Read rather oddly by Raphael Corkhill, this was another audiobook which started out really well and then Le Stupide set in big time. I had thought I was going to get through it unscathed, but it was not to be. About two-thirds the way in, it went south with the ducks - and normally I like ducks. Some of my best friends are...not ducks, but anyway, to see them in the southbound lane was still rather sad. Duck asses are not the most engaging of sights.
The initial premise was an interesting one and the story changed up periodically so it did not quickly become boring, but the more I listened, the less the story seemed to have a plan to go anywhere. It wasn't until later that I discovered why. The main character was so passive as to be tedious, as was his momma! Worse than this, I discovered by skipping to the end after I'd given up on it, that this novel is part of a series, of which there is zero indication whatsoever on the book cover, so the publisher is outright lying to readers and I will not countenance that.
This explains why this novel never was interested in going anywhere. The author gave up that motivation when he decided to thinly-stretch material sufficient for one book into a trilogy or more. Michael learns nothing - not even how to control his ability, and he never does learn a damned thing about his father because this is not a novel, it's a prologue.
By accident, this semi-orphan with the uninventive name of Michael Malone discovers that he has the ability to not so much change reality as to be able to switch between realities in a multiverse. He can only do this at first when under stress, which is how he does it the first time. His new reality is always very similar to the old one with some minor changes, but the important thing is that he's supposed to be able to switch to one which conforms to some idea he has of the kind of reality he wants to live in.
Michael is seventeen. A kid of that age ought to be at a point in life where he has some self-motivation and some idea of what he wants out of life, along with a few grown-up thoughts here and there, but none of this is true with Michael who acts more like he's thirteen. He has no excitement or curiosity whatsoever about his magical power and shows no inclination at all to investigate it or to try to use it to put himself into a reality where his father is back with the family, and the villains are out of his life. He'd evidently much rather attend his own self-pity party.
These villains arrive suddenly in the form of a young French woman and an older German man by the name of Klimt. We never learn how they latched on to Michael, but apparently it's through his missing father who evidently had some of the same abilities as Michael does. Klimt wants to use Michael for some purpose of his own and holds the carrot of finding Michael's father and the stick of changing Michael's reality into something horrible. These people are from the "Unicorne" society and Michael at one point discovers he's been inducted into it while he was unconscious after an bike accident. Now he has a black Unicorne tattoo, which covers a spot in his skin where he has, he's informed, been injected with a microchip for the purpose of tracking him not only in this reality, but in others, too.
Michael shows zero anger at this, zero curiosity about how he can disable the chip (by changing his reality for exmaple!), and no amusement at how pathetic it is that this secret society blatantly advertises its existence with this unusual tattoo. This was my first adverse reaction to the story. If this had been a middle grade novel, then I could probably have countenanced this, but for a young adult novel it was pathetic at best. There are ways to write that do not make your characters look limp, or stupid, and your story amateur, but this author is apparently too lazy or unimaginative to think of them, hence his penchant for writing series with uninventive titles. That coupled with the laziness and lack of imagination inherent in writing a series is enough to avoid this author like the plague from now on. I expect a lot better from a university-educated writer. Or maybe that's the problem.
It got worse when the story began to drag with little-to-nothing happening. At one point Michael is hit by a car when riding his bicycle and ends up in a private hospital where the doctor is of course Klimt, and the nurse is this same French girl. On top of this there are two police detectives investigating the car accident, yet they are literally grilling Michael over matters that are totally irrelevant to what happened and neither Michael nor his mother objects to this line of questioning. That immediately said "Dumbasses" to me, and it's where I quit being interested in this purportedly young adult, but more like middle grade or younger story.
I skimmed to the end, and discovered that the book has no resolution whatsoever, and so is merely a prologue to volume two. I don't do prologues, and I do not accept books like this one. I would have rated this negatively for treating readers like mushrooms (keeping them in the dark and feeding them bullshit) if it hadn't already failed me. The book is poorly written and is a rip-off. I dis-recommend it.
