Sunday, January 4, 2015

You Know Who I Am by Diane Patterson


Title: You Know Who I Am
Author: Diane Patterson
Publisher: Airgead Publishing (no website found)
Rating: WARTY!


DISCLOSURE: Unlike the majority of reviews in this blog, I've neither bought this book nor borrowed it from the library. This is a "galley" copy ebook, supplied by Net Galley. I'm not receiving (nor will I expect to receive or accept) remuneration for this review. The chance to read a new book is often enough reward aplenty!

This is another in a long line for first person PoV novels - my least favorite voice. It's also part of a series, which I shy from advisedly. This is book two, book one being hilariously titled, The Sound of Footsteps and book three being Everybody Takes the Money. Given book two, book one has to be the real mystery here, but I've read nothing else by this author, so I can't comment.

Some writers can carry first person, but most of the time I find it irritating, so it's with real gratitude to the author in this case that I found it unobtrusive - it didn't feel like ME ME ME all the time. That said, I did not like this novel, and couldn't finish it.

I don't know who Airgead Publishing is - I'd never heard of them and they have no website that I could readily find, so perhaps it's an invention of the author's, but my beef with them is the covers, all three of which feature some woman's legs and nothing else, yet nothing in this particular story - as far as I read, that is - had anything to do with the main character's legs or anyone else's for that matter. If the stories are so engrossing, then why do we need a woman's legs to sell them? It's a valid question!

"Ah, but isn't that exactly what you did in your novel, Seasoning?" you ask. Yes, indeed it is, but in that case, the novel had everything to do with the main character's legs since she was a soccer player! The juxtaposition of the high heel on a soccer ball summed-up that novel exquisitely since she was a young adult woman competing in a macho man's world. I make no apologies for cutting to the chase in that case.

In this novel I do have to say that the opening chapter is really quite dramatic, but it's also somewhat problematical. The chapter starts with Colin and Drusilla Abbot, who perform a knife-throwing act in Las Vegas. They're having a spat - while the act is in progress! We learn that this is because, before the show, Dru had told him she was leaving the show, him, and Las Vegas. Given what we learn about her husband here, this simply makes Dru look stupid (to tell him right before he's about to throw knives at her?!), and I have to wonder why a writer would choose to do that to a female character if it wasn't a critical part of the story. From the part that I read, it was not.

Yes, some women and some men truly are stupid, but let's not label them so if we don't have to! It seems to me that this could have been written so that he found out about her plans without her overtly telling him. That, for me, would have been more dramatic and unnerving, and would not have announced loudly up front that the main character is clueless.

There were a couple of other issues. As it happens, Colin doesn't stab her during the act, but he does throw one knife sufficiently close that it breaks her skin. It's nothing huge, just a paper cut in effect, yet Dru is clenching her teeth to avoid screaming, and they're pulling out the antiseptic and bandages rather than just applying a simple Band-Aid! Seriously? Now she's both stupid and a wuss. Do we really need to heap this on her, and especially in the opening few pages? Do you want me to perceive her as a strong character, or merely as a clown?!

On top of this there's a third person in the act, Kristin, who's from London, we're told. She's also represented as being stupid, but that's not the worst issue here. That one arises when we're told that she's ten thousand miles from home - yet London is less than six thousand miles from Vegas! It's nowhere near ten thousand. If this novel is going to go the distance with me, a simple thing like gaging distances ought not to be a major problem.

So this novel didn't get off to the most auspicious start for me, especially not when I read, "...his fingers digging into my bicep...". Nope. Once again, it's 'biceps', folks! Although as often as I'm reading this in various novels, it looks like we're undergoing yet another change in our language caused by lazy writing habits.

Dru was a moderately interesting character, but her younger sister Stevie even more so. I think it would have made for a better story had it been about Stevie, because Dru was truly infuriating at times, whereas Stevie was genuinely interesting. We're told (not shown) how protective Dru is of her sister. Stevie has agoraphobia and some other issues, yet when Dru makes her break from Colin, she ends up picking up an actor in a bar and going off with him to his home leaving Stevie sitting alone in the bar with her glass of milk! Stevie isn't stupid, but anything could have happened, yet not once does Dru spare a single thought about Stevie's safety or welfare.

As it happens, Gary, the actor, changes his mind, but he offers Dru the use of his guest house - which is evidently what she was angling for. The problem is that there was no way she was guaranteed any of that happening. Meanwhile poor Stevie is waiting in the bar, in ignorance of Dru's plans and whereabouts as an hour or two tick by! I started really not liking Dru at this point, which I'm sure wasn't the author's intended outcome.

While I liked the relationship between Dru and Stevie (apart from that particular incident just described), the one between Dru and Colin was nonsensical. We're told at the start that the only reason they married was that Dru was short of cash and Colin was willing to pay handsomely for a marriage of convenience so he could get his green card. The problem is that Dru isn't American! She and her sister are British. It's never mentioned that they became citizens, so how is marriage to her supposed to secure a green card for Colin? Colin is Australian, although why an Australian would be seeking US citizenship isn't explained, so for me this whole thing was confusing from the off.

Maybe this was all explained in volume one, but since we're told nothing of what happens in volume one, we're in ignorance, if this is the first volume we read. As it happens, this is the last volume I plan on reading because I didn't think this one was worth any more of my time and effort - not when there are hundreds of books beckoning, all of which pomise a great story, rather than a story which grates.