Showing posts with label historical. Show all posts
Showing posts with label historical. Show all posts

Thursday, July 11, 2019

George Washington's Secret Six by Brian Kilmeade, Don Yeager


Rating: WORTHY!

This was an audiobook that was written evidently for a much younger audience than I represent. The book was read by Kilmeade, and he did it in such a strident and breathless voice that I couldn't stand to listen to it. Worse than this though, the facts were presented in such a biased and fanciful fashion that I found myself having a hard time swallowing everything he said. It felt much more like listening to florid fiction than to historical fact.

The secret six were actually known as the Culpeper ring, named after a Virginia County. They were spies who fed information out of New York City to Washington about the activities, movements, and plans of British troops in NYC. The main two members were Abraham Woodhull and Robert Townsend. The best information they got was when they laid hands on a British naval Code handbook. That was less through spying than from luck, but it served the French Navy well.

While these guys (including women) did provide other valuable information, the value of some of their activities was debatable. It's arguable that the defeat of the Brits and surrender at Yorktown did more than any spies did, and this victory was brought about as much by the French and Spanish as it was by the US, if not more so. Cornwallis could well have withdrawn rather than surrendered had the port not been very effectively blockaded by the French.

The secret six were spies for the revolution forces, which side was consistently presented as upstanding, brilliant, heroic, and fine, whereas, of course, the British were evil villains. This was exploited most obviously in the report of the British prison ship HMS jersey, which was pretty brutal, but this was war and it was in the early 1780s, when people were hardly the most civilized and no Geneva convention existed. Additionally, the revolutionaries were considered traitors, so the Brits were not very much disposed to treating them kindly. Not that Washington had many prisoners to exchange anyway, since the British captured far more US forces than the other way around. That doesn't make what happened palatable, but it does provide some context that this helter-skelter account fails to do.

Another thing this story doesn't make clear was that Washington, who could have exchanged prisoners, was disinclined to do so because he didn't want to exchange professional British soldiers for civilian volunteers and conscripts! He didn't consider it a fair exchange. How brutal was that? Remember these were the guys who were fighting for the rich folk who didn't want to pay taxes. That's what today, we call Republicans.

The rich were the guys who claimed they wanted the vote, but none of the guys fighting on the front line ever had the vote! Only about 6% of the population were eligible to vote in 1789! In short, the pretext of the revolution was bullshit, yet those who were wealthy were not the ones dying en masse on the front lines or being interned (and interred) in the HMS Jersey! How long did it take for American Indians to get the vote? For African Americans? For women? This wasn't a fight for freedom - it was a fight for the rich, and the poor paid the price on both sides. When that emancipation was truly sought, it started a civil (read not-at-all-civil) war a century later.

So my take on this is that if you're looking for an historical account, don't look here. If you're looking for an hysterical account, then this is the audiobook for you!


Wednesday, July 10, 2019

I survived the Joplin Tornado by Lauren Tarshis


Rating: WORTHY!

I don't know what made an old woman think she could write a novel about a little kid surviving a tornado but...I'M JOKING! Lauren Tarshis isn't old and even if she were it wouldn't matter. I don't subscribe to the 'write what you know' nonsense. The rule ought to be 'write what you can make a good story out of' (or maybe, in some cases, 'write what you can get away with', but let's not go there), and this author has almost made a career out of writing this "I survived" series. I say 'almost' because she's written other stuff and novel writing isn't all she does.

She started this series though, in 2010 with I Survived the Titanic (start big, right? Or write...), and has published a score or so of these. All these stories are based on real historical events, not all of them natural - or even human-caused - disasters, this particular one has its roots in the EF5 tornado which slammed Joplin, Missouri on Sunday, May 22, 2011. In addition to scores of deaths. It did almost three billion dollars in damage.

This was a mutant tornado, and as such was a good one to dramatize in this fiction based on the real disaster. I listened to the audiobook, and the main character is an eleven-year-old boy named Dex, whose father went to college with a guy who now makes a career out of chasing tornadoes and talking about them on his TV show, which is of course mandatory watching for Dex and his father. Why not his mother, I have no idea. Dex also has an older brother who is in the Navy Seals. I don't know why that was included because it's irrelevant to what happens in the story. His brother could have been a criminal or a younger brother, or a school teacher or anything. It made no difference to events.

Dex meets the tornado chaser by accident - literally, and gets invited to go chasing the next morning. They end up being caught in this monster tornado that precipitated rapidly and right outside Joplin. It was a cell of several tornadoes inside a shield of rain that was almost a mile across, and it hit Joplin right on, carving a path through there before heading off into the countryside and finally dissipating.

Dex's story is really very short, and the action in it is pretty violent at times, so you might want to exercise caution in who you let read this, but for most boys in middle grade it would probably be a worthy read. I don't know if girls would be likely to get into it in the same way, but maybe a few would. Certainly they ought to consider the educational value. It's read in fine style by Thérèse Plummer, and afterwards the author talks about the real tornado, how it formed, and the damage it did, so this makes for a really educational work. This isn't a series that I'm interested in pursuing, but maybe a child of appropriate age would, and I commend it as a worthy listen!


Saturday, July 6, 2019

Painting Masterclass by Susie Hodge


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

Subtitled "Creative Techniques of 100 Great Artists" this book of almost 300 pages does precisely what it promises, and explores well-known (and lesser-known) works by artists both classically famous and bubbling under. In each case a painting is depicted and discussed, including the paints used, the techniques employed, and imparting some information about the artist as well. Susie Hodge has an MA in Art History from Birkbeck, University of London, and has has written over 100 books not only on the topic of art.

If I have a complaint - and notwithstanding that it may seem churlish to complain about a book that has commendably assembled five-score masterpieces for our perusal and education - it would be that once again we're faced with something designed for a print version and therefore being inadequately represented in ebook format. Too many of these paintings are unfortunately - some might say scandalously - split across two pages which is never - ever - a good thing. In the ebook version it's worse, because there is a thick gray line down anything that dares to be in landscape orientation. Additionally, the book has a glossary and an index, but again the index is for the print version, and is not 'clickable' to navigate in the ebook.

If I have praises, I have too many to list here in a review that's already yeay long, but the inclusion of so many female painters is definitely praiseworthy. The history of arts isn't that of white men, but for all that's written about it, you can be excused for being bamboozled into thinking it is. You can go back as far as you like - even to cave paintings (which get some coverage in the introduction), and it seems that the thrust (the male thrust, of course) is to exclude women as creators - like the caves were solely painted by men when we have no idea who the artists actually were. This book commendably does a lot to redress that sorry imbalance (and no, Joan Miró isn't female) and is the better for it.

After some fifty pages of material that is both introductory and educational, including a history of art (not quite the same as art history!), the book is divided into seven main sections, each with a dozen or so artists representative of that category:

  • Nudes
    I'm not sure why nudes get to be first. Sounds like naked aggression to me, but here we go (and I promise not to make fun of artist names or painting titles):
    • Titian - Venus of Urbino
    • Jacopo Tintoretto - The Origin of the Milky Way
    • François Boucher - The Triumph of Venus
    • Francisco Goya - Nude Maja
    • Gustave Gourbet - Sleeping Nude
    • Jean-Auguste-Dominique Ingres - The Turkish Bath
    • Gustave Caillebotte - Man at his Bath
    • Georges Seurat - Models
    • Edvard Munch - Madonna
    • Paul Gaugin - Nevermore
    • Paula Modersohn-Becker - Self Portrait on Her Sixth Wedding Anniversary
    • Gustave Klimt - Danaë
    • Amedeo Modigliani - Red Nude
    • Suzanne Valadon - Reclining Nude
    • Jenny Saville - Branded
    • Cecily Brown - Two Figures on a Landscape
  • Figures
    Figures excludes portraits, which appear in 'heads'!
    • Michelangelo Buonarotti - The Delphic Sybil
    • Sofonisba Anguissola - The Chess Game
    • Paolo Veronese - The Wedding Feast at Cana
    • Pieter Breugel the Elder - Christ and the Woman Taken in Adultery
    • El Greco - Christ Driving the Traders from the Temple
    • Caravaggio - Deposition from the Cross
    • Artemisia Gentileschi - Judith Beheading Holfernes
    • Frans Hals - The Laughing Cavlier
    • Diego Velázquez - Las Meninas
    • Rembrandt Van Rijn - The Jewish Bride
    • Jacques-Louis David - The Oath of the Horatii
    • Édouard Manet - Luncheon on the Grass
    • Honoré Daumier - Third Class Carriage
    • Edgar Degas - The Ballet Class
    • Berthe Morisot - The Cradle
    • Eva Gonzalès - Nanny and Child
    • Henri de Toulouse-Lautrec - At the Moulin Rouge, the Dance
    • Egon Schiele - Seated Woman with Bent Knee
    • Balthus - The Card Game
    • Richard Diebenkorn - Coffee
    • Peter Doig - Two Trees
    That cavalier really isn't laughing, so I feel that portrait name has been treated rather...cavlierly. Also the Jewish bride wasn't so named by Rembrandt. Luncheon on the Grass was rather controversially imitated for an album cover by the new wave band Bow Wow Wow in the early eighties.
  • Landscape
    These are the gray divider line pictures
    • Claude Lorrain - An Artist Studying from Nature
    • John Constable - The Hay Wain
    • Jean-Baptiste-Camille Corot - The Bridge at Narni, Near Rome
    • Caspar David Friedrich - Mountain Peak with Drifting Clouds
    • JMW Turner - The Red Rigi
    • Jean-François Millet - Haystacks: Autumn
    • Oskar Kokoschka - Tre Croci Dolomite Landscape
    • Paul Klee - Hammamet with its Mosque
    • Claude Monet - Water Lilies
    • Edward Hopper - Haskell's House
    • Emil Nolde - Distant Marshland with Farmhouses
    • Frank Auerbach - Primrose Hill Study Autumn Evening
    • Julie Mehretu - Retopistics a Renegade Excavation
    • Hurvin Anderson - Untitled (Red Flags)
    Constable's painting is known as The Hay Wain but it wasn't originally named that by him. His less memorable name for it was 'Landscape: Noon'! It was subject to minor vandalism in 2013 in the museum where it's kept, but no lasting damage was done. there is a beautifully-rendered rose on the Klee page which to me far outshines the main painting. Nolde's watercolor is equuisite and Anderson's untitled beach scene is equally entrancing.
  • Still Life
    Isn't all painting still life, ultimately? LOL! Just kidding.
    • Floris van Dyck - Still Life with Fruit, Nuts, and Cheese
    • Jean-Baptiste-Siméon Chardin - Still Life with Peaches, a Silver Goblet, Grapes, and Walnuts
    • Henri Fantin-Latour - Flowers and Fruit
    • Pierre-Auguste Renoir - Onions
    • Paul Cézanne - Still life with Cherries and Peaches
    • Georges Braque - Violin and Palette
    • Juan Gris - Grapes
    • Fernand Léger - Still Life with a Beer Mug
    • Georgio Morandi - Still Life
    • Georgia O'Keeffe - Jimson Weed White Flower No 1
    Gris's painting was curiously not done as a Grisaille. Go figure! Not sure how still a life with an empty beer mug would be, especially if it was the artist who drained it, but moving along.... Georgia O'Keeffe's painting is wonderful.
  • Heads
    Portraits.
    • Leonardo da Vinci - Mona Lisa
    • Raphael - Madonna in the Meadow
    • Hans Holbein the Younger - Jane Seymour
    • Johannes Vermeer - Girl with a Pearl Earring
    • Adélaïde Labille-Guiard - Self-Portrait with Two Pupils
    • Mary Cassatt - Portrait of the Artist
    • Piere Bonnard - Self-Portrait
    • Vincent van Gogh - Self-Portrait with Bandaged Ear
    • Eugène Carrière - Self-Portrait
    • André Derain - Portrait of Henri Matisse
    • Henri Matisse - Portrait of Derain
    • Amrita Sher-Gill - Hungarian Gypsy Girl
    • Pablo Picasso - Weeping Woman
    • Alberto Giacometti - Anette
    • Marlene Dumas - Amy Winehouse (Amy Blue)
    Mona Lisa is never described as The Laughing Lisa. I rest my case.... I have to say I am not convinced there was any pearl earring here. It seems to me, given the circumstances, that it was more likely that it was some sort of shiny metal - perhaps silver if it was the daughter of Vermeer's sponsor. No one knows what Vermeer titled it, but it became known as the girl with a turban until relatively recently when it became rather poetically known as "Girl with a Pearl." If you look at Vermeers featuring girls actually wearing pearls they look quite different from this one, but you pays your money and you takes your art. These were all created before the term 'selfie' came into use, so the much more formal 'self-portrait was a common title. I love the reciprocity of the Derain and Matisse works! Weeping woman was probably captured after Picasso jilted her for another woman, and 'Anette' looks like something out of a horror movie, so disturbing is it.
  • Fantasy
    This was an unexpected, but welcome inclusion.
    • Sandro Botticelli - The Birth of Venus
    • Peter Paul Rubens - Minerva Protects Pax from Mars
    • Giovanni Battista Tiepolo - The Finding of Moses
    • Eugène Delacroix - The Death of Sardanapalus
    • Rosa Bonheur - Highland Raid
    • Ilya Repin - Sadko and the Underwater Kingdom
    • Edward Burne-Jones - The Doom Fulfilled
    • Marc Chagall - I and the Village
    • Francis Picabia - Dances at the Spring
    • Leonora Carrington - Self-Portrait
    • Frida Kahlo - The Two Fridas
    • Howard Hodgkin - Robyn Denny and Katherine Reid
    • Philip Guston - The Street
    • Paula Rego - The Dance
    Repin's painting is remarkable, but I think that the Best Title Award has to go to Burne-Jones's painting. It's really hard to tell if Picabia's spring is a season, a water source, or even...a bedspring.
  • Abstraction
    I wish I could be more specific about this section but....
    • Wassily Kandinsky - Composition 7
    • Hannah Höch - Mechanical Garden
    • Joan Miró - The Poetess
    • Jackson Pollack - Autumn Rhythm (No 30)
    • Nicolas de Staël - Agrigente
    • Hans Hofmann - The Golden Wall
    • Helen Frankenthaler - The Bay
    • Gerhard Richter - Abstraktes Bild
    • Cy Twombly - Untitled (Bacchus)
    • Gillian Ayres - Suns of Seven Circles Shine

Long list! But worth it. The paintings - some you may love, others you may hate - say a lot and are well-worth seeing, as is reading the breakdown of how they were composed, and what sort of paints and materials were used in their creation. This book is as remarkable as the paintings and I commend it as a worthy read for any artist or anyone interested in art.


Tuesday, July 2, 2019

Papa Put a Man on the Moon by Kristy Dempsey, Sarah Green


Rating: WORTHY!

This was a charming book for kids that runs along the lines of 'every little helps'. Papa had nothing to do with the Moonshot or with landing anyone anywhere, except in that he worked at a clothing factory and it happened to be one that produced a part of the lining for the Apollo space suit, so in the end, something he had touched in the course of his work went to the Moon and helped keep the astronauts safe while on the surface.

Sadly the book doesn't touch on the complexity of the Apollo Moon suit - or extra vehicular mobility unit in such typically tedious governmental jargon labeling that it was known as the EMU. Seriously. The suit was so complex that it took three years to design it and then another several years of modifications to reach the suit that was worn for the later Apollo missions. The one worn to the Moon debuted in early 1969 with Apollo nine. They were produced by ILC Dover which believe it or not was a subsidiary of Playtex, of bra fame, back then. The total weight of the suit all told was 200 pounds, but out in space and in the Moon's low gravity, it wasn't that much to carry.

The suit consisted of thirteen layers of materials designed to insulate, protect, and prevent air escaping, including rubber coated nylon, aluminized Mylar, Dacron, Kapton film, and Teflon-coated 'Beta filament cloth' to provide protection from fire after the horrible Apollo One fire in 1967. Naturally a children's book isn't the place to go into all that technical detail, but a word or two about the complexity would have been a good move. That aside, I liked this book for the unusual approach it took and for encouraging children to believe they can make a difference no matter what they feel is their lot in life.


The Face of War by Martha Gellhorn


Rating: WORTHY!

Martha Gellhorn is most often referred to, I have no doubt, as an ex-wife of Ernest Hemingway, like she has no existence apart from him, but she was a reporter who was in Madrid when the rebels were bombing it in the Spanish civil war; she went into Europe on D-Day or shortly thereafter, and was on the beach helping bring the wounded back to the hospital ship she was on while it was still being shelled. She reported on that war right to the end, and was present shortly after Dachau was liberated. After that, she had had enough of war and death, so she did not want to go to Korea, but she felt drawn back into things when the Vietnam war began. Her career spanned six decades and she died in '98 at 89. The Martha Gellhorn Prize for Journalism is named after her.

This book consists of a series of reports she sent back from her experiences, which were varied and often dangerous, and some of the stories are commented on in hindsight by the author. Her experience with Hemingway was a tiny part of this expanse of time. She met him in 1937 and they went to Spain together, and lived together on an off until marrying in 1940 after his divorce from Pauline Pfeiffer. They divorced in 1945, evidently because he could not stand that she also had a career. According to Wikipedia he once wrote to her asking, "Are you a war correspondent, or wife in my bed?" evidently convinced she couldn't be both, though he could. She apparently asked, "Why should I be merely a footnote in his life?" and refused to discuss her relationship with that dick whenever she was interviewed about her work. Good for her.

The stories she told were typically personal interest stories, although not typically about only one person, but about many - sharing the same experiences under fire or impoverished by war. She wrote well and was a very descriptive and evocative author. The book contains three of her reports on the civil war in Spain, two on the Russian attacks on Finland, one on the war in China fending off the Japanese, twelve on World War Two, including one on the Nuremberg trials and one on Dachau. She covers ongoing conflicts which everyone who faced World War Two hoped would have been over for good, and includes nine reports on Vietnam, three on the Six Day War involving Israel's fight for sovereignty, and two on war in Central America.

I highly commend this book.


Hunting for Hidden Gold by Leslie McFarlane


Rating: WARTY!

This was an audiobook read reasonably well by Bill Irwin. My problem with it was not only the antiquated story (this was written almost a century ago by Leslie McFarlane, writing as Franklin Dixon), but mostly the tinny accompanying music.

Leslie McFarlane was a journalist, not a musician, and while I have yet to confirm this officially, I remain pretty much sure that he never wrote any accompanying music for the story. Neither did Edward Stratemeyer who was the mover and shaker behind these books. So whence the impetus for the sad and annoying music in the audiobook edition? Is Bill Irwin not good enough to listen to without accompaniment? It really irritates me when audiobooks do this and I've had to listen to two or three lately which all have had music at least at the very beginning of the book. Why? Get a clue, publishers!

The Hardy brothers are evidently frequently put at risk of their lives by their thoroughly irresponsible father, by being tasked with helping him to solve mysteries. In this book, their own stupidity gets them into trouble, They're required to fly to Montana, to track down missing gold, and they have a three-hour layover en route. As soon as they reach the airport, they're accosted by a stranger who informs them that he has important papers from their father, but he has...wait for it...forgotten them, they're so important! He asks if the boys will accompany him to his home to get the papers. Rather than insist they have a flight to catch and cannot leave the airport, and request he brings the papers to them as he was tasked to do, they blindly go with him and end up tied up on a house! The Hardy Boys are morons. That's when I quit listening to this.

I get that the whole idea of the story is to bring the kids in because it's a kid's story, but the mark of competent writers is that they do this without having the kids look stupid or have them needlessly endangered by idiotic adults. Their involvement needs to be organic, and not blatantly incompetent or dumb. Leslie McFarlane simply wasn't up to it. And yeah, I know this story is antique and that sensibilities were different back then, but that doesn't mean I have to give it a bye today. Instead I give it a bye-bye. This story was garbage and it's warty, period.


Oracles of Delphi Keep by Victoria Laurie


Rating: WARTY!

This audiobook was read decently by Susan Duerden, with whom I've had largely a good experience over three audiobooks now, but the novel was overly long and rambling, and in the end this insistence on going endlessly on about things which were uninteresting to me and worse, which contributed little to moving the story along, was what lost me. I started skipping parts, which is never a good sign, and then I skipped the whole second half or so of the story, moving to the closing section to see if anything interesting had happened by then, and the answer to that was a short, sharp, "No!"

I share a first name with the main character, Ian Wigby, who is an orphan newly-moved in to Delphi Keep in the 1930s - literally a castle keep which has been given over by its owner, an Earl (this is set in Britain) for use as an orphanage. Ian is punished for a transgression by being put in charge of a new addition to the orphanage - a very young child who gets named Theo, and who becomes essentially a younger sister to Ian as the two grow up together. She's not his actual sister as the idiot blurb misleading asserts. I thought this was a really interesting premise and ought to have been put to better use in a story than this one had it.

Time passes in the story, and despite having matured somewhat, Ian still shows no sign of growing! He recklessly takes his "sister" exploring the chalk caves on the coast near the orphanage - a place he knows that the residents of the orphanage are expressly banned from visiting. The trip almost ends tragically as some supernatural and ferocious animal tries to kill them. They escape by squeezing through tunnels too narrow for the animal to follow, but it tracks them back to the orphanage and breaks in, putting everyone at risk. Meanwhile Ian gets into more trouble starting a fight with the clichéd school bully over ownership of a little casket he found while in the tunnels.

Ian consistently struck me as a jerk and a dickhead, with poor impulse control and a dishonest streak. He's hardly an exemplar I'd want children to read about, and yet this book was the first in a series (not that, once again, the publisher will ever tell you this on the book cover, which is again, dishonest). For me the book was boring and it seems like it would be quite horrific for some of the intended age group who might read this, but I can't commend it primarily because of the poor, rambling writing.


Frida & Diego by Catherine Reef


Rating: WORTHY!

I've long been interested in Frida Kahlo and the life she was forced to live, so when I happened upon this larger format print book I saw in the library, I grabbed it up without thinking twice. It tells the individual stories of the childhood and youth of the two artists separately, and then of their life together, problematic as it was at times. It discusses their work and how events in their lives influenced it, and of Frida's struggle with health issues, beginning with polio, and then with a tramcar accident which resulted in a metal hand rail piercing her hip - a major and life-threatening injury from which she never fully-recovered and for which she was still having surgeries long after the accident.

As if that wasn't bad enough, she ended up falling for a serial philanderer which led to a codependent relationship that neither party could move on from, not even after they divorced. The book covers a lot of ground and contains a wealth of fascinating detail. The author has done her work without question.

The only thing about this book which bothered me was that so little of their art was depicted. There is a lot of imagery and quite a few of their paintings are included, but most of the pictures are photographs of them and their friends, so for me, too little of the art was on show. That aside though, I enjoyed reading this, and I commend it as a worthy read for anyone who is a fan of either artist, or even of art in general. Both the over-used phrases 'struggling artist' and 'tortured artist' apply quite literally to Frida Kahlo and she's always worth reading about.


Travels With Myself and Another by Martha Gellhorn


Rating: WORTHY!

This is a record of the author's adventures (mostly) when not reporting on war, the most entertaining of which, for me, was her trip to Africa on a whim, with little forethought and no planning. This woman was fearless and went wherever whimsy took her, reporting with an astute and amusing eye on everything she sees and experiences. She was a woman ahead of her time and an exemplar for feminism. She covers not only adventures in Africa, but also in China, in Eilat in Israel, and in Moscow.

She was not only a journalist, but also wrote novels. She's observant and witty, smart and insightful, adventurous and unstoppable. I commend this as a fascinating travelogue.


Kick Kennedy by Barbara Leaming


Rating: WORTHY!

Kathleen Kennedy was nicknamed "Kick" which sounds stupid to us today, but which was right in line with kids for the era in which she grew up. She was a part of a very large Catholic family, sister to John F Kennedy, Robert Kennedy, and Edward Kennedy. This audiobook tells of her time from her first trip to Britain in the late 1930's and her eventual marriage to the Marquess of Hartington, heir apparent to the 10th Duke of Devonshire. She lost her husband to the war in Belgium in 1944, not long after the marriage, and died in Europe herself just a few years later, at the age of 28 in a plane crash.

This book which sports, I have to say, some rather fanciful story-telling here and there it seems to me, recounts her life and death, surround by Lords and Dukes and Grand Dukes and Viscounts, and Marquises. It's really quite shameful how spoiled-rotten these people were, and how easy their life was, drifting from one event to another, from one function to another, from one party to another, never doing a lick of work because they were so rich, they didn't have to. Now that doesn't make it right that she died so young, but it does make it hard to sympathize with her when she lived a life most people who live into their eighties can't even imagine.

That said it makes for an interesting read, even if parts of it are so far from one's personal experience that it seems like reading fiction even when it's true. Having started to fall for the guy, she found herself torn away from him by her father's insistence that his entire family return to the USA as hostilities between Britain and Germany, via France and Czechoslovakia's travails. The Kennedys had been welcomed and even somewhat revered in Britain, and Kick was very popular with her own set, but when Joe Kennedy started talking, back in the USA, about leaving Britain to it when it came to fighting this war, his popularity plummeted in the UK and he saw this starkly on his return.

Meanwhile all Kick wanted to do was return to see Billy. She eventually got her wish and they married to opposition from her Catholic, but far from catholic parents, and this was despite her not giving up on Catholicism herself. All she had to do was agree to the children being raised Protestant, and she didn't protest about that at all. The thing was that her husband stuck his head up, either unaware that he was being fired on by a German machinegun, or not realizing it was dangerous, and was shot in that same head. It was a whole week before Kick learned her husband of only four months had died - only one month after Kick's own brother, Joe Kennedy Junior, also died in a plane crash.

The book moves a lot more quickly after this and it would seem that Kick had changed her view of life by then, so instead of seeking out someone she truly loved, now she was little more than a gold digger. Having lost her status since her husband's death and seeing the dukedom go then to his younger brother (who was married to one of the feisty Mitford sisters), it wasn't so very long before she began chasing after the married 8th Earl Fitzwilliam, who was even richer and had higher status than her late husband had.

Prior to reading this I had little idea of Kick Kennedy other than being intrigued that she was JFK's sister and had died young and was tied to the area of Britain where I had grown up (she's buried in my home county). Now I've read this (listened to it, more accurately) and learned plenty about her, and while I commend this book as a worthy read, I can't imagine I would ever have actually liked Kick Kennedy had I been alive in the era which she lived. In fact, our social circles would have been so divorced from one another that I would never have even met her at all, and that would have been fine with me because she disgusts me.


Gidget, the Little Girl with Big Ideas by Frederick Kohner


Rating: WORTHY!

This is a 1957 novel written by Kohner based on the experiences of his daughter who got in with a bunch of surfer dudes and learned to surf herself. The story isn't a biography, but is extrapolated from her experiences and turned into a fictional adventure in its own right.

Gidget's actual name is Franzie - we do not learn her last name in this novel although I understand it's revealed in a sequel as Hofer. She becomes Gidget when she starts hanging with the surfer guys, having run into them after being rescued from an undertow by a mocking surfer. None of these guys use their real name. Like super heroes, they go by supposedly cool titles like Kahuna and Moondoggie. Since Franzie is a female of diminutive stature, a girl midget, she's dubbed with the portmanteau monica: Gidget.

Initially she's not welcomed - this is a guys' club after all, but not everyone is hostile to her, and she ingratiates herself by delivering lots of food to them, purloined from the larder at home. The surfing guys appreciate this and gobble it down, and slowly she becomes assimilated into their group. She especially raises the hackles of the self-absorbed Moondoggie, so you know he's the one she's going to get hitched to. The one who takes her under his wing initially though, is Kahuna, an expert surfer who travels the globe catching the waves wherever they lure him. The other guys are typically college students down for the summer.

Gidget, who at fifteen, can't afford a board of her own, sometimes manages to get rides doubling-up on a surfboard with one of the surfers, starting with Kahuna, and after she stays overnight (after a party gone wrong), in Kahuna's beach hut, Moondoggie gets the wrong idea and starts a fight which Kahuna wins. Losing patience with both of them, Gidget grabs one of their surfboards and goes out to ride a huge wave - something she's never done alone before. With some concentration and supreme effort, she nails it, and that seems to break some tension. She and Moondoogie start seeing each other romantically.

This was a sweet, innocent and slightly scary story given how much freedom Gidget is allowed by her parents and what a potentially risky alliance hers is, but times were in general far more innocent back then and Kahuna proves himself to be a real gentleman - more so than Moondoggie initially is. So this was a fun and interesting story, well-written, if a little clichéd, but worth the read.


NPR American Chronicles Exploring space


Rating: WARTY!

This was a short audiobook consisting of excepts (excerp-tuhs as the NPR people pronounce it!), and I was not thrilled with this at all. It was very superficial. The only interviews that were interesting were the ones with the astronauts, notably, John Glenn, veteran space traveler John Young, and African American astronaut Bernard Harris, but htose were very short. The rest of it I could have managed without, including the tinny and annoying musical accompaniment to far too many of the items. Even those astronaut interviews were rather superficial, so I cannot recommend this, especially since I haven't commended it in the first place and I don't intend to!


Wednesday, June 5, 2019

The Only Woman in the Room by Beate Sirota Gordon


Rating: WORTHY!

This was a memoir written by a woman (Beate Sirota as she then was) who, through her extensive knowledge of Japan, having grown up there despite being born in Austria, and because she spoke several languages, including English, German, and Japanese, was part of the American delegation which went to Japan after World War Two, and helped draft the constitution, in her case, specifically a section on women's rights (which was largely gutted by the old white men unfortunately) before the final draft was presented to the Japanese so everyone could pretend the Japanese came up with this instead of the Americans.

The story is short and to the point, which I appreciated, but it contains enough detail to paint a vivid picture. It tells of her growing up on Japan, of her time in the USA during the war, working on translating intercepted Japanese military messages, of bigotry, bias, and racism, and of her return to Japan, not knowing if her parents, who were there during the war, were even still alive. Happily they were (and not even interned!), and the story of her involvement in post war planning and then moving back to the USA where she became heavily involved in trying to encourage cultural exchanges between the USA and Asian countries, was both moving and educational, as well as entertaining.

The author writes well and gives the right details without getting bogged-down in material that contributed nothing to both enjoying and learning from the story. I'm not a big fan of memoirs, but i commend this as a worthy read.


Saturday, June 1, 2019

Cartwheeling in Thunderstorms by Katherine Rundell


Rating: WORTHY!

This is something of a Cinderella story and it was also another of those audiobooks I seem to have been listening to lately which gets off to a great start, falls flat in the middle, but picks up again towards the end, so overall I consider it a worthy listen, but it had an issue or two here and there along the way. It was read by Bianca Amato who did a good job.

Wilhelmina Silver has had an amazing childhood in Zimbabwe, despite losing her mother at an early age. Her father was still around and she was allowed to run wild, learning all she needed to from her daily adventures and from the extensive library her father had in their ranch. But when he dies unexpectedly and his nurse movies in on the family and starts taking over, Wil suddenly finds herself on the outs and is eventually and summarily packed-off alone to an English boarding school while her home is sold.

To Wil, the people in her school are as cold as the weather and her spirits as dampened as the climate. Wil runs away from school and lives on her own on the streets (and in a zoo!) for a while before finally returning to the school and finding a place there. The novel tells a good and interesting story when it finds its pace, but there are times when it rather drags and you're wanting something to happen which doesn't. I'm not a big fan of school bully and cruelty stories, so I disliked that part. It wasn't so bad, but it was a bit overdone and too black and white for my taste. I found it hard to believe that girls of breeding who attended this school would have been so relentlessly, uniformly, and openly cruel as depicted here. It didn't seem realistic to me.

The worst part about this story is that Wil is presented in the early chapters as fearless, feisty, and indomitable, but in England she seems completely the opposite. Yes, she has some grit and some inventiveness, but she seems like a different character from the one we'd been introduced to earlier, and while I get that being torn from a comfortable and happy home and dropped unkindly into a new life for which they're completely unprepared can knock the stuffing out of a person, it felt a bit like a betrayal of Wil that she was so consistently and so interminably presented as weak and lost. It felt wrong and inauthentic, and did the character a disservice.

That said, she took charge and bounced back and that's where the story improved for me, so while it has its faults, it's not too bad of a story for an age-appropriate audience.


Wednesday, May 1, 2019

David Bowie by Isabel Sanchez Vegara, Ana Albero


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

Erratum:
“This made his eyes look like were different colors” should read look like they were different colors!

I've been following this series quite closely and enjoyed very nearly all of the books I've read in it so far. This is another one to add to the list of successes. David Bowie's career in playing music either as an amateur band member at fifteen or as a legend right before he died in 2016 at the age of 69, spanned over half a century. He constantly reinvented himself and in this spate of musical biopics (including the phenomenal Bohemian Rhapsody and then Rocketman, and the documentary on the Beatles by director Peter Jackson) which seem to be flourishing lately, I wouldn't be at all surprised to see one crop-up about him.

He's been in and out of musical success since he debuted The Rise and Fall of Ziggy Stardust and the Spiders from Mars in the early seventies, and resurged with Ashes to Ashes and Let's Dance in the early eighties, and in between he had a minor film career. He was also a controversial figure regarding his androgyny, but it's not completely clear (at least to my knowledge) whether this was more of an image he was portraying or more of the person he actually was, so I didn't feel that omitting it was a bad thing in this particular case. Overall I enjoyed this and thought it a worthy and educational read.


Mahatma Gandhi by Isabel Sanchez Vegara, Albert Arrayas


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

Another in a children's 'Little People, Big Dreams' series which I've been following, this one tells a great story. Anyone who's watched the Richard Attenborough movie starring Ben Kingsley, and written by John Briley will realize how important it is for young children to be introduced to people like Mohandas Karamchand Gandhi as opposed to an excess of superhero movies where people typically beat the pulp out of one another. Not that those aren't fun in their place, but let's not ever take them seriously as solutions to problems!

Naturally a life like Bapu's cannot be adequately captured in a book of this nature, but I felt that author Vegara does a fine job in distilling the important stuff. This book, delightfully illustrated by Albert Arrayas, follows Ghandi's life from childhood through university in London, to South Africa and back to India, and it explains his philosophy and where it came from. For young children, that's an important start. I commend it.


Planet Fashion by Natasha Slee, Cynthia Kittler


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

Illustrated in style(!) by Cynthia Kittler, this book is an unusual one for children, but I think it will be well-received. Anyone who knows me well or who has read some of my reviews, will know I have no time for the fashion industry, but this book isn't about those pretentious and self-indulgent poseurs. It's a history book about how fashions have changed over the last century and who was wearing what and when. Naturally it's quite USA and Euro-centric, but it also covers other places, such as Australasia and Central America, which was commendable.

It's designed as a print book which means the tablet computer cannot really present it properly. It has to be enlarged to read the text, and then reduced to slide to the next double-page spread, and frankly this caused issues on occasion, with a page disappearing or appearing out of order until I swiped back and then forward again, which seemed to fix it. Do not proceed to page 33 or you will become stuck like I did, unable to swipe back from it! You have to use the slider at the bottom of the screen to get back. Those irritations aside, the book is fully-illustrated and very colorful, but it's not all imagery - there is a lot of text supporting each page and the book is quite long for a children's book, but it is packed with information and interesting facts, and the last few pages have timelines to augment the text.

There is a small boy and a small girl who appear on each double-page whom you're encouraged to look for, and who are dressed in the fashion of the time, and there is also a search exercise at the back where you look at a series of smaller images taken from the earlier pages and then try to find which page it came from. Doubtlessly that would be easier in a print book too. Little kids will have a blast with that while learning something important about how we humans love to adorn ourselves for better or for worse as each page transports them progressively to a different era, and often a different country. I commend this as a fun and education book.


D-Day by Michael Noble


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

This was a nice overview of what was involved for those people who had to face the beaches on D-Day, June 6th 1944. It's told truthfully but not too graphically, so it tells the story, and how bad things were, without overdoing it or skipping the truth about what those men - and women - faced.

Yes, there are women featured here, including one who went onto the beach with the men. She wasn't supposed to, but Martha Gellhorn was resentful that her then husband, Ernest Hemingway, got to go, and she was passed over for a male journalist when it came to her publication's chance to send someone. Martha had an interesting history (not covered here). She was fired from a job after she reported a coworker for sexual harassment. After other adventures, She hid in a lavatory on a ship during D-Day, and then went up on the beaches disguised as a stretcher bearer. She was arrested on her return to England.

She's not the only remarkable woman covered here. We learn of others, along with many men from several nations, including Germany, who were involved in one aspect or another of the landing, either taking part in it on land, sea, or air, preparing weather forecasts for it, designing vehicles to deal with conditions they would find there, or defending the beach, and so on. One story was of a fifteen-year-old boy who was on a boat tasked with towing materials across the channel which would be used to create a temporary harbor for other ships coming later. This was another critical mission which, had it failed, would have hampered the effort.

One of my favorites is Dave Shannon, an RAF pilot who hailed from Australia. The book doesn't mention this, but he was part of the Dam Busters raid in May of 1943 that took down the Eder and the Moehne dams in Germany and dealt a severe blow to the Nazi war effort. On the night before the Normandy landings, this same squadron, used to difficult flying tasks, were assigned to fly progressively in precise order across the channel dropping what the Brits called 'window' which was material that would give a radar echo that made it look like a convoy was crossing the channel. They would fly so far, return, then fly the same route again, but advancing very slightly each time. This is where the precise flying came in. If they had not been exact, the radar signal would have jumped and given the game away, but they did not fail. The Germans were convinced that a large convoy was approaching and that this was where the landing would be, when it was in fact a hundred miles away. It was one of the greatest deceptions of the war.

All of these stories are remarkable, and all worth knowing. I commend this as a worthy read.


Thursday, April 4, 2019

Malinche, Pocahontas, and Sacagawea by Rebecca K Jager


Rating: WARTY!

Subtitled "Indian Women as Cultural Intermediaries and National Symbols," this book turned out to be completely wrong for my purposes and from the little I read of it, it felt to me to be completely wrong when it came to the purpose the author evidently intended it to serve. It seemed abusive to me in a way, in ascribing two, three, or four hundred years on, motives to women whose motives were never considered important at the time, so we have no idea what moved them to do the things they did, and we most certainly no grounds to ascribe high-flying reasons for their behavior.

The book does talk about the mythology that has built-up around these woman and discusses the roots and aims of that in some detail, but that aspect of their story as viewed today seems to me to be so painfully obvious as to be a fruitless exercise in pursuing it more. People have used these women for their own ends whether those ends were supposedly noble or malign. Of that there is no doubt, but the book seems like it wants to go beyond all that to view them in hindsight as cross-cultural ambassadors and I don't agree that's what they were. They were certainly not at the time, and ascribing such a role to them in hindsight seems pointless to me. It seems like it's just as abusive to them as people were in their own lifetime by disrespecting and using them in much the same way that people have done ever since.

The simplest solution to me is that these women acted in their own best interest, and in the interest of the foreigners for whom they may have developed feelings of affection, respect, or love. It's a perfectly human motive, and it's not superhuman. Malinche, who aided Hernán Cortés during the Spanish take-over of central America in the sixteenth century had been treated shabbily by her own people and was respected by the Spanish, so it's entirely unsurprising that she had switched loyalty and wanted to help those who had treated her better than her own people had. There is no overriding nationalist motive here, anti or otherwise. These women had no great plan. They had none of the hindsight we have today, to see where this was going. They were merely doing what they saw as best in their circumstances at the time.

The same 'motive' applies to Matoaka (aka Pocahontas) and Sakakawia (aka Sacagawea). Matoaka was a child and came to the Jamestown village because it was exciting and new, and there were new playmates to interest her. She was not a princess. She did not represent her father. She had no great diplomatic aspirations. Yes, she came often with gifts of food, but there's nothing recorded to show that this was her idea as opposed, say, to her father's idea. Maybe she talked her father into it, maybe not. We don't know! Maybe she was no more than a spy for her father, infiltrating the English camp and reporting all she saw back to dad. We don't know!

The great life-saving story that John Smith belatedly related was in my opinion pure fiction, and there's an end to it. He'd used the same story before in a different context. And Disney ought to be ashamed of themselves for dishonestly portraying it as a love story, but since when have they cared about historical accuracy, or about integrity in retelling ancient fairytales?

Sakakawia started out in very much the same as Malinche, being kidnapped at a young age and sold or traded off. Her life followed a somewhat less abusive trail than did Malinche's but they were both torn from their roots and were sharp enough women to make it work for them. My own personal feeling about Sakakawia isn't that she saw herself as a great diplomat either, but that she enjoyed new adventures and may well have talked her way into being the one wife of Charbonneau who went on this excursion merely because she relaly wanted to go. She had no great ambition to be a bridge between peoples and to pretend now that she was is farcical!

So I can't take a so-called 'scholarly work' like this seriously, I really can't, and I certainly cannot commend it as a worthy read.


Wednesday, April 3, 2019

Sacagawea: crossing the continent with Lewis & Clark by Emma Carlson Berne


Rating: WORTHY!

I'm reviewing three different books this month about the life of "Sacagawea" who is actually more accurately referred to as "Sakakawia" - which was, it's important to remember, her Hidatsa name, not her Shoshone name. No one at the time bothered to ask her about her previous name or her life before the Hidatsa era. All we know of her earlier life came out because of fortuitous coincidence during the expedition.

William Clark spent a lot of time with Sakakawia, but he never wrote anything down of their interactions - which admittedly were limited in regard to conversation since she spoke no English and he none of Shoshone, Hidatasa, or French, all of which she had at least a smattering of. Since American Indian names tended to be quite fluid throughout life, perhaps Sakakawia didn't care that much how she was referred to or would have been concerned if two centuries on, we had a clue what it really was or what her short life had been.

This book was fine, but of the three I've read, it was the least interesting even though it wasn't the last I read. I say that because the facts are very limited in discussing her life, and the only thing a new author can add is their own spin, which may or may not count for much. So one book about her tends to be very much like another. That's why I don't intend to write yet another boring book about her life on the expedition; I have something very different in mind which to my knowledge hasn't been done before, and this is why I've been reading all of these books, and why I intend to read the Lewis and Clark diaries too. This is all for background, but my story won't be the expedition, which I feel has been done to death and beyond.

This book tells a workmanlike version of the story if given to flights of fancy at times. That said it isn't ridiculously exaggerated and it does not make up stories any more than any bother such book has done. The problem is that these books tend to ascribe things that were never there in real life. All native Americans, for example, were tough people back then, men and women alike, so personally I don't feel there was anything particularly special about Sakakawia's toughness and abilities. Any "Indian Squaw" could have done what this woman did because it's what they did day in and day out!

I do feel, and this is just a guess, that she had an interest in adventure, and so was game to go on this expedition. It could have been Charbonneau's other wife (latterly referred to as 'Otter Woman' although no one actually recorded her name at the time) who went instead, but to me it feels like Sakakawia was intent on going and did not see her post-partum status as an obstacle, whereas Charbonneau's 'Other Woman' wasn't at all interested, and perhaps this 'Older Woman' saw his prolonged absence as a chance to get away from him and find a better life for herself? The truth is that we don't know how or why the cut was made the way it was, we just know it was.

The backcover blurb for this book - which is not typically in the hands of the author admittedly - claims that without Sakakawia, "Lewis and Clark certainly could never have succeeded," but I think that's patent buffaloshit. I think they would have succeeded with or without Sakakawia, with or without "Otter Woman" and with or without Charbonneau, but that doesn't take anything away from the real and solid contributions that Sakakawia made and the fortitude and can-do qualities she exhibited. She deserved a hell of a lot better than she got, and she deserves to be remembered, honored, and commemorated. If this book helps with that, then it's a worthy read.