Thursday, December 1, 2016

Prom & Prejudice by Elizabeth Eulberg


Rating: WARTY!

This book is, quite literally, a waste of paper and Scholastic ought to be ashamed of themselves for wantonly destroying trees like this. It's especially sorry - since the book is an edition intended for schools - that a publisher should set such a sterling example of disregard for the environment. Let me explain.

The book format is 5x8 inches, a total square area of forty square inches per page which is quite staggering when you think about it. The text occupies (if I'm generous with the margins) only 60% of this surface, and almost as bad, it's set at 1.5 line spacing, which means it occupies fifty percent more space than it needs. If you combine these factors, then this 230 plus page book could have been cut down to around one hundred fifty pages. This would not only have helped save trees, it would also have brought the price down by (very roughly) a dollar per book purely from it requiring less paper and shorter print runs (which also saves energy). This cost saving could have been directly passed on to the schools the book was sold to.

None of this is at the author's feet, but it does demonstrate yet one more very good reason why you should never trust Big Publishing&Trade;. Clearly they have no one's best interests at heart, not even their own, evidently! LOL! This is why I will never publish with those people

What I can lay at the author's feet isn't much better I'm sorry to report - especially at this time of year of an author whose last name (depending on how it's pronounced, is reminiscent of Christmas! This book is clearly a clone of Jane Austen's 1813 novel Pride and Prejudice (a manga of which I reviewed back in July 2014). It's purportedly some kind of homage, but it's set in the USA in modern times, and it plays rather fast and loose with Austen's premises, so for me it felt more like avarice than ever it was homage.

The focus here is on an elite private girl's school named Longbourn, the sole sorry raison d'être of which appears to be the school senior prom, for which any girl who is anybody is expected to have a date, preferably with one of the wealthy boys from the nearby Pemberley Academy. Despite being brought into the twenty-first century, the book offers no more variety of people (in terms of race, for example) than does Austen's. In Austen's case it was understandable, but in the case of this modernization, it's inexcusable.

I thought the title amusing, but was less pleased with the book despite it not being quite as predictable as I'd feared. Lizzie Bennet was a scholarship student, and Will Darcy a very rich student at the other school. Jane was not her beloved older sister, but her best friend and roommate at the school where nearly all of the students treated her appallingly.

In some ways the translation was done quite well, but in others it was disastrous. The first mistake the author made was to abandon the example set by Jane Austen herself, and write the book in first person instead of third. Clearly the author hasn't the respect she pretends to have for Austen and chose the knee-jerk YA first person default, which made the book annoying at best, and lent a sense of self-importance to main character Lizzie Bennet that the character in Austen's world would never have assumed. It spoiled her.

Another unbelievable episode was George Wickham, who here was rendered a burglar, yet the family from whom he stole failed to press charges? There is no reason or rational explanation given for this. It made zero sense.

I found it amusing that Lizzie was highly antagonistic towards the wealthy, but was so hypocritical that her own sole measure of worth was skin-shallow beauty. That Jane was beautiful seemed to be the only quality she had according to Lizzie - that and being one of Lizzie's meager duo of friends at the school. Never did we learn a thing about Jane's intellect or her academic interests because it's first person you see! Lizzie obviously cares for no one but herself here, and she whines about her predicament constantly. It's a tedious read about a selfish brat who is more spoiled than the people she despises!

Talking of academic interests, and as in all bad high-school stories, the teaching staff was virtually non-existent in this novel, and again as in really bad school stories, bullying was so rife as to be running at parody levels. It was at this ridiculous point that I wanted to quit reading, because it was too silly for words. Two things alone kept me going. The first of these is the idiots who believe you can't review a book after reading only ten or twenty or fifty percent of it. Yes, you can. Deal with it, you critics of critics! If it's so awful that you cannot read it, that's a review right there and it's a reviewer's duty to warn others of such lousy writing. This book is a case in point.

The second reason is that I kept hoping that things would turn around and something would make this story stand out, but the ending was such a deflated affair that it made the novel worse, not better. The only thing that made it stand-out was what a waste of a decent idea it was. I should have quit at twenty percent. Fortunately, because of the wasting of paper, this book was a refreshingly quick read, and that's probably the best thing about it: the author doesn't make you suffer for very long for which I'm grateful!

Chapter 7 is a complete waste of paper. Lizzie spends the weekend at Charles Bingley's ski lodge with his sister, and with Will Darcy and Jane. The author's idea is to pair Lizzie up with Darcy to create another interaction, but it was so poorly executed that it was executed. The farcical premise for this is Lizzie's lack of The Canterbury Tales which she needs for a school assignment. Her plan is to go into town and buy a copy, and so of course Darcy offers to drive her. The thing is though, that it's available free on line! There are no grounds for her going into town and buying the book - except of course that the author was desperate to get the two of them together and could think of no better ruse than this. Badly done, Emma, er, Elizabeth, badly done! You could argue that these students were required to read from a specific edition, but the author never mentioned any such rule, which would have helped her case slightly, but is still a flimsy excuse.

Moving the story into a US private school system simply didn't work. It carried none of the be-all-and-end-all of rigid class marriage which Austen's original did. None of this was about marriage or future prospects, it was simply about bullying and the prom, and really, who the hell cares? The power which was vested in this prom was laughable, even by US standards, and the snottiness of the "upper crust" characters was ridiculous. Yes, I don't doubt for a New York minute that there are people like that, but to claim that every single student in the entire school thoroughly detested Lizzie with a vengeance was absolutely stupid, and totally unrealistic.

Note that the bullying didn't leave off at snide remarks and shunning: there was an active campaign involving physical abuse, which the invisible teachers did nothing to prevent, and which Lizzie openly facilitated by flatly refusing to 'snitch'. I have no idea why this business of not snitching is so widely employed in this ilk of story, but here it made Lizzie look like a spineless loser. Frankly, after reading about half of this, I felt like joining in on the side of the bullies, I disliked Lizzie so much.

You can find the real Jane Austen at www.janeausten.org if you want to read what she actually wrote. But this book isn't worth your time.


Sunday, November 27, 2016

Bindi Babes by Narinder Dhami


Rating: WORTHY!

This was a highly entertaining novel about three young Indian girls living in England, who lost their mother to severe illness quite recently and are not dealing, although they think they're dealing well, and in some ways they really are. Narinder Dhami is the author of the novelization of the Bend it Like Beckham movie which starred Parminder Nagra, Keira Knightley, and Jonathan Rhys Meyers. I have not read that book, but I saw the movie and really enjoyed it. Hopefully the novelization captured the spirit of the movie.

This volume was the first of at least four in a series with Bollywood Babes, Bhangra Babes, and Superstar Babes succeeding this. It was amusing enough to me that I'd be interested in reading more, although I am not a fan of series since they tend to be repetitive, derivative and ultimately boring. Once in a while though, I do find an exception, and maybe this will be such a one. The author has many other stories out there too, including individual novels and a long-running The Sleepover Club series.

In this tale, three sisters: Geena, Ambajit (Amber, the narrator), and Jasvinder (Jazz) Dhillon are the Bindi Babes. Bindi, in Sanskrit means literally 'a drop' and refers to the red dot (or these days anything!) placed on an Indian woman's forehead at the fictional point of the sixth chakra. These three though, are not traditional Indian women. They're a new generation: a mix of the old and the new, and ostensibly are doing amazingly well after the death of their mother.

All this conceals an largely unacknowledged hole in their life, which their father is failing to fill because he's working all hours to distract himself from the same loss they're feeling. This leaves the bindi babes free to run wild, but the interesting thing is that they're not running wild. They do enjoy more freedom than their peers, and their father is a pushover whenever they want anything new. He has both the lack of interest in their daily activities and the complete absence of a lack of money to buy them whatever they request of him. Curiously, they're actually not spoiled rotten. They are are spoiled, but in many ways their life is the contrary. They're mostly reasonable in what they request, although they do run to excess, but they're also confident, hard-working, self-possessed, and envied by their peers at school for being respectable, fashionable and pretty.

Of course, admirable as all this is, they're still doing it to wall-off their pain of loss and have become so self-obsessed that they're failing their friends. All this starts to change when their father's sister arrives from India to take them in hand. No matter how they try to thwart her plans, she always seems one step ahead of them, and right at the point where they're about to take drastic action, they finally get the vision to see clearly what's going on around them.

In some ways this story is a fake, because these girls are doing fine, and are maturing pretty darned well. Yes, they're spoiled to an extent, and they've failed to grieve over their mother, but not everyone grieves in the same way and this business of 'x' number of steps of grief you 'have to go through' is bullshit, so this 'conflict' between them and their aunt and the resolution of it felt a bit fake to me. On the other hand, their aunt's story interested me, and I could envisage a novel about that rather than about the girls, or at least told from her PoV, doing very well for itself.

To me though, the girls were highly entertaining, often in-fighting, but standing firm when attacked from outside their trio, they are always thinking and planning, and they come up with some amusingly interesting schemes to try to root this pernicious Auntie influence from their lives. I'm no more a fan of first person PoV stories than I am of series, but once in a while - and this proved to be that once - an author writes one of these and she carries it. I found Amber (the middle sister's) had a voice I could listen to without becoming nauseated. Maybe this is became I married a middle sister and I've never regretted it! I can see where she;s coming from! LOL! But Amber was an intelligent, incisive, and amusing story-teller, if a bit on the cruel side on occasion. But then she's very young, and her voice did sound authentic to me.

I loved this story completely. It was entertaining and amusing, and it came to a satisfying conclusion. I recommend it to anyone who is interested in stories of Indian culture, stories set in England, or stories about young, feisty, and fiercely loyal sisters.


Even a Monkey Can Draw Manga by Koji Aihara, Kentaro Takemura


Rating: WORTHY!

This was educational (somewhat), humorous (particularly in the bathroom humor department, be warned), and entertaining, but it's really much more of a satire on manga than ever it is a how-to manual, although it does offer a surprising number of tips and suggestions.

Under the guise of explaining how easy it is to draw manga, the two authors/artists offer a commentary on the state of Japanese manga, what motivates it, and which trends are hot and cold, taking potshots at everything out there, including themselves. The line-drawing artwork is pretty decent and quite varied, and some of the stories they tell are pretty amusing. There is a distinct tendency towards bathroom humor and there is some quite explicit nudity depicted, so this isn't the book you want to give young children who may be displaying a flare for, or an interest in, comic book illustration.

That said I found it amusing and interesting and I'd recommend it for anyone who has a broad mind and is interested in manga.


Saturday, November 26, 2016

Emma by Po Tse, Cystal S Chan, Stacy King


Rating: WARTY!

With line drawings by by Po Tse (aka Lemon Po), story adapted by Cystal S Chan (aka Crystal Silvermoon), and English script by Stacy King (aka Stacy King), this manga version of Jane Austen's Emma failed to please me. The adaptation wasn't bad, but reading it backwards isn't natural for we Westerners, and though I liked a manga version of Pride and Prejudice, I feel that i, like Po Tse, have to draw a line here!

In some supplementary material at the back (aka front) of the book, Po's art is praised for his "uncanny talent," but to me every drawing looked the same. It was hard to distinguish the characters except by their hairstyle, and I have never been a fan of that pointed nose, pointed chin, ridiculously large-eye mangled - er manga - style. It strikes me as lazy, where every face is merely a clone of every other, and the only actual difference between them is in the eyes and hair. After this experience I think this is the last manga of this nature I will read.

I have a few observations on the story, too. This is one of Austen's later novels. It was not her last, but it has been praised for good plotting, yet no one seems interested in saying a word about how snobbish and elitist it is. Yes, I get that this is how society was back then, and Austen is merely reporting it, but this only serves my point. Where is the daring, the invention, the scandalous skirting of the rules? I use the word 'skirting' advisedly because Austen no doubt wore skirts. Her book really isn't much more than a dear diary, is it though, in the final analysis?

The snobbery, even from the "heroic" Mr Knightley, is shameful, and it makes it only more obnoxious knowing that this was the acceptable norm back then. The talk is endlessly of people above their station, and poor matches. Love has no place in this world whatsoever, so where is the romance? It cannot breathe here, starved of oxygen as it is.

Emma is a frivolous, immature, vindictive, interfering and very stupid woman, and not at all pleasant to read about. She fails to grow and learn, yet ends up with everything despite her foolish meddlesome behavior, yet we're expected to condemn characters like frank Churchill, Philip Elton and August Hawkins, who are in reality just like Emma, if somewhat more exaggerated. While I confess I do like the movie featuring Gwyneth Paltrow, and I like even more the one featuring Alicia Silverstone, I really can't recommend the story of Emma or this graphic novel version of it.


Friday, November 25, 2016

The Little Mermaid Against the Shark by Chloe Sanders


Rating: WORTHY!

I really did not like Chloe Sanders's My T-Rex Gets a Bath, but this story was altogether different.

Frankly, this book sounded from the title like it was a rip-off of the Disney Movie or of the original story itself which Disney ripped-off, but it wasn't. I can't blame it for the title: every author needs to try and get an edge, after all - and the story was original, fun, instructive, and has a wry sense of humor running through it. It was faultlessly-written, and beautifully illustrated (by the author, who is a talented artist - and who is not to be confused with the actor of the same name!).

Celia the mermaid is out looking for her friend Billy the dolphin so they can go play, and as the two of them set out, they encounter a bullying shark. Here is where the book departs from what you might have expected at this point, and Celia really comes through and shows her smarts, making a friend instead of an enemy. A great lesson in diplomacy! I recommend this one.


Drowned City Hurricane Katrina & New Orleans by Don Brown


Rating: WORTHY!

At a time of Thanksgiving it's important to remember what we have to be thankful for, and to recall things which are, even after a mere decade, in danger of being forgotten. One of these was Hurricane Katrina and New Orleans, which was an appalling and embarrassing tragedy and which highlighted a complete failure across several systems including the local authorities under the (at best) neglectful Mayor Nagin, the Federal government under the utterly clueless George Bush, and pretty much everything in between.

Don Brown's (and yes, I'd pick Don over Dan any time!) very well-written and nicely-illustrated graphic novel tells the story as it was, unvarnished and nothing swept under the rug. It covers everything from the start (and I mean literally the start) of the hurricane to the cruel and horrific aftermath. It's a horrible read and I mean that in a sense I hope you'll understand: horrible, but necessary lest we forget what happens when humans are absurdly over-confident and tragically unprepared.


Vampire Academy Graphic Novel by Leigh Dragoon, Emma Viecelli


Rating: WORTHY!

For a graphic novel created by two female writers/illustrators, I found this to be rather more sexualized than it ought, particularly regarding main character Rose. Emma Viecelli's artwork aside though (and the art wasn't bad at all in general terms), the adaptation by the curiously-named Leigh Dragoon was faithful to Richelle Mead's original, and overall, the story was told well. As usual I could have done without the ridiculous and pathetic "romance" between Rose and the academy's pet gorilla, but other than that, I liked this adaptation and I recommend it for anyone who likes the original or who is interested in getting up to speed on the story without reading the original, which I reviewed back in May, 2014.

There was one bit of unintentional amusement, which is when Rose has one of her trips into Lissa's brain. The illustration clearly shows Lissa from a third party perspective, climbing up through the trapdoor into the attic where she meets Ozera, but the text confidently states: "And there I am seeing the world through Lissa's eyes." No, you don't see the world through Lissa's eyes looking directly at Lissa, unless she's in front of a mirror! Sometimes I wish writers were a little more intelligent than this - or artists, whoever is at fault here, but they're no worse than movie or TV depictions of such things which are routinely in third person perspective and which look utterly ridiculous because of it.


Thursday, November 24, 2016

The Greek Gods by Bernard Evslin, Dorothy Evslin, Ned Hoopes


Rating: WORTHY!

This was a very short book (little more than 100 pages), and lacked an index which it could have used, but it offers a refreshing take on Greek gods and associated mythology, telling the tale of the Greek pantheon (twelve disciples anyone?!) with an unflinching eye. We learn of Zeus, Hera, Athene, Poseidon, Hades, Demeter, Apollo & Artemis, Hermes, Hæphestus, and Aphrodite, as well as other important characters such as Prometheus, Pandora, Phaeton, Orpheus (yes in the underworld!), Echo & Narcissus, Eros & Psyche, and Arion.

What's striking is how much Christian mythology owes to its Greek forebear. Male god associated with mountains and lightning? Check! male god makes humans out of clay? Check! Those with the power of a god having to walk around in the garden trying to find someone? A god changing into an animal to seduce someone? A huge flood? Check! A man and his wife trying escape burning destruction and because one of them looks back the wife is lost? Check! It's all here: everything the Judaic and Christian pantheons later purloined for their own mythology.

It's entertainingly written and does not shy from the gory bits, so it's no sugary, boring middle-grade series inexplicably set in the USA. I recommend reading this or something like it, if only for the ideas it can deliver for your own writing.


The Impossible Fortress by Jason Rekulak


Rating: WORTHY!

Erratum:
At one point there's a woman described who is wearing a T-shirt with an inscription on it referring to a breed of dog. Now it's entirely possible given the appalling grasp of good English in this country that a T-shirt could be misspelled, but I'm not convinced this was intended by the author - if it had been, I feel something would have been said about it in the test. The misspelling is of the name of a dog breed: Pekingnese. It should be 'Pekingese'

Note that this is a review of an advance review copy for which I thank the publisher.

This is the kind of novel which I don't normally like, because in a real sense, it's just an author's trip down memory lane, which is as boring to me as a memoir usually is. Such trips are very personal and not all that meaningful to others unless those readers led a similar lifestyle and are of a similar age - and grew up in the US. In this case, we get a lot of references to 80's culture, but either the author doesn't remember the era very well, or he hasn't properly researched it.

For example at one point, one of the characters is surveying magazines on a rack in a store while waiting for someone, and he mentions that there are articles on the trial of Bernard Goetz, who shot four passengers on a subway rain, and on Gary Hart suspending his presidential campaign because of the smell of scandal. Yes, Gary Hart ran in the 1984 campaign, but the scandal with Donna Rice was during the 1988 campaign, and the shooting by Bernard Goetz took place in late December 1984 after the November election. His trial was in 1986 (with a civil trial a decade later).

All of this took place in the novel during a boring and dumb sequence in which the young boys were trying to get their hands on a Playboy which featured Vanna White, but that edition came out in 1987, so the timeline is wrong if we're trying to encompass all three of these events. This definitely has to be 1987 based on the arrival of the IBM PS/2 computer, so the Goetz reference was the confusing part.

The story would have been just as good with the Vanna White nonsense left out, and the with timeline touches of color omitted. Maybe some people will like that, but for me they were way overdone, and I could have also done without the constant references to music. It was like the author was showing off how much research he'd done, but we know how well that worked! Taht said, there was a point wher eosme of the music references had a purpose, but that was overdone as well, for me.

I say this because for me the story became interesting not because of all the endless, annoying timeline references, but in spite of them. To me they were distractions and irritations and the endless Vanna White obsession cheapened the story. The power of this novel came through the interaction of Mary Zelinsky - a commendably strong female figure, and an unusual one in a story like this - and main male character, Billy. Mary is one of the coolest characters I've read about in a book like this in a long time. I quickly reached a point where I was willing to positively review this based on her alone! LOL! The boys let down the story but she stood above all that and rescued it for me.

One thing which troubled me is how much access to endless ready cash these boys seemed to have and how profligate they were with it. Whenever they needed money they always had it, and lots of it, yet only one of them seemed to hail from wealthy circumstances. That felt unrealistic, but these things are offset by cool stuff, such as when Billy first meets Mary and notices that she has her nails painted with binary digits, reading 01111101010. The problem with this is that they go to eleven! Unless Mary has eleven fingers and thumbs, there's one too many digits! Or from a different perspective, one too few. Binary is based on multiples of two, so whereas decimal - the system we routinely use - goes up in multiples of ten when reading digits from right to left (the number 100 quite literally equals zero units, zero tens and one 'one hundred'), binary goes up in multiples of two, so 100 in binary would be zero units, zero twos, and one four, equaling four in decimal.

Eleven characters makes no sense in terms of translating the numbers to letters, all of which have an eight character code (or would have back then). At best it should be eight or sixteen, or if divided into groups of four, it should be eight or twelve. If she'd had a binary digits on each finger, this would have given the expected eight. As it was I couldn't translate it to any text (I had initially thought it might be her initials).

The decimal equivalent of the binary number we're given is 1,002, and you don't need the preceding zero, so maybe that's a typo. I guessed that it had something to do with Mary's mother - maybe she died on October 2nd? You'll have to read it to discover what those numbers really meant, and to discover that they were used in two ways. There's an old but amusing binary joke for which you have to keep in mind how the numbers are translated (multiples of two). It goes like this: there are only 10 kinds of people in the world - those who understand binary and those who don't!

Assuming the book is printed as it appeared in the ebook format, it's horribly wasteful of trees! It has seven pages to swipe past (or 21 screens, depending on whether you're reading on your phone or on a tablet), and most of this is not necessary. A lot of it is disgustingly gushing mini-reviews and recommendations, which to me are as pointless as they are nauseating. If you already have the book, what is the point of these? Why are they even there?

Does the publisher think that reviewers are so weak-willed that the opinion of others will sway them into liking a book they might have disliked otherwise? Maybe they appear only in the ARC, but to me they're a waste of time. I want to read this and decide for myself; I honestly don't care what others think, no matter who they are! But this is on the publisher, not the author, so it's not his fault. For me, it's yet another reason to self-publish.

The chapters are numbered with stretches of numbered BASIC programming code which is amusing and brings back some memories for me. When you're programming in that style, which is antique, you number the lines in tens not in units, so if you later realize that you missed something between lines ten and twenty, you can add it as line fifteen, and escape having to renumber every line. In terms of numbering chapters, this meant that chapter one for example, began with half-a-dozen lines of code numbered 10, 20, 30, etc., which was a bit of a cheat since it ought to have been numbered in the 100's.

All the other chapters were numbered appropriately - chapter two using 200 and above, chapter three using 300, and so on. I thought that was cute, although the programming syntax on each numbered line will be completely obscure to anyone who has no programming experience and perhaps to many who do if all they know is modern stuff like Java. Even Visual Basic and VB .NET are a different world from those older languages. It was fun though, and about the only memory lane portion of this book that I liked!

The story - finally, yes I'm getting to it! is that Billy has his own Commodore 64 computer which was all that and a bag of chips in its day, but he realizes that it's an amateur machine (and was half-way through its lifetime in 1987) when compared with the brand new PS/2 which boasted the power of IBM behind it. He's into programming games, and his school work is suffering because of it. When he learns, from Mary, of a competition in which he could win the IBM computer, he starts seriously working on his game, but his program is sluggish.

He turns to Mary for help and discovers that she is better than he is at programming, and she delightfully knows the names of some stellar female forebears from the earliest days of computing: Dona Bailey, Jean Bartik, Fran Bilas, Margaret Hamilton, Brenda Romero, Marlyn Wescoff, and Roberta Williams. The two begin working together and this is where the story really took-off for me. The time they share is quite wonderful, and you can see them growing towards each other. Call 'em software moments if you like!

These parts are written well, and make a refreshing break from the ridiculous instadore encounters typical of YA literature. This is only bordering on the young edge of YA and is more akin to middle-grade, but the romance is handled in a very mature and realistic fashion which is at times truly magical, such as the time when the lights go out in the back of her dad's store where they meet to program, and the two have a few moments in total darkness and close proximity. This was beautifully written.

Of course, you know there are going to be potholes in this road, and at one point the story got too dumb, and I feared I was going to have to rate it negatively, but after that part, it turned around again, and really settled back into a pleasing cadence. I liked the way life imitated art towards the end when Billy was trying to get back with a rather distant Mary.

She has a secret that juvenile Bill has been blind to, and her behavior is less than exemplary, but in the end, they both come to understand each other at a deeper level, and realize that there is more to them than juvenile attraction. I really liked the ending and it was this, and Mary as a character, which were what made me want to positively rate this story. I loved the way it worked out, and how well the Billy-Mary interactions were written. I recommend this as a worthy read.


Wednesday, November 23, 2016

The Wind in the Willows by Kenneth Grahame


Rating: WORTHY!

Grahame was a Scot who grew up with his grandmother and ended up not going to Oxford as he wished, but working in a bank, and doing a good job, but when he retired due to ill health, he pursued an interest he'd had in writing, and out of that came The Wind in the Willows in 1908. The story features Toad of Toad Hall, Ratty (who is actually a vole), Mole, Badger, and Otter, although Otter is only a walk-on; it's the other four who are the main characters. The animals are very anthropomorphized, wearing clothes and in Toad's case driving a "motor car" - albeit badly! They behave very much like humans.

According to Wikipedia, this is what I would characterize as another example of the shameful cluelessness of both critics and of Big Publishing™, which turned down what is now considered a classic with the blinkered and dedicated complacency with which record companies turned down The Beatles. We have no idea how lucky we are that self-publishing (of not only written works, but also of music, movies, and art) is available to us now. According to Wikipedia, The Wind in the Willows was finally published by Methuen and Co after some agitation by Theodore Roosevelt, although how he became involved isn't specified. The moral to that story is: never give up!

At the beginning of the story, Ratty meets mole one day in early spring and invites him onto his boat. They go out for a picnic, and mole ends up in the water. Grahame evidently doesn't know that moles can swim quite well (they spend their time swimming through packed dirt, so water isn't going to be a problem for them! LOL!). Or maybe he conveniently forgot it just for this story. Anyway, the animals meet up with otter and later end-up riding out a snowstorm at badger's place. Later still, they have to try and talk Toad out of buying any more cars. He's evidently crashed seven and is about to take delivery of a new one.

Despite trying to talk him out of it and trying to keep him imprisoned until this driving "poison" works its way out of his system and he gives up, Toad isn't vanquished so easily! In fact, it's readily arguable that their ill-advised intervention precipitates a serious decline in Toad's behavior. Toad escapes their confinement, steals a car, inevitably crashes it, and ends up with a prison sentence which is steep by any standards. Badger and Mole, meanwhile, are enjoying the vacated Toad Hall and living there!

Toad busts out of prison with the help of a jailer's daughter, and goes on the run. Escaping on a train, he's pursued by another train full of police and prison wardens! He disguises himself as a washer woman and gets a ride on a barge only to be outed by his own incompetence, and tossed into the canal! Rustling the horse which pulls the barge, Toad escapes once again, and eventually ends up at Ratty's house where he learns that weasels and stoats have taken over Toad Hall!

The difference between weasels and stoats is simple: a weasel is so weasely distinguished, and stoats are stoatally different! The four friends manage to sneak into Toad hall via a secret tunnel which badger knows of, and retake his home.

This is a delightful story, full of adventure and bravado and not a little craziness. It's not told in the same way modern stories like this are. Which modern author would name such a book "The Wind in the Willows"? It doesn't happen. It's likely to be named after one of the animals - and be a series. And which modern children's writer has animals stealing cars, having crashes, and busting out of "gaol"? Reaching back to 1908 to read this makes for a refreshing story (in my case a refreshing listen to the audiobook, which is very effectively read by Martin Jarvis). I recommend this, especially for any hopeful writers of children's books who are looking to find a fresh take on such stories instead of cloning every other children's author's oeuvre that's out there today.


Tuesday, November 22, 2016

A Crooked Kind of Perfect by Linda Urban


Rating: WORTHY!

Normally I avoid like the plague stories which feature striped socks on the cover - which is almost a genre of its own these days - but once in a while a worthy one comes along, and as it happens, this was a very short audiobook which I loved. Yes, there were bits and pieces which were less than thrilling, but overall, I loved the voice of this ten-year-old girl, Zoe Elias, who dreams big dreams but lacks the motivation to achieve them, as many in her age range doubtlessly do. Plus, she gets very little support from her parents who are bordering on being abusive, not in a 'physically beating their kids' sense, but in the case of her dad, having issues which need medical treatment he's not getting, and in the other case, a mom who works all hours and is almost not even a character in the story because she's so absent. Her dad being a conclusion short of a premise the reason her mother works so many hours, it would seem, since dad is profligate with money on those rare occasions he ventures out. I loved the reading voice of Tia Alexandra Ricci, and the sense of humor which ran through the narrative.

Zoe dreams of playing piano in Carnegie Hall, wearing a tiara no less!), but it's only a wild fantasy, which is squelched when her three-sheets to the wind father comes home with an electric organ instead of the grand piano she unrealistically demanded. But the organ does come with some free in home lessons, and so this is what Zoe has to deal with. That and Wheeler Diggs who is an oddball guy at school who befriends Zoe's dad more than he does Zoe, and consequently hangs at her house routinely after school instead of going straight home. Rightly or wrongly, Wheeler reminded me a bit of Heath Ledger's character in the hilarious movie Ten Things I Hate About You, which itself was loosely based on The Taming of the Shrew.

Zoe's Carnegie Hall moment comes actually in the form of a minor win after entering the annual Perform-O-Rama organ competition sponsored by the makers of the organ she's learning to play. All around, the story was engaging and funny - especially in regard to Zoe's take on life and on people. It was occasionally boring here and there, but overall, a worthy read.


The Forbidden Stone by Tony Abbott


Rating: WARTY!

This was an audiobook which failed for me. I didn't like the story and the reading by the curiously-named MacLeod Andrews was bad. The story started out just fine for the first chapter or so, but after that it devolved into tedious and stupid activities in which an irresponsible father trails four kids with him to Europe (and elsewhere, evidently) into dangerous situations, and then fails to go to the police, fails to get his kids out of danger, and in general just is a moron. These dimwits contaminate crime scenes and tamper with clues which could have led to a perceived suicide being seen by the police for the murder it was. I quickly decided this was too stupid to live. The fact that it's the start of a series is only one more reason to reject the mercenary heart of it.

It's a ridiculous Dan Brown-style story where some idiot leaves a trail marked by asinine cryptic clues for Becca, Darrel, Lily, and Wade, when all he had to do was make a phone call and tell his friend, or better yet, the police, what the deal was. Failing that, then at least post it on the Internet so the "shadowy" villains have no reason at all to chase your kids threateningly. It was profoundly dumb. I hope middle-graders are smart enough to see how silly this all is, and I feel sorry for those who are not, but of course, without this level of stupidity, there couldn't be a six book series, and neither the author nor the publisher would get rich off the allowances of middle-graders, would they now?

If I Was Your Girl by Meredith Russo


Rating: WORTHY!

If I Was Your Girl is a novel about a mtf transgender character, written by a mtf author, and amazingly featuring a mtf cover model, Kira Conley. Now there's a trifecta. Normally I pay little attention to the cover because they're all glitz and no substance, and they have nothing to do with the writing or the author unless she or he self-publishes, but in this case I have to shout-out for the model, and the photographer, and the publisher! Way. To. Go!

The novel tells the story of a teenage boy Andrew's decidedly bumpy transition to a teenage girl coolly named Amanda Hardy. There is a lot of controversy over the author who (as Travis Lee Stroud) was accused of rape and abuse by his partner. I was aware of none of this when reading (actually listening to since this was audio) the novel, and at the time of posting this, I am not aware of any judgment on those charges, so for me the author remains innocent until proven guilty.

Let's not forget either, as many seem to have, that even guilty people can change! The author's note at the end of this book - read in her own voice on the audio book - would seem to suggest she's not as bad as she's been painted in some quarters, and also offers a slightly mitigating perspective if these accusation are true. Besides all that though, my reviews are about writing, and about whether a read is worth my time or not, and based on these precepts, this review goes ahead as planned! To do less would be to refuse to read or review, for example, Mein Kampf because Hitler was a psychopath, or any other such book. The US, it seems, thrives on worshiping books written by bad people while ignoring too many of those written by saints, but since this was a library audiobook, I don't have to worry if my money went to the wrong person!

Amanda is, in true YA trope tradition, the new girl in school. She's nervous, with her transgender secret and having been abused in her/his previous existence, which accounts for a lot of her current personality traits. All she wants to do is get through her senior year quietly, graduate, and get out of the south altogether. She fails in this endeavor (at least by the time the book ends) because she falls for Grant, one of the jocks on the school team. Here's where my first problem came along, and it wasn't because high school romances are largely juvenile and meaningless.

Sometimes a person does end up marrying their "high school sweetheart" but such cases are rare because a person that young can't typically make intelligent choices with something which will so intimately affect their life, and the sad thing is that they do not realize it! No, the problem was that Amanda doesn't appear too smart. She rejects her own best advice about not getting involved, and she welcomes the attention from Grant.

They start dating, despite Grant throwing-out warning signals because of his unexpected and unpredictable coldness at times towards her. Worse than this though, is that she tells him nothing of her history. To me, this was a betrayal of someone she supposedly was developing strong feelings about, but that wasn't the biggest problem. You can argue, for example, that he had a right to know that she cannot have children, but the problem here was not what her history was, but what has the potential to happen if she isn't straight with him from the start. And yes, she's straight, she's not gay! Gender and sexuality have nothing to do with one another! She never seems to think for a minute that this southern boy might react negatively to what she has to reveal or that others might treat him differently when they discover he's dating someone who was not born a biological female. That seemed selfish to me.

The story is written in a way that makes her father out to be a hero, and there are some tear-jerk moments here, but the fact that he hits a kid - a full on punch in the face, too - is what turned me right off him. He didn't even hit the right kid, which would still not have reprieved him, but it was also the circumstances of the punch which made me feel this could have been written better. Amanda was there before it happened and the most natural thing in the world is to yell "Dad, it wasn't him!" but she never does this, and that, to me felt completely unrealistic. This is one reason I didn't quite buy her dad's complete turn-around at the end of the book. It felt false.

But I'm no more judging the book on one or two events in it than I'd judge an author on one negative report no matter how much currency it's garnered for itself, so overall I consider this book a worthy read, and for me one of the best features about it was the audio version read by the talented Samia Mounts (who I understand is also a member of the LGBTQIA community! Quadfecta!). She did a spot-on job of delivering this story and made it all the more listenable. I recommend it.


Evelyn After by Victoria Helen Stone


Rating: WARTY!

Errata:
"She smile sheepishly" (smiled, not smile)
"Evelyn dug hem out of her drawer and put them on" (them, not hem)
In chapter 22, third paragraph beginning "Evelyn found herself strangely disappointed..." is repeated as the fourth paragraph.

I had mixed feelings about this book, which started out strongly, but seemed to come unraveled rather quickly. In the end it was a disaster. Around sixty percent in I really wasn't feeling it at all, and I kept hoping it would turn around, but it went further south by eighty percent. I should have quit but I foolishly didn't and the ending was the worst part of all. It read more like bad fan-fiction than a professional novel.

The book was replete with routine flashbacks (chapters were labeled 'Before' or 'After', but I didn't always notice that on the Kindle version on my phone, and so sometimes the text was a bit confusing, although I admit in those cases it was my fault). The problem with flashbacks in general though, is that they bring the story to a screeching halt and I am always immensely resentful of that. Sometimes a flashback can serve a useful purpose, but usually to me they merely indicate laziness or incompetence on the part of the writer. In this case the flashbacks were unnecessary and should have been dispensed with. What little they revealed that was not about stalking and that was not boring could have been woven into the story

My biggest problem however, was with the main character Evelyn (a name apparently is pronounced the British way, as three syllables as in Evelyn Waugh). I really did not like her at all. She was far too self-serving and whiny. I don't think it's impossible to enjoy a novel whose main character you don't like, but I do assert that it's much harder to do so, and Evelyn kept making things worse by behaving stupidly, or irrationally, or obnoxiously. She isn't someone I would want to know. She's two-faced at best and a low-life at worst.

The story begins with her discovery that her husband Gary has been having an affair. I don't blame Evelyn for this but there are things she could have done, but failed to do, which would have improved her lot. She's whining that the baby fat she has from the birth of her son is a problem, yet it's been seventeen years. She could have shed it if she'd put her mind to it. She whines that she gave up on her art, when the fact is that she has never needed to work. Her husband is a highly paid psychiatrist, and she could have worked on her art projects all day long, but she chose not to. She dug this hole for herself and didn't even realize she was in one until things went sour in her marriage.

There is another much more serious issue which I don't want to get into for fear of giving too many spoilers, but this issue is worse and Evelyn's reaction to it really turned me off her. When she confronts Gary over the affair, he claims it's over and that he wants to put this behind them and get on with their life together, but while Evelyn claims she forgives him, it's clear she does not. she claims she still loves him, but it's clear from her behavior that there is no love there, and there hasn't been for a while.

This kind of thing made her dishonest at best and a liar at worst. She refuses to let Gary back into her life even though they continue to share the same house. Her motive is ostensibly that she cares too much about their son Cameron to break-up her marriage, but her behavior isn't conducive to a reconciliation - it's quite the opposite - so her behavior and her stated aim were completely at odds. She claims she doesn't trust him, but she believes everything he tells her, and never once questions his account of the more serious event. Not too smart!

I don't get why her husband stays with her. He has no reason to want to be with her whatsoever, yet he hangs around putting up with her crap like he's totally dependent upon her. His character made no sense whatsoever, and the "big twist" at the end, about about what really happened came as no surprise even to me, because it was so patently obvious. Once again, Evelyn ain't too smart.

Worse than this, she turns into a stalker, both of Juliette Whitman, the sylph-like diminutive blonde her husband was unfaithful with, and that woman's husband, Noah, with whom Evelyn herself has an affair. This isn't just cyber-stalking either; she literally spies on these two people, and harbors the most abusive attitude towards Juliette, referring to her repeatedly as a whore, yet she never describes herself in those terms no matter how many times she goes at it with Noah. The sex scenes were quite well done, but the joy of those is tarnished by the fact that I really was starting to dislike Evelyn before they began, and they were juvenile.

Abandon' scarcely begins to describe this couple's approach to getting it on. At one point I read, when Noah offered to get a condom: Evelyn shook her head. "I have an IUD.", but no IUD is going to protect against venereal diseases, and neither of them stops for a second to think about this. She knows who Noah is, and evidently assumes he is clean because he's been married to the same woman for many years, but she has no idea if he's been faithful, and she knows for a fact that his wife has had at least one affair, so she has no idea what Noah's sexual health is, and he hasn't the faintest clue about hers, yet they go at it like rabbits without a hint of discussion regarding health. The only concern is that she might become pregnant (which is possible. She's only forty-one after all).

I never did get the back and forth over going to see a therapist about fixing their marriage. Evelyn mutely chides her husband over dithering on it, but when he pursues her about it, she reveals (to the reader, not to him) that she has no intention of going to one because she considers the marriage to be over! But the author herself forgets what the status is of their therapy plans. At one point in chapter eleven, and later in chapter nineteen, then again in chapter 24, Evelyn discusses with her husband the prospect of choosing a therapist from a list she's prepared and given to him. He says he likes the first one on the list, but then in the next chapter, he's saying he got her list, like they've never discussed it before. Later still, in chapter thirty, they're still harping on this. It made no sense at all!

When Noah abruptly breaks it off with Evelyn purportedly out of guilt, after their weekend "retreat" - or more like a weekend advance - she coldly dismisses him from the hotel room with every overtone of finality, but then she frets over why he's not calling her or sending her a birthday greeting? She's a moron. he feels so little guilt, evidently, that he goes at it agian with her as soon as she calls him to remind this guy whom she threw out of the hotel, that he forgot her birthday! No, I'm sorry, but no. Why should I want to read about a callous and selfish bitch like this, let alone empathize with her?

I'm sorry, but that's exactly what she was. Over the course of the story She turns into a creepy stalker, which is really where she's being going this whole novel. That's her only growth. She's vindictive and selfish, and gives precious little thought to this son she's supposed to be protecting. She helps cover up a serious crime and feels no guilt whatsoever about it. In the end she gets away scot-free with her behavior and is in fact rewarded for it. No. This novel is not worth reading, and I felt resentful of the time I wasted on it hoping it would improve or that there was some big moral lesson coming. Neither option happened.


Monday, November 21, 2016

RUR by Karel Čapek


Rating: WORTHY!

Many people believe that Čapek (pronounced like Chappeck) invented the word 'robot', but it's not true. He did bring it to popular attention, but it was his brother, Josef Čapek, who died in Bergen-Belsen in April 1945, who coined it from the Czech word 'robota' meaning labor, particularly drudgery, or slave labor. The word was employed in his 1920 play, RUR (or Rossumovi univerzální roboti - Rossumov's Universal Robots, or more commonly, Rossum's Universal Robots) to indicate a newly-invented sentient automaton which looked very human, but which was made (or grown) from organic substances the inventor had discovered. Thus, the robots were more like what we would call cyborgs or even clones, if we employ 'clone' in the sense of copying inexactly, as when commercial competitors might clone a best-selling product for example, or YA authors shamelessly clone original trilogies to generate sub-standard rip-off versions of their own.

In the three-act play which also has a prologue (and in this case I actually read it, since had I attended this play it would have been the first scene!), we hit the ground running right before the robot revolution. And revolutionary it was, because although this motif of rebellious machines is common now, when we do have real robots among us (and I for one welcome them!), in 1920 when this play was published, there was no such thing. It's quite something to read such a ground-breaking work like this, even though the play itself is less than thrilling as it happens, although it was so short that I didn't feel I'd wasted my time in reading it.

A big difference between this and the more modern narratives is that the robots win! Humanity is wiped-out until only one man remains - the man the robots are counting on to help them reproduce - a facility they do not have. Since he knows next to nothing about exactly how to make them work, their chances of survival are slim, so it's a pyrrhic victory at best.

My problem with this was how to rate it. If it were a modern work, I would rate it negatively. It was far too melodramatic and pedantic, but then I found myself cheating slightly - doing a Dumbledore and awarding last minute points! There are other considerations here, not least of which is this being an historical document! Not this copy exactly, which was a Penguin reprint, but the work itself, which is fascinating for the glimpse it gives us into the way people thought back then, and which allows us to compare and contrast it with how we view that same scenario today.

On top of that, Čapek was hated by the Nazis, who were rather perturbed to find, when they invaded what we now call the Czech Republic and went looking for him, that he had died of pneumonia on Christmas day, 1938. They arrested his brother, who died in 1945, but his wife Olga Scheinpflugová survived him and the war, and died in 1968. This rather contrasted with the story, wherein all the women and all but one of the men were wiped out. In real life the men were all gone and a woman survived! On balance, I decided to stick one in the eye of the Nazis, and rate this as a worthy read taking everything into account, so Čapek-dor wins! I think it's worth a look if you're interested in this kind of thing.


Saturday, November 19, 2016

The Complete Marvel Cosmos with notes by Guardians of the Galaxy by Marc Sumerak


Rating: WORTHY!

Note that this was an advance review copy for which I thank the publisher.

While this may have limited appeal, specifically to Marvel geeks and younger readers, I found it interesting and amusing. What does that say about me? Let;s not get into that! The book is a lot of text, but is also heavily illustrated, so it showed well only on my Bluefire Reader app on a tablet, and on my Adobe Digital Editions app on my desktop. In Amazon's crappy Kindle app it looked horrible. The images were tiny and disjointed and the text was all over the place.

What you see is what you get here: a tour of the Marvel Universe in all it's exotic improbability. Some of it is nonsensical, some whimsical, some engrossing, and some entertaining. The Guardians of the Galaxy have handwritten comments between paragraphs making wry and sarcastic observations on the text. Some are a bit trite and predictable, but many are amusing. There is a lot of mentions, of course, of Marvel's super hero stable, but the book is more of a tour guide, discussing cultures and interesting sights, with little "what to wear" and "where to eat" features which can be funny.

Covered are the Kree Empire, the Shi'ar Empire, and planets such as Asgard (including the ten realms), Battlerealm, Chitauri Prime, Earth, Ego, Halfworld, Moord, Planet of the Symbiotes, Weirdworld, Planet X, and the moon Titan, as well as non-planets such as Cancerverse, Dark Dimension, Darkforce Dimension, Knowhere, the city of K'un-Lun, Otherworld, The Superflow, the Negative Zone, the neutral Zone, and so on. It's pretty extensive!

I recommend this for anyone who wants to dig deeper into Marvel's extensive universe and have some fun along the way.


Dalmatian in a Digger by Rebecca Elliott


Rating: WARTY!

I really can't approve of a book for young children which shows such dangerous and destructive behavior, although I do thank the publisher for this advance review copy.

I can understand the impulse to write a book for young children about heavy machinery. Who isn't impressed by the power of these machines we've built? They're loud, and colorful and mighty, and they're especially impressive to children, but when you get right down to it, such machines could equally be defined as destruction machines as they are typically defined as construction machines, right? I think it's interesting how we choose to consistently define them positively when what they really do is remake nature in our urban image.

It's a necessary evil, I admit, but I would question how necessary. I think it's arguable that these are not the answer to everything. In relation to this specific story though, all we are really celebrating here is the mindless destruction of a virgin forest by these machines, for no better purpose than to build a tree house, which in the end seems to make use of nothing that these machines have done! So why was this pristine forest pillaged and razed?! I think it sends entirely the wrong message to a young generation.

It's a bad precedent when we as a race are destroying our climate through our thoughtless activities, to present as a positive thing, the destruction of nature in so frivolous a fashion, but the sad thing is that this isn't even the worst problem with this book. We have here four very dangerous (if useful) machines: a bulldozer, a crane, a dump truck, and an excavator, and the young Dalamation, who stands in as surrogate for our own child here, is shown clambering all over them as they operate. Seriously? There is no warning to be found anywhere how dangerous this is, or how the kid should stay clear.

I think it's a mistake to show children playing on machinery like this and and especially thoughtless to show them on these things when they're actually working! If you wouldn't show the kid holding a working chainsaw, then why show this? I can't recommend this book. I really can't!


The Devil’s Prayer by Luke Gracias


Rating: WARTY!

I was completely misled by the book blurb here. I know that's what book blurbs do: it's their job, and you can't blame the author for them unless the author self-publishes, but a blurb usually has something to do with the story it's purportedly describing. This one really did not - at least not as judged by the first fifty percent of this novel, which is all I could stand to read.

I thought I was getting an advance review copy of a supernatural story: the Devil and all His Works kind of thing - but it turned out to be nothing more than a slasher book, worthy of the Halloween and Friday the 13th movies. I gave up on it at fifty percent because of this. I was thoroughly disgusted with it and completely turned off by it.

The blurb tells it like it's all about Siobhan, the young daughter of a nun who committed suicide, but the first half of the book is not about Siobhan at all, except in the most cursory sense. It consists of long, tedious excerpts from her mom's secret diary, which are told in first person voice - the very voice I most detest.

One major reason I detest it is because of the utter lack of credibility in first person accounts which are unbelievably detailed and far too precise to actually be a first person account. Any cop listening to a story like that from a witness would immediately dismiss it as made-up at best, and outright lies at worst. No one tells a story of something that happened to them in this manner except in novels and it's so unrealistic that I cannot stand to read it. It's very rare to find a 1PoV novel that's worthy of reading. This one didn't even come close.

The worst part was the account of the rape. I've never been raped and I can't pretend for a second I can speak for anyone who has, but speaking from my own PoV and from what I have read about this topic, including people who had been forced to suffer it, this account by Siobhan's mom was ridiculous in the extreme. To me, it was insulting to those who have been violated like this and cheapened the real horror and brutality of it. I recommend that the author read some of those accounts, and completely rewrite this section of the novel, and then he might avoid clunky dialog like, "As my body was violated I felt defiled." Seriously?

Even if this had happened to Siobhan's mom the way she said, I honestly could not believe for a minute that she would write the account of it the way she did in, so much lurid detail with word-for-word conversations - not in an account intended for her own daughter. It felt like she was telling a story rather than recounting something horrific which had actually happened to her. And why would she? Why not just say "I was raped and made a pact with the Devil, and I took my revenge on those who attacked me"? It made no sense whatsoever that she would write it like this for page after page, after page, and it made me fully aware throughout the entire time that I was reading a sensationalized and revoltingly-misguided attempt to stir up sexual emotion rather then tell a realistic story.

This is the problem with 1PoV. Siobhan's mom could not have been present for some of this story, so there is no way she could recount what happened, and there's no way that someone who had been traumatized like that - broken and injured, and put into a coma - could (or would even want to) recall so much detail of what happened. Even if she did, I cannot believe for a minute than any mom would share all this to her daughter in so much gory and sordid detail. It was like the author thought that rape alone wasn't bad enough, and unless he went into immense detail about it, there really was no crime to "justify" her behavior afterwards - like this woman hadn't really been raped unless she was further violated with all the nasty fine points.

The diary goes on to describe not just the rape in excruciating detail, but also how her mom took bloody revenge on those who had abused her, killing them in brutal fashion worthy only of cheap B movies. It was too ridiculous and at this point was so far from what the blurb had told me I'd be reading, that I quit in disgust. I cannot recommend this book based on the misleading blurb and the fifty percent I read which treats rape so lightly. If you're into splatter-punk, then this might be for you, but if you wanted a supernatural thriller, you're in the wrong book.


Wednesday, November 16, 2016

Bunnicula Strikes Again by James Howe


Rating: WARTY!

I never read the original Bunnicula, and I never will! This was evidently, thinks I, volume two, but in fact turned out to be volume six! I made it about half way through before giving up on it. All is not lost though, because this print book will go to a local library which has limited funds, so others will benefit from it! I hope!

The joke here is that the rabbit is a vampire, but not for blood - for veggie juice, sucking vegetables dry. It's hilarious - as far as the concept goes, and I can't speak for the entertainment value of volume one, but this felt like five volumes too many, and is a major reason why I don't typically like series! They're boring, and by nature are derivative and repetitive. That doesn't work for me. In this case, this one didn't go anywhere. I read fifty percent of this and quite literally nothing happened. It was a tedious diary of a kid and his dog lying around, running downstairs, running upstairs, spying on the cat, and lying around. Yawn. A good portion of it was references to, and recapping of, volume one, which is just cheating in my book, but it is a hallmark of series.

Based on fifty percent of this, I can't recommend it. It wasn't in the least bit entertaining.


Trans-Sister Radio by Chris Bohjalian


Rating: WARTY!

This is the second of a disappointing pair of transgender books I'm reviewing today, both written by guys named Chris! This one was an audiobook, which for me is more experimental and therefore more likely to fail. This one sounded really promising, but in the end it turned out to be boring, slow-moving like you wouldn't believe, and with apparently no intention of ever going anywhere.

The attraction of this story for me was of the same variety that moved me to write Tears in Time which I published earlier this year. Is this love lost? If so, can you find it? If you find it will you recognize it? If you recognize it, what will you do about it?

Allison Banks, divorced and in her forties, finds herself attracted to Dana Stevens. The cover blurb says, "develops a crush on" like she's some teen-aged fluff-head, but I don't blame the author for the sheer incompetence and rank stupidity of book blurb writers! Not unless they self-publish! What Allison doesn't know, and doesn't learn right away is that Dana is a transgender male to female, about to start on that painful and lengthy journey. She's attracted to Allison, too, but she can't stay male. When she transitions, what is going to happen to their relationship? I thought this was a choice topic for a novel, but the execution of it failed for me.

One big mistake writers make is laziness. Make a girl a book-reader and she's intelligent. That way you don't have to do the work of showing she's intelligent. Make a person work in a bookstore or in this case, for public radio, and you pigeon-hole that person, telling to avoid having to show. I'm not a fan of epistolary or 'dear diary' novels either, but this was one, in effect.

It featured "transcripts" from a national public radio show about transgender people, and worse than this, it split the story between two perspectives, Allison's and Dana's. It didn't commit the final sin of making those perspectives first person, so I have to commend it for that, but really it was too much. The novel staggered along under all this lard, ponderously crawling, and it was stuffed with horsehair (that's the closest I can get without being foul-mouthed).

Judith Ivey's Boston-accented reading voice failed to help as well. It was awful to listen to, and I found myself tuning it out from time to time, and missing the story. After twenty percent, I gave up on it, so based on the short exposure I had, I can't recommend it. Your frequency may differ!


BALLS It Takes Some to Get Some by Chris Edwards


Rating: WARTY!

This is a review of a book for which I was allowed a review copy, for which thank the publisher!

This is the first of a disappointing pair of transgender books I'm reviewing today, both written by guys named Chris! The blurb for this book is as misleading as they get. You can't blame the author (Chris Edwards, not to be confused with author Christopher Edwards) for this because they have nothing to do with their blurb unless they self publish, but I did want to mention it as a point of order, and because it's something out of the author's hands that can seriously and negatively impact the very book the author has written.

The blurb says "At a time when the term transgender didn't exist...Chris Edwards endured 28 surgeries to become the person he always knew he was meant to be." The problem with this is that this book covers the author's experiences in changing gender largely during the nineties and into the early oughts (although it references some time before), whereas the term 'transgender' was coined in 1965, which was, I'm roughly estimating, about five years before the author was born) and was in common use by the seventies. So common had it become by the nineties that in 1992, the International Conference on Transgender Law and Employment Policy had codified a definition of it! So no, the blurb is outright wrong here.

I really wanted to like this book because I loved the title. It was when I began reading the first chapter that I began to realize I should not have loved the title so much. I really didn't like the first chapter, but it improved after that, and so I had mixed feelings as I read on. Although it continued quite strongly from there on, it seriously deteriorated the further I read, and by the end, I didn't even want to read the epilogue and that's where I stopped.

For me the book was at it's best when it described the struggle the author went through to get where he needed to go, which was from the fabulously-named Kristin Eskandarian, to the end goal of Chris Edwards. Determined he was and suffer he did, and I suffered with him (after a fashion!) but enjoyed the experience while it lasted. Every fundamentalist who thinks being gay or transgender is a "choice" needs to read books like this to get themselves an education. No one chooses this ostracism, punishment, struggle, emotional overload and physical pain. No one wants it. No one wishes for it, but some must endure it, and amongst those are people who cannot do right by themselves until they have corrected, to the best of their ability, a heartless trick of nature. This author is one of those people.

Religion just pisses me off, frankly, which is why I had a hard time reading, towards the end of the book, this musing: "I always wondered why God made me transgender." This blind belief imposed by society on everyone from birth (well they try) that some magical being has a plan for all of us is delusional. It is also a burden no one should have to endure, because it makes life harder and inexplicable when you have to accommodate a big bearded giant in the sky. It forces questioning statements like this out of people because when you let god in, you let rationality out. I can't prove this, but the evidence is all on my side: no god had anything to do with this. It's just nature, screwing-up. Fortunately, albeit clumsy as yet, science has the power to go a long way towards correcting nature's mistakes of one sort or another. No god can help, and anyone who worships a god who would purposefully do this kind of thing to people is worshiping an evil, capricious god not worthy of human intellect or attention in my opinion.

The early strength of this book was in its unflinching reportage of the physical struggle: the inconvenience at best, and pain and suffering at worst. The weakness of it was that there seemed to be no "emotional content" as Bruce Lee so cutely phrased it in his movie Enter the dragon There needs to be emotional content in a story like this and I wasn't feeling it. And while this is a memoir and so is expected to be about the author, the problem was that it was all about him, with very little time or room for anyone else, least of all other people in his position.

We have mention of family and friends frequently, but they are always bit players and they seem to disappear completely in the latter portion of the book. We never really get a feel for what they went through because the author is so intently focused on what he's going through. This really came to a head (if you'll forgive the unintended pun) in the last few chapters where the focus was not on his life in general, his liberation, what he experienced in general as a man, and and how he felt about everything. Instead of that, which would have been wonderful, the sole focus was on his desperate quest to get laid!

This really soured me on the entire book, and cheapened the experience of reading it considerably. While I was hoping for more of the post-surgery story, all I got was this endless quest to find a female and this is when it really brought it home to me that the author was very much a guy. His story was all about balls, but it was balls in the sense of testosterone, and not in the sense of guts. In short, it was the opposite of what I'd hoped for when I first saw this title.

I'd wanted a before-and-after story and in a sense, there wasn't one because for the author, there was only after. There never was a before because he never was a woman except in the most superficial sense. I get that, I do, but there is still a story there, and I kept getting hints of it here and there which were disappointingly brief: about how he felt and how he was treated when he was perceived as a woman as compared with when he brought out the man who had always been subsumed under a female exterior.

I'd hoped for more of a general story of post-op life along those lines, but all we really got was the op. There was no 'post' other than what I just mentioned, which sadly was all about his new "post" if I can put it that way, and it sounded rather desperate and of an entirely frat-boy mentality, which turned me right off. It was this kind of thing which made me dislike that first chapter, too.

There's a sick genderist joke that a man's brains are in his penis, and this memoir played right into its hands. In fact the author indulges himself in this kind of genderism when he writes, "Luckily the testosterone had yet to override the female part of my brain that has no qualms about asking for directions." Seriously? There were several such Whisky-Tango-Foxtrot statements such as: "I wanted my first time to be with someone I really cared about—who cared about me" which felt so hypocritical coming as it did at the end of bunch of chapters which talked only about getting laid - and with not a single mention of sexual diseases and risks. I found myself wondering, more than once, what happened to the woman? And the answer was always there: there never was a woman, not in any sense in this book! It was always a guy!

That kind of thing would have made more sense had it not come after statements like this one: "He then informed me that if I’m with a woman at a revolving door, the gentlemanly thing to do is to enter first and get it going so she doesn’t have to exert any effort. This guy was a true gentleman in every sense of the word, which is exactly what I intended to be." To me that's sheer sexism. A 'true gentleman' may well be what he was, but he didn't give me that impression having read those last few chapters, where it was all about sex, never about relationships, companionship, building trust, shared interests, or getting to know someone before diving headlong into them. Again, these are things guys are known for doing - and juvenile guys at that. There is no feminine side to this.

That quote harbors another issue, too. Are men and women supposed to be treated equally or not? If we are, then women don't get to have doors opened for them, unless you happen to be going out first, and hold it for the next person coming right behind, but in that case, the gender of either person is irrelevant. It's just the polite thing to do. But equality means precisely that - equal treatment for all. You don't get get to have the car door opened, or for men to stand up when you enter the room, or for you keep your purse closed while the man's wallet is perennially open on your date. Otherwise it's not equality, it's privilege, class, and special treatment which is precisely what the suffragists accused men of. Do we really want to go back to that? More on privilege anon.

It felt very hypocritical reading a statement like that above from someone who is, in this very memoir, talking of equality in the extreme: of the right of those who are gender dysphoric to be allowed to equalize themselves as this author was allowed, and to be allowed to be treated as all other men and women when the surgeries are over. That's what equality means. But as long as you're talking about wanting to be "a true gentleman", then you're missing the point! This is not to say men should be allowed to be dicks and jerks. We can still be polite, considerate, and well-behaved, but this behavior should not be considered the sole preserve of the male gender, especially since (some would argue and upon very solid grounds!) men are not even there yet! There's no reason at all these days why a woman should not open a car door for a guy, or why she should not go down on one knee and propose marriage!

The author's family, which had played an important role in the early chapters, were pretty much banished from the second half of the book. No longer was this thirty-year-old guy traveling with his mom for consultations. Family was out, which frankly felt a bit odd to me. Traveling with family for post op help I could see, but for a consultation? It felt more like fiction than memoir, but in the end it was his choice.

The fictional shadow grew darker when I read a statement like this: "Dr. Laub had made it his mission to travel to underdeveloped countries and provide life-changing plastic surgeries to tens of thousands of people." Now I don't doubt that a surgeon could perform tens of thousands of operations over a long career. But I just did a calculation, and over a career of forty years, starting from age 28 (four years of university, four years of medical school, and two years of residency minimum, would put him at 28), a doctor could perform ten thousand operations if he did five per week, fifty weeks per year.

That's not a heavy load by any means, but remember that what we're talking about here is charitable surgery in third world countries, and he wasn't doing those at the rate of five per week for fifty weeks of the year over forty years. He was doing those on trips away from his regular work. Hundreds I can see, maybe even thousands of such operations, but tens of thousands, all of them life saving? No. Just no! Doing such work is commendable and worthy, but let's be realistic about what he does instead of inflating it. We're not Donald Trump after all. To do otherwise is to do Dr Laud a disservice. If he supervised or worked with teams of surgeons doing these surgeries, then I can see tens of thousands over an extended period. But not one man. In fact, working with teams is what he did if you read about his work. Wikipedia describes it as "tens of thousands of life-altering operations gratis." That sounds more like it and does indeed make him a super-hero in my book!

It was slips like this that made me distrust the author setting himself up as a sort of spokesperson for the gender dysphoric. Quite often throughout this book there were directives like this: "You should never ask someone who is transgender if they have had or plan to have surgery."

I didn't grow up in the US so it's not my nature to ask personal questions of people I just met. I wouldn't advise it whether they're transsexual or anything else. I don't even ask such questions of people I know well unless it's relevant and I know they will not mind. This is why I have to wonder if the author is really talking on behalf of all who share his experience, or if this is just how he feels, and he's projecting it onto everyone else.

I don't trust it. That's not to say I'm advising asking the first transgender person you encounter all manner of personal questions. Far from it! It's just that I don't believe that all transgender people are the same (except in that they're transgender!) I believe they're like everyone else: some won't want to talk about it - perhaps the majority - whereas others might well be inclined to discuss it in appropriate circumstances. This author wrote a book about it for goodness sake!

The point that it's their choice, not mine, yours, or this author's, so do not expect that, just because they've had a "weird surgery" that it's up for grabs in the topics for discussion department. And ask only if you know them well, and know they will be receptive to discussing it. Remember they did not have a choice over which body they were born in, but they do have a choice whether to discuss what they did about it. Respect that choice and leave it with them to make!

There was one more thing which bothered me, and which the author made only one mention of in the entire book, and that was privilege. This memoir reeks of it. These operations cost literally thousands of dollars (I won't go so far as to say tens of thousands of life-saving dollars!), and this guy or his family could afford them. He could afford the best, and could fly across country at the drop of a hat to discuss a procedure with a doctor, and pick out the best surgeon to perform it.

I wouldn't wish what he went through on anyone, and I admire and salute him for having the 'balls' and stamina, and the courage to go after what he wanted, but the fact is that, as badly done-to as he felt from being trapped in the wrong body and having to suffer emotional stress, and humiliation, and painful, prolonged surgeries to get the right body, he did have the money and means, and opportunity to get it done.

He was extremely privileged in that regard, but from the way this was written, I got no sense of gratitude or of appreciation from this book of how lucky he was he was or how grateful he was to have been privileged enough to pursue his dream when scores of others in his position do not have the same access he did. In a just world, everyone would have this access if they needed it, yet he writes as though it's a right (which it ought to be, granted!) he enjoyed without any sense of humility that he had this access when scores of others are denied it.

It felt rather selfish and was exemplified in this comment late in the book: "After all I do for everyone else, nobody was helping me." This was after his family had paid for surgeries and accompanied him left, right, and center, and his friends had been amazingly and commendably supportive, and he has a great network of people rooting for him, and he's had the opportunity to get precisely what he wanted in life, and now he's discussing getting laid and this is his comment? As much as I wanted to like and commend a book like this, this is not the one I find I can in good faith, lend my support to. I'm sorry and I wish the author all the best in his new life, but I cannot recommend this account of it.


Tuesday, November 15, 2016

Memory Maze by Gordon Korman


Rating: WARTY!

Audiobooks are hit and miss with me since I experiment with them more. This was a miss. I got to 20% in and gave up on it. The story was ludicrous, which might have made it an unintentionally funny read, but it was far too boring for that, and the boredom was in no way helped by Ramón de Ocampo's reading, which turned me right off. I would have had a hard time listening to it even if the novel had been thoroughly engrossing. It was far too John Green for my taste and the voices were not rendered well.

The story, which is number two (and felt like it) in a series, is about Jackson Opus, who is a master hypnotist. This was a refreshingly original super power to have, but then the author had to ascribe every single historical event to the use of hypnotism and it became laughable - and not in a fun way. Even Abe Lincoln was dragged into it at one point, and I remember thinking, it didn't help save his life, did it? I don't mind stories like this being woven into history, but when the author starts to tie literally every important event into it, it smacks of sheer amateurism and becomes far too stupid to take seriously, or even jokingly for that matter.

I flatly refuse to read any novel which has a main character named Jack, which is the most tedious go-to action adventure name ever to be over-used in literature. Even if the blurb makes the novel sound interesting, it goes right back on the shelf if one of the main characters is named Jack. I think I'm gong to have to add Jax and Jackson to that banned list now. Rather than take action, these people would much prefer to let others bear the brunt and pay the price while they hide out. They're far happier scratching their heads and whining about how Jax needs to become more powerful, but never have him practice anything. They would rather let the bad guy do whatever he wants without taking any steps to out him, and expose him. They're idiots.

This story had "Jax" and his family hiding out a hundred miles from home, living like paupers just to stay safe from the evil villain. Some hero huh?! He's using the cheesiest name imaginable as a non-disguise. His old name was Opus, so his new name is Magnus? Really? No one is ever going to think it's him. He's supposed to be keeping a low profile, but he enters a chess tournament and wins. This kid is a moron. I don't want to read about morons, not even if it's supposed to be funny. Because it's not! That's for parodies, not for original fiction!

The leader of the good guys has abandoned all his followers to support Jax, and his followers are being bumped-off. All they had to do here was to get on a rooftop with an AK 47 and take out this guy, but of course they can't do the realistic and intelligent thing (in the context of this fictional story in order to save the world from this ruthlessly evil guy). No instead, they have to play fair and it makes the story stilted and artificial and just plain ridiculous.

The big problem here is hypnotism of course, because it can make victims do anything, and then forget they've done it, yet nowhere did I hear of either Jax or his powerful hypnotist guru (who is also hiding) talking or even thinking about how to nullify the hypnotic effect. Jax never gives an ounce of thought to how to beat the guy. Of course as soon as the guy is beaten, that's the end of a cash cow for this author and this publisher, so where's the incentive to tell a realistic story and bring it to a satisfying conclusion? It's far easier to drag this same story out than to come up with something new, original, and inventive. This is another reason why I typically, and with few exceptions, detest series. They're far too derivative, repetitive, vacuous and vapid.

I have better things to read!