Wednesday, April 3, 2019

Sacagawea : westward with Lewis and Clark by Alana J White


Rating: WORTHY!

With any book on Sacagawea the problem is not only getting her name wrong, but also fictionalizing her life and adding fanciful and wishful things which are not in the historical record. This is nothing new. Historical revision began over a century ago when the suffragette movement in the USA was looking for a strong female figurehead and poor Sakakawea was resurrected to fit the bill. That's when the myth-making began. No one stopped to think whether she would have wanted or supported something like that.

The fundamental truth about her is that the record is light. She's barely mentioned in the diaries that the two expedition leaders kept, and when she is, the variations in spelling are numerous making it difficult to do a search to find all the references to her. She's referred to as "the Indian woman", as "Charbonneau's squaw" (various spellings), and by the name the Hidatsa kidnappers gave to her (again with variations). That's how little regard she was given at the time.

No one bothered to record her original name or her thoughts and feelings about the journey. In that, she was treated like every other member of the expedition despite being the youngest who also happened to be carrying and expertly caring for a young baby for the entire journey. In this, she was treated as an equal to the men, so in that regard she might be considered the first recorded exemplar of equal rights in North America.

The closest we can come to her Hidatsa name is Sakakawia which means Bird (sakaka) Woman (wea). No one recorded why she had this particular name or what happened to her original Shoshone name. Native American names were very fluid, changing sometimes many times between birth and death. They were more like a current status - like something in social media - than an actual name as we in the west in modern times view names, so perhaps even Sakakawia didn't care that much what her name was.

This book along with most others, refers to her as Sacagawea which is closest to the name used phonetically in more than one spelling, in the diaries. As to her Shoshone name, no one knows what it was. A popular one doing the rounds is 'Boinaiv', but that sounds far too much like Bowie Knife to be taken seriously. Besides, as far as I know, Grass Woman in Shoshone is Ambosoni, not Bonaiv!

The next thing the books tend to do is to inflate Sakakawia's importance and contributions to the expedition by claiming, for example, that it could not have succeeded without her. I don't buy that, and neither Lewis nor Clark ever made such a claim, but this takes nothing away from the important contributions she did make, which were acknowledged by the expedition leaders.

Stoicism was an important part of Indian life. These people were tough and resilient, and Sakakawia was stoic without a doubt. She never complained, even when she was sick. She accepted what life laid before her if perhaps hoping always for something better. She obviously never wanted to be kidnapped by the Hidatsa, but she made a life with them. She more than likely didn't want to be married to Charbonneau, but she made a life with him, too.

When he signed on for the expedition, in part being allowed in because he could boast two "squaws" who spoke Shoshone, it raises the question as to why she went along when she had a newborn in tow, rather than his other wife who was referred to in later mythology as midapokawia (Otter Woman), although she remained nameless during the time of the expedition and disappeared from recorded history at that time.

But she was older with no new child, so why take the younger post-partum woman? Personally my feeling is that Sakakawia actually wanted to go on the expedition and didn't see her newborn as an obstacle. I really think she wanted the adventure and a chance of seeing her own people again, whereas 'Otter Woman' (Other Woman?!) wasn't that interested and perhaps saw this as a chance to get away from Charbonneau in his absence?

There seems to be some conflation of Otter Woman with the friend of Sakakawia's who was kidnapped at the same time as she was. That girl is referred to as Leaping Fish. I have no idea what the Shoshone for that name is, but fish is Akai. She was not Otter Woman, because Leaping (or Jumping) Fish managed to escape the Hidatsa and return to her own people. Why Sakakawia didn't go with her was never recorded. Perhaps she could not escape, didn't know about Leaping Fish's escape plan, or was recaptured. Or maybe she didn't want to escape because staying with the Hidatsa was an adventure for her - a chance to see different things. Perhaps that's why she married Charbonneau too. Perhaps she didn't escape because Charbonneau offered another distraction. We simply don't know.

So those are the facts, and this book does not embellish them inordinately. It tells a wider story, too, offering insights into life back then, into the different tribes we learn of, and so on, so it fills out the story and makes for a much more rounded reading experience. But in the end, one book about 'Sacagawea' is pretty much, of necessity, like another, because the facts don't change - only the spin an author chooses to put on them. So while I think I am done reading such books after this present flurry, I can commend this one as a worthy read.


Sacagawea by Judith St George


Rating: WORTHY!

You might guess that when I start in on reading a slew of books about a certain topic, I'm thinking about writing a story, so here we go again!

This book was entertaining, but very much buying into the popular mythology of Sacagawea. Let's get her name straight first. It never was Sacagawea, and certainly not Sacajawea. Lewis and Clark recorded it as minor variations on "Sah-kah-gar we a" in their diaries, but the closest we can come today is probably Sakakawia.

The real problem though, is that this was a Hidatsa name, not her Shoshone one! She was kidnapped at the age of eleven or twelve and absorbed into a Hidatsa tribe before being given to a fur-trapper named Charbonneau, who already had a previous (and slightly older) Shoshone wife. I guess he was really into Shoshone women. The name never was her original Shoshone name, but that said, American Indian names were rather fluid and one person might go through several names during their lifetime. To them, a name was really more like Facebook status in a way! As far as I can tell, Sakakawia is closest to the name she became most commonly known by in her own time, so it's the one I'll use here. No one uses it in books and novels because people generally don't recognize that name as applying to her.

Additionally, no one knows what Sakakawia actually looked like. She's never described based on the farcical "all Indians look like" fallacy that was prevalent then and unfortunately still is among certain categories of people even now. Even as Lewis and Clark described in some detail the things they saw during their trip.

Despite ostensibly being on a journey of observation and recording, never once did either of this pair think of describing Sakakawia in any way - physically, mentally, personality-wise, clothing-wise or whatever. She was "just a squaw" to them and therefore not that important. So, while the model for the image on the US dollar coin minted in 2000 was a Shoshone woman (Randy'L He-dow Teton), even she was not Lemhi Shoshone. She was a thoroughly modern woman who graduated from University of New Mexico at the same age as Tsakakawia apparently was when she died.

Why the image from a photograph taken much closer to the time of Tsakakawia's life wasn't used instead, I have no idea, but what we must do when seeing all these modern images and thinking of her life, is to keep in mind that Sakakawia was actually much younger when she became the only woman on that expedition. She had just had a baby less than two months before the expedition began, and she was barely more than a child herself.

This begs the question, why her instead of the less-well-known 'other wife' - an older Shoshone girl given the much less exotic name of Otter Woman - which wasn't actually her name either! This suggests to me that Sakakawia actually wanted to go on this trip whereas Charbonneau's other wife probably did not, and so she left history whereas Sakakawia entered it quite forcefully

All that said, the book is entertaining, but the constant championing of this young woman becomes a bit tedious and feels a little fake. She's mentioned often in the diaries, but under variations of her name, and also as a 'squaw' (various spellings) and as 'the Indian woman'.

The telling thing about these mentions is that it is of her utility to the expedition - saving light objects that were in danger of being washed out of a flooded pirogue at one point, finding roots and herbs to feed the hungry crew at another, easing Indian tribes fears of the intentions of the travelers at another, of giving up her prized blue-bead belt in trade for an otter skin cape that was given to Thomas Jefferson and for which Sakakawia received no credit other than the brief mention in the diaries, and of her joy at meeting her brother, now a chief, whom she had not seen in a decade, when they finally arrived in Shoshone territory.

Although her value did not really give cause for much comment in the body of the diaries, in a letter written after the expedition was completed, when he was in process of what became an adoption of her children, Clark apparently had misgivings and pretty much apologized that their appreciation of her contributions had not been better represented. That says it all right there. I commend this book as a worthy read for younger children, but keep in mind that there's much more going on in her story than a short and somewhat biased book like this can convey.


Nuts to You by Lynne Rae Perkins


Rating: WORTHY!

This was a short and adorable audiobook. The original novel is both written and illustrated by the author who is, I'm sorry to report, a Newbery medal winner. I normally detest stories that have won Newberys and avoid them and their authors like the plague, but this novel is not itself a Newbery winner, and so is totally unpretentious and completely loveable. Inspired by this one, I'm planning on reading more work by this author.

Squirrels are not the most reliable of mammals, so it means a lot to have a friend who will go to great lengths - at least great groves of trees anyway, to save a squirrel who was snatched away by a hawk. When Jed is carried off by the hawk, who ends up dropping him, his best friend TsTs (sutsuh, who is a totally happening squirrel) talks their other friend Chai into going with her to find out what happened to Jed. They end up finding a new community of oddly-speaking red squirrels, and learn of a threat to their home from those evil forest-flaying humans

Nuts to You is actually a well-wishing gesture in squirrel, and this story is full of fun, humor, and squirrel lore. I delighted in it and commend it fully as a worthy read.


The Door in the Wall by Marguerite de Angeli


Rating: WORTHY!

Despite my abhorrence of Newbery medal winners, I have read one or two by accident. This is another one, and while most have been awful, I'm forced to conclude that older Newbery winners are infinitely better than the more recent ones in that they're far less pompous and pretentious and therefore make for a better read.

This one, which won in 1950, was short - which helps when it's a Newbery - and educational. Set in the middle ages with a very small cast, it features young Robin, who is expected to become a knight like his dad, but who suffers some sort of debilitating disease which robs him of the use of his legs, and of which he only regains limited re-use over time.

Derailed from his life plan, and ending up at a monastery after scaring away his helper with his unappreciative behavior, Robin eventually finds strength in other pursuits such as reading, swimming, and wood carving, eventually moving on to build a harp.

The language in the book is period, but the wrong period. Most kids won't know the difference, however, and it has to be rendered intelligibly, let's face it! It's read amiably by Roger Rees, and the book is educational, so I consider it a worthy read despite being handicapped with the taint of a Newbery.


Summerlost by Ally Condie


Rating: WARTY!

This is a story of a summer where Cedar Lee grows up and processes long dormant feelings about the death of her father and her younger brother Ben in a car accident. Moving back to the small town of Iron Creek for the summer, Cedar finds work at a local renaissance faire where plays are put on. She works a concession stand and helps with wardrobe. Her new friend Leo made this possible, and as they grow in their friendship, they also share a common interest in local actor who died mysteriously after a hotel-room encounter with her former husband.

I haven't had good experiences with this author. Her Matched was so god-awful I couldn't finish it. It was so delusional that I renamed the author Ally Contrick. The story was "utterly ridiculous, nonsensical and profoundly stupid" (from my own review back in December of 2015). The main character in that book was so juvenile and shallow as to be a joke.

This story was a much better one, but let's face it, it would be truly hard to write one worse than Matched (which frankly ought to be matched, or rather torched, with some tinder and gasoline). The problem with this one was that the story really didn't move. Consequently, it became tedious and I quickly lost interest in it. I cannot commend it and I'm truly done with this author.


Home Sweet Homicide by Craig Rice


Rating: WORTHY!

Craig Rice is an interesting and underrated author. She was the first female author ever to appear on the cover of Time magazine. Born Georgiana Ann Randolph Craig in 1908, she changed her professional name for her adoptive parents family name, putting her original family name first when she moved from journalism and radio writing, to detective fiction.

Most of her output was a series featuring three oddball investigators, none of whom was actually a police officer. She wrote other stories too, and this was one of them. Here, the three investigators were the children of a detective fiction writer. Maybe Georgiana was rewriting her own less-than-satisfactory childhood - and adulthood for that matter. She died before the age of fifty probably largely due to her heavy drinking, but she had issues with deafness, blindness, and she attempted suicide more than once.

This cheery story reflects none of that. It's bright, screwball, upbeat, well-written, and fun all the way through, I loved it. The title is emblematic of her screwball titles, too. Other titles were of a similar nature: The Big Midget Murders, The Corpse Steps Out, Crime on My Hands, The Lucky Stiff, The Pickled Poodles, and my personal favorite My Kingdom for a Hearse although I confess, it was a close-run thing between that latter one and the title of the novel reviewed here.

The three Carstairs kids, Dinah, April, and Archie, are left almost totally unsupervised while their windowed mom, Marion, is in one of her writing frenzies. They happened to be sitting outside on the porch when they heard two gunshots from their next-door neighbor's house, home to a woman who was widely despised and who was, it seems, blackmailing certain of her neighbors. The kids try to involve their mom, who isn't interested and so, despising the local cops for stupidity (the kids learned a lot from reading their mom's stories, including pseudo-gangster dialog, but unfortunately expended no effort in differentiating between fact and fiction!), they decide to undertake their own investigation, misleading the cops about the time of the shooting because they don't believe the husband did it.

They also believe if they solve it and give the credit to their mom, it will work miracles for her sales. Additionally, there is one cop they think might make the perfect partner for their lonely mom so they have to tread carefully, deny the police information they discover while luring the detective in to bring him and their mom into frequent contact. Published in 1944, this novel was made into a movie in 1946, but as usual, the movie doesn't follow the book too closely.

I completely loved this novel and I commend it highly.


Thor Ragnarok by Jim McCann


Rating: WORTHY!

This was a Disney-style audiobook based on the Marvel Movie of the same name. While I detest Disney's all-powerful mega-corporation status, and their lack of credit for the work people do on books like this, I do confess I'm a fan of the Marvel movies, and I was curious as to what they had done with this story which was aimed at younger children. In this case, the rewrite of the movie script was credited - to comic book author Jim McCann and the reading to narrator MacLeod Andrews who did a fine job.

It tells the story of Thor's battle against the Ragnarok beast, thinking he's won when he hasn't, of his return to Asgard to discover his mischievous stepbrother Loki has been impersonating Odin, and Odin's death, which permits the imprisoned sister Hela (whom Thor never knew he had) back into the world, and of her fight to take over Asgard and Thor's resistance to it - after he escapes confinement on a planet where the 'owner' captures tough visitors to make them fight one another for entertainment. It features the Hulk, and Valkyrie - an estimable addition to the Marvel pantheon of heroic women.

Apart from being tamed appropriately (and having some portions changed more than seemed necessary) it stuck to the story in the movie so it would make a decent read for young children who for whatever reason are not allowed to see the movie. So I commend this as a worthy listen.


The Man Who Was Thursday : a Nightmare by GK Chesterton


Rating: WARTY!

This was another audiobook in which I did not progress very far - about thirty three percent. I'd never read anything by Chesterton and decided to give him a try. So from this encounter, I've learned that I can strike him from my list of potentially interesting authors! His writing was rather pompous and overblown, which is I guess how they wrote back in 1908. That doesn't mean I have to like it though! The book's language and style reminded me somewhat of Ian Fleming, who coincidentally was born in the same year this novel was published.

The story is rather allegorical, and the plot seemed like it might be entertaining, with a philosopher joining a secret organization within the police aimed at overthrowing anarchy. Gabriel Syme is recruited to this organization right after he gets an inside track into a secret anarchist society via an acquaintance, Lucian Gregory. In the society, each of the seven leaders is named after a day of the week. The Thursday position is up for election - which struck me as curiously ironical for an anarchic organization! They have elections??? Anyway, after Gabriel informs Lucien that he is a police officer, the latter becomes nervous and flubs his chance of election, and Gabriel is elected himself, only to discover that all of the seven positions are occupied by police spies!

Sorry, but I never made it that far because I could not get past the rather tedious writing style. I can't commend this based on my experience of it and I definitely don't want to read any more GK Chesterton.


The Replacement by Brenna Yanoff


Rating: WARTY!

This was my first and last Brenna Yanoff. The story started out sounding like it was heading somewhere, but it never did! At least it had not by halfway through which is where I abandoned it out of boredom. Main character Mackie Doyle is some sort of elf or fairy who was left in the crib of the real Mackie years before. Mackie knows he isn't human. He suffers daily and reacts badly to iron, so the entire first half of the novel is him whining about how bad his life is.

I kept thinking that something was going to happen - something had to happen - to change or bring change, but it never did. The closest it came is when someone in the know told him that he was dying, but even that didn't seem to be the kick in the pants this story needed badly, and that was where I quit it. At that point I would have been happy had he died, since I have better things to do with my time than listen to a main character whine almost non-stop about his life. Maybe if he had died, a more interesting person would have stepped up and told their story, but I didn't care by then. This book sucked. Period.


Eloise by Kay Thompson


Rating: WARTY!

I saw an Eloise movie a while back and it was passably enjoyable, but nothing spectacular. Now having listened to most of these three short stories on this audiobook: Eloise first published in 1955, Eloise at Christmastime (1958), and Eloise in Moscow (1959), I am not impressed at all.

Why the collection did not include the fourth one, Eloise in Paris from 1957 I do not know, but it undoubtedly would have been as bad as the others, so no big loss. As it was, this was more than enough to bore me, which was unexpected since I had enjoyed the movie and the stories were read by Bernadette Peters who I loved as an actor. The problem with that was that Bernadette was in her late sixties when she read these and sounded like it, so it made the first person Eloise stories totally unbelievable.

The first story was tediously repetitive and juvenile in its approach. It made Eloise look like she was four instead of the more mature girl she supposedly was. The Christmas story was written in verse and was boring. The Moscow story was another short story that had Eloise sneaking into people’s rooms at night. I gave up on it at that point. No. Just no. I cannot commend this because it was simply awful: written poorly, read by an inappropriate reader for the character, and the stories had nothing interesting to offer.


Prism by Austin Bay


Rating: WARTY!

I could not get into this at all and I DNF'd it quite quickly. The problem for me is that this story was all over the place and it never seemed to be going anywhere. I could not get interested in any of the characters or the plot, and despite pressing on past my point of disappointment, I couldn't find anything to draw me in. I began skimming and reading at various points to see if things improved or if I could find something to hook me, but it didn't happen, so I gave up on it.

Purportedly set in the near future, the world has progressed to "mental warfare." To me this ought to have signaled major changes in the world, but judged from the first few chapters, the world seemed to be going on much as it is today, and the shtick of calling in a retired expert to solve a problem is very old and very tired. If you're going that route you really need to bring something new to the pot and this did not. Even the names of the characters seemed worn-out, and not the least bit inventive. The villain is Coleman Oswald Mosley? Really? The main character is Wes Hardin? Honestly? Not for me and I can't commend it based on what I saw of it.


Be Kind by Naomi Shulman


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

Yes there really are 125 kind things to say and do in this book and if everyone did them the world would automatically be a better place. Despite the fact that people say "kindness costs you nothing" or words to that effect, it actually does cost. If it didn't, everyone would be doing it. It takes an effort. It takes thought. It takes time. Sometimes it costs money or personal possessions. But the thing is that it rewards, too, and it has a 'knock-on' effect, so it not only gives a return, it adds interest.

This book has the advantage of offering scores of ideas that really don't take much effort, or much thought. They don't cost money. They really don't eat up too much time. They're easy to think of, to remember, and to do, and it was not only fun to read them, it will be fun to do them. I commend this positive book.


Killashandra by Anne McCaffrey


Rating: WARTY!

This is the second volume in a trilogy and exemplifies why I have such a poor track record with series and why I flatly refuse to even think of writing a series myself. The problem is that, with some rare and treasured exceptions, the second volume must of necessity be a repeat of the first, because it's all you have. Yes, you can bring in new characters, but you're still stuck with the same original character you're writing about, who is going to do largely the same things. It's boring, lazy, and uninventive, and I don't feel that ought to be rewarded.

I really enjoyed Crystal Singer, the first volume, which is why I moved on to the second one, but here's where it predictably fell apart. I should have quit after volume 1! Killashandra is a crystal singer - or cutter. She 'mines' crystal by cutting it with a sonic knife on a cliff face, and in the first novel she found herself a nice claim which had a vein of black crystal. So valuable was it that she got to visit another planet and install the crystal in a communications system. Now in order to try and change-up this story for volume two, the author had her do almost exactly the same thing. Instead of black crystal, which had somehow been tragically lost in a planetary storm, she was mining white crystal - and sure enough he had to go off planet to install it in a system. Same old, same old....

This losing of her invaluable black crystal open-face 'mine' made zero sense. Yes, even give that a violent wind storm could wreck her mine face - which is a stretch - this crystal was so valuable and useful that it was unthinkable there would not have been a major effort to uncover that vein again, so premise was fouled right there. But having her repeat the first story - mine the crystal, escort it to another planet and install it? Boring.

The author tried to change this up by having a ridiculously conformist society whereas Killashandra is a bit of a rebel of course, and have an assassination plot. Yes, Killashandra was hit by what had evidently been an intended three-pronged bolt of death come at her, which she escaped with only minor injury.

Later when she snuck off without her escort, she was kidnapped and abandoned on a remote island. Why did this assailant try to kill her and then when he had her in his clutches, simply abandon her on an island instead of killing her as he had originally intended? It made no sense. But it got worse. She managed to escape from this and get back to society, but coincidence of coincidences, she ran right into the very same man who had tried to kill her and then had abducted her. He didn't recognize her - the most famous woman on his planet - because she now had a suntan. What? But it got worse. She got the hots for him - for her attempted killer and kidnapper. I'm sorry but no! Fuck no! This story sucked and I'm done with this author.


Crystal Singer by Anne McCaffrey


Rating: WORTHY!

I thought maybe I'd read a McCaffrey before this one, but I guess not. I don't specifically remember one and my blog didn't have her name in it thus far. Plus, I'm not a fan of dragon stories, which comprise the bulk of her oeuvre, but here there be no dragons. Crystal Singer is exactly what it says: a woman, Killanshandra Ree, who was let go from her opera academy because of a 'burr' in her voice, and at a loss as to what to do next, discovers that she has an affinity with crystals, which are mined on this oddball planet known as Ballybran (what can I say - the author's Irish!). She happens upon a crystal singer in the spaceport departure lounge, and he tries to talk her out of it. The life is exacting at best, but the more she hears, the more interested she becomes, and she seems destined for the career since she flies through the induction and training.

If there's one thing Ballybran is known for aside from its crystals, it's its storms, which can be horrendous, and when a crystal cutter (aka singer) comes in late, his mining sled badly damaged by a storm which has also fatally battered his body, Killashandra has the smarts to track down the rough geographic area he was mining. Claims are guarded jealously and penalties for claim jumping are severe, but once a cutter dies, their claim is up for grabs, and Killashandra grabs his, which turns out to be a rich one because it has a nice vein of the most sought-after crystal there is: the black crystal, which is worth a small fortune.

With a nice haul in hand, Killashandra is set to sit out the highly dangerous annual storm season, but she's lucky enough to get off planet during it, because she's assigned to set-up and tune the crystals in the planetary system which has bought them to improve its communications. Now that might seem like a lot of spoilers, but it's really not. Plus the novel is almost four decades old, so hardly a new story.

Besides, there's a heck of a lot I haven't told you about this interesting, strong, and self-motivated female character and less about what happens to her during the course of the story. She proved to be completely engaging, and the story moved quickly, and it kept me fully on board, which is not something I can often say about a novel. It's also part of a trilogy, and I'm not a fan of those, but in this case, the first volume was so enjoyable and complete that I was definitely interested in moving onto the next one ASAP, which I could do since the trilogy is so old that all the volumes are out there already! I had problems with volume tow and this is why I am not much into series! More on that in my next review.

There were some minor issues here with plotting which are not explained, such as why there has been no effort to make synthetic crystals, the absence of which necessitates a somewhat dangerous and demanding (in ways I haven't revealed!) profession. Neither does the author explain why the bad weather has not been bypassed by mining for the crystals instead of working them in open-face pits. These I was willing to let go for the sake of a good story but they are examples of poor writing.

Anne McCaffrey has been writing literally for decades and so has a lot of experience, but there was a writing mistake in one section of the book where I read, "Lanzekci is generous, and I shall be installing the five interlocking segments I cut in the Trundimoux system." Nope! She didn't cut them in the Trundimoux system, which is what this sentence suggests. She's installing them there. McCaffrey ought to have written, "... I shall be installing in the Trundimoux system the five interlocking segments I cut ." That should make us all feel better that someone of McCaffrey's sterling reputation and long experience can get something wrong! Or maybe most people wouldn't notice - or care. Maybe it's just me.

But that's a paltry issue. I loved this novel and I commend it as a worthy read. I'm looking forward to the next volume, named after its main character.



Strangers in Paradise vol 1 by Terry Moore


Rating: WARTY!

I came to this by way of reading another graphic novel, Gender Queer: A Memoir by Maia Kobabe, which I had enjoyed. They liked this series a lot, but we'll have to disagree on it, because I found it unappealing and unoriginal. This black and white line-drawing affair (illustrated decently by the author) is about the tangled relationship between Francine and Katchoo, who are roommates, David, who is interested in Katchoo (who appears only interested in Francine), and Casey, who married and then divorced Francine's ex, and later became interested in both David and Katchoo.

It felt like the TV show Friends, only rather desperately fortified with sex, and I never was a fan of Friends, which bored the pants off me, and not even literally. I felt that was one of the most stupid and fake TV shows I've ever had the misfortune to accidentally see a part of. I read most of the first volume of this graphic series, and found it completely uninteresting, with nothing new, funny, entertaining, or engaging to offer. That's all I have to say about this particular graphic novel.


Gender Queer: A Memoir by Maia Kobabe


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

This was an autobiographical comic following the author's long, and evidently ongoing, trek into gender identity. At one point, the author choses to use what are referred to as 'Spivak' pronouns (E, Em, Eir) after Michael Spivak, for reasons which are never made clear. These particular ones were first used in 1975 by Christine Elverson, so I didn't get why they weren't referred to as 'Elverson pronouns', but there it is.

For me, one big problem with these sort of options is that there is maybe half-dozen or more sets of them, all unagreed upon. For me, the worst problem with them is that they're superfluous when we already have they, them, and their which are all-inclusive gender-neutral words. Personally, I find this to be a fatuous and pointless attempt to create a new word group set when a perfectly functional one already exists. I'm for simplicity and clarity, for ease and comfort, so I will use existing, established pronouns in this review.

The journey they undertook in trying to feel comfortable with themselves is a remarkable and moving one, told here unvarnished and raw as it must have felt in making that journey. To feel constantly uncomfortable with your body in a world which has a two-million-year tradition of humans supposedly (if often delusionally) being definitely either male or female has to be traumatizing, and we get the whole feeling of that conveyed in this book. If it makes you feel uncomfortable and brings you along on this journey, then author is doing a fine job. It worked for me.

A person who starts out biologically female, and if the zygote is destined to be a male, certain things need to kick in, and often they do, but quite often they do not, or they kick in part way, and this is how we get a sliding scale, all too often holding people hostage, who feel somewhere adrift, but not exactly sure where.

In this case the author ended-up feeling extremely uncomfortable with breasts, and a vagina that bleeds periodically(!), but not feeling like a male either (even while harboring fantasies about male physiology), they became someone who is interested in friendship and companionship but not in marriage, children, or even sex. "What am I?" is a question they asked themselves frequently - as frequently, probably, as "Where am I going and what will I find when I get there?" which is a scary question for anyone in this position.

The blurb says this book is "a useful and touching guide on gender identity" but I disagree. I think it's more of a guide in lack of identity, and how to cope with that, how to work with it, how to address it and pursue your own path even while surrounded by uncertainty.

This was a long journey, and I traveled every step of the way, and I think this book is an amazing and informative volume, very personal, but universal, very uncomfortable, but comforting, readable, amusing, disturbing and unnerving. I think everyone needs to read this and try to understand it, especially in the political climate we've made for ourselves in the USA right now. I commend this as a worthy read and salute the author and wish them an easier journey in the coming years than it has been at times over the last few.


I Smile For Grandpa by Jaclyn Guenette, Kathryn Harrison


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

This was a sweet and instructional story about a young kid whose Grandfather is diagnosed with a dementia disease. The kid with the slightly odd 'name' of "Little Buddy" is used to going to all sorts of places and having fun with grandpa, but when his grandfather starts to become forgetful, it changes the relationship and in turn, the kid's life in many ways. Grandpa can't play soccer with him anymore, but he can sit and watch. He can't take "Little Buddy" camping, but they can still go if dad comes along.

Written by Registered Social Worker Jaclyn Guenette and illustrated by Kathryn Harrison, the book's colorful pictures complement the text and tell a warm and considerate story of how, even as things change, they can still remain the same in important ways. I commend this as a worthy read for young children whether or not they have a relative with a similar problem.


Art Makers: Polymer Clay for Beginners by Emily Chen


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

I'd never heard of polymer clay and I don't consider myself an artist, but art interests me and has done more so since I started this childrens' picture book series of mine, so anything out of my experience zone tends to attract my attention.

For the most part, this book was well-written and very informative, colorfully illustrated and explained in detail where necessary. This 'clay' is made from polyvinyl chloride or PVC. The water that comes into your house and the waste you flush away more than likely runs through PVC pipes, and the electricity you use more than likely runs through cables insulated with PVC. Polymer clay is treated in various ways with 'plasticizers' to render it into modeling clay. You will need to work it to get it soft and ready to mold into whatever shapes you want, but once it's 'loosened up' it's just like clay. When heat-treated though, instead of melting or drooping, it hardens and retains its shape; it's rather like baking ceramic or pottery. It also retains its color. This makes it perfect for making items you want to keep and even use, such as jewelry. You could make buttons for your clothes and other useful items such as, for example, the pieces for a chess game - and even the chessboard itself!

The author shows many techniques and steps the reader through making a variety of items, some of which look good enough to eat - such as fake chocolate chip cookies and a fruit flan that, when done properly, looks very realistic. Polymer clay comes in a variety of bright colors and it mixes readily with other colors to blend shades. There are also varieties you can get which make for a semi-translucent or a pearlescent finish. You can, as the author explains, add other materials to the clay to change appearance, and make a more matte finish to your project. The clay remains workable until 'cured' by heating at relatively low temperatures in an ordinary oven, but perhaps a dedicated oven might be a better bet, or an alternate heating technique. Here's why.

The author doesn't mention this, which for me was a big no-no, but there are certain health risks associated with long-term use of certain types of polymer clay - specifically those which contain more than 0.1% of any of a half-dozen specific chemicals known as phthalates. This is why polymer clay isn't a good material for making children's toys or for making items which might be used as food containers. I understand that the manufacturers of this clay have sought to remove such plasticizers from the clay since 2008, but it's always a good idea to be fully aware of what it is you're working with and what the risks are, which is why I would have preferred at least a mention of this in the book.

I found this an inexcusable omission in that this was not mentioned at all. I also understand from reading around on the topic, that the clay doesn't necessarily need to be baked - it can be heat treated with a hair dryer, dryer for example, or put into very hot water and left for a time to harden that way. Given that some formulations of polymer clay could exude hydrogen chloride gas when heated, the water idea seems like a safer bet to me, but maybe more modern formulations of the clay do not have this problem.

The fact is that I don't know, and the author made no mention of this in this book. I think this was a serious omission and which is why I am not recommending this book. The author also neglected to mention pricing, which can vary and change over time, I know, but a rough price-range would have been nice as a guide. A dedicated oven (an old toaster oven will do) might cost around $70. The clay itself costs about a dollar an ounce, or perhaps more from a brief survey I did, and a hand pasta roller - which you can use to work the clay and make it malleable prior to modeling, will be around $30, although you can work it by hand or even with a rolling pin, I guess; then you would not want to use that rolling pin for food, so a dedicated roller is also wise.

So while this book did offer hints, tips and advice about getting started, the lack of any sort of pricing or safety warnings made it a fail for me, and I cannot commend it. It may well be that safety concerns have been reduced with newer formulations of this material, but still a note of caution would have been wise I felt, especially if (for all I know) there may be 'cut price' older formulations of this material out there. Hopefully there are not!


The Art of Visual Notetaking by Emily Mills


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

This was an interesting book discussing a technique for note-taking that involves not just notes, but graphical elements to enhance the written word, highlight portions of it, and make specific points stick in the memory.

While I am confident this will help people who are very visual in how they retain information, I have to say that for me personally, I saw no use for it. I am not a student and rarely attend lectures and conferences, so I have no need of note-taking for that purpose, but I can see a use for this in brainstorming ideas for writing projects which I'm very much into!

One thing I would have liked to have seen discussed is how well this author's note-taking held up over time so that, for example, if she went back several years later, and consulted notes she had taken much earlier for a conference or lecture, how much of what she had drawn and written would be clear to her.

The reason I mention his was that she included images of two examples of her own work, one a church conference which was the first thing she did this on, and another - a later example of her note-taking - when she attended a lecture by a writer. To me the church conference material made a kind of sense, but the material she had prepared representing the writer's lecture made zero sense at all. It conveyed literally nothing except that the writer was tall, which to me was irrelevant and said more to me about the author of the notes than the author the notes were about! Obviously they were not taken for me and would mean more to the person who created the record, but I would have liked to have heard about that side of the process.

This raised another issue related to the one I just raised: we do not remain the same people over our lifetime. While there are, of course, continuities, we are different in high school than in college and different again in a college senior year than we were when new to college life. It occurs to me that we do not perceive the world in quite the same way, and therefore the imagery that we might employ to represent something as a high school senior might be significantly different from that we employ as a college senior or a doctoral candidate. This author must have insights into that, but I don't recall any of that being raised here which mades me sad and a little disappointed.

That aside, though, I think this book has value and it was a worthy read for me. There were some minor issues related to the fact that this was obviously designed as a print book with little thought given to the electronic version which is why page 73 for example, led to blank page 71, which in turn led to page 74! Strange but true. Note that this was an advance review copy, so maybe there will be changes to get rid of the 'sticky' screens, where one swipe won't move the screen to the next one.

I had several similar issues with books I read this weekend, all of which were no doubt designed as print books while other books I read had no such issues so something was going on independently of my tablet. Maybe I should have tried two tablets and written this in the morning?! But my considered opinion is that the ebook version requires attention and I'm sorry publishers undervalue ebooks so badly. Sometimes I found myself swiping three or four screens just to get the page numbering to go up by one! Obviously there is an issue with the conversion process which perhaps ought to be given some serious attention if this is going to be actually issued as an ebook.

But I am willing to let that slide and declare this a worthy read because I think this process has a lot of potential.


Portfolio: Beginning Pen & Ink by Desarae Lee


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

Part of the Portfolio art series from Walter Foster Publishing, this book takes the reader from beginning level to competency status with advice on tools of the trade, techniques, step-by-step examples, and ideas for projects. It covers drawing techniques for achieving ink effects such as softly graduated shading, each aimed at improving your drawing technique and making it look ever more advanced and professional.

The book instructs on terminology with examples, explaining light, mood, shadow, texture, tone and value in terms of drawing effects, and while most of the book is black ink on white paper, it also introduces the idea of using color. This book was designed as a print book and there were issues with the page numbering such that, even on a full-screen iPad, I had to swipe by four screens before the page number went up by one. I'm not sure what was up with that. It looked to me like this was yet another book designed with little thought given to the electronic version. Aside from making it difficult to go to a specific page to reference something I'd read earlier, this was a minor issue, and overall I consider this a worthy read and a useful asset to anyone who is interested in pursuing this as a hobby or a career.


The Ultimate Guide to Surviving in the Wild by Clive Gifford


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

If you don't know Leia and Caroline Carrico to ask them personally how to survive the wilderness as they did for two days recently, then this book is your next best bet. They made it out of the woods using survival training, and with what's in this book you can too - or out of the frozen tundra, or the parched desert, or the thick of the Amazon.

The book is short, but it's packed with useful information and it worked well on an iPhone so it's very portable. Anything more might be overwhelming, but something like this is memorable and handy. It covers several different types of locale, from the Sahara desert to the Arctic desert to the salty sea, and from the jungle to the mountains, and it offers simple and readily understandable tips about survival, finding shelter, making shelter, finding food and water, and avoiding dangerous animals.

Also included are real life stories of people who were smart, who did nothing foolish and everything right, and who made it out of being lost in each of these areas. In truth there's nothing better than getting direct advice from people who have been there and who know the risks and solutions, but failing that, this book will help to make a difference. I'd personally have liked a bit more detail on finding water and food, with photographs of the food sources and how to identify you have the right kind rather than something similar which is dangerous, so I don't know if I'd agree that this is quite the ultimate guide, but that aside, I consider this a worthy read which will at the very least inform you of the dangers and some realistic solutions.


Artist Toolbox: Surfaces & Supports by Elizabeth T Gilbert


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

This, the third title in a series, proved to be another useful book of information to help you not so much take steps as to stride confidently through your art ambitions by ensuring that you have the most suitable surfaces on which to work once you embark on an art project. It covers not only drawing and painting surfaces you might employ, but also what effect this medium has over that medium when using those surfaces.

Just like a building, a firm foundation gets your creation off to a good start in not only supporting your work physically, but also bolstering it artistically in terms of how your work looks both texturally and colorfully. There's no point is painting brilliantly if your support isn't there and your efforts are washed out or otherwise undermined because of a poor choice of material on which to paint or draw. It's not just how you do it and what medium you use to create the work, it's also about upon what medium you use as a foundation for your work, and how that's going to interact with your other materials and influence the final piece.

The book covers:

  • Canvas
  • Glass
  • Metal
  • Panels
  • Paper
  • Stone
  • Textiles
And the coverage isn't just in selecting a good medium and knowing how and what to paint on that particular piece, but also how to clean and prepare the material before you paint, so your efforts are not destined to fail. It also covers how to best preserve your work once it is painted.

The book contains some fabulous examples of artwork on each of these surfaces, and while no one can guarantee you will end up with strong artwork like those, you will be assuredly a lot closer to it knowing your materials and approaching your project fully prepared than ever you will going at it haphazardly! I commend this for being comprehensive, easy to understand, and offering good advice, and lots of tips and examples.


Artist Toolbox: Drawing Tools & Materials by Elizabeth T Gilbert


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

This book is less about creating great art than it is about the tools you will need to create great art, and more importantly than the tools, how to use tools to get you the image you're seeking. And it also talks about creating great art - so what's not to like?!

As the title suggests, it covers a range drawing media, from colored and graphite pencils to crayons and crayon-like painting sticks in assorted forms, along with charcoal, vine charcoal, white charcoal, and conte materials, but it doesn't just talk about what's available, it gets into it about how to employ those materials to get the kind of results that will elevate your work to the next level, and it includes advice on how to store those materials to best preserve and protect them to prolong their life.

Since the surface upon which you create your art is also an important tool this area isn't spared attention, so we have a discussion of different materials available, and how your painting materials work on each surface, with some photographic examples of results achieved using different tools on different surfaces.

It goes beyond this as well, with step-by-step instructions on working through several projects for even a beginner to learn to draw effectively, so in short, everything you will need to get a firm grounding in your materials and your technique. I commend this as a comprehensive and useful tool to add to your artistic arsenal.


What on Earth: Birds by Mike Unwin, Paulina Morgan


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

This was a fun and colorful book and you'll never guess what it was packed with information about! Birds, you say? How did you guess?! Seriously, this was a neat little book and a useful tool for young children interested in living things around them - and which kid isn't? In an age where climate change denial idiots simply do not get that the damage we are doing to Earth is critical and the dire fallout from it imminent, the more our young children know about the world, the better they will be prepared to fix it. After all these are the children who will be forced to grow up living with the awful mess we've made because we adults refuse to grow up.

Notwithstanding the educational content, the book isn't dull reading - far from it. It combines three facets inviting readers to explore, create, and investigate, so there is always something new and interesting in the flight plan - or the walking plan or the swimming plan depending on which birds we're talking about! Readers will learn about flight and migrations, about food and bird plumage, and about anatomy and behavior.

One minor quibble is that this is another book designed as a print book with little thought given to the ebook version. I read this on an iPad, and the double page spreads worked fine until page 13 which was printed lengthwise such that if you had the print book, you would rotate it ninety degrees to read the page in portrait format as opposed to landscape which all the other double spreads adopt.

This was hard to read on a tablet because every time you change the angle of the pad to look at it lengthwise, the image on the screen rotates and defeats your purpose! The only way to see it was to keep the tablet completely flat and slowly rotate it to see it as the authors intended. It was annoying, but as I indicated, not a deal-breaker. Overall I consider this a worthy read and a useful educational tool for children.

Tales From Nature: Ladybug by Magali Attiogbé


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

Ladybug not actually a bug but a beetle. The difference between the two is that bugs suck. No really, they have mouthparts that function like a straw whereas beetles can chew. They're all insects. It's not a bird either, just FYI! The book title in Net Galley was Ladybug, but on the book cover it's Ladybird, as the British call these beetles.

Other than that minor confusion, the fact that the title on spine was still in original French (where the series is evidently called My Little Nature), and which also contains author's name, Magali Attiogbé (which isn't visible on front cover), and the fact that on page 4 the bug was missing her entire body and was reduced to being a hungry head only, the book was informative, colorful and interesting. I am sure lots of kids would enjoy having this read to them. Hopefully these issues will be fixed before the final print version comes out, and on that basis I commend it as a worthy read.