere near enough. Miranda doesn't remember him or anything about him, yet still she follows him. She finds she can run effortlessly, leap across the gaps between the warehouse roofs, and jump from wall to wall down between two warehouses to get back down to the ground as they make good on their escape. Peter takes her to a training facility where she meets the head, Dr Brett Tycast (is that like typecast? He's wearing a white lab coat, after all!) and learns of a tutor, Phil, whom we never meet! Not so far as I've read, anyway.

That night, she dreams of herself, Peter, and their two fellow trainees, Olive and Noah, with whom Miranda evidently had something going on since they're seen kissing and they share a bed (against the rules), but have not been any more intimate than that so we're told. There's actually a video of them kissing the night she left the building with Noah and Olive, right before she lost her memory, which is evidently due to her not taking regular injections of a chemical which helps her to retain memories which would otherwise be "pushed out" by her psychic abilities. Her dreams are short glimpses into her previous life, so she understands, but it’s not likely she will ever recall all of it, she's told.

I suspect that what she's remembering may well not be her real memories, but the false memories of the book's title, implanted in her to delude her into thinking she had a life that she never did. But we don't know at this point. The book also has this weird electronic circuit motif, not only on the cover, but also with black and white logos repeated on every page and as chapter marks. I have no idea how relevant, if at all, that is to the story. Is she some sort of robot or cyborg? Only further reading will tell! But not if Krokos doesn't offer a bit more than he's hitherto been willing. There is another thing: the hardback I'm reading is set in 12pt Cochin, which isn't a bad typeface except that the italic form of it is weird; it looks like script and it's really distracting.

My impression so far is that I'm nowhere near as into this story as I ought to be by this point, so I may end up not liking it. Why do I feel this way? I think it’s because there's too much teen-romance-love-triangle going on with Peter and Noah (even if he is a false memory!). For as paranoid as Miranda is depicted at the start of the story, she falls into trust with Peter way too fast, especially given how little he's giving her.

One weird incident is where she goes to the bathroom in the middle of the night, for a drink (why there and not the fridge?), and Peter is standing there in the dark, and he checks out her legs and she tries not to check out his slim hips disappearing into his pants. I'm sorry, but she has way more on her plate than this, and she isn't ringing true to me yet. This precipitous sexual tension seems way out of place; she's seventeen, not thirteen! Maybe she forgot some of her training, too?! I don’t honestly feel that a female writer would have gone there; unless, of course, it was Laurell K. Hamilton or Joyce Carroll Oates. But seriously, contrast this with what Michelle Sagara did in Silence; only distant hints of a love triangle, nothing overt going on, and the reason for that was Emma's preoccupation with far more pressing matters.

The first pressing matter here is that of recovering Noah and Olive. Peter and Miranda set off early morning to find them. They're in Indianapolis - or at least were, the last time their tracking devices identified where they were. M & P each put on a one-piece body armor suit under their regular clothing and set off on Ducati motorcycles. Miranda's first rebellious question is that if the four of them are supposed to be a force for good, how come so many people got badly hurt when Miranda unleashed at the mall? Peter doesn’t have a good answer.

I was thinking that her first pressing question should be: if she and Noah were an item, then how come he left her in Cleveland and took off with Olive? This doesn’t seem to have even entered Miranda's consciousness, let alone impinged on it significantly, although she does ask about it later and is not at all pleased with the answer she gets!

They track the other couple down to a Holiday Inn, where they find two more bikes like theirs. When Peter lifts up his bike seat and pulls out two automatics, Miranda doesn't even question it! They're going to meet with the other half of their team, and Miranda had strong feelings for at least one of them, yet she never questions, not for a second, the need for both of them to pack guns! They're wearing body armor and going to meet their friends! I'm not saying they should have left the guns behind, although it probably, in these circumstances, would not have hurt, but the fact that she doesn't even question it smells wrong to me.

When no one answers the door, Peter kicks it down - no subtle attempt to pick the lock here, no hi-tech entry system. This isn't wise because it draws the police to their room shortly thereafter. Inside, they find that both Noah and Olive have guns trained on them. After some tense minutes, they put the guns away and sit and talk.

Noah feels guilt for leaving Miranda but explains that it’s because he didn’t want to get her hurt. Miranda wisely doesn't buy this cheap excuse. No one honestly grills Noah, who has made a startling discovery that all is not well, as to why he didn’t simply tell the other three about it. Yeah, there's a limp excuse that since Peter is their leader, he might be in on the plot with Tycast, but really? There are other 'Roses' (the group's name for themselves), and the four of them are supposed to be getting sold to foreign interests (which is what triggered Noah to take off).

This team seems really unable to avoid police attention, which is pretty sad. A cop arrives at the hotel room door, and Miranda zaps him with a small dose of her 'fear wave', causing him to retreat. Instead of going down the back stairs, they ride down the elevator, wherein Miranda has a fit of anger against Noah and socks him a solid one on his jaw, and when the elevator door opens, they immediately run into another cop (or the same one) and they have to zap him. Noah then takes off on his bike with Miranda in hot pursuit and the other two lagging behind, and she gets into a fist-fight with him after she knocks his bike over using hers!

She may not remember having a relationship with him, but she sure as hell is toting the baggage from it somewhere in her subconscious. She appears at this point to be very much a loose cannon, but why she is so intensely pissed off with Noah is a bit of a mystery to me! Feeling abandoned? Check! Feeling angry? Check! Feeling Betrayed? Check. But is any of that any rationale for repeatedly getting into violent physical confrontation with him? I can see it if she were a guy instead of a girl! Would a woman have written her behavior differently from what Krokos has portrayed? I think it’s likely. Not that girls don’t fight; not that they can’t be aggressive, but I'm looking at this in context of what we've learned of her and her past so far, and in these circumstances with this girl and this guy with whom she supposedly had been rather intimately involved? Krokos hasn’t sold this to me yet. It’s possible, of course that there's something we haven't learned of yet (perhaps the false memory thing I alluded to earlier?) which explains this. We'll have to see. I'm willing to let it play, so far.

From an interview he gave, he apparently had several women acquaintances reading early drafts of this and they made suggestions. Now, one woman's opinion I might challenge over a fictional women's behavior, but when there seems to be a consensus from several, then I have to bow to their judgment over mine, so we'll stay with it and see how this turns out.

That interview led me to this page which carries some funny and disturbing details of the year 2012 in YA fiction! I must have slept through it, but then I wasn't blogging last year, just writing my ass off. I do intend to read more on it, however. It sounds really interesting, so snaps to Ashleigh Paige for summarizing it all so ably and providing links.

Now where were we? Oh yeah, when the other two arrive, they have a big go-around about what to do next - whether they should pursue the rogue agent Rhys, which is what Noah was trying to do, and which is a non-starter since no one has any clue who or where he is, or they can go back 'home' (which even Miranda is thinking of as home now) and have it out with Brett Tycast. They decide on the latter, planning on meeting him somewhere they will not be trapped so they can bug out if things look bad.

When they arrive at the compound, it’s ablaze, having evidently been attacked by someone! They hear a helicopter approaching, so they retreat into the woods nearby, not one of them thinking of wheeling their bikes out of sight. Hiding in the woods, they find Brett Tycast, who is dying from injuries received in the bombing. He spews out a few intriguing gobbets of info, including where they can find more of the drug they need to retain their memories, but he tells them no real details at all! Again with the pointless and absurd secrecy! He should have blabbed everything, but we do not learn who is behind this. We do not learn who he talked to on the phone that night that Noah overheard him. We do learn that the Beta team is coming after them with a kill order, but we do not learn who is on that team, nor how good they are, nor how many other teams, if any, there are out there.

Apparently the B team is better at sneaking up on people than the A team is at spotting them because suddenly, Peter is zapped by a knock-out dart (why, if they've been sent to terminate the team would they just knock him out? We don’t know!) We're supposed to fear that it’s perhaps a death dart, but I doubt that Krokos is going to kill him off, so no tension there. They get into a short fight with the B's, which ends up with Miranda and Noah bugging out leaving poor Olive, who is Asian, we learn and has, wait for it, rather olive skin (I am not making this up!), alone with Peter and the four betas hunting her. That's inexcusable and cowardly.

Miranda and Noah jump into the water and swim to the bottom, carried along by the current. When Miranda can no longer hold her breath, Noah kisses her and lets her have some of his, not that his has any O2 left in it either. This of course turns into a kiss, but eventually they surface, and then they surface and hide downstream, apparently free of the Betas. Having witnessed them whining about romance for way too long, all we learn is that Miranda is way too dominated by Noah. In fact both she and Olive take second place to the boys, which is odd is a novel that's supposed to have a strong female protagonist.

We learn that their memory problem will disappear as they age, as will their psychic power, and we learn that Miranda is desperate to stop the "dry run", but we don't learn why they're calling it that! It's not a dry run, it’s the actual thing, even if the actual actual thing they plan is far worse.

After wasting sufficient time in existential angst that Peter and Olive could have been captured or killed, they finally decide to start back to help them! They find they can track Olive by a tiny fear wave which she has put out. When they find her, she demands that Miranda verify that she's Miranda! Miranda doesn’t do this at all, but Olive accepts her anyway. She explains that the B who attacked her was a clone of herself! Finally, there's an unexpected twist in the plot! But whether this will reveal more weaknesses in the plot or turn into a truly good story still remains to be seen.

We're pretty much halfway through this novel by now. I haven't decided yet on what I’ll rate this, but I have to confess that I am hoping it will get better. It bothers me that Olive simply let her clone go! She had her overpowered. Maybe it's too hard to kill 'yourself', but to not even talk to her is inexcusable. Clearly their training is far short of what it needed to be, and their imagination is totally lacking. So the real question here, I guess, is how much of this poor plotting and execution I'm willing to tolerate in hope of getting a good story out of this?!

"We each hold a part of Peter, to carry him through the woods."! These are Krokos's words, and I almost laughed out loud when I read that sentence! Seriously. Think about this. This is supposed to be a novel with a strong female protagonist, a female-centric novel, and the leader is called Peter? How much more male-centric can that get? Both of the girls are dominated by both of the boys! Miranda is the next thing to a simpering love-addled teenager. Is this how a woman would be? Or is it how a man would like a woman would be? More to the point, is this how Miranda, in this context would be? I do have my doubts, especially given what we learn next.

The four of them get a ride to a 'safe' house where a "hot" blond lives. This is Miranda's assessment, not mine although she doesn’t put it in so many words. The Blond identifies Noah as Noah East. Miranda North is stupid not to figure out their last names now. When Olive tells her (Peter West, Olive South) and Miranda asks how weird that is! Olive claims they never thought about it, which means that all of them are nowhere near as observant as we've been led to believe they're supposed to be.

Olive claims that she remembers Miranda's mom and Peter's dad visiting them or being there at some point in the past. Does this mean that Olive and Miranda are the originals - not clones? If so, how can the cloned team be the same age as them? We also learn that Olive is in love with Noah. So now we have the love-triangle trope. Honestly, this is pathetic. Worse, not one of the four seems interested in taking a shower after the day they've had! Maybe the guys might want to appear macho and pretend they're not bothered that they smell, and are dirty and sweaty, and have blood on them, but I find it hard to believe that neither of the girls wanted to, especially given that Miranda makes a big show of trying to clean herself up in a well-stocked bathroom.

One thing these geniuses have not even considered is that if the B team is a cloned A team, then perhaps if they talked to them, the B team would join them. Note that just because they're clones doesn't mean that they are quite literally exactly like each other. Even if they'd been brought up side by side and had the same experiences and environments all their lives, there would still be differences, but given that their genome is almost exactly the same (yes, even cloned genomes are not exact duplicates even if the differences are only in methylation), and they’ve had similar training, I would think that there's a good chance that they would be predisposed towards trusting each other, or at least to give each other a fair hearing before judging. If they are clones, then their clones may very possibly be convinced by their arguments, but no one seems to have even considered that at this point.

So halfway through the book, it seems obvious now that what’s going to happen is that Miranda will get with Peter and Olive with Noah. Or will we be surprised in this? Let’s see! The romantic arrangements (or lack of same) seem to be a more overriding concern to the author than the mission at hand, but eventually, the team does head out to the docks to recover the memory-retaining medication. They do a lousy job of surveillance, and when Noah dives (not lowers himself quietly, but dives blindly into the murky water in the dark), half of the B team shows up on the roof where Peter and Miranda are ensconced, lying side by side, touching shoulders in the dark, and the two they face are the clones of themselves...!

Krokos pulls a chestnut or two out of the fire with the next section. On the roof, Miranda does try talking to Grace, her doppelganger, about what’s going on, but Grace is not to be won over. Neither is Tobias, who is Peter's clone. I have to ask, what the heck is with these names? Three of the four A names are Biblical , but that doesn’t seem to be a motive, given that Miranda is the exception. OTOH, her doppelganger is called Grace, whilst Peter's is named Tobias, another Biblical name. Maybe it’s just the two Miranda types who are exceptions? Maybe it means nothing?

Call me obsessed, but I can’t help but wonder why such unusual names for people in their peer group. Miranda was the 57th most common name in 1996 which is around when these guys were born. Olive isn't even in the top 100; Grace almost isn't, just like Noah, and Peter is way down there. So why those names? Clearly they were not meant to blend in. Are these their real first names, maybe being telegraphed to us by Krokos? I often put a lot of thought into my main character's name. In Saurus, for example, the two lead female characters, Joanne Ross and Cora Graigh, both have had their names especially chosen, particularly Cora. The same applies to Janine Majeski in Seasoning, so bad names or odd, or unexpected names really perk up my interest.

Anyway...we learn why the clones are not amenable to persuasion after the A team once again is beaten by the B team and taken prisoner. How the B team beats the A team so consistently is a mystery, but the A's are cuffed and bundled into a van where Noah and Olive already await them. Alone in the van, Noah subtley reveals that he has four vials of the memory enhancer in his mouth. Why he doesn't dole it out there and then is as much of a mystery as is why they don’t dissolve in his mouth. Instead, he waits until they're in a cell which has a glass window/door though which they're being watched, then he kisses Miranda, giving her two vials. She then kisses Peter delivering one to him, and Noah kisses Olive so they all have one. Or so we're led to believe, but in seeing Olive's subsequent behavior, I have to wonder if Olive didn't get one. If so, she mentions nothing about it. Of course this behavior results in an immediate mouth cavity search by the watching guards, but by then they've each broken their vial, swallowed the med, and swallowed the vial. So it seems. Why would Noah deprive her of a vial? So that Olive will forget that she loves him, perhaps? Is Noah a traitor here? A bad guy? Is Noah really Rhys, the rogue?

Miranda is taken to a room where she's interviewed by Grace, who shows her that she has some electronic circuitry (now we learn why the book was so decorated!) embedded in her neck, which looks like a tattoo on the surface. Apparently this circuit deadens them to emotion and compassion. Grace has Noah and Peter brought in and threatens to kill one of them unless Miranda agrees to cooperate. Miranda make no decision and thinks Peter has been shot while her back is turned, but neither one is harmed. It's notable at this point that we do not get to meet the clones of Olive and Noah, only those of Peter and Miranda. Olive and Noah were already int eh van and we do not learn who gets into the front of the vehicle when it drives away. Is it possible that the two we see in the van are actually not the Noah and Olive from team A?

The next morning they all pretend that their memories have failed. The head doctor takes each of them out to her office to discuss their 'condition' with which they have to play along. For inexplicable reasons, the doctor gives each of them a shot of the memory enhancer. Why this was deemed necessary right then, when their memory was already gone and nothing new had yet started to form in any meaningful sense, is another unexplained mystery except, of course, that it has insured that they maintain their real memories. Maybe they needed it to store the new memories they were supposedly making? Who knows?!

They're put into a room very like the one they shared at their original compound. Why the new doctor is so trusting of them is a mystery, but in case they're being watched, they have to continue to pretend, even to each other, even when alone, that they have no idea who they are, which makes it a surprise when Miranda deliberately chooses the same bunk she slept in at the other compound! Shortly after this, the doctor tests them by having them each try to project a fear wave, although she doesn’t tell them what it is they're actually doing. Apparently she has some resistance to it, because she wears no protection from it and seems to be largely unaffected, yet not a one of them tries to zap her with a full-power fear projection. Again, no explanation for why they didn't seize this golden opportunity to cut off the head of this organization and disable the 'dry run' right there and then.

Instead, they resolve to bide their time until they can learn where the B team is, so they can stop the 'dry run' (which the doctor is referring to as an 'experiment' to retrieve their memory). but there's nothing they can do to prevent the dry run going ahead - since they failed to take out doctor Conlon when they had their chance. So they're taken in two vans, Peter with Olive, and Noah with Miranda. They're dropped off individually, but Miranda quickly overpowers the two guys who are with her, killing one and disabling the other. She fails to take the gun which one of them had, but she takes a map from his pocket conveniently showing where all eight of them are supposed to be stationed. The closest is Grace, so Miranda takes the van and drives there.

This is a stupid decision. She's unarmed because she's stupid and she's alone because she's stupid. Why didn't she go to Noah first, so the two of them could then find and overpower Joshua (we've learned that Noah's clone is called Joshua - another biblical name: the guy who supposedly brought down the walls of Jericho, although those walls were long down before his time). The two of them could then go up against Grace.

Amazingly, Grace very kindly waits until Miranda strips down to her body armor! Not likely given the character she's been presented as hitherto; she would have attacked as soon as Miranda had her pants around her ankles! Neither do the B teamers apparently have any weapons at all! Grace, who'd evidently warned the others that she was not convinced that the A team had actually lost their memories, inexplicably fails to take any weapons even for herself.

Miranda manages to overpower Grace and kill her by her usual means of dropping her victim onto concrete from a height. She then goes to Noah, but she's fooled by Joshua pretending to be Noah. Did none of these geniuses think to share a secret code word or phrase so they could readily identify each other? No! That ought to have been the first thing they did as soon as they learned they each had identical twins out there. I'm finding myself torn between wanting this to be good so I can keep reading it as the new vols come out, and being, frankly, disgusted at how stupid parts of it are. Even the fight scenes are poor.

So Joshua, impersonating Noah quite literally stabs Miranda in her back, but her armor protects her. As he's about to close in for the kill, Noah shows up conveniently and breaks his neck. So they then decide to take off after Peter, instead of going to get one of the other two B teamers. How weird is that? They're so misfocused as to be really annoying at this point. Noah isn't even thinking of stopping Tobias and Nicole (who is Olive's clone - not a Biblical name there!), he's thinking of running! Either their training was lousy, or they were lousy at being trained.

Miranda finally talks him into doing something. They look at her map and decide that the 'buyers' the people for whom this so-called dry run was arranged, at at a marked location. They decide to head there. This time, finally, Miranda takes two knives as weapons, but inexplicably, she throws one at Noah - not to him, but at him so that it actually sticks in his shoulder. WTF?!!! He thinks it's a joke and laughs as he pulls it out o his body armor.

I'm really trying to like this novel but Krokos seems to be as determined as he possibly can to induce revulsion in me! So he has Miranda and Noah head over to where they expect to find Conlon, and they do, but before they can get much info from her, she poisons herself! She left them with a cryptic warning to the effect that Tycast had no idea what he was getting into. Next they're approached by Rhys who is with Olive and Olive; she's done precisely what Krokos telegraphed she had done earlier: shes lost her memory.

Amazingly, Miranda immediately suspects that this may not be Olive but Nicole, but after making that smart leap, and instead of going to look for Nicole's tattoo, she just assumes, because she hasn't yet been attacked by this girl, that it actually is Olive! Stupid, stupid, stupid! So Rhys eventually reveals that Peter is fighting the other two B's at the baseball stadium, so they race over there, only to have a helicopter arrive, shooting at them with a minigun, and then haul out Nicole, Tobias, and Peter. Rhys declares that he's happy about this because now they have a common goal because he knows where they're taking Peter.

I don't know if Krokos is doing this deliberately as some sort of joke, but he has Rhys say, "If you want your Peter back, you'll help me destroy them."! Seriously?! Okay. But next comes inexplicable again. Rhys wants them to get moving. So urgent is his drive that he refuses to answer their questions and he pretty much orders them to start moving before another helicopter shows up to pick them up. Yet as they jog down the street, they check everyone for a pulse. Honestly? Why? Either they're escaping quickly, or they're not. If they find someone with no pulse, what will they do? Nothing. If they find someone with a pulse what do they do? Nothing! They keep moving. Why even add that line about checking pulses?

They arrive at Rhys's luxury apartment and Noah takes Miranda to the bathroom to stitch up her wound. She realizes that she doesn't love him because she isn't the Miranda who did. She wonders if she and Olive will have a lot in common now. She has another flashback which tells us nothing that we didn't already know. Then finally we get to the false memory. Rhys examines Miranda closely, and is especially concerned about the changing color of her eyes. His are a similar color to hers. He asks her when she last used the machine, but she has no idea what he's talking about. He then tells her that she's had someone else's memory implanted into her.

Getting information out of Rhys is like pulling teeth but not as much fun. He eventually comes up with yet another hilarious one when he talks about going after their 'Creators'. When asked who they are, he says, "The ones who made us. They have your Peter." Honestly?! Okay. So Rhys reveals the machine, which is nothing but a headband used for transferring memories. Miranda puts it on and she perceives herself as Rhys, talking to herself and Peter, which must be weird. There's no explanation as to why she starts with this particular memory. Maybe it's the first of a limited selection which Rhys has on the band.

Rhys is telling the other Alphas that something is seriously wrong. Mrs North interrupts them, sends them all out, and confronts Rhys. There's a brief struggle and he shoots her but evidently doesn't kill her. That's when he split from the Alphas and went rogue. So I may have to revise my Olive with Noah and Miranda with Peter guess at what Krokos is up to; now I'm wondering if Peter is lost and Krokos is going to lump Rhys with Miranda, but we'll have to see.

As Miranda sees more of these memories she discovers that Rhys killed all of the initial A team, and that Miranda, the last one, was apparently in love with him, but she still wanted to take him in, so he killed her, too. The actual Miranda opens her eyes at this and hugs Rhys. Noah and Olive are nowhere to be seen. Rhys explains that he has sent them to recover his cache of H-9 explosive and also memory enhancer. This does not at all ring true. Noah has been suspicious of Rhys all along, and very protective of Miranda. It makes no sense that he would abandon her alone with Rhys, especially when she was under the influence of the headband machine. At that time, he had no idea what it was doing to her; it could have been wiping her memory for all he knew, yet he left her alone!

Again, the writing is weak, but for some reason I'm still reading this to find out what happens. I'm very near the end of it, so that's one reason, and despite all its flaws, it's not as awfully bad as some other novels I've read - although it sounds pathetic to phrase it that way, doesn't it?! At the moment I feel like I will still give this a worthy rating, but it has only barely earned it, with the good outweighing the bad only marginally. I may read the next in the series, but I make no promises!

They plan on attacking the HQ which is a tall tower in Cleveland. They have to attack at night and they have to scale the outside of the building. Miranda has not told Olive or Noah about Rhys shooting the original A team. So they arm up for the assault, taking knives and swords. Seriously? What the heck is with the swords? Miranda does take an assault rifle. They head out and climb to the 57th floor, but as they break in, alarms go off everywhere and they're in a running fire-fight as they plant the H-9 and try to find out where Peter is.

The first one they find is a clone of Miranda. They take her with them but run into Tobias and Nicole, who opens fire, killing Olive before the two of them are killed. There goes my plan to pair her off with Noah, but at least now with two Mirandas, Noah can have one of his own! lol! Maybe if they can find a third one, then Rhys and Peter can each have one as well? Peter is evidently in the basement, so Miranda goes after him alone (yeah, more thé stupide) whilst Rhys gets Noah and Miranda 2.0 out through a hole they blew in the outside wall of the building. Conveniently, very conveniently, they brought three parachutes with them and have three people to get out. Hmm.

Miranda has a sword and a revolver. yes, a six-shot revolver. Meaning there's going to be a sword-fight. In the basement, she enters the tank room which has rows and rows of tanks containing replicas of the A team, all at different stages of development. This is right out of The 6th Day; nothing new here at all.

Miranda finds Peter there with Mrs North, who promptly disarms her. Then we get the inevitable sword fight. Miranda attaches the last block of H-9 to the basement to destroy all the clones, but we don't get any definitive proof that Mrs North died. Miranda gets her Peter out (no, Krokos didn't say that I did, but can you blame me?!). Frankly I skipped much of this last scene because I was bored. It offered nothing to interest me and was entirely predictable.

So we end up with one Peter, one Rhys, no Olives, two Mirandas (Rhys calls the 2.0 Sequel) and Rhys's apartment as their HQ. And vol two coming out, no doubt. Which I may end up reading if only to find out how it plays out with two Mirandas! So yeah, I'll give this a worthy, but with the caveat that there's mucho estúpido.