Showing posts with label non-fiction. Show all posts
Showing posts with label non-fiction. Show all posts

Saturday, December 3, 2016

The History Puzzle by Susan Provost Beller


Rating: WORTHY!

This book doesn't offer a heck of a lot for the adult reader unless they're extraordinarily ignorant about historians, but it is a great middle-grade and lower high-school book which is where I donated it once I'd read it. The subtitle is "How we know what we know about the past." It's heavily biased towards US history, but it does not neglect historical and archaeological questions elsewhere, so we get coverage of Stonehenge and other such henges, of the so-called great wall of China, Roman ruins in Italy, and even cave paintings in France. Sadly, Africa gets no coverage.

That said, the author does offer some engaging stories about historical misunderstandings, such as that over the Battle of Little Big Horn, and who really did discover the Americas. The chapters are brief, each covering a different historical event or people, so we learn about gunboats in Lake Champlain, The Edmund Fitzgerald on lake Superior, which is big enough to be a sea if only someone would dump enough salt in there, Martin's Hundred, Mesa Verde, Herculaneum and Pompeii, and even Noah's ark! The Old Testament has it wrong! Who knew?!

I think this is a great introduction for young people to history, which is a subject that's all too often overlooked or under-served, and I recommend it. And it's written by a provost!


Trick of the Eye by Silke Vry


Rating: WORTHY!

There's not much to say about this book with a poetic title except that it's an awesome example of illusion and inventive art. Subtitled 'Art and Illusion', the book demonstrates handsomely that deceptive imagery in art is not anything new: it's been done for years - centuries, even.

This book has some eighty pages of examples from works by people like Giuseppe Arcimboldo, Robert Campin, Salvador Dali, MC Escher, Hubert and Jan van Eyck, Lucas Furtenagel, Vince van Gogh, Hans Holbein, Samuel van Hoogstraten, René Magritte, Francesco di Giorgio Martini, Andrea Pozzo, George Seurat, Jan Vermeer, Paolo Veronese, and Leonardo da Vinci as well as a host of more modern artists, including Banksy.

It covers not only works of art, but also objects, including the Acropolis of Athens, and offers some do-it-yourself illusions in the end pages. I recommend this for anyone who enjoys illusions and art


Friday, November 25, 2016

Drowned City Hurricane Katrina & New Orleans by Don Brown


Rating: WORTHY!

At a time of Thanksgiving it's important to remember what we have to be thankful for, and to recall things which are, even after a mere decade, in danger of being forgotten. One of these was Hurricane Katrina and New Orleans, which was an appalling and embarrassing tragedy and which highlighted a complete failure across several systems including the local authorities under the (at best) neglectful Mayor Nagin, the Federal government under the utterly clueless George Bush, and pretty much everything in between.

Don Brown's (and yes, I'd pick Don over Dan any time!) very well-written and nicely-illustrated graphic novel tells the story as it was, unvarnished and nothing swept under the rug. It covers everything from the start (and I mean literally the start) of the hurricane to the cruel and horrific aftermath. It's a horrible read and I mean that in a sense I hope you'll understand: horrible, but necessary lest we forget what happens when humans are absurdly over-confident and tragically unprepared.


Wednesday, November 16, 2016

BALLS It Takes Some to Get Some by Chris Edwards


Rating: WARTY!

This is a review of a book for which I was allowed a review copy, for which thank the publisher!

This is the first of a disappointing pair of transgender books I'm reviewing today, both written by guys named Chris! The blurb for this book is as misleading as they get. You can't blame the author (Chris Edwards, not to be confused with author Christopher Edwards) for this because they have nothing to do with their blurb unless they self publish, but I did want to mention it as a point of order, and because it's something out of the author's hands that can seriously and negatively impact the very book the author has written.

The blurb says "At a time when the term transgender didn't exist...Chris Edwards endured 28 surgeries to become the person he always knew he was meant to be." The problem with this is that this book covers the author's experiences in changing gender largely during the nineties and into the early oughts (although it references some time before), whereas the term 'transgender' was coined in 1965, which was, I'm roughly estimating, about five years before the author was born) and was in common use by the seventies. So common had it become by the nineties that in 1992, the International Conference on Transgender Law and Employment Policy had codified a definition of it! So no, the blurb is outright wrong here.

I really wanted to like this book because I loved the title. It was when I began reading the first chapter that I began to realize I should not have loved the title so much. I really didn't like the first chapter, but it improved after that, and so I had mixed feelings as I read on. Although it continued quite strongly from there on, it seriously deteriorated the further I read, and by the end, I didn't even want to read the epilogue and that's where I stopped.

For me the book was at it's best when it described the struggle the author went through to get where he needed to go, which was from the fabulously-named Kristin Eskandarian, to the end goal of Chris Edwards. Determined he was and suffer he did, and I suffered with him (after a fashion!) but enjoyed the experience while it lasted. Every fundamentalist who thinks being gay or transgender is a "choice" needs to read books like this to get themselves an education. No one chooses this ostracism, punishment, struggle, emotional overload and physical pain. No one wants it. No one wishes for it, but some must endure it, and amongst those are people who cannot do right by themselves until they have corrected, to the best of their ability, a heartless trick of nature. This author is one of those people.

Religion just pisses me off, frankly, which is why I had a hard time reading, towards the end of the book, this musing: "I always wondered why God made me transgender." This blind belief imposed by society on everyone from birth (well they try) that some magical being has a plan for all of us is delusional. It is also a burden no one should have to endure, because it makes life harder and inexplicable when you have to accommodate a big bearded giant in the sky. It forces questioning statements like this out of people because when you let god in, you let rationality out. I can't prove this, but the evidence is all on my side: no god had anything to do with this. It's just nature, screwing-up. Fortunately, albeit clumsy as yet, science has the power to go a long way towards correcting nature's mistakes of one sort or another. No god can help, and anyone who worships a god who would purposefully do this kind of thing to people is worshiping an evil, capricious god not worthy of human intellect or attention in my opinion.

The early strength of this book was in its unflinching reportage of the physical struggle: the inconvenience at best, and pain and suffering at worst. The weakness of it was that there seemed to be no "emotional content" as Bruce Lee so cutely phrased it in his movie Enter the dragon There needs to be emotional content in a story like this and I wasn't feeling it. And while this is a memoir and so is expected to be about the author, the problem was that it was all about him, with very little time or room for anyone else, least of all other people in his position.

We have mention of family and friends frequently, but they are always bit players and they seem to disappear completely in the latter portion of the book. We never really get a feel for what they went through because the author is so intently focused on what he's going through. This really came to a head (if you'll forgive the unintended pun) in the last few chapters where the focus was not on his life in general, his liberation, what he experienced in general as a man, and and how he felt about everything. Instead of that, which would have been wonderful, the sole focus was on his desperate quest to get laid!

This really soured me on the entire book, and cheapened the experience of reading it considerably. While I was hoping for more of the post-surgery story, all I got was this endless quest to find a female and this is when it really brought it home to me that the author was very much a guy. His story was all about balls, but it was balls in the sense of testosterone, and not in the sense of guts. In short, it was the opposite of what I'd hoped for when I first saw this title.

I'd wanted a before-and-after story and in a sense, there wasn't one because for the author, there was only after. There never was a before because he never was a woman except in the most superficial sense. I get that, I do, but there is still a story there, and I kept getting hints of it here and there which were disappointingly brief: about how he felt and how he was treated when he was perceived as a woman as compared with when he brought out the man who had always been subsumed under a female exterior.

I'd hoped for more of a general story of post-op life along those lines, but all we really got was the op. There was no 'post' other than what I just mentioned, which sadly was all about his new "post" if I can put it that way, and it sounded rather desperate and of an entirely frat-boy mentality, which turned me right off. It was this kind of thing which made me dislike that first chapter, too.

There's a sick genderist joke that a man's brains are in his penis, and this memoir played right into its hands. In fact the author indulges himself in this kind of genderism when he writes, "Luckily the testosterone had yet to override the female part of my brain that has no qualms about asking for directions." Seriously? There were several such Whisky-Tango-Foxtrot statements such as: "I wanted my first time to be with someone I really cared about—who cared about me" which felt so hypocritical coming as it did at the end of bunch of chapters which talked only about getting laid - and with not a single mention of sexual diseases and risks. I found myself wondering, more than once, what happened to the woman? And the answer was always there: there never was a woman, not in any sense in this book! It was always a guy!

That kind of thing would have made more sense had it not come after statements like this one: "He then informed me that if I’m with a woman at a revolving door, the gentlemanly thing to do is to enter first and get it going so she doesn’t have to exert any effort. This guy was a true gentleman in every sense of the word, which is exactly what I intended to be." To me that's sheer sexism. A 'true gentleman' may well be what he was, but he didn't give me that impression having read those last few chapters, where it was all about sex, never about relationships, companionship, building trust, shared interests, or getting to know someone before diving headlong into them. Again, these are things guys are known for doing - and juvenile guys at that. There is no feminine side to this.

That quote harbors another issue, too. Are men and women supposed to be treated equally or not? If we are, then women don't get to have doors opened for them, unless you happen to be going out first, and hold it for the next person coming right behind, but in that case, the gender of either person is irrelevant. It's just the polite thing to do. But equality means precisely that - equal treatment for all. You don't get get to have the car door opened, or for men to stand up when you enter the room, or for you keep your purse closed while the man's wallet is perennially open on your date. Otherwise it's not equality, it's privilege, class, and special treatment which is precisely what the suffragists accused men of. Do we really want to go back to that? More on privilege anon.

It felt very hypocritical reading a statement like that above from someone who is, in this very memoir, talking of equality in the extreme: of the right of those who are gender dysphoric to be allowed to equalize themselves as this author was allowed, and to be allowed to be treated as all other men and women when the surgeries are over. That's what equality means. But as long as you're talking about wanting to be "a true gentleman", then you're missing the point! This is not to say men should be allowed to be dicks and jerks. We can still be polite, considerate, and well-behaved, but this behavior should not be considered the sole preserve of the male gender, especially since (some would argue and upon very solid grounds!) men are not even there yet! There's no reason at all these days why a woman should not open a car door for a guy, or why she should not go down on one knee and propose marriage!

The author's family, which had played an important role in the early chapters, were pretty much banished from the second half of the book. No longer was this thirty-year-old guy traveling with his mom for consultations. Family was out, which frankly felt a bit odd to me. Traveling with family for post op help I could see, but for a consultation? It felt more like fiction than memoir, but in the end it was his choice.

The fictional shadow grew darker when I read a statement like this: "Dr. Laub had made it his mission to travel to underdeveloped countries and provide life-changing plastic surgeries to tens of thousands of people." Now I don't doubt that a surgeon could perform tens of thousands of operations over a long career. But I just did a calculation, and over a career of forty years, starting from age 28 (four years of university, four years of medical school, and two years of residency minimum, would put him at 28), a doctor could perform ten thousand operations if he did five per week, fifty weeks per year.

That's not a heavy load by any means, but remember that what we're talking about here is charitable surgery in third world countries, and he wasn't doing those at the rate of five per week for fifty weeks of the year over forty years. He was doing those on trips away from his regular work. Hundreds I can see, maybe even thousands of such operations, but tens of thousands, all of them life saving? No. Just no! Doing such work is commendable and worthy, but let's be realistic about what he does instead of inflating it. We're not Donald Trump after all. To do otherwise is to do Dr Laud a disservice. If he supervised or worked with teams of surgeons doing these surgeries, then I can see tens of thousands over an extended period. But not one man. In fact, working with teams is what he did if you read about his work. Wikipedia describes it as "tens of thousands of life-altering operations gratis." That sounds more like it and does indeed make him a super-hero in my book!

It was slips like this that made me distrust the author setting himself up as a sort of spokesperson for the gender dysphoric. Quite often throughout this book there were directives like this: "You should never ask someone who is transgender if they have had or plan to have surgery."

I didn't grow up in the US so it's not my nature to ask personal questions of people I just met. I wouldn't advise it whether they're transsexual or anything else. I don't even ask such questions of people I know well unless it's relevant and I know they will not mind. This is why I have to wonder if the author is really talking on behalf of all who share his experience, or if this is just how he feels, and he's projecting it onto everyone else.

I don't trust it. That's not to say I'm advising asking the first transgender person you encounter all manner of personal questions. Far from it! It's just that I don't believe that all transgender people are the same (except in that they're transgender!) I believe they're like everyone else: some won't want to talk about it - perhaps the majority - whereas others might well be inclined to discuss it in appropriate circumstances. This author wrote a book about it for goodness sake!

The point that it's their choice, not mine, yours, or this author's, so do not expect that, just because they've had a "weird surgery" that it's up for grabs in the topics for discussion department. And ask only if you know them well, and know they will be receptive to discussing it. Remember they did not have a choice over which body they were born in, but they do have a choice whether to discuss what they did about it. Respect that choice and leave it with them to make!

There was one more thing which bothered me, and which the author made only one mention of in the entire book, and that was privilege. This memoir reeks of it. These operations cost literally thousands of dollars (I won't go so far as to say tens of thousands of life-saving dollars!), and this guy or his family could afford them. He could afford the best, and could fly across country at the drop of a hat to discuss a procedure with a doctor, and pick out the best surgeon to perform it.

I wouldn't wish what he went through on anyone, and I admire and salute him for having the 'balls' and stamina, and the courage to go after what he wanted, but the fact is that, as badly done-to as he felt from being trapped in the wrong body and having to suffer emotional stress, and humiliation, and painful, prolonged surgeries to get the right body, he did have the money and means, and opportunity to get it done.

He was extremely privileged in that regard, but from the way this was written, I got no sense of gratitude or of appreciation from this book of how lucky he was he was or how grateful he was to have been privileged enough to pursue his dream when scores of others in his position do not have the same access he did. In a just world, everyone would have this access if they needed it, yet he writes as though it's a right (which it ought to be, granted!) he enjoyed without any sense of humility that he had this access when scores of others are denied it.

It felt rather selfish and was exemplified in this comment late in the book: "After all I do for everyone else, nobody was helping me." This was after his family had paid for surgeries and accompanied him left, right, and center, and his friends had been amazingly and commendably supportive, and he has a great network of people rooting for him, and he's had the opportunity to get precisely what he wanted in life, and now he's discussing getting laid and this is his comment? As much as I wanted to like and commend a book like this, this is not the one I find I can in good faith, lend my support to. I'm sorry and I wish the author all the best in his new life, but I cannot recommend this account of it.


Wednesday, November 9, 2016

Art of Atari by Tim Lapetino


Rating: WORTHY!

I was really pleased with this book, for which advance review copy, I thank the publisher!

I don't see this as being widely or wildly popular, but it will definitely appeal to anyone who's ever had an interest in Atari. I never owned one of their gaming boxes, but I am familiar with their computers, particularly the 520 ST which was quite the sensation in some computer circles, although the sensation quickly died.

I found it odd that this computer was not featured in the book, but the book focused nearly exclusively on games and on Artari's heyday, and in particular on the artwork accompanying the games, featured either on the box or in the manual. The artwork on the computer screen was abysmal by today's standards, but it was successful in its time because no-one knew any better, and it was the best that computers could do until Commodore came along with its wildly successful 64.

The artwork on the boxes and manuals though, was another world. It served the purpose of course, of firing up the imagination of kids (young and old) who evidently didn't care about the huge discrepancy between the resolution of the art on the box and the blocky 8-bit game that came inside! That discrepancy isn't mentioned in the book, but the art is given the adulation it deserves. There are interviews with the people who did the work, along with a potted history of Atari and the company's spectacular growth and subsequent fall into financial difficulties and obscurity even as the distinctive logo lived on.

The artist profiles include such names as Marc Erikson, Rick Guidice, Steve Hendricks, Terry Hoff, James Kelly, and Cliff Spohn. Usually in something like this it seems to be all white guys, but that wasn't the case here, interestingly enough. There were guys of Asian ancestry such as Hiro Kimura, and Warren Chang, and also several girls involved in these various enterprises, including one who was an engineer. Go engineering girls! Names such as Sharon Ashton, Susan Jaekel and Evelyn Seto are deservedly celebrated along with the unnamed woman who banned a highly questionable illustration for Atari's Haunted House Game!

As for the artwork itself, it's remarkable in how consistently strong it is, as well as consistently varied! I loved it and envied it. I think this book works as a trip down memory lane, as a coffee table art book, and as a history of a corporation that really brought a change to people's lives in the field of leisure activity as well as in corporate culture. It may surprise you to learn that Steve Jobs once worked at Atari. No kidding!

And what of the games? There are too many to list, but all the old favorites are here: Air-Sea battle, Breakout, Centipede, Donkey Kong, E.T., Food Fight, Galaga, Home Run, Indy 500, Joust, Krull, Mario Brothers, Night Driver, Oscar's Trash Race, Pac-Man, Qix, Raiders of the Lost Ark, Space invaders, Tetris, Ultra PONG,Video Pinball, Wizards, and Yars' Revenge, along with mentions of some unreleased games such as Dukes of Hazzard. One thing which particularly interested me was the story of the Atari burial at Alamogordo. I'd seen a documentary about this ( Atari: Game Over.), and it was fun to read the article.

I really liked this book, and I recommend it. It comes with a foreword, an afterword, end notes, and an extensive index. There's an article here (or at least there was when I first blogged this!) which will give you a feel for the work. Game on!


Sunday, November 6, 2016

Johannes Gutenberg and the Printing Press by Diana Childress


Rating: WORTHY!

This book is a fine example of why print books are refusing to roll over and die in the face of ebooks. There is no ebook that can stand spine to spine with a book like this one! Ebooks are spineless! This one has heft and weight, and is a solid piece of work in more than one way. Convenience is really all ebooks have to offer, so you have to ask yourself, do you feel literary? Well do you, punk? Sorry! Sorry! Got carried away there. But ask yourself this: if you're having someone over for dinner, would you do your grocery shopping at a convenience store?

This book, despite being small, actually feels heavy. It's glossy and feels wonderful to hold in the hand. It's bright and clear, and flawlessly printed and illustrated. None of your crappy Kindle app disjointed images and choppy, mismatched text lurks here. With this book, you can feel its individuality and personality in your hand and display this on a shelf. You own this and you can give it away or bequeath it to a relative. It's a good solid book!

But what of its content? Well that stands up to scrutiny too. It's very well written, simply but not idiotically. It's knowledgeable and full of interesting sidebars with bits and pieces which round out and fill out the overall story. For all of his fame, surprisingly little is known about Gutenberg. By digging around in some very well-kept ancient records, it's possible to piece together a coherent and quite detailed story of what he was up to and how he went about his inventive business making leaps from one technology to another. He was able to see things in a new way and come up with something never before seen, and which had a huge, huge impact on the world.

It's a pity that there isn't more, but what is known is here, rest assured, and as far as budding writers go, I can't think of a better book to read or to give to someone than one which gives us a clear and educational history of how this man set us free and made possible what all we hopeful writers do today. I shall be looking for more books by this author.


Wednesday, October 26, 2016

Level The Playing Field by Kristina Rutherford


Rating: WARTY!

Note that this was an advance review copy for which I thank the publisher. Note also that this is going to be a lot longer review than I usually give to a book of this short length, because this is an important topic and I don't think it was covered adequately or ironically, equitably here!

The overall impression I had of this book was not that of a reasoned and cogent argument, or of anything that went into any depth. It felt much more like a rant, and as such it failed to make a case. This is the kind of subject which all too often becomes emotional, but that serves no purpose in trying to get a the roots of a discrepancy like this, to properly understand the issues, and to determine how best to set them right - or even if they can be set right.

What disappointed me most of all was that the author seemed unable to recognize the issues even when she described them. For instance, I read:

Every PGA Tour event is televised and some tournaments draw more than 10 million viewers. Only select LPGA Tour events are televised, and even major tournaments draw fewer than 1 million viewers.
I don't get her point here. It seems to me that she's elucidated the problem perfectly: the viewership of the female tournament is one tenth that of the male tournament, meaning that the advertisers are not going to show-up in droves, meaning the money is going to be significantly less, meaning that the winner's purse is going to be dramatically reduced. The the root of the discrepancy, and therefore the problem to be resolved here is why the viewership is so much less, but the author evidently wasn't interested in pursuing this question, preferring instead to wave a hand at media coverage and mark it down as explained. Well, they had media coverage here, but the viewership was far less. Why is the author not asking why that's the case? I'll talk more about this later.

On the one hand the book makes some good arguments for equity in how women are treated when it comes to sports and it definitely highlights the discrepancy between how male and female athletes are viewed (and paid), but on the other hand it came across as rather whiny and preachy, and it seemed far more focused on money and celebrity than ever it was in trying to understand why there's such a massive discrepancy between how athletes of each gender (regardless of whether they're celebrities or not) are viewed.

The author never did distinguish between equality in how athletes are treated, and equality in how athletes garner for themselves a fan base. You can legislate equality, as the US did when Democrat Senator Birch Bayh introduced what became known as Title IX in June 1972 (a year before Roe v. Wade made huge strides in another direction related tomember of Congressr who co-authored it, but it's most commonly referred to as Title IX. Patsy Mink was the first Asian American woman elected to Congress

At the beginning of this book we're asked, of two basketball stars, "Why aren't athletes like LeBron and Maya valued and recognized equally for their talent?" There are reasons for that which we'll go into shortly, and I would have been much more impressed had the book gone after real answers like this instead of the route it took. I would have been more impressed still had it approached the subject as fairly as it expects male and female athletes to be treated! The only 'solution' on offer here seemed to be that if women are given the same media exposure as men, then everything will magically balance-out, but nothing was put forward to support this claim, and frankly I have a hard time seeing that happening for a variety of reasons, and especially not in the US.

The first issue is the question of whether sports really represents the same kind of workplace that other occupations, say in the medical profession or in businesses not tied to professional sports offer. Frankly it doesn't. No one in their right mind would argue that two people, regardless of gender, who were doing the same job to the same degree of skill should get equal treatment including pay, in any ordinary endeavor, but the question of how you resolve whether two people are doing the same job in sports went totally unexamined. There were some random potshots taken at it, but nothing substantial.

Instead, we were treated to a distinctly monocular view: that of men v. women, without any attempt to look at the issue using any other lens. In particular, the fact that sports is one occupation which is conducted in the full glare of media, and with huge audiences in attendance and dramatic financial considerations in play wasn't addressed at all. This is one reason why, at the risk of a pun, it's a different ball game when compared with other occupations.

The book opens with a mention of several female athletes, including Danica Patrick, a NASCAR driver, who is gushingly described as "the most successful female race car driver in history" yet this driver has never won a race on US soil, and as of this writing has had only a single win to my knowledge. So how is her 'success' being calculated? By the fact that she earned thirteen million dollars last year? What does that have to do with being an athlete per se, or with being successful at her chosen sport? Nothing! It pretty much has to do with her having a monopoly in being a high-profile female on one hand, and her not being a complete disaster at what she does on the other.

While I would not deny Danica Patrick, or anyone else the success she's had, however it's measured, I would balk at trying to use this as an argument for equality and the author strangely seems to agree with this because whenever she talks about other female athletes, none of those are championed as successful for having no wins! On the contrary, they're put on a pedestal as being very successful in terms of winning things.

So we immediately have a disconnect in what constitutes success, which then means we have a problem in determining how that success should be rewarded. Do we value a high earner who is not successful at least insofar as garnering wins goes, or do we value success in terms of wins even when remuneration is poor? What's the goal here?! It cannot be the double standard the author seems to have set up. This is important.

I also have to wonder why this book doesn't reference other people who are sports professionals, but who do not earn the big bucks. There are thousands of people in sports, men and women, and only the so-called top-tier ones get the big bucks. Most of the others are entirely unpaid or only part-timers, or full-time professionals earning only the lowest level of financial remuneration for athletes in their field.

Admittedly this can be significant pay, and much higher than most of us can hope for, but I think it would have served a useful purpose to ask why they - both men and women - are not as highly paid as the ones featured in the book, and to ask: does the reason for their inequality offer any clues to the reason for the inequality between men and women - and I'm not talking in terms of performance. This is sports, remember, and individual performance is only one factor - and a relatively small one as it happens, because this isn't your regular everyday occupation, especially not in team sports.

The natural response to what I've said here might be that this book was talking only about high achievers, matching high-achieving males with similar females, but if we apply the 'logic' employed here, but in this direction, can we argue that those people, too, would magically get pay raises and achieve equality if only they could get the same media exposure? You really can't, so I'm wondering how it is that we think increased exposure alone would magically improve women's lot in sports?

If you think I'm trying to make an argument here that female sports professionals are really only lower-tier, or poorer-grade, or second-rate performers, then you're misunderstanding. The argument I am making here is that it's really not as simple or as straight-forward as this author seems to be trying to argue. You can't make a case for equal pay without supporting it, just as you can't make a case for those lower-tier athletes (of any gender) to be on par with the top-tier athletes without supporting that in some way, too.

You can't argue that it has to be done purely from a bald claim that person B ought really to be remunerated at the same level as person A, regardless. You have to ask what is being contributed, because professional sports is about exposure and audiences, not just about personal performance. This is an aspect of the endeavor which the book doesn't explore. Yes, it complains about poor exposure for female athletes, but it doesn't offer any suggestions or real examination of root causes! It merely blames the media and leaves it at that.

The only argument the author seems to be able to make is along the lines of "Hey! Fair's fair!" but the way this system works, and has worked for far too long, really has nothing to do with how well a given athlete performs. The most widely-followed sports really aren't about that, notwithstanding all of the individual achievement awards and post-game MVP appellations. It's about blind team solidarity, sheep-like (or perhaps more accurately, wolf-like) adherence to pack mentality, and in-your-face aggression towards every team and every supporter who isn't "us". Individual players have no part to play in that aspect of team 'sports' especially given that at some point the individual will move on or retire, while the team continues on largely unaffected by the loss of any one individual.

It's not that women can't give attitude or be aggressive, or assertive as over-hyped TV cameras love. They can. It's just that women in general are not as overt as men are in this regard and this applies whether the male or female in question is a player or a spectator. Women are not as combative (that's not to be read as 'not as competitive', which would be a huge lie) as men, and while this is perfectly fine - in fact, I personally prefer it - it doesn't play well given the juvenile frat-boy sports mentality which is rife in today's male-soaked sports media, where it's entirely given over to a combative attitude.

The mentality is 'destroy or be destroyed', 'win at all costs', losers are useless, and so on. The Queen song, We Are the Champions sums it up: "We are the champions! No time for losers 'cause we are the champions of the world!" This is how it's seen. The US football Super Bowl winners are hailed as champions of the world even though no other nations competed!

Again, it's a winner takes all mentality, and it has nothing to do with how well individual athletes perform per se. It's that very psychosis: aggression, combativeness, posing, strutting, in-your-face rudeness, and asinine attitude, which completely turns me off sports, but it is this which appeals to the cave-man mentality that far too many team sports and media outlets seem dedicated to embracing, promoting, and perpetuating. There is no more room for equity and fairness here that there was in the Roman Colosseum.

Before we go any further let's be clear that there are inequalities. According to the Women's Sports Foundation:

  • Female students comprise 57% of student populations, but female athletes received only 43% of participation opportunities at NCAA schools.
  • Male athletes get 55% of NCAA college athletic scholarship dollars. Guess how much women then get!
  • Women's teams receive only 40% of college sport operating dollars and 36% of college athletic team recruitment spending.
  • Median head coaches' salaries at NCAA Division I-FBS schools are $3,430,000 for men's teams and $1,172,400 for women's teams.
These telling stats are not ones you'll read in this book, because the book isn't about making that kind of a case. It's all about individuals, and I think that approach was a mistake. I think that very approach played into the media status quo rather than challenged it, which is what is actually needed here. There is a real problem, almost half a century on, in Title IX providing true equality for females in sports. This is a fact, but whether, if there were true and complete equality, this would translate into the same thing at the professional and media level, is another issue entirely. Given the result of over forty years of Title IX, the answer seems to be that it would not make enough of a difference.

The problem with the stats just quoted is that all we get is the bald fact of inequality. There's no exploration of why it's so or why it's being allowed to perpetuate and exacerbate in the professional world. This disparity is nowhere more pronounced than in professional soccer as is highlighted in Newsweek. The US women's team has won three world cups whereas the men's team has never advanced beyond the quarter-finals, yet male players routinely "earn" three times what female players do! To earn their relatively meager compensation, the women must win all twenty of the season games whereas the men could lose all twenty and still get full pay. Is this fair? Not even close. This is exactly the disparity that Title IX sought to set right, so how is it that it fails so badly when these athletes actually get to the professional level?

On this score (at the risk of another pun!) I was sorry to see some sleight-of-hand in this author's reporting. Consider this statement regarding remuneration in the National Women's Soccer League: "The average salary in the U.S. based NWSL is between $6,000 and $30,000 for a six-month season. A top-tier player on the men's pro side makes more than the high-end of that average - in a single week" Note how we went from an "average" to a top-tier performer? The average isn't even an average, it's a range. Is the actual average halfway between the two values? How does that compare with the men's average? We're not told, but comparing an "average" to a top-tier man's pay isn't comparing apples to apples. That said, the two would still be discrepant, but when the numbers are twisted and mismatched like that, it's really hard to get a good picture. We can't begin to figure out how to narrow a gap when we don't even get to know what the gap is or why it really exists!

One assertion from the author, referencing what someone else has said on the topic, is that "the key to closing this gap is simple: People just need to see us play. When increased exposure leads to interest from advertisers, the amount of money involved can rise pretty quickly," but this is not borne-out by experience. According to Newsweek, the Women's World Cup final of 2015 was the most watched soccer match - male or female - ever in the US, but this garnered nothing for women's sports, not even for women's soccer in the year that followed.

It's been almost twenty years since the US women's team won the World Cup soccer final in front of a sold-out Rose Bowl holding some 90,000 fans. It was a stunning game every bit the equal of a men's game - in truth leagues better than a men's game. The US men's soccer team has never done this! Whenever there's such a win, and there have been three, it's all "we're world class" and "women's sports are on the upsurge," but the day after it's always "ho-hum! What's next?" You cannot blame female athletes for asking "What do we have to do to get recognition? You cannot blame the US Olympic women who carried home 61 medals to the men's 55 from Rio for asking the same question. The author apparently isn't interested in asking this kind of question or pursuing it as far as it needs to go.

There are important aspects to these discrepancies which the author doesn't touch upon too, and which in fact relate directly to her calling an unfair play on pay. Look at US basketball, for example: while fifty or so top NBA players earn more than the entire WNBA teams roster combined, the NBA brings in five billion dollars, whereas the Women's National Basketball Association is lucky to break even. This is a question which ought to have been explored, but was not. Why does the WNBA fare so poorly? Is it because the media is shunning it, or because it simply doesn't attract as many fans and global sponsorship as the men's games do, and if that's the case, then why is that so? The author seems content to blame media bias, offer no support for the claim, and leave it at that.

We'll get back to that in a second, but let's take a moment and ask why the author never addresses the fact of women being segregated in sports as they are in no other profession, not even in the military these days. She simply accepts this segregation as a given, and I have to wonder why that inequality isn't addressed. If the leagues were white players on one side and black players on the other, then I'm sure she would have found that worth questioning, so why no questions about gender segregation? The black basketball league would then be the one making the big bucks and the white league would be in the position the women's league is, more than likely, in terms of garnering coverage! It's not an inapt comparison!

I further have to wonder if this segregation is part of the problem: if women, instead of playing in the WNBA, played in the NBA, how would they fare? This isn't to try and set up an argument for saying that women can't compete on equal terms and therefore shouldn't get equal treatment. Women have proven repeatedly that they can compete on equal terms. This is to point out that this book really doesn't delve very deep. It makes a superficial argument that everything ought to be equal, but it never makes a case for why, and it never wonders whether this particular aspect also ought to be equal and if so, would it improve matters? It avoids that altogether. It also avoids dress code, which we shall look at shortly.

Back to the segregation. It's a fact the women tend to be smaller and less muscular than men, but is this a problem? Maybe. Women would be typically shorter and lighter than the men they played against were the basketball leagues to be combined. In the NBA, the average height is six feet eight inches, whereas the average height in the WNBA is six feet. Would this be a disadvantage given that half the NBA players are necessarily six feet or less, and basketball is in theory at least, a non-contact sport? Would the advantage that a tall woman has among less tall-women in her league translate to poor performance if she became a medium-sized person among many taller persons in a male league? It's an interesting question, but it went unexplored and ignoring this made the author's case feel more like special pleading than it did a call for fair play.

Dd you know that the ball is also different between the male and female game in basketball? It's slightly smaller and lighter. Why is that and why does the author not address it? Why do female basketball players use a smaller ball while female soccer players do not? There's no answer because the author didn't ask the question. These differences in equipment translate across many other sports - the women's javelin and the women's discus are both smaller and lighter than the men's, the shot is lighter in the shotput, LPGA courses are shorter than PGA courses, and so on. In basketball, while women shoot free throws on par with men, their 3 pointers from the field average lower even in their own league. So what does equality mean? What does parity have to hinge upon? Again, we get not a word on this from the author who seems to be arguing for parity in pay but not in anything else.

As a Washington Post article puts it,

As Alice Dreger, professor of clinical medical humanities and bioethics in the Feinberg School of Medicine at Northwestern University, told me: "The reason we have females separated in sports is because in many sports, the best female athletes can't compete with the best male athletes. And everybody knows that, but nobody wants to say it. Females are structured like a disabled class for all sorts of, I think, good reasons."
This is something else the author did not explore in this book. Is the problem that simple or is there more to it? She didn't ask. According to the NY times, "There has yet to be a financially viable women's mainstream sports league in the United States." The author would undoubtedly argue that this is because of poor media coverage, but although she argues that, she fails to support any such argument.

And take a look at the crowd in the image accompanying the article. That says it all right there. Women are not sports attenders in general - not on the level at which men are - or even at which women are when it comes to men's games. The attendance by gender at all of the major sports in the US shows males turning up at literally twice the rate of female attendees. We read a lot in this book about women who play the sports, but nothing about those who attend and thereby help pay the salaries of the participants.

It bothers me that the author doesn't explore these aspects as a reason for disparity and inequality, asking why the attendance is so poor. Advertisers are not going to want to pay much to have an ad at a game with seven thousand people when they can have one at a game which will be seen by twice that number of people (not even including the viewers at home), and without extra advertising revenue, there's less cash to pay the players. The author doesn't explore, either, whether men really ought to get more if they play eighty games in a basketball season, which is twice what female players play.

There's an interesting, and sad, article here about this disparity in attendance related to Syracuse University's performance in the 2016 basketball season (and on the topic of inequality do compare the men's basketball page for Syracuse in Wikipedia with the women's! This makes a better argument about inequality than this book did, in my opinion!). Women had a far better season than the men (losing in the final whereas the men lost in the quarterfinals) yet their attendance was averaging less than a thousand, while the men's was almost twenty-two times as high.

Keep in mind that roughly thirty percent of the attendance at the men's games - that would be 6,000 to 7,000 people - was women. Where were these women when it came to games played by their own gender? ESPN is on record as saying that men accounted for 66% of its WNBA audience in 2013. Where were the women? Why are they viewing women's games at roughly the same percentage as they're viewing men's games? Why are so few men viewing women's games?

None of this is explored in the book, yet all of it is relevant to the case the author thought she was making. Is the lack of interest in women's sports not just from the media and from men, but also from women themselves? Apparently so, and this is one thing Title IX cannot legislate. They can compel equal opportunity (to more or less success as we've seen), but they cannot compel fans and supporters into existence or into attendance.

There are sports where women compete on perfectly equal terms with men, but where women are highly underrepresented. The author never explored this. For example, Danica Patrick has extremely high visibility and is highly rewarded for racing in NASCAR, but as mentioned, she has never won a race (as of this writing) on US soil, and has had only one win elsewhere. The author mentions Danica Patrick but never explores the details. Patrick earned about thirteen million in 2015, whereas Dale Earnhardt earned almost twice that, with no wins! Kyle Busch, who won at least five races earned less than Patrick did! There is no justice or parity anywhere in this particular story, yet no one seems to complain about that!

What do TV advertisers advertise at women's games? At men's games it seems to be cars, beer, power tools, and financial and retirement opportunities. What do advertisers want to offer to women, and do they have the same advertising budget to offer it with that the car and beer advertisers do? Again, this is unexplored, but it does have a bearing on the subject. More to the point is what happens in comparable situations.

For example, a new TV show is very much like a sports event. Because of the intensely capitalistic system the USA operates in, the show needs viewers to survive. If viewership goes down, the show is cancelled. We've lost a lot of quality shows because of this, while crappy so-called "reality' shows thrive. Why? Because this is what idiots watch on the idiot's lantern. It's that simple. Quality often fails were the lowest common denominator wins every time, and this is the issue: it all comes down to what makes money for the media. It has nothing to do with parity or equality, fairness or gender rights. If the female sports events don't attract viewers and sustain the attraction beyond world cup events, then advertisers are not going to be interested and the media is not going to cover them, yet this author doesn't ask why attendance is so poor. She just blames the media for it.

Let's talk about equality some more - in this case, equality of dress. Has anyone given any thought to how male athletes dress as compared to female ones? Probably not, but I think it's part of the problem. Take a look at your average male track athlete in the last Olympics and note how they dress for the track. On men, the shorts may be tight or loose fitting, and the shirt may be sleeveless or not, but they are wearing a shirt and shorts. Now take a look at the women who are, for all practical purposes, dressed in bikinis. Shotput? The same. Javelin? The same. Why is that? For beach volleyball, they wear even less! The men don't though. Why is that?

Consider this: swimming is the only event I can think of in the Olympics in which men wear less than women. Maybe it is literally for all practical purposes that women dress so skimpily, but if that's the case, then why are men not emulating them in terms of wearing an abbreviated top and bikini shorts? Now look at soccer or basketball. What do women wear? Very much the same as men do! Why is that? It seems to me that if you want to be taken seriously as an athlete, you might want to reconsider wearing bikinis for every event! Is this a valid argument? We don't know, because once again, this is a highly visible aspect to sports which this author completely ignores.

I didn't like this author's overall attitude either, quite frankly! At one point, she says, "But it's female athletes who most consistently give us representations of women who embody qualities like toughness and power and tenacity." How disrespectful is that to women who work in other professions? Are female firefighters not tough? Are female law enforcement disempowered? Are female soldiers, sailors, air personnel, and the Coast Guard lacking tenacity? Are female industry leaders powerless? Are teachers not tenacious? Are female nurses not tough?! The single-minded focus on athletes here, notwithstanding this was the main purpose of the book, was an insult to women working in other fields.

In conclusion, this book felt far more like a cult of personality than an honest exploration on gender inequity in sports. The bottom line, though would seem to be popularity: does the media really shun women's sports or does the media simply show what's most popular because it's from this that advertising revenue will derive, regardless of what gender is involved in the sport?

This question should have been one to explore, but we don't get that here: who attends? Who pays to watch? Is the female game perceived, by those who pay the entrance fees, just as worthy of admission price as the men's game is? As reported in late 2016, "The WNBA registered its highest attendance (1,561,530) since 2011 and the highest average attendance (7,655). For comparison, the average attendance at NBA games is over twice that, at around 17,000.

Are people simply voting with their feet not for which gender is worth supporting, but for which game is worth viewing with their limited budget? Which has the best atmosphere? Which one their friends will be going to and talking about the next day? Maybe it's just that simple, maybe it isn't, but we won't know the answer to that from reading this book, and I cannot recommend it because not only does it not achieve what it claims to aim at, it doesn't even pursue what it claims to be chasing! If you want to write a book about leveling the playing field, you need to be on the level in what you write.


Monday, October 24, 2016

Tigers for Kids by Kim Chase, John Davidson


Rating: WARTY!

This book was a free special on Barnes and Noble, and I can see why. It was not very well written and rather sloppily edited in places. It read more like fan-fiction than any serious attempt to interest young children in tigers. A lot of it was repetitive and felt, at least, like it had been taken from some online source and the rest made-up. A lot of it actually read like it was a middle-grade essay. It was free, so you can't complain too much, but caveat emptor! Or in this case, cave-cat emptor?!

While the book gets a lot right, it's also a fount of misinformation. For example, on page 7 (the page number on my tablet in the Nook reader - the book itself has no page numbers), we're told the modern tiger is a descendant of the "saber tooth tiger" but that's not true. Tigers and their closest relatives, snow leopards, broke away from other cat species some three million years ago and are not closely-related to saber-toothed cats (not tigers!) at all - no modern cat is.

One of the things the introduction promises, is to explain why tigers have stripes, and it comes up with the obvious answer that tigers are better camouflaged with stripes than if they were all orange or all black or white. What this book doesn't tell you is that the basic reason for the coloration is that the tiger's skin is that color! If a tiger were shaved, it would not look as pretty, but it would still have the same stripes, and probably would be a lot cooler in the daytime heat!

But the thing which isn't addressed at all is that the tiger tends to be a crepuscular and nocturnal hunter, plus, it sees prey and prey sees it in ways it is hard for us to imagine with our sight, so the tiger's camouflage and hunting habits have to be pictured in a world of poorer daytime vision, better nighttime vision (be it greyscale), and a world inhabited by odors which we cannot even begin to imagine with our amateur and dysfunctional noses!

It's not true to say the tiger can see as well as a human during daytime. It can see as well as it needs to, but it doesn't have the acuity humans have for the simple reason it never evolved in tigers: it wasn't necessary for them to be able to conduct their business, which is hunting, and which is conducted at twilight or at night. During those times of day the tiger can capture six times more light (not "six time greater" as the book has it) than humans because they have six times the number of receptor rods in their retinas - just like your domestic cat does. They also have, like a domestic cat, a tapetum lucidum - essentially a mirror behind the retina which reflects light back onto the retina so they can 'double-dip' as it were. The cost of this is that they have poorer daylight vision - both domestic cats and tigers - and see color poorly if at all as compared with humans.

The "six time greater" spelling/grammar error is repeated in other places in the book in different ways, such as when I read on page 15 that "their black strips...hide them", when it should clearly have read 'black stripes'. There are awkward constructions such as "One form of verbal communication used by tigers is roaring. Other tigers from as far away as two miles can hear the roaring of other tigers." Another instance was "It is not uncommon for there to be a dominant or leader among the cubs."

Contrary to what the book tells us, that "Our current day tigers evolved into a subspecies that existed 25 million years ago," modern tigers have existed for less than two million years. About three million years ago they existed only as an ancestor species that eventually split into snow leopards on the one hand and tigers on the other, so I have no idea where the '25 million' figure comes from, and the book offers no references whatsoever to check.

In conclusion, if your kids absolutely adore tigers and can't get enough of them, and you can get this book free, then go for it, but I can't in good faith recommend it as a useful book on the topic. You should read my other non-fiction review posted today to see how a book on animals should be done.


Friday, October 21, 2016

Malala: Activist for Girls' Education by Raphaële Frier


Rating: WORTHY!

This is an advance review copy for which I thank the publisher.

On National Wonder Woman Day I'm not going to get into the dire gender politics and hypocrisy of a UN which proclaims a woman's day whilst rejecting a bunch of female candidates for secretary general, but it seems only right we should celebrate the spirit of this day by looking at a real-life wonder woman. Back in August of 2015 I positively reviewed I am Malala, and this version of her story, aimed at a much younger audience, is a worthy read, too. It zeroes in on the facts of her life, what she did, what happened to her, and how she survived, without going into exhausting detail. The images are colorful and enticing, and bring the reader into the story, which is an important one, and a potentially tragic one which fortunately had a happy ending.

This book even looked good on a smart phone, with the images large and the text legible. It tells of Malala's early childhood, and the conditions in which she lived, which deteriorated dramatically after an earthquake that idiotic religious flakes decided was some god's wrath! You’d have to be a complete and utter moron to worship a god which is as capricious and childish as that, and you would have to be criminally fraudulent to try to argue that this god generates cruel earthquakes, but this is the kind of extremists these people are, and this is what they were promoting. They take power not because they are right, or respected, or admired, or favored by the majority, but because they can get guns and threaten people. These are no disciples of any god of love.

Malala was lucky in having a family which supported educating girls, but the Taliban fears women, and detests equality. They're not the only whack-jobs who do so. There are many nations where women are treated in this same way, although 'treated' is a bad choice of word to describe it. Not all of these nations are condemned as they should be. Some are close allies of the USA. These people have no concept of fun and relaxation, and none of equality or parity. They are control freaks and bullies who fear women garnering any sort of power for themselves, and they started bullying everyone, not just women, but women in particular. People like this are so disempowered that they can only be 'men' when they have 'their women' as the phrase goes: barefoot, pregnant, and in the kitchen - and uneducated in order to keep them that way. This is something my wife joked about some years ago when she was actually barefoot, pregnant, and in the kitchen! It’s no joke when it’s real life though.

Malala started a blog to speak out about the problems they faced, and she soon became a local spokeswoman and representative. The Tailiban were pushed back but not far enough, and when they resurged, they cracked down just as hard, and they decided that this little girl was emasculating them. They proved this to be actually true when the only response they could engender was to shoot her three times, but she proved stronger than they, and she resurged herself to become a more effective opponent of their bruitality and cluelessness than ever she had been before. This is an important story which needs to be heard, and children are never too young to start hearing about female heroes. This little book is a great start. I recommend it.


Saturday, October 8, 2016

Octavia E. Butler by Gerry Canavan


Rating: WORTHY!

Note that this was an advance review copy for which I thank the publisher.

I consider this book to be a worthy read, especially for those who are already fans of science fiction author Octavia E. Butler, but I have to confess some slight disappointments in it. Let it be said up front that I have never read anything by Butler! I was interested in this book because I thought it was a biography initially. Since so few women and so few people of any color other than white are active in the sci-fi genre, I thought it would be an education to read of someone who was both female and African American, and it certainly was. I have no complaints there at all.

What I had hoped for though, was more about Butler herself - her youth, her method of working, and so on. As a hopeful author myself, I must confess to selfish reasons for reading about other authors! Maybe I can learn something about how they work, where their ideas come from, how they get through the writing process of growing an embryonic idea into the finished novel - or why they fail to do so. In many ways this book did not disappoint, which is why I favor it. If you want to learn about Butler's books and her triumphs and failures, then this will reveal a lot because of the very approach which was employed, but I felt myself hungry for more about Butler herself, about what was in her mind, and how she went through the creative process. She wrote on a typewriter, and not even an electric one, which sounds primitive and frankly boggles my mind, but it was all she had in the seventies and eighties.

She was lucky to even have that, growing up as impoverished as she did. It makes a heart break to think of how many other such children there are out there who could be enriching our world with their creativity, yet who will never do so because they will not get even the sparse yet good breaks Butler had to somewhat offset the bad. This is a real tragedy. Butler had four older brothers who all died before she was born, and her father also died when she was a child. Please don't ever limit your child's imagination and creativity. Never block their horizon. Butler refused to let her own horizon be dimmed and we're better off for it, but it's sad that she's one of few instead of one of the many that there could be.

The irony of Butler's life is that it was her mother, who didn't even rate her as an author and wasn't supportive, thinking her dream was nothing but frivolous, who was the one who got that typewriter for her. She was also the one who destroyed her comic book collection when Butler was away from home on a writing course. That really struck a resonant chord with me, because my own parents did the same thing with my school books when I was out of the country for an extended period. I never forgave them for that. They did it without warning and without asking, deeming those things to be junk to be disposed of, and I lost a piece of my childhood that I would have liked to have shared with my own children, but now cannot. It was barbaric and cruel. Fortunately, life goes on in other ways.

As far as this book is concerned, in some ways I felt like I lost sight of Butler behind her novels, in a case of 'can't see the author for the trees' (in the form of print books!). So this felt more like it was a biography or an exegesis of her novels than it was of Butler herself. While looking at her through the lens of her books was a...dare I pun and say novel approach?!...I confess to a little disappointment that this method seemed to camouflage her as much as it revealed her.

That said, I found myself oft fascinated by this examination and apart from a piece here and there that I skipped, I was much more often interested in reading through and learning a bit about her thought processes, influences, and setbacks. The author of this book knows his stuff and has researched extensively. The book is packed with insights and observations. He was the very first researcher to dig into some of this material and has some very interesting things to say about it. The book also has an index, a glossary, and extensive reference end notes.

If I had a serious disappointment, it would be that the book seemed very much aimed at academics, especially judged by the language employed here. As such I feel it did a disservice to girls who are growing up in the same circumstances as Butler did: young African Americans who might have been inspired to follow in Butler's footsteps were the book written in a tone more accessible to them, but who may well be put off by the language employed here. Maybe that book still has to be written. Until then, this is what we have, and I recommend it for its worthy and needed exploration of an important author and her work.


Saturday, October 1, 2016

Evolution's Rainbow by Joan Roughgarden


Rating: WORTHY!

This amazing non-fiction book discusses "Diversity, Gender, and Sexuality in Nature and People" and shows how blind and stupid the religious fanatics are when they claim that homosexuality is unnatural. It's perfectly natural in that we see it throughout nature, where gender is even less of a binary matter than it is typically perceived as being in humans. Joan Roughgarden is an ecologist and evolutionary biologist who has written several books on the topics, and in this book she explores diversity in gender and sexuality among fish, reptiles, amphibians, birds, and mammals, including primates, as the blurb says.

She takes issue with sexual selection, which has been a tenet of the scientifically established Theory of Evolution since Charles Darwin himself published The Descent of Man, and Selection in Relation to Sex way back in 1871. I disagree with her on that score, and have to point out that the book is in places, rather didactic. She has a soap box and she's sticking to it, but on the other hand, being a transgendered mtf herself, she does have an inside track! However, anecdote isn't the same as data, so beware of taking everything she says at full scientific value.

It's important to keep in mind that this is a book expressing a PoV, not a science paper, so it's written in layman's terms and a lot of it is not established scientifically, but I did not read it for that, I read it precisely for the diversity portions, and those were highly informative and quite entertaining. Note also that Richard Dawkins's popular books are, for example, written in precisely the same way as this, so there's nothing substandard or unusual about this style of writing.

While I would take issue with her theistic evolution viewpoint, I do every much enjoy her writing, and I recommend this educational book highly. It's a pity that those who most need to read and learn from it will doubtlessly dismiss it out of hand.


Saturday, September 17, 2016

The Shadow World by Andrew Feinstein


Rating: WARTY!

Here's another non-fiction I didn't like. Again I came to this through a TV documentary and it really highlighted the problems with documentaries versus the problems with books. TV documentaries are way too much fluff. They show the same images over and over and over, and ask hoards of questions, but give very few in-depth or satisfying answers. Often they outright lie, as I discovered when watching the documentary Pump about the inexcusable stranglehold oil has on society in the USA.

The problem with this audiobook is that it had way too much detail, going onto things in far more depth than I was interested in listening to! By the time the guy rather breathlessly finished his details, I had forgotten what the heck he'd been talking about earlier! This went on for page after page (or in this case disk after disk, and there were a lot of disks). In the end I simply gave up on it. Yes, a lot of people have got rich off arms sales, including US corporations and politicians. Yes it's obnoxious, but after listening to this I was almost ready to say, "Good for them!" I didn't, but I can't recommend this.

If you're interested in excruciating detail, much of which is out of date, and you can get the ebook or print book and read it quietly, focusing on it 100%, it might be the book for you, but it's not something you want to try to get anything out of when driving in traffic because it requires too much attention to detail!


Tuesday, September 13, 2016

Sudden Justice by Chris Woods


Rating: WORTHY!

From a Heath Robinson start with next-to-nothing, the US now has the capability in drones, logistics, and support, to run over sixty simultaneous observation operations with the ability to deliver a deadly payload if required. The old MQ-1 Predator drone could carry two AGM-114 Hellfire missiles or equivalent, whereas the MQ-9 Reaper which replaced it can carry fifteen times more ordnance. We're told these things can observe quietly, gather intel, track people and vehicles, and destroy them if it's deemed necessary, with "surgical precision." The problem, as investigators have discovered, is that no one in their right mind would ever want that kind of surgeon performing an operation this ham-fisted on their body.

This detailed - but not overly detailed - account quickly and efficiently gets to the heart of the issues: where the drones came from, how they were brought into use, how badly-organized the effort was to begin with, and how clinically efficient it is now, yet despite these improvements, the money thrown at it, and the massive support organization, this missteps, and the collateral damage caused by this system is scary - and may be doing more harm to efforts to combat terrorism than it is ever doing good.

The problem with the system is a human one, as always! The issues range from getting good intel from sources other than the drones in order to set the drones on the right track in the first place, to correctly identifying targets and tracking them. The drones fly at 18,000 feet (6K meters), and from that height, even with good video, you can't tell if a person is carrying a weapon. You even be sure who that person is. And without expert support and the patience of a saint, you can't be sure if the gathering you're about to blast with a HARM missile is a meeting of terrorists, or some kids sitting around playing and chatting. The reaper can also carry Sidewinder or AMRAAM air-to-air missiles.

Another issue is the pilots/observers. The USAF has been of late training more pilots for these vehicles than for any other system, and these people evidently work twelve-hour shifts. That's twelve hours (with breaks of course) spent in a darkened room, staring at a rather grainy monitor on which very little is happening for very much of the time. Who came up with a dumb-ass scheme like that is a mystery, but it has government and military stenciled all over it. The result is that pilots are falling asleep and are diverted from the monitors by other interests such as reading a book, chatting with others in the room, and playing computer games! The regular games won't work on this system, but games built using the Microsoft Excel spreadsheet or clones of it will work quite handily! This is how a virus - fortunately benign it seems - came to be found in some of these systems.

This book gives the goods on all of this and a lot more. I recommend it if you're interested in finding out what these drones are up to and what their shortcomings are.


The Way of the Knife by Mark Mazzetti


Rating: WARTY!

Unfortunately this is what you get when a reporter writes a book and doesn't realize he's writing a book and not a newspaper column. He's so focused on making the subject seem real that he goes way overboard. Did I really want to know that Mr A smokes Benson & Hedges? Seriously, no!

It's true, as the blurb says, that "America has pursued its enemies with killer drones and special operations troops; trained privateers for assassination missions and used them to set up clandestine spying networks; and relied on mercurial dictators, untrustworthy foreign intelligence services, and proxy armies." How a writer can make that boring is a mystery to me, but this one did.

This book, which I came to via a TV documentary I watched recently, had some really interesting bits, but most of it is now out of date and the bulk of it is boring. Overall it was a tedious listen. I found myself skipping tracks more and more, and then I skipped the entire rest of the book. I can't recommend it.

Saturday, September 10, 2016

Welcome to Shirley by Kelly McMasters


Rating: WARTY!

It's been a while since I've reviewed a non-fiction, so I am due for a few. This is the first of those and it's a negative, I'm sorry to have to report. I came to this book via interviews conducted in a documentary I watched about nuclear pollution. The author was one of those interviewed and it mentioned that she'd authored this book about the nuclear waste leakage from Brookhaven National Laboratory which was apparently causing an unduly-high number of cancers in the town of Shirley.

The incompetence and irresponsibility has cost roughly a half billion dollars to clean up, to say nothing of health concerns. There's no way in hell, given the track record it has demonstrated, that this country is fit to be running nuclear power plants, labs, and and other such facilities with this level of abuse of public health and public trust. The world has a half million tons of toxic nuclear waste and nowhere to put it safely. This needs to stop right now, period. Nuclear power plants need to be permanently decommissioned. It's that simple.

I thought that this would make an interesting read, but it didn't. The entire first half of the book had nothing whatsoever to do with any nuclear waste issues. It was a memoir of the author's childhood and youth, none of which was interesting to me. It wasn't even very factual according to one reviewer who actually lives (or lived) in the town. I became so bored reading it, and seeing it fail - on page after page - to actually get to the topic I thought the book was going to be about, that I simply gave up on it. I cannot recommend this.


Monday, August 29, 2016

The Midwife by Jennifer Worth


Rating: WORTHY!

This is the second of two memoirs I'm reviewing this month. The other was Honor Girl by Maggie Thrash. I have to say I'm not a fan of this kind of book but as it happens. I enjoyed both of these. This one I got into through the TV series which was made from it (and named Call the Midwife). I really enjoyed the series, which is set in Britain in the late fifties and early sixties, and I wanted to read the book (the first of three) because of the TV show, but I have to confess I was very skeptical since book and screen rarely mesh well.

In this case it was not a bad experience, so despite it being a memoir, and despite it being a book from which the show was derived (and which I saw first), I enjoyed the book as much as the show. Do please note though that, as is the wont of TV and movie, things have been modified, re-ordered, compressed and combined so while in general, the two follow each other quite well, there are some notable differences here and there (mostly there), some of which were a bit jarring. Obviously the book is canon in this case, so I accepted the book version without question or issue.

Having said that, one problem I have with this kind of book is the ostensibly crystal clear recollections of the author. These are events which happened some forty years prior to the book being published! I can barely remember anything from even five years ago except in very general terms, especially when it comes down to supplying the kind of detail I was reading here. I could fill-in details from various memories, but that's not the same as reporting what actually happened or faithfully recording the surroundings in which events took place, and it's sure as hello not recalling actual conversations.

I know in this case that the author made notes in a professional capacity about her visits to her 'patients', but those would not have carried detailed descriptions of people (outside of medical requirements), and their homes and possessions, and certainly not verbatim recollections of conversations, so I have to wonder how much of this is accurate and how much is fantasy. Maybe she kept a diary, but she makes no mention of making diary entries in the narrative. It doesn't take from the power of the story, because I'm sure the essence of it is quite true, and she did make many visits to some of these homes and grew to know the environment very well, but I keep wondering about the details, especially given how faulty people's memories generally are. That doesn't stop it from being captivating and from being an entertaining account of what things were like back then in her world, so I won't harp, carp or warp on that. Ha! English! Why is that last one an 'or' sound and the others not?

The TV show begins with Jennifer first arriving at the medical convent, whereas the book retains this until chapter two, throwing us right into her work in the first chapter. The order of events isn't just changed in this one place though. Events are quite mangled in some accounts in the TV show as compared with the book. For example in the show, Jennifer is depicted letting her childhood friend Jimmy crash at the convent in the boiler room for one night, whereas in the book, this happens when she was a nurse prior to joining the medical convent, and it wasn't just Jimmy, it was he and several friends who had failed to pay their rent.

They were housed in a drying room in the attic of the nurses accommodations for several months, and had to climb an exterior ladder late at night to get in, and leave very early in the morning to avoid running into nurses or worse, the strict and severe sisters who were in charge of the nurses. Some of this is augmented by later events though. In the show, the story appears to be the kind-hearted and loving Jimmy being callously turned away by Jennifer because she was in love with a married man and could not get over him, whereas in the book, Jimmy appears to be much more of an irresponsible young man without whom she's better off. The married man, conversely is made to appear much more irresponsible and more of a user than the book, in which he figures very little, depicts him to be.

One event in the TV show related to eclampsia, is a combination of two separate events in the book, one of which is recounted as a recollection rather than a current event. Billy, the odd-job guy a the convent is largely confined to one chapter in the book, but is spread throughout various episodes in the show. The story of the Spanish woman, Conchita, is compressed and rather more dramatized in the show. The chapter on her in the book is different and charming, although she still had twenty four pregnancies by the age of forty-two, which is shocking to us, but from the account, was very much everyday life to her. She must have been a startlingly strong woman. Finally, in the book, Jennifer's growing religious leaning is made more clear than it is in the TV show.

I have to say that the stories slid a bit in quality towards the end - they seemed much more hum-drum, almost as though they were being summarized and tossed in for a page count that being truly warm and/or memorable events, but perhaps I was also becoming more inured at that point, so the last few chapters weren't as captivating for me, but overall, I really liked this book and I recommend it as a worthy read.


Saturday, August 6, 2016

Oh Joy Sex Toy Vol 3 by Erika Moen, Matthew Nolan


Rating: WORTHY!

Erratum:
p60 "aught" means nothing! The word required is "ought" as in 'feel compelled to'!

Erika Moen and Matthew Nolan seem like a fun couple who have made an industry out of graphic - and I mean graphic! - adventures with sex toys. This is an adult publication, be warned, with no holds barred - or anything else for that matter. It's also a whopping three hundred pages, so there's a heck of a lot here.

The discussions are frank, open, amusing, and detailed, and they cover topics which are important and far too often badly served in a fundamentalist and conservative nation like the USA: sexual health (both disease-wise and exercise-wise), sex education (inlcuding book reviews), and physical/mechanical sex aids. I've never been a fan of toys myself, but this is evidently a fifteen billion dollar industry, so clearly many people are, and it was climbing out of the closet and into the mainstream, so get used to it!

I don't know anything about Matthew Nolan,but I'm vaguely familiar (in an innocent way) with Erika Moen's work. She's an artist who's been involved in comic books and other art endeavors. She's also a member of Periscope studios which has had a hand in some Wonder Woman comics, so it's good to know that super hero is in highly capable hands if that team is anything like Erika, who reminds me of one or other of the two goal keepers in my Seasoning novel. It's good to know that goal mouth is in capable hands, too!

On a point of order, I have to disagree with her assertion on page 53 that the particular item under review will open up her "world of wanking opportunities". I contend that female cannot truly 'wank' unless she is unusually well-endowed clitorally-speaking. It's just not physically possible although I don't doubt it's fun to try! Masturbate yes! Wank? Not really! LOL! However in the interests of the Equal Right-On! Amendment, women are most welcome to go for it!

I have to say that a lot of what's in here (I'm talking about sex advice and discussion of sexual disease and medical conditions, not the product reviews) is common sense and common knowledge - at least it ought to be common knowledge, but that's just the problem. Because sex has been treated as such a tabu subject, nowhere near enough people are educated on these topics. This is why knowledgeable and responsible publications like this are so important.

This kind of graphic novel isn't for me, and some parts of it felt incredibly naive and gullible (notably the two sections on porn films, where in the one they believed it wasn't staged, and in the other they seemed to be polishing the whole porn industry with a huge shine based on one particular filming session they'd witnessed).

This is aimed at sex positivity, and I can understand that, so I didn't expect anything truly negative from it, but it seems to me they're under-serving their readers if they don't look at the downside of things as well as the upside. They do review a book which touches on some of those stories but it's aimed not at how the porn business works, but at how some performers coped with balancing their professional life with their private life.

The last third of it is guest comic strips, and they cover a variety of topics all related to sex. I didn't find these as amusing as the first two hundred pages, except for Donut's Cream For You which I thought was hilarious. My biggest concern over these though, was that they were heavily biased towards trim Caucasian couples and where women were involved they seemed to be almost exclusively slim and comic-book curvy. While that's common in comic books (and on TV and in the movies and in literature), it's not right, and in a graphic novel like this, which is all about inclusivity, they seemed inappropriate in a way which had nothing to do with their subject matter!

I haven't read the previous two volumes in this series, so perhaps they have a slightly different take on things, but the feeling I have is that they would be very much like this one in tone and approach. That said, I don't doubt that these volumes will be useful and helpful to many people so I have no problem recommending this one. We don't need less of this, we need more! But we also need balance, so keep that in mind, and enjoy!