Tuesday, March 27, 2018

Naturally Thin by Jean Antonello


Rating: WARTY!

Erratum:
"...but it will relax a bit as you and your body gets into a rhythm together." Wrong verb person. Should be 'get', not 'gets'.

This is from an advance review copy for which I thank the publisher.

I'm always suspicious of books, especially diet books, where the author feels a need to put lettered credentials after their name. If you look at books written by legitimate scientists, for example, they never put their credentials after their name. Richard Dawkins's books are by 'Richard Dawkins', period, not by 'Richard Dawkins PhD'. Carl Sagan's were the same, as are Neil deGrasse Tyson's and Jim Al-Khalili, but you never see their books trailing letters after the author's name. Just sayin'!

There's always something new out about eating a healthy diet. Just yesterday (as I write this - March 26th), there was a report in the Washington Post wherein Satchin Panda, researcher at the Salk Institute in San Diego, was asked about a study on mice employing a technique known as time-restricted feeding. In this method, you eat more or less what you want, but only during an eight hour period. The rest of the time you fast (as it were), and this appears to work in mice. Whether it will work in humans remains to be seen!

But the real issue of a book like this is the content - does it make sense? Does it work? Is it anything really new? I have to say that I was not impressed by this short book which has very repetitive content and which seems to have only the one message which is simply common sense: eat healthily and exercise if you want to lose weight! If people are dumb enough that they need to read this in a book to get it, then this is the book for them, but the long-winded message it sends is obvious to anyone who cares to actually think about it. It's a sad commentary on the state of science education in the USA, I have to add, if we truly do need books like this, and an indictment of how 'owned' our elected representatives are by the food business (as well as the NRA and the oil companies, and so on).

If that was all there was to it though, I wouldn’t see any harm in the book, but it offers nothing more than the author's own opinions, some of which are way wrong. Yes she's a nurse, and therefore has some medical training, I used to work with nurses and I respect what they do, but while being a nurse should make one an expert in patient care, it doesn't necessarily endow a person with an abundance of worldly smarts any more than would being a doctor, or a car mechanic, or an artist.

One of the first issues I encountered was that there was an image of a list. Prior to swiping to this screen I had read how to follow this image: “Begin with FAMINE at the top and move clockwise.” There was no clock, just a list and the word 'famine' was not in the list! Note that this was an ARC, so perhaps in the final print version the instructions match the image? The word 'famine' however is itself worth a mention because in this book, despite it being so short, that word appears relentlessly like a mantra, along with its companion, 'feast'. Famine is repeated 17 times and that's just the first chapter! The repetition was too much.

The author makes sweeping statements for as sparse as the bristles are on her broom, such as: “We’ve established that dieters can only restrict their food intake for so long before they lose control of their eating.” I would agree that this has been established, as evidenced by countless failed diet plans, and as bolstered by a knowledge of evolution and physiology, but for the author to claim that she has established it is misleading, because all she offers is opinion and anecdotal stories. What studies she quotes are not referenced anywhere I could find in the book, so what they establish is open to question.

There is a lot of misinformation in the book, including some inaccuracies. One example of a study I did track down (http://www.nejm.org/doi/full/10.1056/NEJM199004123221506) was led by Dr Philip Kern of Cedars Sinai Medical Center in Los Angeles, but no mention is made of him. Instead the author quotes Dr Adam Drewnowski (note the spelling, the author gives this name as "Drenowski" in the ARC I had). He is the director of the human nutrition program at the University of Michigan, but he was not involved in the study. He was merely commenting on it, which I found to be an odd way to 'reference' a study.

The conclusion of that study was that "...weight loss in very obese subjects leads to the increased activity and expression of lipoprotein lipase, thereby potentially enhancing lipid storage and making further weight loss more difficult" (N Engl J Med 1990;322:1053–9). For 'lipid' read 'fat' as in body fat. Note that the conclusion says 'potentially', and that it says nothing about causing people to put weight back on! The study also reported that "There was a strongly positive correlation between the initial body-mass index and the magnitude of the increase in lipoprotein lipase activity" so this is telling us that these study subjects, who were described in the study title as "Very Obese Humans" had more activity than would someone with a lower BMI (Body Mass Index). In short, it's something of a leap to try to correlate this with what the author tells us. It's misleading at best.

Another instance of this method of selling her approach was where I read, "Choose organic. It’s always the best way to go if you have a choice and can afford it" but she offers no reasons why. Organic food is expensive, but that doesn't mean it's better for you. If you type 'is organic food better?' into a search engine you will discover that it is far from a foregone conclusion. https://www.health.harvard.edu/staying-healthy/should-you-go-organic for example, tells us "While organic foods have fewer synthetic pesticides and fertilizers and are free of hormones and antibiotics, they don't appear to have a nutritional advantage over their conventional counterparts."

In short, if you wash your food properly before cooking or eating raw, you're getting the same nutrition cheaper. That's not clear from what the author says, and she also fails to mention antibiotics at all in this book - which is strange given how often she mentions meat consumption. This is something you ought to be cognizant of, if you're a meat eater regardless of other issues.

If you want to lose weight, consider (along with eating healthily and exercising as much as you can manage) giving-up meat altogether (do it wisely and seek medical advice if necessary), or at least consider severely cutting back on it. We in the west eat far too much and feeding grain to animals which we then eat is an appalling waste of food resources. If everyone in the west gave up about a twentieth of their meat consumption it would free-up enough grain to feed every starving person on the planet. But that's just my opinion!

An article in https://blogs.scientificamerican.com/science-sushi/pesticides-food-fears/ asks, "Are lower pesticide residues a good reason to buy organic?' and answers, "Probably not." In this article: https://www.zmescience.com/other/science-abc/organic-food-science02092015/ we read that "...researchers at Oxford university analyzed 71 peer-reviewed studies and observed that organic products are sometimes worse for the environment. Organic milk, cereals, and pork generated higher greenhouse gas emissions per product than conventional ones." So this author has not done her homework. Or she's withholding information she ought to share. Organic faming is a thirty or forty billion dollar per year industry; they're not going to tell you the truth any more than the agribusiness conglomerates are.

There are some claims in the book which are not harmful per se, but are just outright dumb! One such was this one: "People don’t usually put regular gas in their cars anymore because the new, more efficient engines require higher, purer types of gas to run efficiently." This is so wrong in so many ways that it boggles the mind. 98% of gasoline sold in the US is regular. Literally almost everyone is using it in their cars!

Just because the author may be able to afford a high-performance car doesn't mean she can extrapolate from that and make the bald assumption that everyone else is in the same boat (or vehicle!) that she is and just as well-off. Most cars use regular gasoline. In 2015, according to a study by AAA, idiots who thought their cars needed premium gasoline wasted two billion dollars putting it unnecessarily into their tanks. Not that the oil companies minded. It’s really called premium because of the premium you pay them to waste it in your car which runs fine on regular. Always go by what your car manufacturer advises as to what gas you should put in the tank. Don't ask a nurse or even a car mechanic.

Her claim that modern engines require "higher, purer types of gas to run efficiently" is complete nonsense! Higher octane gasolines are actually less pure since they tend to have more ethanol in them. Ethanol is used to raise the octane rating. The point being that if your car has a higher compression ratio, then it needs a higher octane gas. If it doesn't, it does not.

Actually modern cars tend to have sensors so that even if you're using the wrong octane, the engine can adapt (assuming it has those sensors to detect engine knocking - which can be very harmful). It just won't generate quite as much power per unit of fuel if you need the higher one and are using the lower one, but the difference in modern cars is negligible depending on how you drive, of course. Using an octane the manufacturer does not require is simply dumb. Use the one your car requires, not the one your dietician tells you to use. Hopefully you're moving to a hybrid or an electric anyway and letting oil return to being the fossil it really.

It’s misleading statements like this which cast doubt on other things the author says, especially when she says one thing and then makes a huge leaps to another assumption. For example, at one point she said, "According to the Center for Disease Control, several racial groups in the United States have especially high rates of obesity. This is a function of high famine sensitivity. They are African Americans, Hispanics and American Indians." To begin with, it’s the CenterS for Disease Control since there isn't only one. A nurse ought to know this. The author offered no reference for this study, but her claim seems to be yet another leap from facts which do not support her conclusion, especially when she lumps all American Indians, for example, into one group as though there's no difference in obesity rates between them (there is).

The fact is that in the US, African Americans are more likely to be obese than any other group, and Asians the least (http://news.gallup.com/poll/155735/blacks-likely-obese-asians-least.aspx In the BMI of 40+ category, Black Americans are twice as likely to be found. Whites and Hispanics rank about the same, very much contradicting what this author claims.

This table (https://www.kff.org/other/state-indicator/adult-overweightobesity-rate-by-re/) shows pretty much the same thing and shows American Indians. There is not a huge difference across the US as a whole. Interestingly, the author fails to mention what's happening outside the US. Although obesity is growing worldwide (about a third of the planet's human population is overweight!), the rates outside the US are about half what they are inside the US according to this table: https://www.everydayhealth.com/news/are-we-fat-think/. The only European country in the top 10 most overweight is Germany, So a really good question to ask would be, what is it Europe is doing that the rest of the world is not? Another interesting question to ask would be how does obesity correlate with access to free healthcare? None of these questions are asked in this book.

So it's probably needless to say by this point that I was not impressed with a short book sporting misinformation, which says the same things tediously over and over again, presumably to bulk up the size of the book which wastes more trees in the print version) and which has, as its only offering: eat wisely. Intelligent and well-read people have been doing that all along. Perhaps the book should have offered instead, advice to people to think about what they're eating, and to read some good science books on evolution and diet. I cannot recommend this.


Monday, March 26, 2018

Double Exposure by Bridget Birdsall


Rating: WARTY!

Errata:
This novel was as bad as it was illiterate:
p75: "She's the youngest of six boys."? She is the youngest of six boys? How about "She's the youngest of seven; the other six are boys"?
"Fifty frames a minute and the shudder speed’s unbelievable" p174 Shudder speed? Maybe fifty frames a minute is what makes the shutter shudder?
P180 use of ‘you’re’ where ‘your’ should have been employed. This author teaches writing? No, she relies on auto-correct. Creative auto-correct!
P232 “His bicep bulges” That last 's' is in the wrong place! Once again YA authors the word is biceps Unless you are specifically referring to a single one of the attachments to the upper arm, one of which is the short head, the other of which is the long head, then what you're talking about - what we normally called the muscle that bulges when the arm is flexed as in strong-man posing - is the friggin' biceps, you ill-educated morons. But maybe she was writing creatively?
"Su rounding" p243 As in Su rounded by idiots? Okay I've given up on the author, but did this book not have any editors? Bueller? Anyone? There were enough people mentioned in the acknowledgements. What the hell did any of them do? Did none of them read it? Were they all so gushing that it was a LGBTQIA story that might have a chance of selling that no one cared if it was any good or even spelled correctly? Even a piece of lard like Microsoft Word will catch many of these things. Or was it creatively-written by hand and typeset ye olde fashioned way? It's leaden enough that it could be such a piece of fool's cap sheet.
The author can't do math. We learn that the team is averaging 2 games per week, but after three weeks they’re 10-0? Does the author teach creative writing or creative math! Creative writing! LOL! All writing is creative if it's done right!

This was, thankfully a book I did not pay money for, but borrowed from my excellent library. It began well enough, but at the time I didn't realize how bad it would become because I did not know that the author taught (guffaw) creative writing. Anyone who teaches creative writing or who has passed through a college creative writing course is guaranteed to write god-awful novels in my experience.

The first cliché was the bullying. Barf. I skipped that. Notice that I didn't say 'inexcusable cliché' because bullying of LGBTQIAs is rife, and that's what's inexcusable and needs to be stamped-out ruthlessly along with all other forms of bullying. But turning it into a trope high-school bullying story is not going to help because it cheapens the problem by making it blatantly, painfully (I'm talking about the reader, not the character) obvious. Like there's no other kind. Ever. And as if once were insufficient, our main character gets bullied twice, in two different states! Two for the price of one! Limited Offal! Buy into it now! Yawn. Barf.

Next up is the inexcusably clichéd fiery green-eyed (JEALOUS, get it?) redhead. Yawn. Barf squared. Wait, what is it you teach, Bridget Birdsall? I forget - was it clichéd writing or creative writing? There is a difference, you know.

Taught writing isn't taut writing; it's trope writing, which brings me to the trope boyfriend being telegraphed from twenty-thousand light years away. Barf. Yawn. Clichéd or creative? Clichéd or creative? Anyone?

Next up is the sport, because your student has to be sports or arts. You know there's nothing else in the entire school curriculum worth writing about, in "creative" writing, right? Sports includes the clichéd dancer, and arts includes the clichéd image maker. Oh, wait, we have both! The main character is a basketball player and her love interest is a photographer! But all Alyx wants to do is be a girl.

But wait - how can she be a girl? Yeah she's quite literally intersex, having one testicle and one ovary, and one penis and one vulva, but that's not the issue here. The issue is that, never having been a girl before - always living as a boy, despite feeling like a girl, Alyx, who happens to have a magically unisex name complete with totally weird spelling (this in a family which boasts an 'uncle grizzly'), magically transforms into perfectly ordinary girl in the short space of time it takes to travel from California to Milwaukee!

I-80 sure is educational isn't it? God Bless President Eisenhowitzer! Ike 80 provided her with a cute feminine wardrobe too, so she felt completely at ease among girls from day one at her new high-school! She has no issues or problems learning to be a girl among girls. She has only issues with PTSD from the bullying in her old school. Hmm!

It might not have been so bad had Alyx been likeable, but she was so self-obsessed and so selfish that she simply wasn't likeable. She was annoying at best. At one point, at a party, her fellow newbie and possibly best friend Roslyn is so out of it that it scares Alyx, but rather than watch over her friend or take her home to make sure she's not abused, Alyx is quite ready to abandon her and run home? Friends don't let friends get friendly drunk.

At Christmas, Alyx gets gets a brand new smartphone replacing the one which was damaged when she was beaten up in Cali-floor-ya. Almost immediately, she purposefully kicks it off her bed onto the floor because she doesn't have any friends! That's what a shrewish ingrate she is. Likeable she is not. This is called creative unfriending, in case you wondered.

I don't mind a weak female character who learns to be strong, but Alyx never does. She's a weak-assed wuss to the very end, caving again even in the last few pages to make a magical ending in which her mortal enemy who treated her like shit for the entire novel, and screwed her over every chance she got, is forgiven by means of Alyx rolling over one more time for a certifiably Disney-esque ending. And I do mean certifiable. Was the author embarrassed by this ending? Is that why it was flash-Frozen-over?

I'm sorry, but this story SUCKED. It was awful and was exactly what I would expect from a creative writing pogrom. Some might argue that this is better than nothing, but the intersex community deserves so much better than this creative nothing.


The Shadow Land by Elizabeth Kostova


Rating: WARTY!

Another soured audiobook experiment. I typically avoid long novels because it means they're full of filler which ruins the story. Before I started blogging books I read this author's The Historian and quite liked it. I went looking for my review of that, to see what I said about it, but I must have read that before I began blogging so it's nowhere to be had! This story was far too rambling.

When I saw Kostova had out The Swan Thieves I took a look at it, but it didn't appeal to me, especially given what a fat tome it was, so I never read it. I thought it would be boring. This one sounded like it might be more interesting despite Kostova proving herself by this time to be a one-note author. I was wrong! It was rambling and boring. I listened to about an eighth of it (an eighth of a one note and I didn't quaver) and while the reader (Barrie Kreinik) was listenable, the story wasn't. Quite literally nothin happened.

I don't want twenty pages about a woman being driven to a monastery unless all of those twenty are relevant to the story, but that's what I got here (at least it felt like it), and in this case none of it was. Kostova takes a whole chapter to write about a drive from A to B, which has nothing whatsoever to do with moving the action forward, In fact it did quite the opposite. It would be like that movie, Dunkirk about the dramatic evacuation of British troops from French beaches at the onset of World War Two, showing five minutes of action on the beach, five minutes of disembarking the boat at Dover in England, and then two hours in between spent in existential angst during the twenty-mile boat ride, or admiring the beautiful ocean, the action of the waves, the blowing wind, the burning of the surf, the engine noise, the diesel fumes, and declaiming upon ocean wildlife.

Or maybe in that famous car chase in the movie Bullitt, instead of simply showing the car chase as they did, the story focused on backstory and admiring window boxes of flowers as he drove, and stopping to gas-up and get a car wash, and slowing to let the chicken cross the road and so on. I am not kidding about the chicken, it quite literally happened in this story. It ruffled my feathers and I decided that was more than enough for me.

In short I cannot recommend this drivel, and I am now completely done considering this author worth wasting any more time on.


Sunday, March 25, 2018

The Ghost The Owl by Franco, Sara Richard


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

This was a different kind of story, beautifully illustrated by Sara Richard in almost day-glo colors, with a swirling impressionistic style reminiscent in some parts, of van Gogh's rather impressionistic The Starry Night. Not that Van Gogh ever liked that painting! But let's not get too pretentious: the images were lovely and had an inherent ghostliness in them and still carried the dark threat of a deep night. If that's what the artist was aiming for, she nailed it!

The story is short (less than fifty pages), but it would have dragged had it been longer. It's just long enough. The animals see this young ghost wandering aimlessly through their forested, swampy world and discuss her raison d'être. The owl decides to do more than this, and it leads to an interesting tale since both the ghost and the owl have a backstory, and it seems that each one crosses paths with the other in interesting ways.

I really enjoyed the simplicity of the story which couches a slightly more complex tale within, and the whole thing comes together in finely-wrought style. It has ups and down, and not predictable ones either, and it has some great story-telling. I liked it a lot and I recommend it as a worthy read.


Puerto Rico Strong by various contributors


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

This comic collection of shorts was put together quickly with the intention of raising money to aid victims of Hurricane Maria, which hit In late September 2017, and from which Puerto Rico is still recovering, hampered by failure to get the same rapid response that Texas got after Hurricane Harvey hit just a month before.

Texas is back on its feet. No one talks about the hurricane any more. But where is Puerto Rico? Still mired. Why? Puerto Ricans are American citizens, but Puerto Rico is poor and has no voting rights. The response to their plight has been nothing short of shameful, and my feeling is that this comic doesn't help because it's just as much of a mess as Puerto Rico is right now. In this case it's not due to a hurricane, shameful mismanagement, a clueless president, and a poor response from the US government; it's due to poor editing and an indifferent selection of stories which could have been better presented.

Puerto Rico is a commonwealth territory of the United States of America, and to describe it as the poor cousin is about as on-target as you can get. Unemployment is double what it is in the rest of the US, which is why people leave Puerto Rico to move to the mainland, and this out-flux of population reduces the tax base and contributed somewhat to throwing the island further into debt. Poverty there is rife and the USA has treated this territory, gained after the American Spanish war of 1898, shabbily to say the least.

The problems are not all because of Maria though. Puerto Rico was poor and in debt to the tune of seventy billion dollars before Maria hit because its own government has mismanaged everything, but it's not all on that government. Puerto Rico is also strapped by an act of Congress that will not let foreign ships deliver goods directly to Puerto Rico. This is the act that the president had to waive for a period after Maria came roaring through, in order to maximize the aid that could be brought in. That waiver was short though, and arguably ineffective.

Why this insanity hasn't been overturned is as much a mystery as it is a tragedy, but since Puerto Rico has no say in its own destiny, due to being very effectively a vassal "state" of the US, things aren't likely to improve until Congress and the Senate both are cleansed of special interests and those members owned by big business, the oil companies, the NRA and so on, are tossed out on their bribed ears and Puerto Rico is either admitted to statehood or granted independence and full self-determination whichever its population wants.

It has a population higher than thirty of the fifty US states, and that's with the majority of Puerto Ricans now living outside of Puerto Rico. If they all lived on the island, and it was a state, it would be the thirteenth most populous state while having by far the lowest median household income. But you won't read that in this comic.

Puerto Rico is so badly-off that it has also been getting about two billion dollars yearly through the Nutrition Assistance Program since the early nineteen-eighties. Complaints are that this assistance has been flat, but Puerto Rico's population has shrunk a lot, too, so maybe it's not so flat? But you won't read anything about that here either.

You'll also learn very little of the history of Puerto Rico from this graphic novel. Yes, there is a lot of history shown, but it's a very biased and repetitive history showing stories of the Taíno people and little else. The contributors ought to have collaborated more so that instead of a dozen stories of the Taíno, we got one or two of those and more stories of other aspects of Puerto Rico's history which, as the name suggests, is very rich, unlike the financial circumstances of the people who live there, especially post-hurricane when more than fifty percent of Puerto Ricans were left in Poverty. But you won't read of that in this comic book either. Again, a better spread of information, and a move diverse subject matter would have made for a better comic.

The problem with the stories of Puerto Rico's history is that they all tell the same stories mostly of older history and nothing recently. There are too many stories of of the Taino for example, and of Puerto Ricans serving in the US military from World War One onwards, and these stories leave little room for anything else to be told. I believe one story even suggested that Puerto Rico was granted the status it has so that the US could draft troops during World War One, but that seems unlikely given the facts and how Puerto Rico was viewed back then by the US government (as primitive, backward and substandard).

What's missing is recent history. What's too often missing is the rich culture. What's missing is geography and wildlife. One glaring example of omission is the onslaught of the Zika virus which ran from 2015 well into 2017, causing 8,000 cases per month for a while. It was declared over (in that cases had dropped to very low levels) only three months before Maria hit. Maria probably killed off the last of it by destroying the mosquitoes which carried it, but they'll be back. There's not one mention of the Zika virus epidemic. Has the Puerto Rican diaspora forgotten about that already? Or where they never aware of it?

The Taíno were the original inhabitants of the island which have largely been wiped-out, or subsumed over the last five hundred years through inter-marriage with the Spanish invaders and the African slaves. They spoke an Arawakan language. Smallpox killed ninety percent of these people, but you won't read that in this graphic novel, although there is a brief mention, if I recall, of the depredations of 'imported' diseases. In 2010, less than one tenth of one percent of the island's population self-identified as native American although you won't read that in this graphic novel. All you;ll read about is how many have "Taíno blood." The representation of the Taíno in these stories makes it look like everyone in Puerto Rico is Taíno, but that's very misleading.

There are 41 stories here in 190 pages (excluding additional material), which means that they are all short, some of them very much so, and once again I have to take the editors to task because sometimes it's really hard to tell where one story ends and the next starts. Some of the stories were really good, but most of them were average to very poor, and this assessment includes both writing and artwork, so the consistency is really patchy. Note that the contents page has the page numbering wrong (nor is it clickable/tappable to jump to a given story or to return to the contents page), and one story "From Within" is not evident in the actual content without a search. Here's a brief mention of each:

  • Hereby Ronnie Garcia told a story bemoaning Puerto Rico's fate, but telling us little else. While it was well-drawn, the text was almost illegible in parts, so the story was significantly diminished and it was not that impressive to begin with.
  • Madre de Dios by Daniel Irrizarri Oquendo is a single image and a poem incorrectly telling us that juracán was the Taíno god of chaos. In truth, it was the goddess, Guabancex (aka Gua Ban Ceh) who was of chaos - or more specifically of earthquakes, storms, and volcanoes. Juracán was merely the name of the winds she spawned from time to time.
  • Helping Hands written by Alan Medina, art by Ariela Kristantina. It was only the change in artwork which announced this since the title was nowhere in evidence on the first page of the story. It shows up on page three which is the last page of the story. The artwork had a scrappy look to it, and I rather liked it, but I had no good idea what this story was about.
  • Pasitos Grandes written by Tristan J Tarwater, art by Cynthia Santos. Pasitos means little steps, so this title is a contradiction in terms: Big Little Steps. It's set in 2062 and looks back over Puerto Rican history, but it says barely a word about Hurricane Maria. the artwork is abysmal.
  • Areytos written by Vita Ayala, art by Jamie Jones. Areyto or areíto refers to a religious song/dance which the Taínos enter-Taín-ed themselves with. This story has interesting, moody art and tells of the resistance, led by Agüeybaná Segundo, aka El Bravo to Spanish depredations in the early sixteenth century.
  • Gods of Borikén by Sabrina Cintron. Borikén is another name for Puerto Rico. This is just a very average one page image.
  • Stories from my Father written by Adam Lance Garcia, art by Heidi Black. This tells of a young girl visiting Puerto Rico. It's nicely drawn and colored, but it really doesn't say anything. It's trying to say that people who have ancestry in a certain location ought to try to reconnect to that location, but there is absolutely no good rationale as to why anyone should do this, and there's certainly no point in trying to make people feel guilty if they don't! Way to domineer!
    If they want to, then fine, but it's every individual's choice and there's no obligation whatsoever on anyone to connect with or even acknowledge your roots. To portray a young girl as somehow lacking something because she can't connect with Puerto Rico is an abuse as far as I'm concerned and the author should be ashamed. For goodness sakes, we all come from Africa originally, so there is as much of a 'call' to reconnect there as there is anywhere else, so why not tell that story? This one made no sense whatsoever!
  • Resiliance (sic) by Lamplight written by Aldo Alvarez, art by Sofia Davila. The word is actually Resilience, editors! The Spanish word for it is resistencia, so this is simply a case of misspelling. It appears to be only a two page non-story consisting of a title page and a pointless drawing of two people's heads as light bulbs. I assume it has to do with the sluggish return of electricity to the island, but who knows?
  • From Within by Nicole Goux. This was in the contents, but I could not find it in the actual stories unless it is the untitled and unattributed pastel-shaded story that actually precedes Resilience by Lamplight. It was not of interest to me.
  • A Broken PROMESA by Rosa Colón. PROMESA is the acronym for the Puerto Rico Oversight, Management, and Economic Stability Act. This story, more text than art, is one of the few which actually makes a coherent, worthwhile, informative, and educational contribution, but it's not a story, merely a five-page précis of the comedy of errors in governing Puerto Rico. It's one of the few which blames the island for at least a part of the post-Maria woes. I liked this one very much.
  • Thanks for Nothing by Tom Beland. Simplistically drawn and sarcastic, this is an entertaining view of the mismanagement of aid post-Maria.
  • La Casita of American Heroes written by Anthony Otero, art by Charles Ugas. This is another story which has no title at the beginning. The thing that looks like a title is 'Fajardo', which is actually the name of a small town in eastern Puerto Rico, but it's not the title of the story! We don't see that until nine pages later, on the last page of the story. Is this a manga that I should read it backwards?! This story has very average art work and starts out well enough, but then it dives headlong into another tale of how many Puerto Ricans fought in how many US wars. It tells us not a single thing about the ravages of Maria. You now, the wars are history, I've never understood the morbid American obsession with them. The problems with Maria are now! Can we deal with those, please?
  • Yúcahu and the Creation of the First Man by Little Corvus. Yúcahu (known by several similar names) is the of fertility in Taíno mythology. This is simply a one-page illustration that shows two near-naked guys together in a pond. Fine if that's how two guys want to spend their time! I have no problem with that per se, but neither of them look Puerto Rican or Taíno, so what, exactly, does this have to do with anything?
  • A Taíno's Tale written by Shariff Musalam, art by Alejandro Rosado. This is another poorly illustrated history. Didn't like it.
  • Of Myth and Monsters written by Marco Lopez and Derek Ruiz, art by Jamie Jones. This was a mildly amusing and amusingly illustrated story about the Chupa Cabra which is typically taken to mean 'goat eater', but which actually means 'sucks goat' which could have led to an interesting and amusingly perverse story, but this wasn't it; however, it was better than too many of the other stories here.
  • El Vampiro de Moca by Leonardo Gonzalez is a really scrappy one page image which ought to have been left out of this collection.
  • Family Ends with Me written by Lilliam Rivera, art by Allison Strejlau is a tale of how women were sterilized but it places the story in 1969 long after these sterilizations ended - unless the author knows something I don't. When I say ended, I mean in Puerto Rico - they were still going on for Latina wimen in the sixties and seventies in California, believe it or not. American Nazism has never died out.
  • La Operación by Ally Schwed is also the name of a documentary film by Ana María García on the same topic. While sterilization had been instituted many times in Puerto Rico, the only one that really succeeded in its evil aim was begun on May 13, 1937 and ran unhindered until the law was overturned as late as June 8, 1960! This story has the sterilizations going on into the 1970s, but I cannot find independent documentation of that. However, it doesn't matter when they ended, because they should never have begun and the people who did this should be in jail.
    No matter how long it actually lasted, in the end about a third of women of childbearing age had been sterilized in Puerto Rico. How is the US government any better than the Nazis in this regard? Seriously? This was an important story, but I would have liked it better had it delivered more information in a less sensational manner. The story implies that no one was informed about the permanence of tubal ligation, which cannot be guaranteed to be successfully reversed by any means.
    There was a study in the mid-sixties which indicated that only a third of the subjects/victims did not know it was permanent, which is a nauseating number admittedly, but I don't know if that means that the other two-thirds learned of this beforehand (or figured it out for themselves) or if some or all of them did not know this until later. I don't believe Puerto Rican women are completely stupid or gullible. They can be misled as anyone can, but do we know if any elected to have this operation as a deliberate and deliberative choice to take charge of their own family size - or were they all duped as this story implies?
    I find that latter option rather insulting to Puerto Rican women and their intelligence. Is it possible that some women, even if it was a small percentage, knew what this was all about from the off and chose it as a means of birth control? I believe it is, but there seems to be no readily available information one way or the other about this, which is concerning, but not as concerning as this whole affair is, let's face it.
  • The Puerto Rican Birth Control Trials by Ally Schwed. This is a sort of sequel to this author's previous story, and this one is about the testing of the birth control pill on Puerto Rican women - a pill which contained significantly more medication than is considered appropriate now. Women got sick, a handful died.
    The artwork is equally as simplistic as it was in the previous story (and has the same color scheme), but that's acceptable to me because this story is an important one and needs to be widely known. It's yet one more inexcusable abuse.
  • Breaking Bread written by Tara Martinez, art by Rod Espinoza. This was a breath of fresh air. It was a beautifully written and gorgeously illustrated story and my favorite of the whole collection. It tells a simple but important story of keeping hold of the little things and the simple pleasures in life no matter what. All of us need that.
  • The Dragon of Bayamón written by Jeff Goez and Fabian Nicieza, art by Adriana Melo. Bayamón is a city just south of Puerto Rico's capital of San Juan and this tells of a young kid visiting this area where he's never been before and knows nothing about. He fears his father of whom he has little and not good recollection, but his mother sent him to Puerto Rico, so he has to put up with it. It's a little predictable in that you know from the start that he's going to start feeling at home there, so there were no surprises, but the story was decent and the artwork pleasant.
  • On Traditions & Being Homesick by Jesenia Santana wasn't of interest to me at all, but the art was not bad. And she has a very cool name! And it was short!
  • Con Amor LES by Kat Fajardo was an uninteresting one page postcard of an illustration. Com Amor means with Love, but I have no idea what LES stands for.
  • Cocinar written by Vito Delsante, art by Yehudi Mercado was yet another one which had no title at the beginning (it was at the end again). It looked like Kat Fajardo's one page illustration was the opening page for this story! Bad editing. The story is about a cook (which is what the title means) who is starting a new job and pleasing the restaurant's owner by turning out a family treat which she happened to like, but I have to ask if she wants Puerto Rican cooking so badly, then why not go back and live in Puerto Rico? I don't have any time for whining and nostalgia. Deal with where you are, or go back home!
  • Family written by Grant Alter, art by Manuel Preitano. Having one family title after another (especially one that's also about food, at least in part) I think is another example of bad editing. Maybe if certain editors had quit trading Voltron GIFs and spent more time focused on their job, this would have been better put together? That's not this author's fault though. The problem here is that this story really doesn't tell us anything except to help with hurricane relief any way we can. One page would have sufficed for that, although it's actually self-evident.
  • Dreamer by Kristin Van Dam was an untitled, unattributed, unsigned single page. The art was not bad, but I don't see what it had to do with anything else where. It's a pity the editors didn't wake up and credit her for this contribution though, but these guys are the worst editors I've ever encountered. Always sign your work, Kristin!
  • Taíno Online by Joamette Gil. Yet another story on Taíno ancestry. Yawn. Joamette is a cool name though.
  • Knowledge of Self by Javier Cruz Winnik. Yet another story on Taíno ancestry, but better illustrated than the last one. Yawn.
  • Blame it on 'Rico by Alberto Serrano. This was an amusing story about a Puerto Rican muralist who is constantly questioned about his ancestry. I can relate. I liked this one.
  • Macondo, Puerto Rico written by Javier Morillo, art by Dan Méndez Moore. Another Puerto Rican history telling the same story over again, but with indifferent art and way too much text. Yawn.
  • Faceless by Matt Belisle was a misleading one page illustration that preceded yet another story which had no titles at the beginning, Really getting annoyed by this crap by this point. What's the Spanish for 'the editing sucks'? Chupa Editando?
  • I Dream of Home written by Greg Anderson-Elysee, art by Dennis Calero. This was a weird story which I did not get, but the art was excellent.
  • Hope written by Neil Schwarz, art by Ramón Sierra. This is a story about a guy who takes his kid to Puerto Rico. Nothing special. Predictable. Art not bad.
  • Puerto Rico Strong by Alejandra Quintas is a simple on page illustration of some exploitatively scantily-clad Puerto Rican woman holding the Puerto Rican flag (which was actually banned at one point a half century or so ago, believe it or not). Not impressed.
  • Reality Check written by Tony Bedard, art by John R Holmes. This was a nicely drawn ironic look at Puerto Rican history and it made a pleasant change from what had gone before. I liked this one.
  • Heroes of Our Own by Marco Lopez and Derek Ruiz, art by Brett Booth. Yet again a single page illustration indifferently drawn right before yet another story where the title page was the last page. Really pissed off wit the editors by this point. Ready to tell them where they can shove Voltron. Why did a single page need two writers? Was there something missing from my copy? Who knows.
  • The Last Pirate in the Caribbean written by Mina Elwell, art by TE Lawrence. The title page was the last page. I got nothing from this story. The artwork so bland as to be almost impressionistic in style.
  • Todavia Tengo Puerto Rico en Mi Corazon written by Eugene Selassie, art by Orlando Baez. The title means "I still have Puerto Rico in my hear, and this was a clumsily illustrated futuristic story of robots, which I skimmed because it held no interest for me. It's yet another of those where you want to say, if you love it so much, quit whining about it and go home!
  • The Heart of Puerto Rico written by Alexis Sergio, art by Jules Rivera was a nicely illustrated and welcome story. It was teasing and playful, and it was about a young queer couple who had a sense of adventure and a love of Puerto Rico such that they actually lived there! I liked it.
  • Ojala by Mike Hawthorne was the only one page illustration I actually liked. Beautifully done. Ojalá, pronounced 'Ohall-a' (slight emphasis on the last letter) means 'hopefully'. It was perfect and should have been the first illustration in the collection, Another bad editing choice.
  • What Remains in the Dark by Amparo Ortiz, art by Eliana Falcón-Dvorsky was about Julia Constanza Burgos García, better known as Julia de Burgos. She was a nationalist, a teacher, a civil rights activist, a poet, and an advocate of Puerto Rican independence. She died a tragic death in that she collapsed and died in a place in New York City where no one knew her, and her body went unidentified and unclaimed, so was buried in a 'potter's field' until some people heroically tracked her down and had her remains repatriated. This was a story worth telling, and a very different approach from the others.
    It made me wonder why there were not more stories about such Puerto Ricans and somewhat fewer about soldiers? There are renowned Puerto Ricans from all walks of life. Don't go by the 'famous Puerto Rican' lists on the web. Yes, these people have Puerto Rican ancestry, but very few of them were actually born in Puerto Rico, so I certainly would not classify them as "Puerto Rican" without qualifying it. That's cheating!

You know, comic book writers and illustrators can work anywhere! Not that there's an abundance of electricity in Puerto Rico right now, but there is sunshine and solar panels are relatively cheap these days, This is golden opportunity for Puerto Rico to shine - literally. Why was there no story about that? About rebuilding? About hope? The stories seemed to be all downers about nostalgia and loss. I refuse to believe that the Puerto Ricans - at least those who actually live there - are like that. Why were there no stories about Puerto Rican diaspora returning to help their island by living there and bringing their relatively rich US income with them? Now that would have been something different, something worth writing about, something worth reading.

I was very disappointed and disillusioned by this graphic collection. I admire and respect the desire to put something out there to aid the hurricane victims, but I can't help but feel in this case that contributing the price of the comic (and then some if you can afford it) directly to a hurricane victim charity will do more good than buying this comic. There is nothing in the comic that I saw, which indicates how much of the sale price goes directly to the needs of Puerto Ricans, which seemed very strange to me. If you love comics, then by all means buy this one as opposed to some other, but I cannot recommend it based on my reading of it.


Sashenka by Simon Sebag Montefiore


Rating: WARTY!

Sashenka was another audiobook experiment I tried that failed. I don't normally go for the longer books because my time is valuable and it's a bigger investment of it to put it into a longer book and have that fail. If it works out, it's great, but given that I take more risks with audiobooks, they tend to fail more than other media, so I tend not to go for the longer ones. This one sounded like it might be good if it worked out, but it didn't.

If it had bee about half the length it was, I might have been willing to invest more time in it, but it was endlessly rambling, jumping back and forth, and worse, the author seemed like he was obsessed with showing off his knowledge of the classics instead of telling a succinct and engaging story. He spewed out title after title, some of which I'd even heard of, but it served the story not at all. Writers who do this are among the most pretentious, substituting books for smarts, and book names for knowledge and sophistication.

Despite this focus on showing how intellectual the main character is, the ham-fisted book blurb describes her - sixteen-year-old Sashenka Zeitlin - as "Beautiful and headstrong" like her best trait is her beauty. I detest writers who reduced women to skin-depth, like a woman has nothing else to offer and their character is quite useless except for her 'beauty'. What does it matter where she is on the dangerously sliding scale of beauty to ugliness if she's an interesting character? Is she so boring that the author has to make her beautiful in order for her to have anything at all to offer the reader? Because that doesn't work for me.

It's not just the book blurb writer. The author himself is equally culpable, sexualizing his character very early on in the story when he informs us that she has the "fullest breasts in her class." How is this remotely relevant to anything? If the story were about sex, then I can see how it would be something of import, but it isn't. It's supposed to be about this woman and her life in Tsarist and then revolutionary Russia. Her breasts are really nothing to do with her story unless she goes to work for the communists seducing political enemies, in which case I could see some relevance. if the tit doesn't fit, you mustn't acquit, and I find this author guilty.

I thought it might start to get interesting when Sashenka is thrown into prison as a political offender because of her association with her uncle, but no! The novel is set in 1916, right before the Russian revolution, and I thought this might make it quite gripping, but the author seems to have sterilized it so effectively that the rich soil of a potentially entertaining novel is reduced to unproductive sand.

The only interesting thing to me was the repeated mention of gendarmes, which I had never heard of in connection with Russia, but these were the political police. It would have made more sense to call them jandarmov, which is how the Russians pronounced it.

The author may be able to write knowledgeable non-ficiton about this era, but he has no clue how to write a gripping novel, a compelling main character, or realistic female characters.


Saturday, March 24, 2018

Hot and Badgered by Shelly Laurenston


Rating: WORTHY!

Errata:
"Max opened ajar of honey-covered peanuts" should be "a jar"
"I don't have a million pounds just lying around to fix my father's fuckup." - The amount is a hundred million pounds, so I don't know if this is in error or just a character misspeaking.
"she wouldn't upset Stevie by killing him." - the phrase should, I believe, be precisely the opposite: she would upset Stevie by killing him.
"I'm going to crack his jackal bones like kindle." should read " I'm going to crack his jackal bones like kindling." Let's not give Amazon's crappy app any more due than it's worth, which isn't much! Now if it had read "I'm going to crack his jackal bones like a Kindle device," I would have found that funny!
There was a section that read (in part) "...last few months, but they’re already booked through the first of the year.” that was all in Italics. I think the first word of that section, 'is', was intended to be in italics, but the rest of it was not.
There was a merged paragraph where the second person's speech ran into the first person's without having a paragraph break between them so it read, “Out.” “Fine.”
There was also a sentence which began with Or, and which should have had a question mark after it but didn't. I was too tired to copy & paste it at the time and when I tried to find that in Amazon's crappy Kindle app, I discovered that their crappy search engine isn't case specific so when I searched for "Or" it found a bizillion of them including examples such as 'door', 'before', 'woodworking', 'disorder, and on and on. It should be easy to find it in a word processor.
One last one I noticed which may or may not be a mistake. At one point there was mentioned a "duffel Dbag." I have no idea what this is. I've never heard of a duffel Dbag before, so I wonder if it might be a mistake?

This is from an advance review copy for which I thank the publisher.

So this hilarious story is about the MacKilligan sisters: Charlie, Max, and Stevie. They all have the same father, but each a different mother. They're all honey badger hybrid shifters, and all are dangerous and violent, or at least paranoid when off their meds - which at least two of them are taking. I had the opportunity to read a sneak preview back in September 2017, which turned out to be the prologue of this book. Normally I don't read prologues because they're useless and antiquated, but that was all I got back then, so I read it and I really liked the idea and the story.

I'm not a fan of urban fantasy stories or of series and this was both - at least I assume it's volume one in a series - and this is the first such volume I've read in a long time where I'd actually welcome a volume two. That's very high praise from me! For me in general, it's tedious to read stories of endless werewolves and vampires all looking the same, behaving the same, doing the same things over and over. It goes completely against my grain to read a paranormal romance - which are beyond tedious and well into laughable. This book skillfully avoided that trap and instead went for the humor and the action, and especially for the out-of-left-field off-the-wall situations and it was right up my alley. I would love to see a movie of this.

The market is glutted with bad paranormal and urban fantasy stores, most of which are boring cookie-cutter vomit, and few writers seem to have the smarts or the ability to move on and write something different. This author is definitely not in that category. I don't usually have much interest in shifter stories, but the idea of reading about honey badgers was very appealing to me. I was thrilled to get a chance to read the whole novel (minus the prologue!) and I enjoyed this one thoroughly because it was so different from the run of the mill uninventive werewolf and vampire romances. This one actually had a story! it also had a romance but thankfully that was not the point of the story and it was well written.

I have to say I am not a fan of prologues or epilogues and this book had both. I honestly do not get why authors don't simply label them chapter one and Chapter whatever-the-last-chapter-number-is. The very word 'epilogue' puts me to sleep. But I read this one and it was, in effect, the prologue to volume two. Please no more epilogues and prologues! But please, volume two!

Anyway...the MacKilligan trio's father is a shiftless shifter, a worthless piece of non-human trash, and no one knows it better than the MacKilligans themselves. When they learn that he's dead, they're thrilled by the prospect of identifying the body, but you know how this is going to turn out, right? He's alive, he has absconded with a hundred millions pounds from his Scots relatives, and they are after him, and after the MacKilligan sisters to find their father. Other people are also after them, either to recruit them because they're so violent and deadly, or to kill them because...they're so violent and deadly.

This is the world we're in and oh my, there are lions, and tigers, and bears! The MacKilligans are semi-adopted by the bears who provide some protection, but this doesn't protect them from the machinations of their father, who is as sneaky as he is dishonest, and the kind of man who would be willing even to sell his children if he thought he could come out ahead on the deal. But to put that in perspective, the MacKilligan family is widespread and not altogether properly hinged. And that's the nicest thing you can say about many of them; then there's the wedding...and cousin Dutch.

Fortunately, theres also Charlie Taylor-MacKilligan, who is equal to any challenge. And her half-sister Max, who is barely shy of psychotic, and who regularly has knock-down-drag-out fights with kid half-sister Stevie, a bona-fide genius who is completely paranoid. Especially of bears. But they're sisters, and no one better try to mess with them.

This was a really beautifully-realized world, populated with interesting individuals. Even the bad guys were fascinating and nuanced. If I had any complaints, I have to say the story was a little bit on the long side and I was somewhat disappointed it wasn't nicely wrapped-up after this volume. Also there seemed to be far too many shifters for the human population not to be completely aware of them. And I won't get into the biological issues of inter-species mating (if two animals - or plants! - can successfully mate, they're the same species!). The definition of a species is that it can't mate outside it's own species. Since this is paranormal, pretty much anything goes, but I always think it would be nice to have some sort of rationale behind it, no matter how hazy!

Like I said, not a fan of series, but I'd read volume two and follow this series if it maintained (as opposed to tainted) the high standards set in this novel. I'd even buy this volume in hardback just to have it on my shelf, so hopefully I don't have to spell out that I fully recommend this. It's one of the best books I've ever read and unquestionably the best novel I've read this year.


Friday, March 23, 2018

Gamora: Memento Mori by Nicole Perlman, Marco Checchetto, Andres Mossa


Rating: WARTY!

I wanted to like this - I really did, but from the unnecessarily sexualized full first page image of Gamora, my stomach started turning. One reason I picked this up was because it was written by a woman (Nicole Perlman who co-wrote the first Guardians of the Galaxy movie); the problem was that it was drawn by a guy (Marco Checchetto). Maybe it if had been the other way around, it would not have been so bad? Once that first image was done though, the depictions did seem to improve, but the story never really did.

Gamora is given a 'gift' by her adoptive father: the knowledge of where the people are who wiped out her own people. After she slaughters all of the royal lineage, she seems to think the job is done but she's not fulfilled. Why killing the royals would destroy their society is a complete mystery which is never gone into in the writing which is sadly very sketchy. Would they not simply appoint a new lineage or open elections? It's not like if the British royal family were all wiped-out Britain would simply fall apart and come to an end! Ad how does she know she's got them all? They all look exactly alike - how do you tell royalty from commoner?

As it happens, she didn't get them all. Gamora discovers that this highly patriarchal society has a princess - the last of these supposedly crucial people of the royal bloodline, and so after torturing one of the lizard people, she embarks on her own crusade to kill this last royal. It's all downhill from there. The story made zero sense. If these people - the green lizards, literally do smother all female children at birth as we're told, then how do they ever procreate? It made absolutely no sense whatsoever! With whom did the king mate to produce this princess? Apparently the author doesn't care because she never mentions it.

I loved Guardians of the Galaxy, but now I find myself wondering what parts of it, exactly, did this author write because it was far more entertaining, thoughtful, and provocative than this graphic novel ever was. The story could have been a truly engaging one, but it got lost somewhere along the way and never improved. I cannot recommend it.


Wednesday, March 21, 2018

Wonder Woman Warbringer by Leigh Bardugo


Rating: WARTY!

This is the first book in a series of four novels (not graphic!) based on DC icons. I don't know all of them, but I believe two of the others are Catwoman: Soulstealer by Sarah J. Maas (author of the execrable Throne of Glass which I panned) and Batman: Nightwalker by Marie Lu (author of the execrable Legend which I panned!). The rule here seems to be that if you write a really bad YA romance trilogy, then you can get a contract from DC comics! This is why I favor Marvel!

Leigh Bardugo is of course the author of the execrable Shadow and Bones which I also panned, so why am I reading (read: listening to) this? I admit I thought twice about picking up this volume precisely because of the author, but I was curious to see how she would handle something which wasn't her own creation. She mishandled it badly, making Wonder Woman look like some clueless, air-headed teenager. Wonder Woman Warbringer? Crappy title as well! Not that the 'warbringer' referred to WW.

At this point I am convinced that Bardugo simply cannot create intelligent female characters, but I started out by being honestly curious as to what she would do with such a being (and especially so, now Wonder Woman's profile has been raised so high by the excellent Patty Jenkins movie). This novel came out in 2017 - the same year as the Wonder Woman movie, and what a contrast here is between the two! Bardugo has another disaster on her hands.

This one started out seeming like it was just another origin story, and it completely contradicted the one told in the movie, which as far as I'm concerned is canon at this point - especially since the comic books are always retelling their stories. Seriously? If there's one thing we really do not need more of, it's super hero origin stories!

I don't know how the author came into this: did they hire her and tell her to write this particular story or did they hire her and ask her to write a story about Wonder Woman, leaving the actual choice up to her? Or did she send them a story outline that she wanted to do and they agreed? I don't have those answers, so all I can do is base this review on what I read - or in this case listen to, since this was an audiobook.

Audiobooks are very experimental for me. I listen to them while driving, so my attention is most often on the road, not the book, but I can still follow what's going on. Since I'm a captive audience several times a week, I get through quite a few of these and I also take more risks with what I select to listen to, and therefore run the risk of more failures in finding things which please me, but I also find many gems this way.

The novel was read by Mozhan Marnò who didn't do too bad of a job except that her pronunciation wandered at times. She pronounced Themyscira for example, as thought it were "Them is scarier" which, given Amazons, perhaps isn't too far adrift, but all it did was make me laugh every time she said it. Themyscira (Greek Θεμίσκυρα) was a real place and it's pronounced with a soft 'th' sound as in 'thought' not in 'this'. It should sound a bit like Theh-mees-keer-a, with equal stress on all syllables but maybe a touch more on the 'mees' part - as far as I know. This begs the question as to why they got a woman of Iranian descent to read this rather than one of Greek descent?

This book began with Diana, aka Wonder Woman to be, taking part in a foot race. Normally the princess doesn't do this, but in this case she wants to assert her growing womanhood and take what she believes to be her rightful place as an Amazon woman rather than a cosseted royal. unfortunately, a sinking schooner on the coastline distracts her, and she ends up diving in, pulling out a woman, and saving her life.

This is where the first confusion rose because one of her friends on Themyscira is an Irish woman, yet when she pulls this (almost-) drowning victim from the sea, she talks of her as human. Was the Irish Amazon not human? If she was Amazon and not human, then how is she Irish? This made no sense to me at all. I thought all Amazons were human, except Diana, who was fashioned from clay.

The problems with the writing began here because Diana is in fear now of being punished because of her transgression in saving this woman's life and bringing her onto the island, yet Bardugo forgets that Diana is a princess of royal blood. She has this fellow Amazon bullying her with absolute no blow-back, and she has Diana living in fear of failure and of being punished!

Diana did not read as royal at all, not remotely, let alone heroic! She was just another Bardugo schoolgirl character. This was when I realized that it was Bardugo, not Diana who was out of her depth here. She simply cannot write an engaging story, period, not even when it's handed to her on a plate like this.

The story did not improve, it got worse. Diana had a critical deadline to meet regarding this woman she had rescued, and yet she spent so much time lollygagging on the way until it became a last minute thing. In short, Bardugo made Diana look like a moron, not heroic at all, and I can't forgive her for that. She made Diana into a man with tits instead of telling the story of an amazingly powerful, yet restrained woman. There was no gentility or even femininity here. It was all brawn and power, not compassion and smarts, and the villain was telegraphed right from the start of the story such that even I could recognize them. I'm done with reading anything else by this authors, and I cannot recommend this story.


Eternity by Matt Kindt, Trevor Hairsine, Ryan Winn, David Baron


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

This was available on net Galley as a 'read now' and sometimes such books can be gems; other times they can be awful; upon another occasion, they can be simply just not appealing. This was in the latter category, I'm sorry to report. mat Kindt's writing was nothing out of the ordinary - not bad, but not really anything new or special. The drawings (ink by Ryan Winn, pencil by Trevor Hairsine) were okay, but nothing thrilling. Colors by David Baron were brilliantly hued, but still failed to impress somehow.

This new world felt drab despite the bright colors. It felt confusing, and uninteresting, and full of vague new-ageisms instead of anything solid or gripping. The story is of a black couple whose child is taken into this parallel dimension (or whatever it was) to replace an 'observer' who was killed. The only observation worth making here is that he evidently didn't see it coming!

The way the child was drawn made him look far older than the way he was depicted through his behavior. I don't know if any of these artists have young children of their own, but they should probably study a few crawling kids before they draw any more of them.

This death of the observer creates a panic for reasons which are entirely unclear. The rest of the story is of a battle between human cavemen who wish everyone to have self-determination, and the parallel world people who apparently don't. The bottom line is that none of us truly has free will (changes have occurred in our brains long before our conscious mind becomes aware of us making a decision), so if the people in this story had been less new age mysticism, and more science-based empiricism, they would have realized their conflict was pointless! I couldn't get anything out of what proved to be a very forgettable graphic novel, and I cannot recommend it.

On a technical note, my iPad, using Bluefire Reader, had issues with disappearing speech on pages 8, 60, and 77 (as measured by the Bluefire Reader page count - the graphic novel has no page numbering. When I loaded this into Adobe Digital editions, however, the text was there =- there were no blank speech balloons, so be aware of this issue.

Sunday, March 18, 2018

Little Pierrot Amongst the Stars by Alberto Varanda


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

I reviewed Little Pierrot Get the Moon favorably back in August of 2017, but I cannot say the same for this volume. It's in the same format, comprised of sepia-toned sketches that are, in this case very disjointed, more-so than in the first volume. Many of them made no sense to me. Some of them seemed like a response to something which had gone before, but which wasn't included in the book! Nearly all of them were not interesting or amusing. The artwork was of the same high standard, but overall, this seemed like a completely different book compared with the first one I reviewed. Of course, it is a different book, but it's so different that it seemed totally unrelated to the first book.

I wish the author all the best, but I cannot recommend this volume.


Bettie Page Vol 1 by David Avallone, Colton Worley, Craig Cermak, Esau Figueroa, Bane Duncan Wade, Sarah Fletcher, Brittany Pezzillo


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

This took me by surprise, and pleasantly so because it wasn't at all what I expected. Frankly I'm not sure what I expected except that I hoped it would be fun - and it was. It was a great romp and put the renowned Bettie Page in a spotlight I'm willing to bet she was never in before - that of government agent! bettie was a real life pin-up girl, probably the last of the truly "innocent" models there was; her pictures were very cheeky but seemingly to outside eyes to be all in good fun. At least, she seems from her expressions in her images to be having a rare old time.

But this novelization isn't about that at all. All of that is just background to her 'real' life, in which she helps fight pinkos and weirdos in New York and Los Angeles. The story collects a four part serial story and a bonus one-off story together into one volume. Bettie doesn't plan this career, it simply befalls her as her modeling plans take an unanticipated wrong turn at the start of the story. Everything else is more like a comedy of errors, with Bettie being in the wrong place at the wrong time until she takes charge of her own fate and starts making things happen instead of having them happen to her.

The story is right on - with a nice line of fifties banter, and the artwork is wonderfully evocative - except for once or twice when the blue-eyed Bettie is shown with brown eyes or even green eyes at one point! She's also depicted as being a little more lanky and boney than the more normally -proportioned real-life Bettie who was only five-two and comfortably rounded without being overweight.

No one obsessed about not being skinny enough back them - at least not as commonly as we encounter it today because women were not conditioned to feel inadequate in the way our modern society seems intent upon rendering them (when it can!). It would have been nice to have seen this reflected better in the drawings and not just on the 'covers'.

Virtually all models were short and normally proportioned back then! As were actresses: Jayne Mansfield and Marilyn Monroe for example, were the same height as Bettie and no more "hourglass" than was she, and no one consider what today would be described as 'chubby' knees, as being out of place, nor was body hair for that matter. How far we've slid down the wrong chute since then!

ost of the fifties pop-culture references were right one as well, as far as I could tell, except for one mention of Ian Fleming. The story was set in 1951, and Fleming was unknown at that time since he had not yet penned his first James Bond adventure. He didn’t write Casino Royale until 1952 and it wasn’t published until 1953. It wasn’t published in the USA until 1954! The only other problem i spotted was on page 89 (as depicted on the tablet reader - the comic pages themselves are not numbered) where I read “The exist to be ruled." I'm guessing that should have been “They exist to be ruled”

There was the welcome but unlikely addition of a black female police officer. It was welcome to see a person of color in this story, but there were no female police officers in the USA 1951 to my knowledge. Atlanta did, believe it or not, have black male cops as early as 1948, but even then, they weren’t allowed to patrol white neighborhoods or work in police headquarters! We've come a long way but nowhere near far enough.

So, overall, I loved this story and look forward to reading more. I recommend this as a fun and original adventure series with a strong and fascinating female lead.


Friday, March 16, 2018

Gonzo Girl by Cheryl Della Pietra


Rating: WARTY!

I literally could not get beyond the first couple of chapters of this. It entirely rubbed me the wrong way from the start and the prospect of reading the rest of it after that just turned me off. As if the writing wasn't bad enough, the story is told in first person. Apparently it draws heavily on her experience with Hunter Thompson, and I have no respect for him either. If that is the case, then one has to wonder why she wrote this fictional account rather than a real one.

The story is of this fresh college grad Alley Russo (yes, spelled like blind alley!), a girl who wants a chance to work as an assistant to a purportedly renowned writer who is really an arrogant and a self-absorbed dick. This guy was so hard-edged that he was unbelievable as a character - hard-living, hard smoking, hard-drinking, hard to take seriously in fact. He began by humiliating this girl, who has so little self respect that she takes everything that's dished to her.

I picked this up because I thought it would be about the writing, but it really isn't at all; it's about this weak sop of a girl subjugating herself to an immoral slave-driver with the ridiculous name of Walker Reade, and foolishly thinking this is going to help her writing career. The sad fact is that she's willing to do literally anything to further her writing aspirations - except actually sit down and write! I have no respect whatsoever for her and none for this novel.

I was especially turned off it when I read a Kirkus quote. The quote merely said, "Fascinating" which could have meant anything! The Kirkus review could have said "It's fascinating how stupid this story is", but my guess is that it didn't. The problem is that Kirkus never has a bad word to say about a novel so their reviews are completely meaningless. Anyone who quotes them in support of a book is a moron, period.


Thursday, March 15, 2018

Harry's Lovely Spring Day by Nathan GK, Janelle Dimmett


Rating: WORTHY!

This is an out-and-out old-fashioned romantic fairy-tale starring Harry the Mouse who lives in a box on a street in what looks a lot like a French town, although the author is British and the artist American! Janelle Dimmett's illustrations are painstakingly detailed, even down to individual leaves drawn on trees!

I enjoyed Harry's Spooky Surprise by NGK, not to be confused with scientist GK Nathan, so it was perhaps to be expected that this one would also pass muster. Harry is helped by passer-by Katie the mouse when his house is blow away in a storm. Those refrigerator boxes are not what they used to be since Trump's steel tariff, are they?! LOL!

Anyway, Katie kindly donates her umbrella top Harry to help him out. She doesn't need it, she claims, because she's off to the country to live where it evidently never rains! She hops on the bus and away she goes (mice can hop really, impressively high!). Harry decides he must find her and thank her and well, romance happens!

Told in simple rhyming couplets, the story is quite charming, and will doubtlessly and endlessly entertain young kids. I read in an author interview about the concept of paying it forward, although Harry actually isn't paying anything forward here, he's really just taking advantage of a kindness - but not in a mean way. He is thankful Katie and that's important too. But for readers and kids, the story doesn't have to end when the book does. Kids and their grown-ups can take the story on, discussing how it might unfold if Harry had donated his newly-acquired umbrella to someone else, and so on!


Wednesday, March 14, 2018

The Wonderful Wizard of Oz by L Frank Baum


Rating: WARTY!

This novel is a product of its time and in some ways shouldn't be judged based on modern standards, but this review is not about how children in 1900 will perceive the 'modern fairytale', but how children and parents in the 21st century will, and I have to say up front that the book is long, tedious in parts and worst of all, decidedly gory. It's also - unsurprisingly - clueless when held up against our modern sensibilities. I did not like it and I cannot recommend it.

This is a print book that I got on close-out at a book store. It's a classic, heavy, solid tome, with glossy pages and illustrations, so it's a nicely put-together book overall, but the illustrations are bizarre; they make all the characters look like zombies on drugs! Austin-based artist Michael Sieben illustrated this book, but I have to say how disappointed I was with the colored drawings. They were ugly and unappealing. There were also pages where a quote from the text was strewn across the double-page, writ-large like it had been hand-printed in block caps. Who did these and what the point was I have no idea, but they contributed nothing positive to the overall appearance of this edition.

Prior to this reading, the only knowledge I had of this story was from the movie, which in its own time really wasn't a huge success (it took a decade to break even!) and which had multiple problems in filming and abundant continuity issues in the finished product. The movie only really took off once it began to be shown on TV, and while the two (book and movie) are the same in broad general terms, some of the details are quite different in the book as compared with the 1939 movie. I read somewhere that there are some forty differences which I guess isn't so surprising given Hollywood.

What jumped out at me is that there is no interaction between Dorothy and the Wicked Witch of the West in the early part of the book. That was all added to the movie to create dramatic tension. Nor did Dorothy meet Glinda until the end of the novel. She met merely the Good Witch of the North at the beginning (Glinda was actually the good witch of the south), who gave her a mark on her forehead by means of a kiss, that protected her rather like the Mark of Cain!

In fact, the movie makes no sense in having Glinda appear and outright lie to Dorothy that she has to see the Wizard in order to get home! You may recall that Glinda tells her later that she's always had the power by clicking her heels Nazi style. Why would a good witch lie to keep her from going home? The book doesn't have this problem.

There's very little interaction with the munchkins either (and no singing!). Dorothy is off along the yellow brick road pretty briskly. One thing I did note is that during their journey, the scarecrow, the Lion and the Tin Woodman really step-up, thereby disproving their supposed brainless, cowardly, and heartless traits by the things they do to help get their party to Emerald City.

A better writer than Lyman Frank Baum would have gathered these threads together at the end of the story and had the wizard point this out instead of having him hand out worthless baubles. The wizard claims to be a good man (and a bad wizard) but he's actually a deceitful con-artist who does nothing for his adopted people and gets away with it.

I was really surprised by how gory the book is. I know this was penned in an era of wild and crazy fairytales and he was writing a modern version of those (so he claimed), but I think it's far too much for young kids even in this era of overly violent video games, TV, and movies. Sensibilities were different over a hundred years ago in a time when fairy stories were having witches eat children, but Baum did not need to go that route, but he made the deliberate choice to do so

The Tin Woodman, for example is described as being that way because he was once a flesh and blood person, but the evil witch, by means of enchanting his axe, cut off in turn, his arms, his legs, his head, and finally cleaved his body in twain. Each time he lost a body part, the local tinsmith replaced the missing part, but not his heart. I can see why they wouldn't want to go into any detail about all that in the movie!

In turn, the Tin Woodman shows no qualms about cutting off the head of a wildcat chasing mice (thereby proving he does have a heart). He defends Dorothy from the wicked witch in defeating forty wolves by means of simply cutting off their heads one by one. Dorothy, waking up to a pile of headless wolves, shows no reaction whatsoever. No wonder wolves are scarce in California! Yes! Unsurprisingly, Oz is southern California. Dorothy crossed a desert from Kansas to get there - where else would it be?!

That sam,e night, the scarecrow defends her from evil crows also dispatched by the witch only to be dispatched themselves by means of his wrenching their necks one by one. The cowardly lion proves he isn't cowardly by scaring off the witch's henchmen. The scarecrow proves he isn't brainless by devising several means to help them on their journey. Contrarily, his movie-self proves he is brainless by screwing up his lines and getting the Pythagorean theorem wrong!

One amusing thing to me was that tin doesn't rust like iron does. It oxidizes of course, as most metals do, but it's quite resistant to this, so the tin man, were he were truly made from tin, likely wouldn't rust and seize-up as he's depicted as doing in the story. This isn't really important in the grand scheme of the story though, which moves along at a brisk pace when it isn't sitting in the doldrums inexplicably. It drags on at the end though when it ought to wind up smartly.

The real problem is that it's not very inventive, nor is it very interesting, except for me in noting the differences between it and the movie version! The writing is a bit leaden in tone, and too grown up. It's very politically incorrect being a product of the nineteenth century, so parents might want to consider whether they want their kids reading something so violent, so unappreciative of nature, and with little to redeem it.

Dorothy is hardly the modern girl. She's like a character from your typical modern YA story: helpless, weepy, and needy, and really never takes charge. She's very selfish and ungrateful, and hardly a strong female character, nor is she a resourceful one. She defeats both evil witches, yes, but not through smarts and bravery (or even by good looks!), but by pure accident in each case. In the first instance, her house falls on the witch and kills her, and in the second, she simply throws a convenient bucket of water at the witch and melts her!

Why a witch susceptible to water damage would keep buckets of water lying around her establishment is an unresolved mystery, Clearly Baum didn't think his wiring through at all, but that's a common problem with writers. Hopefully it's all clear now why I cannot recommend this. There were too many issues with it, and there are far better stories about intelligent and self-possesed young women to be had. I'd recommend looking for those in place of this one. The Grimm brothers and Hans Christian Andersen have told a few.


Monday, March 12, 2018

Tomb of the Golden Bird by Elizabeth Peters


Rating: WARTY!

Set at the time when Howard Carter and Lord Carnarvon discovered the tomb of Tutankhamun, this novel is number 18 in the Amelia Peabody series by Elizabeth Peters aka Barbara Mertz, PhD in Egyptology, but not in writing exciting adventures or thrilling prose. I wasn't aware of this being another in a series I'd already dismissed, since I'd effectively wiped my memory of the previous read!

One of the biggest problems with it was yet another author's inability to grasp that first person voice is worst person voice and should not be used in any novel unless there was a damned good reason for it. Her mistake was revealed here repeatedly by her habit of switching from first person to third person by quoting from some document which was evidently one of the family's other member's record of events. It didn't work and was truly annoying. When will these idiot writers learn to ditch first person altogether unless they can actually justify it and make it work?

This one I stayed with longer than the previous one and found some parts of it interesting and amusing, but ultimately the plot turned out to be as dry as Egyptian sand, and the story went on and on way too long, destroying the warmer feelings I'd harbored for it earlier, and since I found this ultimately to be a tedious read (read; listen!), I shall not be pursuing any more novels by Elizabeth Peters aka Barbara Michaels!

I thought the story might have something to do with the truly amazing discovery of "king Tut's" tomb, but it really didn't. It was to do with some plot to overthrow a government and there were so many red herrings that it stunk of mummified fish, os the thing I was most interested in was merely set decoration. There really was nothing much about the tomb discovery. The rest of the novel was the retarded family rambling on and on about various matters which in part in the beginning was amusing but which became ever more boring the longer the novel went on.

One of the few things which actually made this listenable for me was the reading of Barbara Rosenblatt, who did an amazing job of voice characterization, and of the reading in general. I can see why she's won so many awards for it. Se had equal facility for both male and female voices and did a fine job overall. Sadly, the novel wasn't up to her high standards, and I cannot recommend it!


Saturday, March 10, 2018

Chelsea Chelsea Bang Bang by Chelsea Handler


Rating: WARTY!

I watched a couple of Chelsea Handler's TV shows and while they were mildly entertaining, they were not enough to make me want to keep on watching. I picked up this book out of curiosity since it was on close-out, but when I read it, I was far less impressed with this than with the TV show. I now have absolutely zero interest in this woman!

The biographical stories were boring and juvenile and presented like she was the only one that anything remotely like this had ever happened to. I had no interest in what she wrote and took quickly to skimming and finding less and less to engage me the further I went into it. In short order, I gave up on it entirely.

Does anyone really want to read about her OCD with masturbation at the age of eight? Do we really find it funny that someone pulled a prank on her that she'd killed a dog? I have zero interest in any of this juvenile stupid behavior and I cannot recommend this, not remotely, not even if you're actually a dog-handler from Chelsea in London.