In the collected volume two of this series, and after their wild African adventure, Adam and Cyndi return home. In this story arc, I quit thinking Cass was still alive, and started thinking two other things: that there was something odd about Mel, their mercenary guide, and that Cyndi and Adam were going to end up an item by the end of the series. I was right about one of those two, but it turned out to be a double-blind, so there were two revelations, the second of which didn't make a heck of a lot of sense.
It's in this arc that we learn that Cyndi is even more interesting than she's already proven herself to be. She has a dark past and two sadly stereotypical thugs catch up with her, but fortunately Mel is there to save the day. I have to say that the depiction of these two guys struck me as rather racist and turned me off this volume somewhat. Also it felt like the story tried to hard to be controversial, so I didn't like this volume as well as I liked the first.
The highlight of this volume for me was Adam humping his dead girlfriend's coffin in a scene that could have come straight from Clerks (The Missing Scene), as depicted in a graphic novel I favorably reviewed back in November 2014.
At the funeral, Adam is proposition by a red-headed girl who wants to lose her virginity to him. I don't get what it is with this artist's obsession with red-headed girls in this series. Almost every significant female Adam meets is a red head in the first two volumes, although I admit that they thin-out rather more in later volumes. Shortly after the graveyard encounter, he another one redhead - a news reporter who gives no indication that she's really a biological male, yet Adam somehow picks up on this and incorporates it into a speech he gives later. I didn't get this either. It felt like this particular arc was simply trying extra hard to incorporate every known gender queer permutation just for the sake of it, rather like my idiosyncratic (2AABCGHILOPQSTU) category does!
The story quickly moves to Australia as Mel informs Adam this is where the actual beheader of his fiancée now is. There, they meet Clauda, a lesbian lush, and her brother Deacon, who is gay. Given that they're on the clock for this "mission" it makes no sense that they're dawdling on the beach catching rays except, of course, that it gives the authors a chance to bring in two more gender queer "types". This is and example of what I meant about the story going out of its way.
Adam in increasingly having visions of a naked Cass who seems to be alternately telling him to move on and to remain faithful to her, which makes no sense at all. It makes even less sense for Adam to go "undercover" and a flaming queer, dressed outrageously, in order to make contact with the beheader they seek. Adam is of course photographed leaving the place and the photo makes news headlines. It felt like this ought to have gone somewhere in the next issue, but it never did, so again it felt like it was included for no other reason than to check off one more gender "type" from the list rather than to contribute to or to serve the story.
The first part of Mel's secret is outed: he has a bone to pick with the terrorists over a dead loved one, but this makes the story even less sensible because it begs the question as to why Mel hasn't already dealt with this himself. Why does he need Adam? There was a feeble attempt at an explanation, but it didn't hold water. It relied on Mel needing Adam to track down where these guys were, but all the tracking is done by Mel, so this weak explanation failed.
On the flight home, the plane carrying Adam and Cyndi skis off the runway - for no apparent reason - and drops into a swampy lagoon - hence this arc's title! This is where this arc ends. Despite a lot of issues, I still rate this positively. The artwork was less pleasant than the first volume and the script nowhere near as entertaining, but as part of Adam's sexual education, it did a passable job, so I consider it a worthy read as an integral part of this complete series.