Showing posts with label George Bernard Shaw. Show all posts
Showing posts with label George Bernard Shaw. Show all posts

Thursday, December 1, 2016

Pygmalion by George Bernard Shaw


Rating: WARTY!

I positively reviewed a novelization of Shaw's Pygmalion back in January of 2015, but this is the actual play which I had never read. If your only exposure to this is from the 1960's movie My Fair Lady which starred Audrey Hepburn and Rex Harrison, then you may be surprised at how much they changed the story - particularly the ending, which actually ended-up subverting Shaw's intent.

The character of Eliza Doolittle was based on a woman with whom Shaw had an infatuation, and the story begins very much in line with the treatment the movie later gave to it, but there is no singing of course, and there is no trip to Ascot. Why they'd want to visit a place that makes water heaters I don't know, but...(that's a joke!). Eliza comes into some money (actually tossed into her 'flahr' basket by Henry Higgins, a voice coach and student of language. She hears him boast that he could pass her off as a duchess, and decides he can at least teach her to speak sufficiently well to find work in a flower shop. She visits him, and he and Colonel Pickering wager over Higgins's success or failure with this conversion project.

What's rather glossed-over in the movie is how dependent Higgins becomes upon Eliza to fetch and carry for him, and keep his appointments straight. What's completely glossed-over is how intelligent she is and how capable. In the movie she's rather made to look incompetent and slow, but in the play, she comes along quickly, and proves herself very capable - even picking up how to play the piano because she has such a good ear.

In the end, Higgins wins his bet, and inadvertently and rambunctiously sleights Eliza and her hard work. She leaves after an argument and Higgins, in a panic (he hasn't a clue what's going on without her to shore him up) he visits his mother and finds Eliza there, she having become quite friends with his mother. Instead of her showing-up at his home afterwards, and him relaxing into a chair and demanding his slippers, she bids him goodbye, and eventually marries Freddy. They make a go of their life together, difficult as it is, with a little bit of help from their friends, including Higgins and Pickering surprisingly.

The thing is that this part isn't part of the play! It's all tacked on in a sort of short story or epilogue at the end of the play. Frankly it's done rather amateurishly and looks like a kludge, but overall, the story is much better than the movie, much as I do like the movie and adore Hepburn's sterling role in it.

Saturday, January 10, 2015

Pygmalion by George Bernard Shaw


Title: Pygmalion
Author: George Bernard Shaw
Publisher: Amazon Digital Services
Rating: WORTHY!

Pygmalion is the Greek version of a Phoenician name: Pumayyaton. Ovid (aka Publius Ovidius Naso, a turn-of-the millennium Greek poet) wrote an epic work titled Metamorphoses, in which one story told of Pygmalion - the sculptor who fell in love with a statue he had carved.

In essence, that's what happens here, but if your only exposure to this story is from the 1964 movie titled My Fair Lady, then you'll find a few differences even though the movie followed Shaw's work quite closely in many regards. The original Pygmalion was a four-act play, not a story, but this version converts the play to a story whilst still retaining the author's original intentions.

If you are familiar with the movie, which I have to say I really love, then you will find many parts of this story unsurprising. It begins in a similar way, with Eliza running into Freddy (literally) and then into Colonel Pickering and Henry Higgins (figuratively), and Higgins tossing some money into her basket.

Just as in the movie, she realizes that she can make something of herself by using Higgins's own money to hire him to teach her to speak better English so she can find work in a flower shop. Higgins finds it irresistible, given how much she's willing to pay him when considered as a portion of her income, and unable to resist Pickering's bet, Higgins takes on the challenge with gusto, and the rest, as they say, is history!

Higgins does indeed win his bet and Eliza is indeed triumphant, but the triumph is short-lived, and in the book, when Eliza leaves, she doesn't come back. It's a lot truer to Shaw's feminist intent than ever is the movie, the ending of which frankly makes me uncomfortable.

I really liked this adaptation of Shaw's original play, and I recommend it.