Monday, August 11, 2014

Shadow Kiss by Richelle Mead


Title: Shadow Kiss
Author: Richelle Mead
Publisher: Penguin
Rating: WARTY!

This is the third one in the Vampire Academy series. I liked the first two, but I've had a harder time with this one. It's funny because a lot of reviews I read for this series say that while the first is not so good, it gets better with the second, or while the second isn't great, it gets better with the third, but I've experienced just the opposite. I guess I'm, not in sync with any of this; I mean while the vampire Academy movie was a complete flop, I really loved it! The experience has been similar with the novels, too. The first one, I thought was most enjoyable, the second okay, and the third proved less than impressive and downright dumb in parts. It read like bad fan-fiction in far too many places, as I shall point out in this review.

Instead of growing as a character, Rose isn't changing, and if anything, is deteriorating as both a character and as a guardian. She seems incapable of learning, and is far too self-centered. As if that isn't bad enough, she's undisciplined and is given to tantrums and jealousy fits. The bottom line is that, based on her sorry showing here, she's simply not fit to be a guardian. Indeed, she's barely making it as a human being at this point.

There's a 'reason' for this, but whether it's valid is a matter of opinion. Lissa, for inexplicable reasons, has been allowed to go off drugs and begin using her "Spirit" power. You may recall that she was banned from doing this because it drives people insane. Nothing has changed on that score, so why the restriction on her using it was lifted is completely arbitrary bullshit - and she really doesn't do a whole heck of a lot with it anyway. The problem for Rose is that she's getting some sort of feedback from Lissa's new-found freedom, and it's affecting her mood, but the effects seem very patchy and inconsistent.

Mead's writing doesn't help. She begins this novel with a really cheap shot. It's a dream scene, wherein it initially looks like Rose is about to indulge herself in some hot sex, but in the end it turns out to be that she's simply tapping into Lissa's activities with Christian. She can evidently keep these at bay whilst awake, but fails dismally when asleep. It was neither impressive writing, nor a good writing technique.

Rather than turn over and go back to sleep, idiot Rose once again breaks the academy rules and sneaks outdoors. Once again her combat tutor Dimitri turns up. Either he is a really creepy stalker, or there's far-the-hell too much convenient coincidence going on here. Unlike Rose's mental link with Lissa, there is no such link at all with Dimitri, and therefore no excuse whatever for him to be always, tediously. ridiculously, irritatingly there. Again, it's really poor writing.

This external excursion serves two purposes. The first is to clue Rose in on the fact that neither she nor Lissa will be testifying in the case against Victor, which pisses Rose off. The second is that on her way back into the dorms, she sees the faint ghost of Mason - her dead friend from the previous volume. He appears to be pointing to something across campus, but never once does it occur to dumb-as-a-brick Rose to go see what he's pointing at.

Next, Rose discovers that she doesn't get to be Lissa's guardian during a trial period where the guardian wannabe's get to guard their Moroi around campus while existing guardians, pretending to be strigoi, stage no-holds-barred attacks. Rose has to guard Christian, and a guy named Eddie gets to guard Lissa.

Her first failure is to go on a tirade to the teachers about how wrong this is, like she's god almighty and they're pond scum. She behaves like a spoiled brat child. Next she fails in her actual assignment! She freezes when an attack is coming, mesmerized by the sight of Mason's ghost, and does nothing to prevent the attack, yet never once does she consider telling the review committee what happened! Major fail.

This is catastrophe on so many levels that it's really a joke. She simply lies about what happened, and conceals the hallucination by claiming she simply 'froze'. So not only is she being irresponsible about her mental health, she has also here proven that she can be so distracted from her duty that her charge is put at grave risk. Worse than this, though, is that she spends her entire time as a guardian gossiping and chatting with Christian and Lissa, allowing herself to be seriously distracted, and not paying anywhere near enough attention to her surroundings and potential threats. Rose simply doesn't get it - despite all her bravado about being a kick-ass guardian.

Bearing all that in mind, let's now consider the romance with Dimitri. It doesn't work! And it reads like atrocious fan-fiction. Dimitri actually is a kick-ass guardian, so why in the name of all that's holy would he ever pay any attention to a blustering hot air-bag like Rose? I can see why she'd be drawn to him: he's hot and she has the shallowness and mentality of a socially-challenged thirteen-year-old, but why would he be even remotely interested in her? She's a failing guardian who has no discipline and a truly poor attitude, so what is there about her which would attract a skilled and dedicated guardian like Dimitri? NOTHING! There is no basis for this relationship. It does not work, period.

Some reviewers have bitched about him being older and that therefore it's inappropriate for the two of them to become involved, especially as involved as they get in this book, but I will simply reiterate what I said in my review of Vampire Academy, which is that it doesn't matter a damn what you think about their ages since both of them are over the age of sexual consent in Montana. END OF STORY. What matters here is that he is her tutor. He is in an authority position over her and that's what makes his behavior completely inexcusable. That so few young people get this is what's truly disturbing about this relationship. It speaks badly that so few young-adult readers understand how wrong this is.

I found it ridiculous that Mead puts so much effort into telegraphing Rose's big "revelation" at the end: how she now wants it to be about her. It's a joke because this entire series is about her! It's all Rose all the time! It's about her views, her wants, her opinions, her activities, her priorities, her selfishness. Of course it's about her. She's telling the story. It's never been about anyone else but Rose. Jeeze!

I also found it hilarious how many negative reviewers gave this a two star rating, but then professed their desire to read the next volume. Seriously?! Why would you ever want to read more if you felt it was so bad? This is why I initially rejected the star rating system. I only changed my mind and began using either one or five stars (and nothing in between) because I realized that I am rewarding bad novels by not rating them one star (I would use zero stars if it was an option) and I was unfairly downgrading good novels by not giving them any stars. To me a novel is worth reading or it is not, which is why I now give all of my reviews give a one or a five star rating.

But back to the story, fan-fiction that it is: Rose plays a Clueless Sue in this novel, too (apart from not getting what Mason's ghost is trying to tell her). She knows that Moroi are talking about grouping together, learning to fight, and protecting themselves, yet when she sees random Moroi turning up with bruises on their faces, she never once figures out that there's perhaps practice fighting going on amongst themselves. That's not what's happening exactly, but it's close enough that I have to ask: how far does she have to have her head embedded in her own ass to not figure out something in short order?

And why does she need to seek out Victor and get his advice? How does that work when she hates him so much? Yeah - she ends up going to the trial after all, and she goes to see Victor and have a nice, Cozy chat with him despite her supposed hatred of him. On the journey there she sees dark shadows and ghosts on the plane, but she pretends she has a headache! Bad guardian again. After the trial, she and Lissa have their fortunes read. The fortune teller does what all frauds do: she tells them things which are so vague that you can back-fill them with any future events you like and make the 'prophecy' come true, yet this is referred to as 'prediction'! What a joke! No, a prediction has date, time and details. It isn't a ridiculously vague claim that could fit any one of a number of events and be made 'true' by this random coincidence.

In another fan-fiction moment, the cluelessness of the Moroi queen is revealed after the trial, as she warns Rose off from having an affair with Adrian (which isn't happening), yet she doesn't warn-off Adrian himself. Rose speaks to the queen like the latter is some girl in high-school with Rose, yet never once does the queen seem offended by her attitude! Some queen. On the way back from the trial, Rose has a complete breakdown, but despite this, I knew before I read another page that it would in no way affect her still being in the running to be a guardian. Bad writing.

But it gets worse. Rose wakes up in hospital and there's no-one with her save for the doctor and two guardians, Alberta, and, of course, Dimitri, who is never not there. There is no reason for either guardian to be there. There is a reason for someone like Lissa to be there, or the school principal, but none of these people show up, and evidently no one considers calling Rose's mother. This is bordering on the ridiculous.

Rose continues lying to her best friend Lissa, even as she 'fesses up to Alberta and Dmitri that she's been seeing ghosts. Rose once again talks everyone into doing what she wants and she's put back on guardian duty (who says dhampir don't have compulsion?!) - but on a 'half-time' basis. This seems to have been forgotten when Mead depicts her as being worried about curfew and separating from Christian rather than staying in his dorm room as she had been doing. Once again she sees Mason, and this time he can communicate but he can't talk, so all he can do is indicate 'yes' or 'no' with movements of his head. This is truly pathetic and an amateurishly bad way of creating fake suspense.

Oh, and Dimitri dies at the end - but not really. In fact, this will be the pattern in volume 4, as well. This novel sucked and is warty to the max.