Witch Hunt by Annie Bellet

Rating: WORTHY!

This is yet another in a series of short stories by Annie Bellet that I've been reviewing lately. These stories are available for free on Barnes & Noble, iBooks, Kobo, and Smashwords, although I have to say Apple and Kobo seem much more interested in getting in your face than in getting you to your reads.

You can get a sneak preview of most books before you buy them these days, but all you get is the beginning, and while this does clue you in to how the author is going to approach a story (and happily allows you to reject stories which are first person voice as I habitually do!), this gives you no sense of how an author can carry a whole story, or bring it to a satisfactory conclusion, so it seems to me to be a valid approach for an author to put out short stories for free. Karin Slaughter, I'm looking at you!

It's better yet if those stories are somehow tied to an author's main works, so you also get a sense of the entire world in which the main story takes place and might well be more willing to buy one of the other books in that world. I'm not a huge fan of short stories in general. I've written one or two myself (contained in my Poem y Granite collection), and I've read and reviewed a few that were worth the time, but that's it.

I have none that lead into my main novels, and although several of my novels take place in the same world, rest assured I shall never write a series unless it be a young children's series, which I consider more of a theme than a series per se. I have better things to do with my valuable and always dwindling time than to waste it on a repetitive and derivative series, so I have no 'worlds' I've created in terms of fantasy, or sci-fi. In the unlikely event that I decided to take time out from other writing projects, and create short stories set in the same world as existing, full-length novels, I don't think you're going to see this approach from me, vlaid and useful as it is!

This novel I nearly didn't read. I do not like first person novels, of which this was one, although in this case, the author carried it pretty well, so it wasn't nauseating. it did not, however, make any sense since the person narrating the story neither spoke nor wrote, which begs the question as to how the story got told in the first place! But I let that slide! Strike one avoided.

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I am not a fan of series unless they're especially good and for me, fantasy rarely falls into that category, but sicne this wasn;t the series but a glimpse into it, that was strike two avoided! Strike three was what brought this down in terms of my having any desire to go on and read further. I flatly refuse to read any novel which has any of the following words in the novel or series title: 'chronicle', 'cycle', 'saga'. There are probably other trigger words, too, but these are the ones which first come to mind. This one was of The Gryphonpike Chronicles, so that kills it right there!

It began with the usual trope characters - elves, pixies, goblins, ogres, humans and so on, a tired cliché which typically makes me laugh. Annie Bellet writes well though, so I'm willing to grant her more leeway than I would many other authors. Except at one point she writes one character saying, "Makha and I consulted maps. We have solution" and I had to wonder about the juxtaposition of the correct grammar in employing 'Makha and I', followed by the pigeon English! It really jumped out at me and reminded me that I was reading a story. This was a minor issue lost in the large problem I have with fantasy, so I let that one get a free pass.

The story revolves around a group of misfits who are trying to earn a living by solving people's problems as roving trouble-shooters, but they've dilly-dallied too long on their journey, and now need to get to a guild city soon to pay their dues or they'll be in trouble. What that's about went unexplained, but they end-up going to a small city which evidently has a witch problem - as Sherlock Holmes might describe it, it was in fact a three-witch problem.

The band battles the witches, wins, and is heavily worn out and wounded but none of them die. That's it! Like I said, this kind of thing is just a bit too silly for me to want to read a full-length novel (let alone a whole 'chronicle' about it, but in terms of carrying a story, and in terms of laying out a glimpse of a world that others might want to pursue, I consider this a decent job and a worthy read.

Winter's Bite by Annie Bellet

Rating: WORTHY!

Winter's Bite is a beautifully titled, good old story. It's short and bittersweet, and it has an ending that really isn't an ending, but this worked well, as it happened. This is another free short story by Annie Bellet available through book outlets and one that presumably introduces us to another one of her fictional worlds. I've had consistently goods results with this author.

Ysabon is a retired warrior woman, living on the outskirts of a village in a fantasy land, running a forge and helping raise two girls and a boy with her brother. She's hardly antiquated, and is still physically active, but she feels the weight of her years and the slings and arrows of outrageous fortune from her adventuring days, and old wounds. When a party skis by (the story takes place in in dead winter), heading off to the nearby garrison, to report the forays of a pack of Widowhulks, which are some sort of intelligent, hairy hexapod with a thirst for blood, they ask Ysabon, who is known for her military past, to accompany them, but she refuses, saying she's too old.

Instead, her nephew volunteers to go. She resents it, but can't stop him since he's a grown lad. It's not long before he comes back, reporting that their party was set upon by the widowhulks and he can't be sure anyone got through to the garrison. Ysabon now realizes that it's up to her, because if no one goes, then the widowhulks will simply keep on laying waste to the villagers until no one is left. She cleans her old sword and sets out with her nephew, and along the way they encounter a wounded survivor of the previous party. The story ends with her nephew heading off across the river to the safety of the garrison while Ysabon and the survivor turn to face-down the widowhulks, and hold them off at least long enough for her nephew to report the village's predicament.

I liked this story and the ending, but I had some issues with it from a writing perspective. The major one was the widowhulks. Authors often make a mistake when writing about predatory animals, making them endlessly hungry and bloodthirsty. It's rarely realistic. Predators rarely prey. When they do, they prey only on what they need to eat, and then they back off and idle their time away until they're hungry again. To portray them as endlessly bloodthirsty and dedicatedly hunting down humans is ridiculous on the face of it.

Yes, they do sometimes hunt humans, and sick animals sometimes go off the reservation, but we're not the natural prey of any animal, and it's rare for them to attack humans, especially just for the hell of it rather than for a needed meal. That said, these are not your usual predators that we're familiar with from Earth. Maybe they are more human than animal, in which case they may well have a legitimate agenda in harassing the human population. There isn't enough in this story to determine what's going on, so I was willing to let it go, but it would have been nice if the author had addressed this, however briefly or in passing.

The only other complaint would be the incomprehensible sentence I found on page five. Ysabon is advising the initial ski party on how to avoid this dangerous pack of widowhulks and she says: "Your best hope is speed. Safety might come with numbers, but with that many widowhulks out there, the only chance to reach the garrison before the hunting group finds you." The sentence looks like it needed to end with two more word: is speed. Either that or that last clause ought to have begun "speed is the only chance" or "it's the only chance," but I can forgive a mangled sentence here and there. We all do it. It's harder to forgive if there are many such mangles in one short story, but this author has not proven herself prone to that kind of sloppiness.

In short I liked this and the world where it was set sounded interesting.

Flashover by Annie Bellet

Rating: WORTHY!

This is another short story by Annie Bellet set in one of her many worlds. I liked the first two I read, so I decided to see what else she has out there, and she has several short stories tied to one or other of the worlds she's created, each one serving as a peek inside, each free as of this writing.

As I mentioned in other reviews, I think this is a good idea. It lets you get your feet wet without being soaked with price tags for books you don't like! Karin Slaughter could take a leaf out of Annie Bellet's book! I liked the previous two I read and this one, a fantasy, began in a likable manner, too, despite being first person - a voice I really don't enjoy, particularly in YA fiction. This isn’t YA, though and the voice fortunately wasn't nauseating.

This world is that of Remy Pigeon, who is a psychometrist. One morning he's visited by a fire elemental which has taken over a young woman's body for the purpose of attracting his attention. It works. I have to say at this point that I didn't like Remy. I think this first person approach taken here is to set-up the story like the old-style private dick novels where the PI tells the story in a male chauvinistic and hard-bitten style. For me that doesn’t work because I've never been attracted to that style of story-telling. It makes me laugh at how pretentious and self-important it is, which tends to spoil the drama of the story!

So the fire elemental's problem is that someone is making it burn down buildings. I've never bought into this idea that names hold power and if someone knows your true name the have power over you! It's nonsensical, but this is the trope employed here: someone knows the elemental's true name and can therefore control it, and are making it do their dirty work. The elemental resents this, naturally. It's up to Remy to use his power of touch to see if he can find out what these fire victims have in common and who the elemental's name has been told to. Only one of the victims actually knew the name, and she's dead, so Remy can’t just ask her. Thus we have a PI story featuring a psychometrist who does no psychometry, and a serial arsonist who sets no fires!

There was one minor writing issue other than first person (which for me is frankly a major writing issue), and that's when the Remy tells us about his drive across town: "I nursed a complaining Renault, my beater Toyota, across town..." It looks like the author had one vehicle in mind and then changed it, without deleting the old reference! No biggie. We've all made goof-ups like that one! I don’t care about screw-ups like this quite frankly (it's a Renault BTW), if the author is telling me a decent story (or even an indecent one). I do care if the story is larded with them, but I readily forgive minor gaffs for a good story. Yes, my name is Ian and I'm a book slut! Welcome Ian!

The story felt like ti was a bit too short and too easy, but other than that, I liked the story for what it was. It's not something which would lure me in, because I'm not typically a series fan and I didn't like Remy who seems a bit obnoxious when it comes to women (no wonder he gets no dates!) and a bit ineffectual in what he does, but the story itself was a worthy read.

Delivering Yaehala by Annie Bellet

Rating: WORTHY!

This is one of two short stories by Annie Bellet that I will review today. Both get a worthy rating. They're also both available (at least as of this review) for free on Barnes & Noble, iBooks, Kobo, and Smashwords, although I have to say Apple and Kobo seem much more interested in getting in your face than in getting you to your reads. This author has quite the oeuvre, and some of her other materials are free, too.

This short-story-for-free idea seems to me to be a good one. Yes, you can get a sneak preview of most books before you buy them these days, but all you get is the beginning, and while this does clue you in to how the author is going to approach a story (and happily allows you to reject stories which are first person voice as I habitually do!), this gives you no sense of how an author can carry a whole story, or bring it to a satisfactory conclusion, so it seems to me to be a valid approach for an author to put out short stories for free.

It's better yet if those stories are somehow tied to her main works, so you also get a sense of the entire world in which the main story takes place and might well be more willing to buy one of the other books in that world. I'm not a huge fan of short stories in general, but I've written one or two myself (contained in my Poem y Granite collection), and I've read and reviewed a few that were worth the time. These two are definitely worthy. I found it interesting that both of the stories told a similar tale: a young woman scavenging for a living, scarred, outcast, in danger, who ends up rescuing someone. Despite the underlying theme being the same, both stories were well-told and happily different.

This particular one is a fantasy tale set on a different world where unicorns and other exotic animals exist. Set iIn a land delightfully evocative of the Middle-East, a young woman named Alila, who is an outcast from her own people, is harvesting frankincense from trees which dangerously overhanging a precipitous drop. She spies a rider on a horse.

At first suspicious and fearful, Alila discovers that the rider is a princess royal, and a pregnant one at that, and in dire straits at that! She is apparently with a male child and this is why she is on the run. She's part of a harem, and the oldest member of the harem fears the younger woman's ascendancy if she provides the male heir which the older woman could not. Killing the pregnant Yaehala seems like the best solution. It feels like a twisted take on Henry the Eighth!

Against her better judgment, Alila takes it upon herself to escort the princess to the coast, where Yaehala's own people will take care of her until the child is born. At that point the threat to her life will transfer to the child, and she will be safe! The two bond as they ride together, pursued by the ruthless minions of the older, vindictive princess. I liked this story for how evocative it was of the world, and for the realism of the adventure even as the story was imbued with imaginative fantasy elements. Alila was never portrayed as Supergirl, but she was strong and resourceful and Yaehala's story was authentic.

I'm not a fan of stories that have a woman's name in the title. They pretty much uniformly tend to be a waste of my reading time, but I do have a fondness for stories which sport a name on the cover which is not the name of the main character because I did this same thing with my "best seller" Femarine. I call it a best seller not because it actually is, but because it generated more interest than anything else I've written, and I am still trying to work-out why! But that's just me. This story, Yaehala, was a really enjoyable one, and has attracted my attention to this author. I will be pursuing the perusing of more stories from Annie Bellet!

Lydia's Golden Drum by Neale Osborne

Rating: WORTHY!

Disclosure: After I positively reviewed (yes, I'm positive I reviewed it!) Neale's Lydia's Enchanted Toffee back in November 2015, he and I became email friends, so I am definitely biased here, but I loved this book! The writing is so rich that you feel like you've eaten a tin of toffee by the time you're done reading. You might even get an empathic if not emphatic tooth-ache!

If I had a complaint it would be that the book felt a little bit long, which was fine with me since I was very much into it, but which might not appeal to some readers. I also felt the print version might have been kinder to trees in being a little more compact (the lines were widely spaced), but I have that complaint about a lot of print books, including my own, which is why I refurbished them all last year.

That said, this book is poetic and rich, it's endlessly inventive to an amazing and humbling degree, and it was a joy to read. Lydia is once again called into action with her toffee tin drum and magically empowering toffee, which gives her control over metal (probably including metal dental fillings!). The Jampyrs are evidently on the move and someone has to stop them. Lydia's journey involves meeting up with friends and traveling her Candi world to collect the tools they will need to defeat the horrific jampyr menace and save their planet. Can she succeed? Can she suck toffee? I think you know the answer to that! I recommend this one. It's a sweet read....

Messenger by Lois Lowry

Rating: WARTY!

This is the third in Lois Lowry's "The Giver" quadrilogy. I negatively reviewed the first, The Giver back in April 2016, and now I'm certainly not planning on reading the other two in the group: Gathering Blue, and Son. This one can at least be read as a standalone, but like in The Giver, the world-building here sucks! And monumentally so.

Main character Matty was far too much of a Mary Sue in this novel, and while it started out decently well, it went on too long (despite being a short novel!), and it dwelt so long in the horrific gore of the forest that it was sickening. The end was so predictable that it was even more sickening. Even the puppy lived!

Matty is the adopted son of 'Seer'. Every adult in the village has a really dumb-ass "true name" given to them by "Leader" who is head of the village. Let me just interject at this point that I'm not a fan of this "names have power" bullshit or of the "true name" fallacy. I laugh at stories that follow those tropes. Names do have meaning but that's not the same as saying they have, much less give, power.

Matty wants to be named Messenger, but doesn't get his wish. Instead he gets a predictable and different name. Read pretty decently by actor David Morse, the story's material and plot let it down badly. They were drab and lifeless, and ultimately boring. The village was sad-ass, but we're told - not shown - that it was a happy and comfortable place. As the story takes off, we're being hit over the head with the regularity of a metronome by how much it is changing for the worse. It's as if Donald Trump got elected and the entire country began rejecting huddled masses and becoming very insular and closed-off. Oh wait, that really happened!

Despite all these people having gifts, they're hobbled in a trope way by not really being able to use the gifts to any great advantage. Some of the gifts make no sense. One guy is called Trademaster and is in charge of the villagers trading their personal goods with each other. I'm sorry, but what? What the hell that's all about is a mystery, and I found it laughable. So anyway, Seer doesn't see a whole heck of a lot especially since he's predictably blind. Leader, who is also a seer, can't see very far into the future. Why the author called one of them Seer but gave the power of seeing to a different character is a great mystery!

The village, which is called Village, is surrounded by a dense and increasingly hostile forest which is called Forest. Seriously? Donald Trump clearly took his manifesto from this novel because the villagers have decided to build a wall around the village and not let anyone else in. Why anyone would even want to try and get in, given the nightmarish and brutal forest and the asinine way village life goes on is an unexplained mystery as is everything else in this story. It suggests that the rest of the world is in even more dire straits than is the village, yet when we see another part of this world, there is no problem with it! It's just like Village minus the psychoses and psycho forest.

The villagers have tools and fire. There's no reason they couldn't burn down the whole forest and sow salt on it, but they never think of it. They simply accept it. No explanation is given for this, either.

Maybe some of these things are explained in the previous two volumes, but they sure aren't here. The only thing of any interest at all in this story is Matty's last minute desperate dash through the forest to bring Kira, Seer's daughter, back from outside into the village so he can see her again. How selfish is that? She left the village and though she said she would return, in several years she's made no effort to do so, and now Seer essentially wants her dragged back through a dangerous forest with no warning, for his own selfish ends? What a jerk!

Matty, who has always been able to pass through the forest unharmed, now finds that it's attacking him. Why there is this change is unexplained, Why the forest is alive and hostile is unexplained. This portion of the novel just went on and on with increasingly obnoxious descriptions of pain and torn flesh, and suffering that I could barely stand to listen to it. It contributed nothing to the story, and it was all washed away and undone by Matty's magical power which we'd been told about right from the start, so no surprises there.

If this novel had been a first-time novel by a new writer, it would never have got published. I'm just sorry it ever did.

Miss Kane's Christmas by Caroline Mickelson

Rating: WORTHY!

Closing out the year on a nice positive note, This is a typical Christmas "need to change your outlook" kind of a story as exemplified in books such as A Christmas Carol, and in movies such as It's a Wonderful Life which I took delight in parodying last year, and Miracle on 34th Street, of which I think the original was better than the remake. It involves a couple falling in love in only two or three days, and a very pushy woman winning over a determinedly anti-Christmas single dad. So why did I like this one, and reject the other one I'm reviewing today? It's a matter of perspective. The other one put a completely unrealistic plot into a real life situation, and this one put a perfectly plausible plot (in the story context) into a fantasy. The latter works. The former never will unless you're writing an absurdist comedy and not a romance.

It's the very fact that this is a ridiculous fantasy that means you don't take it too seriously, which is why I don't get some of the negative comments I've read about this. It's like complaining that Cinderella would have been far too uncomfortable in glass slippers (when they were, in the original story, fur anyway!), or that wolves can't even talk, much less huff and puff, and blow down a house. You can't judge it seriously, and like a children's story, you need to accept it within its own frame of reference, not in some adult reality frame of your own invention. It feels rather like these critics are trying to argue that you can't change a young suicidal person's mind, so leave 'em alone and let 'em get on with it!

No, you don't let an otherwise perfectly healthy young suicidal person get on with it even if they really want to, and in a world where Santa is not only real, but has a family, you can't let a guy rob his kids of the fun of Christmas. You have to hold an intervention! This is why I can like this story and reject the other one, because within its fantasy world, this story was plausible and fun. Yes, Santa's daughter was pushy, but she didn't want to be there in the first place, and was focused solely on getting this task done and moving on. She never expected to be won over by this single dad's love for his kids or his level of patience with her. It wasn't great literature. It wasn't authentic reality. It was a fairy tale, and it was cute and fun and funny, and I liked it. That's all there is to it.

Zathura The Movie Deluxe Storybook by David Seidman

Rating: WORTHY!

Chris van Allsburg is the author of many interesting books, not least of which are Jumanji from 1981 (about to be remade into what looks like a disaster of a movie for 2017), and The Polar Express from 1985. Lesser known is his Zathura which was published in 2003. It had many similarities to Jumanji, and like the other two, it was also made into a film. It had nowhere near the success of the other two, but it featured a disturbingly youthful Josh Hutcherson and Kristen Stewart before they took each off in different trilogies.

Zathura is a board game that comes alive when its played, and the only way to escape its clutches is to finish the game, just as in Jumanji, but this is a different movie with its own peculiar twists and traps. This book isn't the original, but one taken from the movie, featuring movie stills and following the movie plot rather than the original author's illustrations and plot. I liked it!

On a point of order for the Polar Express movie, I have to say that Eddie Deezen's annoying little character was totally wrong about the engine. It wasn't a Baldwin, it was a Lima, although the wheel arrangement, 2-8-4 was correct. Baldwin merged with Lima, but this was after Lima's steam-engine building days were over. The train which inspired Chris van Allsburg was owned by the Pere Marchette railroad and was designated as number 1225, which is also the date of Christmas! Now you know the idea for a great story can quite literally come from anywhere if you keep yourself open to it!

The Mighty Zodiac Starfall by J Torres, Corin Howell, Maarta Laiho

Rating: WORTHY!

Note that this is from an advance review copy for which I thank the publisher!

In the fantasy world of Gaya, where animals are human (and in a refreshing change, the rabbits are evil!), the great dragon guardian of the sky - which curiously looks just like a constellation! - dies before the replacement is ready, and the rabbits, which had been banished to the moon, are free to come down to Earth. The fall of the dragon was literally a star-fall, hence the subtitle of the graphic novel. Six stars came down, and if the rabbits can destroy them all, then chaos will reign.

The only thing standing in the way is the once Mighty Zodiac. Refreshingly based on the Asian zodiac (Dog, Dragon, Goat, Horse, Monkey, Ox, Pig, Rabbit, Rat, Rooster, Snake, Tiger) instead of the western one, that's about as far as the story delves into Eastern beliefs. The Asian zodiac is tied to the twelve-year orbit of Jupiter, and the animals are associated with "elements" such as water, metal, wood, fire, etc), but none of this impacts this story.

The eleven non-evil warriors are dispatched to recover the stars, to keep them safe from the machinations of the "rabbit army" which sounds scary and looks scarier! The eleven don't necessarily get along, and there's friction and politics, but in the end they pull together. The story continues in other volumes. This was well-illustrated by Corin Howell, beautifully colored by Maarta Laiho, and nicely written by Joseph Torres. I recommend it as a worthy read!

Trolled by DK Bussell

Rating: WARTY!

Errata:
p21 "as it the job was formerly known." an 'it' too many?
p32 "bicep" should be 'biceps'
p49 "Begging your counsel, my Queen," sounded very odd. Begging your forgiveness, maybe? Begging your consent?

Note that this is an advance review copy for which I thank the publisher. I like this publisher, and when I was asked if I would review this, I thought it was by the same author of a previous novel I'd read and liked, but this one isn't. It's apparently by a relative, and the story did not impress me for a variety of reasons. I am not a huge fan of fantasy, but this one at least sounded like it might be different, which is the reason I decided to read it. Unfortunately it wasn't different at all, and was heavily invested in your usual trope and cliché common to fantasies.

The twist here was supposed to be that modern young adults who were into Live-Action Role Playing (LARP) fantasy games passed through a magic portal into a real fantasy world, but this was not impressive, and was a fail for me. Plus it felt like the "white savior" story wherein a white person (usually a guy, but in this case a girl) offers salvation to a native population. I'm not impressed by such stories. There was one character in a wheelchair, which was commendable on the face of it, but the idea of maneuvering a wheelchair through a wild forest made the idea rather ridiculous. It would have been better had the character been on crutches or something like that.

In order to bring the fantasy, the author used the occasional odd phrase, such as: "The mighty buck's hooves pounded steady against the earth, his mane flowing like warm streaks of honey" which sounded strange, but whatever. The weirdest one was "As she watched the scorpion strafe from side-to-side her mind went back to Epping Forest." Unless the scorpion is shooting a machine gun or dropping bombs, then it's not strafing! One does not strafe from side to side!

Other parts of the story simply took me right out of suspension of disbelief, such as when I read: "He held up a fist and the signal echoed back through the ranks, bringing the remaining army of three-hundred trolls to a halt." My question here is why would trolls in a fantasy world use the same hand-gestures that modern military use (at least according to popular TV and film)? It made no sense to me, and it wasn't the only thing I had issues with. Another example was, "The scorpion returned the favour by slashing Terry across the head with his pincer, landing a cut just above his hairline." The issue here is why would the giant scorpion do that rather than simply take his head off? It's obviously because the author can't kill off this character, but it once again took me out of suspension of disbelief. There are ways to write scenes like this and give your essential character an escape from almost certain death, but it needs to be more realistic than this to work for me.

A similar case arose with the magical "home tree" - another trope, having elves live in trees. The tree was called Elderwood, and I read of it: "Elderwood had enough magic left in him to aid his allies' escape. As soon as they were at a safe distance he cast a spell through his roots that turned the soil beneath the enemy into quicksand, swallowing the trolls and dragging them into the suffocating mire." This was after the troll attack. My question here is, if Elderwood had this power, why didn't it get used as soon as the trolls attacked and have them taken out? Obviously, it was because there has to be some trope sword-fighting and blood-spilling here, but again, it jumped right out at me and interfered with my enjoyment of the story.

The idea of a strong female character always appeals to me, but to have some girl who has no interest in fantasy suddenly become the champion of the fantasy world makes no sense. No doubt at some point in this 'saga' she will turn out to have elf blood in her (how this cross-species fertilization is supposed to work is another mystery!), but even if she did, this is no guarantee she would be a great warrior!

As I indicated, this is intended to be a series, which to me is just another reason for me to avoid it! I'm not a fan of series. Although sometimes one comes along that is worthy of reading, in general, they tend to be derivative, repetitive, and uninventive. In short, they're boring and a lazy way to write. And because this is part of a series, it ended rather abruptly, the assumption being that the reader will continue on with volume two. I don't have the enthusiasm to do that, and for the reasons I've indicated, I can't recommend this as a worthy read, but I wish the author well with it. Maybe others will find it more entertaining than did I.

Bad Machinery Volume 1 The Case of the Team Spirit by John Allison

Rating: WORTHY!

Note that this review is based on an advance review copy for which I thank the publisher.

Bad Machinery is exactly what it says! It's totally bad-ass and hugely hilarious. But let's not confuse the case of team spirit with a case of liquor! These kids are only middle grade after all. This book, one of a series, is set in a Grammar school in England, and it's a locale with which I am intimately familiar having attended one myself. The story is set in Yorkshire, where my parents were born and raised, and I grew up next door, in Derbyshire. Non-Brits may need some remedial assistance on the lingo, but most of it isn't hard to understand. The graphic novel is evidently composed of webcomic dailies.

I adored this story. Every one of the characters is one I wish I had known at my own school, but alas and a lack of them was what plagued me there. Charlotte Grote, Jack Finch, Linton Baxter, Mildred Haversham, Shauna Wickle, and Sonny Craven are the weird, whacky, and charming students dealing with assorted life crises in their own peculiar ways. Sometimes their agendas conflict and other times they align.

The big deal is that a Russian owner of the local soccer club is trying to demolish houses to build a new stadium in their place, but this Russky seems to have pissed-off the mother of all bad luck, as becomes apparent when a satellite crashes onto the football pitch in the middle of a game, and assorted other disasters befall him. Plus Mrs Biscuits is also Russian, but not interested in rushing anywhere. She refuses to move from her home which sits, of course, right in the way of the Russian's plans to raze the land and raise a stadium. Two of the girls decide to make her the subject of a school project.

Each character has their own cross to bear. Shauna's, for example, is her slightly dysfunctional younger brother whose favorite non-word is BORB. Linton is plagued by his overly attentive mother and his fear that the beautiful new soccer stadium may never materialize. Sonny's father misses his own brutal grammar school days which appear to have been the inspiration for Michael Palin's Ripping Yarns, specifically the episode titled Tomkinson's Schooldays. Jack suffers an older sister who attends the same school and dispenses remarkable advice like, "It's a good idea to shave off your eyebrows" and "be sure to wear eye-shadow for gym." I fell in love with Charlotte though, disgusting as that is, since I'm old enough to be her father, but her sense of humor completely slayed me. She is the queen of bizarre observations and off-the-wall comments such as when she wants to discuss the procedure for extracting mothballs from moths.

The story meanders delightfully and abstrusely towards a satisfying conclusion. The art isn't spectacular, but it's serviceable and it got the job done for me. I haven't read any others in this series, but I fully intend to correct that oversight, first chance I get - which wasn't until 2019! I guess I got really busy with other stuff!

The Map to Everywhere by Carrie Ryan, John Parke Davis

Rating: WARTY!

Like the other library print book I looked at recently, I can't really review this one because I made it through only the first four chapters before giving up. They story switched back and forth (or even froth as I originally typed it! LOL!) between the two main characters and it wasn't making a whole lot of sense, much less as it drawing me in. One character, the guy, was named Fin, which turned me right off. 'Fin' is almost as bad as 'Jack' for an adventuring character name and the lack of originality in choosing either of those names frankly nauseates me. I flatly refuse to read any novel where the main character is called Jack on principle, no matter how tempting it sounds. The girl is named Marrill, which is almost equally obnoxious.

This is supposedly a middle-grade book, but the page count is well over four hundred - much too long for a middle-grade book unless the book is exceptional and really has something to offer, and this one didn't feel that way to me. It's also odd that it's so long, because it's not a one book story! It's part of a series, and I sure don't do series unless they're exceptional, so this one loses on that score, too. This authors need to seriously redact their work! OTOH, maybe this is what happens when you try to co-author a novel: it bloats!

As if that's not bad enough, Fin is an orphan who is in search of his mom, and there's a bumbling wizard. Yuk! It sounds vaguely reminiscent of the Terry Gilliam Movie Time Bandits, but it's not Gilliam and it shows. So, based on what little I looked at, I can't recommend it. But also based on what little I looked at, this review may be useless to you and if so I apologize, but I could not get into this book at all, and life is too short to spend pursing things that don't instantly delight you as a reader!

Princess Academy by Shannon Hale

Rating: WORTHY!

I’m a captive audience in my car with a commute that’s not overly long, but which isn’t short either, so I listen to audio books and I tend to take more risks and experiment more with this format than any other. Consequently I have more fails with this format than any other, but it’s worth it to find the occasional gem, and one such book was this one. If there’s one thing I detest in writers it’s a sheep mentality. Instead of coming up with something original (or a refreshing take on an older theme as, say, The Hunger Games trilogy or the Harry Potter heptalogy represented), most authors, particularly in YA, jump right on someone else’s band wagon and turn out sorry clones of existing work. barf. I prefer the author who tosses out cliché and trope and takes the road less traveled, as I tried to do in Femarine, and as this author does here, which is yet another variation on the same theme I varied.

Another audio book to review - this time positively. My problem with princess stories - the kind where a prince is essentially holding a lottery for a bride - is several-fold, not least of which is what it says about the prince: he's so vacuous and shallow that he thinks he can get a suitable lifelong partner in such a critical role through this haphazard means? The other side of that coin is what it says about the princess-to-be in that she's so shallow or so desperate that she's willing to sell out for this guy she never met and will be expected to marry before she even knows him. It's truly pathetic.

That doesn't even begin to cover trope and cliché either. These stories tend to be larded with them: that the most humble, plain, and simple girl gets to win, or alternatively that the girl who least cares about or least expects to win gets to win because she's a special snowflake, and the only one who truly understands the prince.

There's also a really pretty girl who everyone expects to win, but who doesn't because it turns out that the plain-jane is prettier somehow! There's the really dumb girl who is the only one who thinks she will win, and there's a really bitchy girl who we all know will never win. There's also the truly sweet girl who becomes the main character's bestie, and who dreams of marrying the prince, but who doesn't honestly believe she will win. She ends up marrying the captain of the guard or the king's younger brother or something like that. It's tedious. It's been done to death, and any author who continues to churn out this kind of story with no variation and no twist and nothing new to offer is the really dumb girl. Any author who thinks he or she can make a trilogy out of this trash is beyond dumb.

So what I look for on the very rare occasion when I read a story like this, is what I tried to provide in Femarine: something significantly different. This audio book was such a story. It impressed me and continued to impress me because it continued to inject new ideas into this trope and thereby stirred it up significantly. There were some bits that were a touch too rambling and boring, but these were few. Most of the time it kept adding the twists to make it entertaining and engrossing.

What I liked about it was that Miri, the main character, was smart, but not particularly special except in that she learned. The value of books was am important part of the story. They actually played a role in the story and in Miri's growth, and were not just lazy short-hand used by the author to say "Hey, look how smart my character is!" Miri was always learning, and this is what made her stand out from far too many spastic princesses in other stories I've read or read about, and who show zero growth or real smarts.

I liked that the girls weren't the usual suspects in these stories, but the daughters of quarriers (and some of the girls were quarry workers themselves) in a pit which produced a special high quality stones used for important buildings in the cities down the mountain. I didn't like the 'us versus them' mentality (mountain people against lowlanders, where the mountain people were considered primitive and dumb and the lowlanders urbane and cultured), but I did like that the girls were not in fixed groups or fixed mentalities. Relationships changes and morphed, and the bitchy girl wasn't always the bitchy girl. The ending was very different from what you might expect and really turned the story again from the course you might expect.

The thing was though, that while I always feared that this story would go straight to hell in a hand-basket, I always had the feeling that it could completely capture me, and this is what it did in the end, so I recommend this for those of you who, like me, are tired of trope and ready to quit with cliché. Yes, it did have some examples still of that kind of mentality - that the girl must end up with the boy for example, but overall it was different enough and enjoyable enough, and above all unpredictable enough that I consider it a very worthy read. Or listen - Laura Credidio does a decent job of rendering the characters, although her voice was a bit annoying at times.

Lastly, one thing I don't get about this is that it's part of a series. Why? This was a great story and it was told well, and it came to a satisfying conclusion. Why did the author feel the need to ruin all that by dragging it unnaturally, kicking and screaming, into a series? Is she so lacking in imagination that she can't think of a new idea to write about? Let it be known that I have no intention of following the series. As far as I'm concerned, this book stops here!

Blood's Pride by Evie Manieri

Rating: WARTY!

If I'd known that Kirkus rated this one as "highly imaginative" I would never have picked it off the library shelf! I don't think Kirkus ever met a book they didn't like which means their reviews are utterly useless. If I'd also known it was the first of a series I would have thought twice about it and definitely would have no interest in a series after listening to a small portion of this.

Bianca Amato has a charming voice and would be a delight to have a conversation with, but in telling a story like this, she sounded ponderous and slow, and the story itself moved at a glacial pace. I couldn't stand to listen to it, but had I the print or e-version, I still wouldn't have been able to stomach it, so I guess this author is not for me, and I am not for her! The only review I can give is this much: that I gave up on it at about 10% in (or slightly less).

One problem with audiobooks is that you can never tell where the prologue ends, so I ended up listening to much of it, and this served once again only to remind me why I so dedicatedly skip all such prefaces, forewords, intros, prologues and whatever. They're tedious and contribute NOTHING to a story. Enough with them already, you authors! Get on with the damned story!

This one was far too tedious to stay with. Life is short and books like this are too long and too common! Move along! This is not the adventure you're looking for!

Wandering Koala Rides the Phantom Coach by Jeff Thomason

Rating: WORTHY!

This is a weird and wonderful comic book done in reds, blacks, grays, and white, with fairly minimal text. The artwork is engaging, and the coloring really attracts. It begins with a way overly dominant guy leading his girl out of the movie theater before the ending because he knows how it ends and he doesn't care that his girl wanted to watch it to the end.

He tries to play up the delight of finding an early bus which is largely empty as opposed to the crowded one they would have had to ride had they stayed in the theater, but the girl isn't convinced at all. The thing is that this bus is rather unusual, as they discover when the driver, who now looks like cross between Jack Skellington from Nightmare Before Christmas, and The Scarecrow from the Batman comics and movies, will not let them off the bus. Before long, ghosts start to materialize on the bus, and this normal couple now looks to be trapped in a nightmare that seems like it will hold them prisoner until Christmas, if not longer.

I enjoyed this because of the art and the weird plot. The only complaint I had was that the images did not occupy the full screen of the tablet in my Nook app. The page occupied only about three-quarters of the screen, and if you tried to enlarge it, it became a static image which you then had to close before you could swipe to the next page. Not ideal at all, and Nook app is usually a lot better than this. It's certainly a generation ahead of the crappy Amazon Kindle app, but this makes two comics now that I've had this annoying issue with. I recommend the comic, though.

Light by Rob Cham

Rating: WORTHY!

This is a magnificent work of art. Rob Cham is inventive and talented and has produced a visual feast of a comic which needs no words. The story is of a young character who is fearless and adventurous, and who goes out into his literal black and white world looking for something new. Deep in a cave world he discovers it in the shape of five hard-won crystals, each a different color. Along the way he makes enemies and friends, but when he returns and unleashes his treasure, his whole world changes.

The drawings are very detailed, and superbly drawn and shaded, even when black and white. The world is imaginative and the characters, all of them non-human, are fantastical in nature and fascinating. The comic is a hundred pages or so, but seems too short. It flies by too fast even as you take your time reading it. I recommend this comic book highly.

Shalilly by Elizabeth Gracen, Luca di Napoli

Rating: WORTHY!

Note that this review is based on an advance review copy for which I thank the author and publisher.

I was so impressed with this novel that I began to think that the author had been through all of my reviews, made notes of the things which tick me off in YA novels, and then strove to avoid all of them in her writing. It was, frankly, a bit creepy! Obviously she didn't actually do that, but I have to say this was a remarkable read, and hit all the high notes for me (that's an inside joke - you'll have to read the novel to discover what it means!

Elizabeth Gracen has had an interesting history in film and print, and this is her debut novel. It's very good and refreshingly different - playful, inventive, humorous, original, and a truly engaging read. Illustrated with welcome insight by means of a few (too few for me!) delightful images from talented artist Luca di Napoli, this is written in an easy-going, quick-moving style if, I have to add, a little stilted on occasion in the conversations. It tells the story of young Filipina, heir not-so-apparent to the oracle Theano, and of Fippa's young friend Ision, a soldier.

It has a prologue which I skipped as I do all prologues (and I never miss them!). Chapter one launches us right into the middle of things, which is where I love to begin a story, with Ision being cast into another realm and Fippa electing to go after him in an effort to prevent the evil Timeus from succeeding in his plans, which rely on keeping them apart. The first thing Fippa does is to get drunk! How many times have you read that in a fairy-tale?! I was hooked.

Technically, Fippa isn't a fairy, but one of the butterfly girls known as Shalilly, and she really didn't intend to get passed-out drunk on the nectar. It was just so good! I mean come on. Tell me you've never drunk so much nectar you haven't passed out. I knew it! This episode does educate her and strengthen her resolve, however. It was honestly refreshing to encounter a young, leading character who quickly learns from her mistakes, and it soon becomes clear that Fippa is dedicated to her mission, and constantly re-evaluating strategies to achieve her aim. She has a lot going on upstairs and it was so nice to read of a female character written by a female author who had more on her mind than how studly her beau was (not that she didn't have that on her mind, too!). See, YA writers? It can be done! Elizabeth Gracen shows you how!

That's not to say Fippa is perfect though. She has a temper and a jealous streak on which she has to strive to keep a tight rein, and these are traits which do not help her circumstances. Fippa's experiences in Paradigm, the fairy-tale world which she volunteered to visit in order to save Ision are very entertaining, but she quickly becomes disempowered, and a prisoner - and a despised one at that. Now her job is all the more difficult, and she has only her wits to save the day, but she proves equal to the task.

In a page (or two!) taken from One Thousand and One Nights , she tells Ision, who is now ignorant of their critical past, a story in the hopes of educating him as gently as she can. I'm not a fan of flashbacks at all, but this was one way of doing this, and which didn't feel false. It didn't even feel like it was interrupting the story because it was an integral part of it. Nicely done! Some might find this section a bit long, and I confess I missed the Shalilly version of Fippa quite honestly, but never was there any point where I wanted to skip this part.

The humor was a delight, yet the story was also serious. I did find some unintentional humor, but more than likely it's just me being weird. One example I remember was at the beginning, where I read, "Ision felt the horse slow its pace as Fippa placed her hand on his." Now it's obvious what is meant here, but the way it's written, if you're as warped about writing as I am, it can be deemed that Pippa put her hand on the horse's hand. Hey, it's a fantasy - it could happen! And we know the horse was maybe fifteen or sixteen hands, so that's a lot of hands to go around! LOL!

Not that I'm going to downgrade a story for that kind of thing, but as a writer, it's worth keeping in mind that it's not only what you write, but also the way you write it. As it was, this novel was warm enough and such a joy to read that I could overlook more serious problems than this (not that there were any here), and that counts too: your readers will forgive you a lot more if you give them good reasons to!

Anyone who reads my reviews will know that I always find something to carp about, but it was really hard to find anything wrong here. Yes, there was the cliché of the heroic dude with the "gold-flecked green eyes" - gold flecks are way over done in YA literature - but it seemed like every time I experienced a growing fear that this story was going down to tropeville, the author took it in another direction and saved it. Hence my feeling that she'd been reading my reviews!

Sometimes the language seemed a bit overly modern for ancient Greece, such as when Ision says, "...chuck it all...", and other times there were questionable turns of phrase, such as when Fippa says, "What if they could care less if I am returned?" What she meant was "What if they couldn't care less..." Normally this wouldn't bother me because people really do speak like that in real life, but this was not modern life where that phrase has entered common use - it was ancient Greece (or a very near approximation to it), so it felt like this ought to have been more accurate.

The last thing I'd mention is that "I am a girl who has barely stepped foot..." is a pet peeve of mine. I don't like 'stepped foot' because to me it sounds odd and clunky. I know authors write this routinely, but in this particular case, I'd like to argue that the more traditional "set foot" would have been a better choice of words for a charming story like this. It's worth thinking about as a writer, but as a reader, none of this was worth down-grading a novel over, by any means, because it would be mean!

I've been to Greece more than once and I've actually been to the Delphi area. It was beautiful, and the writing really brings out the essence of the country and the scenery without going into excessive detail. The author writes it beautifully, and she depicts the ancient Delphi oracle to perfection in my opinion.

Talking of essence, this novel made me wish I could bottle the essence of how she wrote it so I could unleash it on my own writing! The novel is so good that it almost makes a fellow writer wish for its author to fall on her face in her next outing just so he can feel better about his own efforts! But since I fell in love with the Shalilly (shamelessly and inappropriately so, I confess) I'm going to be bigger than that, and instead congratulate Elizabeth Gracen on a really good novel, and wish her all the best. Grace-n is the perfect name for this author! I recommend this novel highly, and I now I must endure the agonizing (<-Greek roots word!) wait for her next novel! O the Phates! (<-Greek joke word!)

The Wishing World by Todd Fahnestock

Rating: WORTHY!

Note that this was an advance review copy from Net Galley, for which I thank the publisher.

This is an amazingly good middle-grade fantasy novel about eleven-year-old Lorelei (or is she really Loremaster?), a young girl who lost her brother and parents, all of whom she loved very much - yes, even her brother - and not only did no one believe her story of what happened, no one was able to find her family. She was considered delusional for merely telling the truth about what happened, and was referred to a rather sinister psychiatrist.

This explains why, as we begin the story, she's climbing up onto the roof of her old home to try to get inside to find the 'comet stone' which she believes will deliver answers. Instead, she discovers that she's somehow called a griffon out of the peculiar world of Veloran, and he refers to her as Doolivanti. Before long, she's inside the fantasy land, and searching for a princess who can help her defeat the Ink King and return her family to her!

I loved how fast those story moved. It was perfect in that regard, but it wasn't all plain sailing. Pip, the toucan was annoying because he insisted upon duplicating every sentence he spoke! Other than that I had no problem with, and took every joy in the writing until the princess showed up. The attempt to make her speak in a pseudo medieval language didn't work. Maybe middle-graders won't notice or be bothered by this, but it felt fake to me, especially when she said "Prithee, to whence have I come?"!

Whence is a 'from' word, and it incorporates 'from', so you can't use it with 'to'. It's used in the form: "Whence this bounty?" if you should happen across an unexpected pile of gold for example, or a table laden with food. "Whence do you hail?" might be used to ask where someone came from. It's one of those antique words like 'wherefore', which doesn't mean 'where'. It means 'why?' When Juliet says, "Wherefore art thou Romeo?", she's asking why is he a Montague - the family so at odds with her own Capulet family? If he went by any other name, they would not be enemies. But what's in a name? As I said, the rest of the novel was so good that these things became minor considerations.

Kindle isn't known for being a solid app, and often Amazon's process for converting a novel to Kindle format merely mangles it instead. This one wasn't awful, but the Kindle formatting resulted in random lines being truncated half way across the screen, only to resume on the next line down. Also, and quite frequently, the Kindle version took the last line of a page and encased it in a number one at the beginning and a zero at the end, like this:--1 King in the dark. -0. I think perhaps the Kindle conversion process got confused with what was a page number and what was the last line on the page. Hopefully that will be resolved when the final release is published. On my iPad, in Bluefire Reader, the book looked perfect.

Kindle also loves to mangle images, and it did so with gay abandon in this case. The images are at the start of each chapter, and in the Adobe Digital Editions reader on my desktop, the entire book was formatted perfectly. On my phone though, Amazon sliced and diced, and even Julienned the images. I've seen this in many ebooks, and it was the reason I abandoned all hope of migrating images and special text formatting from my book Poem y Granite. I stripped all of the images out and formatted all of the text with the same font for the Kindle version.

One thing I found my imagination running away with in this novel was how Christmas carols seemed to be woven into the story. I'm reasonably sure the author never planned it that way and this is just my over-active imagination at work, but this is the kind of story, like Neale Osbourne's Lydia's Enchanted Toffee which I praised back in November 2015, that stimulates imagination and is the major reason why I'm rating this one a worthy read.

Humans (and many animals, are predisposed to see patterns in things. It's what keeps us alive if we're paying attention, and is part of what law enforcement and the military call "situational awareness." The downside is that it's the kind of thing which also fuels conspiracy theories and inane beliefs in UFOs, the Loch Ness "monster" and sasquatch. On the other side of that coincidence, if people didn't hold such beliefs, I'd never have been able to get away with Saurus, so I can't complain!

But I digress. I was impressed by the mysterious Silent Knight in this novel, and this got me on the Christmas carol track. Silent Knight? So, were the three characters Lorelei first meets, the three ships that came sailing in, or the three kings of orient (it's always three, isn't it?!). When I started thinking of Lorelei and Ripple, the aqueous-addicted princess of the antique language, as the Holly and the Ivy, I realized my imagination was indeed running away! You can warp anything to fit your "conspiracy" if you're willing to shed rationale and logic and let your imagination run riot!

So, before I let my imagination run away any more, let me say that I loved this novel, despite a minor issue here and there, and I recommend it highly. It's fun, it's fast-paced, it's inventive, it's amusing, and it's well worth reading even if you're not middle-grade! I look forward to Todd Fahnestock's next work with warm anticipation!

Aquila the Eagle by Yaa Asabea Boafo, Dennis Owusu-Ansaa

Rating: WARTY!

Note this was an advance review copy obtained from Net Galley for which I thank the publisher!

There are some amazing names here. It's copyrighted to Miriam P Boafo, and nicely illustrated by Dennis Owusu-Ansaa, and this book is for young children. It follows a small family of bald eagles. Dad is described with a pronoun which has an initial cap ("Himself") like this male eagle is a god, but it's his wife who is doing all the work in laying the egg! An eagle egg is about three inches long. That's some size to have to deal with!

The story is accurate in that eagles do mate for life, and they build huge nests over time, so the one depicted here is a starter kit, evidently. Young Aquila appears when snow is still on the ground, and the impression we get is that this story will follow his adventures, but in the end, it was nothing more than a prologue, and I was disappointed in it. Other than the eagle being born and our meeting the two children, nothing happens in over thirty pages!

I first looked at this on my phone, and I have to say that is not the best medium for reading this! The images are oddly broken-up and the text is badly formatted. Viewed in Adobe Digital Editions on a desktop computer, it looked much, much better, and displayed the artwork to full advantage. I haven't seen a print version or been able to look at it on my iPad yet (Net Galley was down when I tried to download to the tablet), but I imagine it will look good there.

The eagles, I have to say, are very anthropomorphized. This will work for young children, but it's rather misleading. Eagles, aside from their lifelong pairing, are solitary. By that, I mean that they don't flock, yet there is a gathering depicted here, and young Aquila is declared special by a matronly wise-old eagle. This story has a religious agenda, and Aquila is evidently some sort of Messianic figure. Eagles can live for half a century, but young Aquila is just beginning his life. He has golden down, which is unusual, and is eating all his food. He's going to grow strong. Meanwhile, we meet Benji and the oddly-named Faithlyn, playing in their house because of the snow and cold outside (eagles nest very early in the year). They see an eagle, a grown one, but do not meet any, so the cover illustration is very misleading.

So my main problem was that the story really isn't a story; it's an introduction, and introductions and prologues are the very thing I routinely skip when reading a book, because they rarely deliver anything that's worth the time spent in reading them. Another problem I had with this is that mom is shown in a traditional role in the kitchen. There's nothing wrong with being a traditional mom, but it's depicted so often in children's books that it amounts to brainwashing girls: you are hereby found guilty of womanhood! You are sentenced to life in the kitchen without the possibility of parole! I wish writers and artists would allow girls to decide for themselves what they will do with their life. Instead, just like the eagles, they're imaged and imagined as fulfilling no role other than one traditionally set in stone - or in this case, in the kitchen - and this when we're about to elected the USA's first female president! We need to ditch that paradigm - or at least show dad in that same role just as often. No dad is in evidence here, other than Aquila's dad, BTW.

Given these issues, I really cannot recommend it in good faith. I wish the writer success in her endeavor, but it's not one with which I can get on board.

Lady Midnight by Judith Lewis aka Cassandra Clare

Rating: WARTY!

This is yet another argument against series. This was a humongously long novel, and the reason for that is that the author evidently graduated Summa Cum Loudly from the Stephen King Endless Education in Verbose Yearning (SKEEVY) school, where it painfully obvious that the golden rule is" "Why use one word where fifty will do?" No one gets out of bed in this world unless it takes a paragraph of minutely detailed description to convey the 'action'.

This is truly sad, because I liked the idea of the novel and was waiting for the novel the blurb described, and it never arrived. The reading voice was that of no less than Morena Baccarin, one of my favorite actors, but ever her dulcet tones couldn't rescue this. She also, on occasion, read too fast. Not that I blame her given the size of this tome, but it made some of the text rather difficult to understand.

Emma Carstairs is, we're told, a Shadowhunter who lives for battle against demons, yet in the one half of this novel I could stand to listen to, there was precisely one brief battle and that was it! The rest of the time, she's leading such a tediously un-entertaining and mind-numbing life that makes my own relatively sedate one look like a summer action blockbuster movie. I honestly could not believe that I was listening to such a herd of paragraphs that were better not heard, but still they came, one after another of soul-deadening detail and palaverously prolix prattle! See, anyone can do it!

I was so sick of hearing about the minutiae of Emma's life that I simply gave up and ditched the book back at the library. I cannot recommend even half of this first volume, let alone a whole series of this. Life's far too short to waste it on the mundane even on a Monday!