Showing posts with label super-powers. Show all posts
Showing posts with label super-powers. Show all posts

Sunday, February 4, 2018

Firefight by Brandon Sanderson


Rating: WARTY!

This is the second in The Reckoners series: Steelheart, Mitosis, Firefight and Calamity. Mitosis is a short pointless story available for free online. I read Steelheart and rated it as a worthy read even though I had issues with it. I'm not a series fan, and I picked this one up used, 'on spec' not knowing if I would like it or not, and in the end, I grew bored with it; with the tiresome first person voice, with the tedious bad metaphors which the author apparently thinks are hilarious, and with the total lack of anything happening for hugely-long periods. The novel takes so painfully long to get anywhere at all that it became tedious to read. I took time away from it to read a couple of library books and when I got back to it, I did not have the heart or the interest to read any more of it.

The story is removed from the abysmally named Newcago where Steelheart reigned, to New York City which is equally irritatingly renamed and where a different "epic" - which is what the super villains are called - reigns. She is known to the professor - an epic who avoids going bad by using his powers not for himself, but through others for good. So the author basically tells the same story over again, but switches everything around to pretend it;s really different, which is all an author can do in a series, isn't it? So, new location, but still a large North American city. This one instead of being covered in steel, is covered in water for no good reason other than that the author couldn't use metal again, right?! Instead of the villain being male, it's female. Oh wow, what a change up! Instead of it being personal for the main character, this time it's personal for the professor.

In short, there's literally nothing new here, and on top of that it was slow as molasses in mid-winter Alaska. I cannot recommend this and I am so tired fo series now that I feel like I never want to try even the first volume of another one.


Monday, January 29, 2018

Captain Canuck Vol 1 Aleph by various writers and artists


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

Captain Canuck evidently has a long history, but I was truly disappointed in this outing, which collects issues 1 through 6 and which was my introduction to this character. I should have realized from the cover image that it was going to be confused and unrealistic. Giant savage mutant polar bears are very much in the realm of fantasy and the disrespect for the polar bear itself was nauseating. As the name of the graphic novel suggests, this is essentially a rip-off of Captain America with sufficient changes made to avoid a lawsuit from meg-conglomerate Disney, and it was not a very good rip-off.

The artwork and coloring was fine enough, but the writing and the overall story was really and truly confusing. Worse, it was all violence and gore with no humor or humanity in sight. Even having read fifty percent of this before I gave up in disgust, I have absolutely no idea what this story was supposed to be about. Chapter one started out strongly with a man who evidently has no super powers but is augmented by technology, going in to rescue people from a burning oil facility. He encounters what appear to be zombies and as you know, anything like zombie is inevitably violent and irrational. This is a tedious trope.

if the man had no super powers, but merely uses technology, this immediately begs the question as to why there's only one of him! Why not train several people like this and make a team? That story would have had a much better dynamic than this one did, but that question (why only one of them) wasn't even asked much less answered.

This was clearly a comic designed for print and not for electronic distribution which begs the questions as to why the review copies are electronic. I'm about ready to quit reviewing comics unless I can get a print version or unless the comic is specifically aimed at the ebook market. Publishers and comic book creators simply have not got their heads around the ebook concept, and graphic novel publishers who ought to be all over it seem slower than other forms of publication for reasons which escape me.

Thus pages 11 & 12 are a double page, but there's no obvious indication of this, so I'd started reading straight down the page before I realized it went over two pages. The amusing thing was that it made just as little sense whether you read down each page individually or read right across both pages and then down, which involved a lot of swiping back and forth on a tablet reader.

The fact that some panels seem to run off the edge of the page is no guide because on page 12 there's one that runs off the edge and looks like it might go to a second page, but it doesn't! Logic? You're not welcome in this layout! Readability? Thou art banish├ęd! The same kind of thing happened on other pages. Clearly the designers were so focused on trying to make the individual pages look so 'edgy' and 'kewl' that they completely forgot that actual people have to read it and make sense of it. If they so obviously don't care about the whole reading experience, much less about the electronic version of it, why should I care about what happens in their comic? Really?

The story quickly became lost in itself, with Captain Canuck blundering around blindly trying to find the people he was supposed to be rescuing, little progress made towards any actual story-telling. Their only escape seemed to be down a toxic waste chute, which begged he question, what toxic waste? This was an oil refinery, They're so mercenary in such places that there is no waste. They use literally everything for something to reap every buck they can from the oil, and while oil and gasoline are toxic, it's not the kind of toxic that was suggested here. And any word on the environmental impact of such a fire? Nope. Who cares about the environment? And this is Captain Canada in effect? That was a bad miss.

Chapter two was worse. We got a confused flashback which brought the story to a screeching halt and contributed nothing to it except to add a meandering and unnecessary backstory. I detest flashbacks for that very reason. I plowed on gamely for another couple of chapters until I was halfway through this, but gave up because the story wasn't getting any better and it wasn't remotely entertaining. I cannot in good faith recommend this.


Saturday, January 27, 2018

Incidentals Powers, Lies, and Secrets by Joe Casey, Larry Stroman, Rob Stull, Snakebite Cortez


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

This continues the ongoing story of a meteorite storm, and the super powers some people evidently developed as a consequence. The titles are rather variable in appeal and quality because they're all done by different teams, and while some have been great, others have been lacking. In short the whole series has been a bit patchy and this one just squeaked under the wire into the safe zone, based on the fact that it was a decent story by Joe Casey that melded well with the others I've read.

In terms of the graphics, I was less thrilled, but it was hard to pin down exactly what the problem was. From the illustrations in the back, it looks like Larry Stroman's pencil work is up to par, but perhaps these demo illustrations aren't the same quality as the ones actually employed in the panels. I don't know. The images looked unfinished in many panels. Fortunately, graphics to me are not everything. I mostly fread books that are all text, os to me the story is most important. There has to be an engaging and coherent story, and while good graphics can't make up for a tale poorly told, less than stellar images can get by with a good story behind them.

In this one we meet a team which is dedicated to 'rescuing' the enhanced humans from the selfish clutches of those who would employ them for less than altruistic purposes, shall we say. For this they use an enhanced who has the same power which Jamie Chung's character, Clarice Fong aka Blink, has in Marvel TV's The Gifted. I would really like to see this series distance itself from The Gifted, but it continues to parallel it in terms of the powers which these enhanced people have.

That said, it makes for a worthy read for the most part and this particular issue, artwork notwithstanding, is a welcome addition to the series.


Wednesday, January 24, 2018

Marvel's Black Widow: Forever Red by Margaret Stohl


Rating: WARTY!

This was another audiobook fail that I found at the library. It was not what I hoped for at all. Black Widow is very much a comic book character, but she was really brought to life for my by Scarlett Johansson in the Marvel movies. She's going to have appeared in more of them than Samuel Jackson by the time she's done! The problem is that this novel isn't really about Black Widow. Instead, it's Ava Orlova (which you might find funny when you realize that reader Julia Whelan pronounces that last name as 'all over'!). It's about her and Alex Manor, not about Natasha. She appears, but pretty much as a minor character, so the book is rather a bait and switch deal and it's really not well written for someone who is supposed to be a best-selling author.

We're promised in the blurb that we're getting "the untold story of Black Widow for the very first time," but blurbs lie! In an introductory portion, Natalia Romanova goes to assassinate her mentor Ivan Somodorov, and ends up rescuing Ana. She unaccountably promises to be there for Ana, but then avoids her for a decade. Meanwhile Ana seems to have been doped with something right before she was rescued, so maybe she has super powers, maybe not.

Ana begins falling for Alex, who she meets by accident, but feels drawn to since she'd dreamed of him without knowing who he was. Inevitably Ana and Natalia come into contact again, but by this time I was so tired of this limp story that I quit listening, and I returned it to the library to make someone else suffer it instead of me! Mwahaha! Ivan Somodorov has nothing on me when to comes to torture!

So everything I loved about the movie Black Widow was missing from this book. The action scenes were perfunctory and unimaginative, and the story was pretty pathetic. I can't recommend it.


Tuesday, January 2, 2018

Mitosis by Brandon Sanderson


Rating: WORTHY!

This is a free (as opposed to fee!) short story published as a filler between this author's Steelheart, and book two in The Reckoners series, called Firefight. The story features David, aka Steelslayer, one of The Reckoners - the people who fight against the Epics, which are the super-non-heroes. The problem with gaining super-powers in this world is that once you use them, you go bad. No one knows why. The only way to use them and stay good is to gift them to others who can use them in your name.

In this story there is a brief introduction with David and another reckoner buying hotdogs, which is rather boring. I don't get this obsession with hotdogs, so it was meaningless to me. The author should have put it in a prolog so I would have known to ignore it! LOL! David and his friend are heading to the city gates where people are screened as they come into the city. The main reason is to catch people who simply want to start a life of crime in the clunkily-named Newcago, but also so The Reckoners can catch Epics and Epic sympathizers who might be trying to sneak in. Why the Epics wouldn't simply come over the walls goes unexplained.

Anyway, David is suspicious of this one guy who comes in, and he soon discovers this guy can split himself just like 'Multiple Man' in X-Men: The Last Stand, but like Michael Keaton's character in Multiplicity, the more he clones himself, the dumber he becomes. This made no sense. Why would the cloning affect only his brain? Why would it not make his body weaker too? Or his heart? Fortunately for this rating, this was addressed.

Once the guy has split into many clones, he starts yelling the same message from different parts of the city - that he will shoot some passer-by if David doesn't show up. We're told the clones have to rejoin in order for their independent memories of what they did to be re-united, but when David shoots the first of these, all the others immediately come running. How did they know?

It turned out that David's information on the Mitosis - the cloning guy - was partly misinformation and in the end it was due to that, that he was saved. Like I said, short story, but not bad! I consider it a worthy read - and it's free, so what do you have to lose?! I'm currently reading book 2. I'll report on it when I'm done.


Tuesday, December 19, 2017

Superb by David F Walker, Sheena C Howard, Ray Anthony Height, Alitha Martinez, Eric Battle


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

I didn't like the first one I read in this series. Normally that would be the end of it, but I read a second one without realizing until the end that it was part of the same series, and I liked it. I also liked this one, probably more than any of the previous ones. The artwork was really good, the characters realistic (as comic book super heroes go!), interesting, motivated, and believable, and the writing was very good. I noted a strong female influence not only in the writing, but also in the art, and this can make a big difference to the overall look and feel of a comic.

I really like the way so called minorities are front and center. Minorities are actually the majority of people on the planet, yet they're so poorly served in comics, TV and movies that it's criminal. It was nice to see that balance being redressed without going overboard. It was also nice to see a character with Down Syndrome (aka trisomy 21) included as a major player. The relationship between him (Jonah, aka "Cosmosis"!) and Kayla (aka Amina). and the awesome Abbie, was choice. It really made the story shine for me.

Each individual graphic novel in this set is a sort of origin story, but its not your usual origin tale; it's more of a development story, which to me is more interesting, especially this one. All of the graphic novels I've read so far run in parallel, but there is no repetition. Each story advances the whole, and the only tiresome bit was the last bit which is the same in each comic. Of course you can skip this once you've read it the first time, and it does mean you can start with any comic in the group without having to worry that you missed something because you didn't start with the 'right one'.

In this story Kayla, already aware of her powers and that she's not the only one with them, is trying to keep a low profile, especially since her parents work for the corporation which is trying to capture, intern, and experiment upon those with such powers. Jonah is less retiring. He breaks into the corporate facility to finds out what they're up to, and he barely escapes with his life. Kayla protects him and this is how the two of them team up with Abbie, who is Jonah's friend. Unfortunately, Kayla's desire to live a normal life is seriously compromised, and that's all I'm going to say!

On the negative side, I have to say that this shtick with the powers-that-be coming down hard on the mutants is really reaching saturation point. Marvel has repeatedly done it with X-Men, Inhumans, and Gifted, and it's been done in other graphic novels unrelated to the DC and Marvel stables, including one I reviewed negatively recently. Frankly, it's starting to be boring. It would be nice to see something different.

In terms of this comic, it's hard at this point, despite having read several of them, to see how the foresight corporation got so much power that it can openly act as a paramilitary force and hunt down these people. That felt a little bit much, but maybe it will be explained. Or maybe I missed it in that first volume I read because I was so disappointed in it!

That quibble aside though, I really liked this graphic novel and I recommend it as a worthy read.

Saturday, December 16, 2017

Faith and the Future Force by Jody Houser, Stephen Segovia, Barry Kitson, Ulises Arreola


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

Now this is the kind of super-hero story I can really get with. I was thrilled by the first one in this series, so I was equally thrilled to have a chance to review another one and see how Faith is doing. She's doing fine and I'm keeping the Faith!

Once again, it's written by Jody Houser, who continues to sprinkle promos for Doctor Who (how can you not love a writer like that?!) as well as toss in other Sci-fi references. As I write this I am patiently counting down the days to the Doctor Who Christmas special, and the change over from the current Doctor who was not my favorite, to a new one who will, for the first time, be female! Squee!

On an unrelated topic, is it just me, or is anyone else amused by the superficial similarity between areola (the ring of color around a nipple, and the name of the colorist? Of course his name apparently derives from the Spanish for horse tack (or a part of horse tack, anyway!) not from coloration, but still! I love words!

This is a time-travel story featuring a time-traveling robot which is intent upon destroying the fabric of time itself. Consequently, we have with Faith being sought by some strange woman who is costumed like a super hero, but who evidently needs Faith's help (and that of a charming assortment of her super friends) to stop this machine. In that regard, it borrows a bit from Pixar's The Incredibles

What I liked about this is that it conveniently side-steps one objection I often find to time-travel stories, especially Doctor Who, who always seems to arrive in media res, which is: why not go back earlier and fix the problem before it starts? In which case there would be no show, so the Doctor always tosses out some patent nonsense about crossing his own time stream which of course he does time after time, especially in New York City where it's supposed to be all but impossible to visit. Hah! How many times has he been there now?

This story solves that problem because the robot is eating time, so they can't go back earlier - it doesn't exist! Double-hah! Faith aka Zephyr, is recruited by Timewalker (not Time Lord!) Neela Sethi several times, each time unaware that she's already been recruited and failed! Why does this keep-on getting repeated? Read it and find out! I recommend this one as a fun, sweet, entertaining, Segovially and Kitsonorously drawn, and areolistically-colored(!) story which is a very worthy read! Keep 'em coming you guys and I'll keep reading 'em!


Black by Kwanza Osajyefo, Tim Smith 3, Jamal Igle


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

I did not like this graphic novel. It was basically a rehash of The X-Men, or The Inhumans, or The Gifted, or New Mutants, or whichever simplistic, derivative Marvel Comic series about mutants you wish to name. This novel brought literally nothing new to the genre unless you count that in this case, the only people with the mutation are black! To me, it was racist.

All the "good guys" were black. All the "bad guys" were white. Neither side was anything more than a caricature. It felt like I was watching a so-called 'blaxploitation' movie from the early seventies. Since this was a graphic novel, and given that a potentially interesting premise failed to be effectively exploited, I found it hilarious that the color scheme was gray-scale! It felt ironically appropriate, but not in the way the creators intended, I'm sure.

While on the one hand I can understand this - and work like it - constitutes a backlash against the inexcusable racism inherent in comic books, movies, and TV shows where - unless you're prepared to be the token person of color - please don't show for the audition, the way to fix a problem where the pendulum has swing way-the-hell too far in one direction is not to swing it equally far to the opposite side, it's to stop it dead in the middle and weld that sucker down so it can never move again. Period.

I think the comic would have carried a much more powerful message had it been less comprehensively biased. As it is, it runs a dire risk of being viewed by too many people - and those are the very ones who most need to get an education - as being nothing more than sour grapes. It didn't help the cause that one of the freedom fighter leaders was named Caesar, the same name given to the chimpanzee in the Planet of the Apes saga. That sounded insulting to me.

Even that aside, it was not well-thought out. Rather than go with Marvel's asinine "x-gene" ploy, the creators (and I admire them for this) tried something different. Unfortunately, it wasn't something new! They made the mistake of taking the easy way out by simply making the quantum leap. It didn't work. The idea here is that some people (all black!) have unusual arrangements of quarks in their body. Quarks are the foundations of hadrons, which most people unknowingly know as protons and neutrons, and which form the nucleus of every atom.

There are six known quarks, divided into three up-types, named (with characteristic physicist quirkiness) up, charm, and top, and three down-types, named down, strange, and bottom. We're told that gifted black people (who may not necessarily be young!) have a hexaquark, like this is something rare, but it really isn't. Their expert is very confused and talks bayrons rather than baryons. But that, with its unintended allusion to Bay Watch, works given how some of the women are portrayed in this story. Which is another problem.

There's precisely one female super hero, and one transgendered one. The only other females are background or ancillary personnel. There is one professional assistant, one cop, and one lab technician. Two of these unaccountably wear eyeglasses whereas not one other person in the entire book does, and one of them - the so-called quantum particle expert - wears a lab coat. Barf.

The comic is hypocritical in this regard. On the one hand it's admirably, if ineffectively in my opinion, championing black characters in graphic novels, but on the other hand it's keeping "bitches" down. That's inexcusable, especially given that the women's liberation and black civil rights movements have historically often worked hand-in hand, because both sectors of society have been oppressed and in disturbingly similar way in some regards (such as having no vote, for example).

Why are there so few important black characters in graphic novels? Because most of those novels have traditionally been written by white folks and it never occurs to them to include non-whites. It's not that they hate black folks and what to keep them down or actively exclude them; it's just that (and this is no excuse) they just don't think of it. Why are there so few women of note in graphic novels? Because most of them are written by men - who don't hate women and don't wish to keep them down; it simply never occurs to them to include women. They just don't think of it. That's what happened here.

The main character is named Kareem Jenkins. He's shot for two reasons. The first of these is that it's a case of mistaken identity because all black folks evidently look alike to New Jack City cops, as a sorry history of shooting deaths in New York has shown and continues to show. The second is that when he's told to freeze, by armed cops, he's too stupid to do exactly that. Instead, he rabbits and is shot and ostensibly killed. A dozen or more black men have been fatally shot by NYPD in the last twenty-five years, and very few cases have even gone to trial, let alone ended in a conviction, but this novel repeatedly refers to NYPD as New York's finest. I don't know if that's meant to be ironic.

Kareem is unique because he rises again, and then is kidnapped by a character who far from being Straight Outta Compton, is straight outta The Matrix movie. He's Morpheus by another name, and he even sits with legs crossed in an armchair when we meet him, and effectively invites the kid to take the black pill. Yawn.

This leads to him discovering a hitherto totally unknown world of back mutants, all of whom have powers of some sort, but there are then so many of these characters so quickly introduced that they become lost and meaningless in the crowd. The irony of course is that here, all black people do look the same, not because they're all drawn the same (the artwork was pretty decent), but for no other reason than that this comic book has failed to differentiate them by giving them distinctive personalities and back-stories.

Having some of them speak in what in some circles, and for better or for worse, has been dubbed 'ebonics' is not giving them a personality. It's not giving them character. It's not making them individual. It's just cynically pigeon-holing them. There should have been fewer of them initially, and they should have been properly introduced instead of being treated like so many nameless, interchangeable slaves. This was a serious fail.

The plot doesn't work because we're expected to believe that a handful of white folks have pulled the wool over people's eyes for literally centuries, working in concert with the black community! I'm sure this isn't what the creators intended to convey, but it's very effectively what they achieved, because as the white community has, we're told, systematically sought to wipe out this 'black threat', the black community has been trying to hide the mutants, and neither side has ever let anything get out to the public! It's simply not credible.

Even if we allow that it worked before, it sure as hell would not work now! Have the creators of this series not seen the black community? Everyone is a showman or woman. There are pop divas and DJs with monumental egos. There are sports personalities with attitude, there are movie stars all about showmanship and conspicuous consumption, and there are so-called 'reality' shows and talk shows which are all about self-promotion.

None of this is confined to the black community, but we're not talking about how white folk might behave here. There is no way in hell, if any of this community had these powers, that they would all consistently keep them secret! It's simply not credible and this unarguable fact brought the whole story down and gave the lie to this farcical 'secrecy' claim. Besides, it made no sense to begin with - not in this day and age. If the white folks are trying to wipe-out the gifted peeps, then the best way to stop it is to go public, not go private. "Morpheus" is a moron!

Neither is it credible that the white folks would be able to continue their pogrom of extermination into modern times when much of the world is now ruled by non-white leaders. Are we supposed to believe that black leaders in African nations were in on it with the white folks? Bullsh! (More on that shortly). This is a classic case of failure to think outside the box, the box being the United Whites of America. Far too many of these kind of dystopian or secret society stories are far too hide-bound by 'American' thinking, or constrained by 'The American Way'.

What far too many authors fail to grasp is that there's an entire planet outside the USA that doesn't think about the USA from one week to the next because they have more important things to think about! They do not conform to US norms or patterns of thinking! They do not live the way US citizens live! They do no view the world like US people view it. Any story like this, which has global implications, yet which tries to pretend the entire globe is just like the USA is doomed to failure, and this one fell right into that trap.

There was almost cussing in this story! It's not credible. Almost all the time, when a cuss was about to be issued here, it was cut off. Instead of "Fuck!" we got "Fu-". Instead of "Shit" we got "Sh-" hence my "Bullsh" comment above. It's not realistic. It maybe be practical for some readerships, but people don't talk that way in real life, and everyone, even kids and churchgoers, knows it. You either have to include it to make it real, or you have to skip it for the sake of the readership. You can't have it both ways without it sounding truly dumb, and suspending suspension of disbelief. In short, either sh or get of the po.... Yeah! That's dumb it sounds.

A brief lesson in genetics: Not all mixed race couples have exclusively black children. Even a black couple can legitimately have a white child. Nature is color-blind! The reason for all this is that there is no difference, at the genetic level, between black people and white people and Asian people and whatever people.

Just like in real life there is no X gene, there is no B-for-black-gene either. There are gene networks wherein many genes acting in concert can achieve remarkable ends, but there is no 'negro network' than can make a person black or pigeon-hole one as such and more than there is a 'honky network' that can make a person white. This begs my last question: why did this affect only black people? There was no rationale given for this. We were expected to take it on trust.

Maybe the authors had some plan to work this out later, but forgive me for having little appetite for swallowing that when I'd already been asked to swallow much that was unpalatable in this graphic novel. I got the impression that they were winging it; tossing in some quantum nonsense and hoping to get by, but as we've seen, there is nothing in our genes to confer powers on one race and not another, so how much less credibility is there in ascribing this same effect to something even more fundamental: sub-atomic particles?

Quarks do have a property referred to as 'color', but it has nothing whatsoever to do with actual color as we perceive color day-to-day at the macro level. It's just a word; not a meaningless word because it has meaning to physicists, but it doesn't convey the same thing to them when they talk about quarks as it does to the rest of us when we talk about LED TVs. There is quite literally no color at the sub-atomic level as any electronic microscope image you can find online will show. Some of them have artificial-color added for clarification purposes, just as those glorious space images do, but in reality the sub-atomic world, just like the outer space world, is a very colorless one indeed.

Oddball congregations of quarks, which are the components of all matter, living or not, cannot grant powers to one race without granting them to all. It's another case of failure to think through. I mean, do Asians have powers? They're not white, but they ain't black either! How about the Latinx community? Deal or no deal?! What bothers me about this is that the authors seem to be saying that black people are somehow fundamentally different from all others, which is patently not true, but by saying it, they're risking undoing what decent, good-faith people of all races have been trying to accomplish for decades: true color-blindness wherein all are equal, all are one family, and all are brothers and sisters. The plot for this novel seemed like a very negative step to me unless it was handled better than it was here.

Black folks do have something rare and it is a real superpower: they have greater genetic diversity, especially those resident in Africa, than do any other humans. The reason for this is that all humans started life in Africa, not in Eden. We're all black. Unfortunately, the pale skin minority has forgotten this, and instead of seeing it as something unifying and something to be proud of, too many people see one color or another as a fault or a defect, something to be despised and rejected. Americans are often proud of their Irish, or German, or English, or native American, or whatever ancestry. What a pity they arbitrarily stop it at some point before it ever gets all the way back to eastern Africa where it all began.

So in conclusion, I cannot recommend this story as a worthy read. There were too many problems with it including endless excessive violence, but at least it was gray-scale so there was very little red ink to deal with. The one positive sign I saw was that in the end, Kareem took off on his own, rejecting all the bullsh- he;d witnessed. I commend him for that, but for me, it was too little, too late.


Friday, December 15, 2017

Accell by Joe Casey, Damion Scott, Robert Campanella, Sigmund Torre


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

I had no idea this comic was connected with Noble Vol 1 by Brandon Thomas, Roger Robinson et al. It's just as well, because if I had, I would not have requested it! As it happens I did request it, and ended up enjoying this one whereas I did not like the first one at all. While I still assert that the plot twist at the end is too far-fetched to be realistic, the story leading up to that was actually really good.

In this case, this was not one of the astronauts who was affected, but a guy down on Earth who saw the meteor shower and found a meteorite near his home - just a tiny piece. He slept with it under his bed and suddenly, he can move like the Flash. Unlike the Flash, he actually pays a price for his super-speed, which means hunger. He has to eat a lot.

Sometimes he pays more than that. If he gets injured while running - or fighting crime - he really gets injured, but it doesn't stop him until he stops himself, and at that point he'd better have stopped in an ER. But he heals really fast. He's a 'person of color' as they say, so this was also appreciated - there are too few and far between of those in comics, TV, movies, you name it. His Name is Danny Santos; I'll leave you to figure his ethnicity!

So he fights crime and he has a girlfriend who at first does not know of his power, but during the story he reveals it to her. I felt bad for her because of two things: first, her father hates that she's seeing this guy, and he's willing to do quite literally anything to break them up; second: Danny is a jerk towards her to begin with, but even that changed as he grew to appreciate her and realize he actually had a responsibility to her.

Overall this ws an entertaining and well-written comic, with great artwork (although the main character was a little bit too stick figure-y for my taste!). That aside and with the caveat about the improbable ending, I recommend this as a worthy read.


Tuesday, November 21, 2017

Batwoman vol 1 the many Arms of Death by Marguerite Bennett, James Tynion IV, Steve Epting, Stephanie Hans, Renato Arlem


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher. This review was embargoed by the publisher until today's date of publication

While I enjoy the Marvel and DC comics super hero movies, I have a harder time with the comic books which originated these same heroes. Part of that problem is in the way the female characters are hyper-sexualized. I don't believe this is productive and it certainly isn't appreciated. The movies do great without it, so why do the comic books cling to it so desperately? It's not remotely necessary.

Batgirl (as Bat-girl) has been around since 1961, and Batwoman appeared even earlier, in 1956. It's a shame then that neither of these has made it to the big screen, a brief appearance in the old Batman TV show notwithstanding. I was thrilled to learn that Joss Whedon will write, direct and produce a Batgirl film and even more thrilled that it will be based on Gail Simone's comic book work. Unfortunately there's nothing on the roster for a Batgirl movie the DC Extended Universe before 2021 at least so, although schedules can change, it looks like we have to wait a while for that!

This is one reason why I was pleased to read this graphic novel with writing by Marguerite Bennett and James Tynion IV, and art by Steve Epting, Stephanie Hans, and Renato Arlem, so we have at least one female writer and a female artist involved, and it shows. I was hoping for something a bit better than your usual fare and thankfully, I got it with this.

With the roaring success of Christopher Nolan's Batman trilogy, which had some strong female characters, I was hoping for female super heroes from that world to arrive in its wake. Batwoman would have seemed like an obvious follow-up, but instead DC seems to have opted for more Batman movies instead. Until we get Batman's female counterpart on the screen, we have the graphic novels, and that's why I think it's critical that we get more like this one.

In a very small way, this is an origin story, but the origin is conveyed in a series of touching single frame images with a palette as red as Kate Kane's hair: Kate at age nine, shooting a bow, at twenty in the military, and at twenty-seven crashing into the frame as Batwoman. But something is missing, and this crashes into the story on the next pages. A car is rammed by a truck, parents and a child are kidnapped, a mom dead. Next, Kate is depicted in unarmed combat at West Point. It's all disjointed, as is Kate.

Because of this disjunction, I had, I confess, a bit of a hard time getting into the story, but it found its footing quickly - or I did, one or the other! There is a new drug on the street: Monster Venom - and it can literally do what its name says: turn people into monsters. In order to fight it, Batwoman finds that she has to revisit one of her own points of origin: the island of Coryana in the Mediterranean. Here she confronts more than just her past.

This novel contains not only the expected - and hoped for - action scenes, it also carries with it a journey into memory and pain, disillusionment and determination. And Batwoman proves equal to what's asked of her, even to the female villain who is like a breath of fresh air as villains go. I'd like to see more of her.

It's reassuring to know there's someone we can count on, especially since Batwoman seems to have her head together more than Batman does despite her traumatic history and self-doubt. I liked this story and I recommend it. The story not only works, it's intelligent and has depth, and the art and coloring, by Jeromy Cox and Adriano Lucas not only complement the story all the way, they bring it to visual life. I look forward to more stories like this one. Hopefully we won't have to wait on Joss Whedon to get them!


Friday, November 17, 2017

The Astonishing Ant-Man Small Time Criminal by Nick Spencer, Ramon Rosanas, Annapoala Martello, Brent Schoonover


Rating: WORTHY!

This was a graphic novel I got from my wonderful local library on spec. I loved the Marvel movie, but my love doesn't necessarily translate to a love of the associated comic books. In this case it almost didn't, but in the end I liked this enough to consider it a worthy read, even though it was hardly brilliant. It certainly wasn't as funny as the Ant-man movie.

In a small way, this was an origin story although it really didn't give the entire story. That was more of a reminiscence. In it, Scott Lang is separated from his family (as in the movie) and is bothered and bewildered by what's going on around him. In the comic book, the Pym Particles are things which can be carried and handed around almost like drugs. Some of them found their way to Lang's daughter, Cassie, who is more grown-up than in the movie.

She has been a Young Avenger, but somehow lost her powers and now feels their absence painfully. This is why she throws her lot in with a villain who works at an organization called 'Hench'. Why the police would not be interested in a man who claims to be able to turn people into super-villains goes completely unexplored here, and this is one problem I have with both movies and comic books: the stories completely neglect existing law-enforcement and the larger world, such as with fire-fighters and national guard, the FBI, the CIA, and so on. It's like those people don't exist in Super World™!

Cassie thinks she can get her powers back (or get some powers anyway) by infiltrating Hench under the premise that she wants to become a super villain. When she gets her powers she will turn on them, The villain figures out her motives, but he agrees on a deal with her: if she will retrieve something that was taken from him, he will grant her powers and they can go their separate ways, no hard feelings. Scott doesn't realize this of course - he just learns his daughter is working with super villains and has to deal with that shocker.

A friend of Scott's becomes Giant Man by employing his share of Pym Particles, but he does so much damage due to his size that the people of San Francisco detest him, so Scott takes him to a Lego village and has him practice being a gentle giant. This is mildly amusing, but more amusing, and why I rated this worthy, are the super-villains. They're more clownish than villainous and I grew to like them and sympathize with them as Cassie works with them to complete her task and earn her powers.

So overall a worthy read but not something that made me want to rush out and grab the next issue (although I do have one more issue to review!).


Monday, October 23, 2017

Secret Weapons by Eric Heisserer, Raul Allen


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

From the guy who wrote the screenplay to the Amy Adams/Jeremy Renner movie Arrival, this was a story along the lines of Marvel's Inhumans or X-Men. People have intriguing super-abilities, but there are really amazing powers and rather oddball powers. The ones we get to meet are the ones with the oddball powers, who have been neglected, if not rejected, by those who might be interested in this kind of thing, because they're considered unimportant. One of them, for example, can talk with and understand birds; another can magically pull an object out of thin air, but he can't really control what it is he pulls; a third can turn to stone at will.

It's only as the story progresses that we can see that these powers might be of more utility than they initially appear to hold, and that they can be especially good when several such empowered people, known in this story as psiots, work together. The guy who can magically make things appear only learns later where they're coming from, and it's actually quite interesting, but not everyone is neglectful of these people. A government employee, Amanda McKee, is a technopath who can communicate with electronic systems even when she has no device in her hands.

Known by the inevitable code name of Livewire, she is investigating what's left of a facility run by Toyo Harada, who is the most powerful telepath there is. He's Amanda's former mentor and he's responsible for discovering and 'activating' these psiots. Many did not survive activation, but those who did were secreted in Harada's facility, and now they've been cast loose, abandoned to fend for themselves, which would have been fine except for the fact that a machine named Rex-O, which can absorb the powers of psiots, is hunting them down apparently intent upon wiping them out. If it absorbs Amanda's power, it can find all of them. And it's just captured her.

Although this is far from 'off-the-beaten-track' - in fact, it's on a track which has been pretty much beaten to death by now - the story was nevertheless engaging and intriguing. The characters were interesting and relatable, and they certainly made me want to follow them and see what they get up to. It helped that the artwork was good: well-drawn and nicely-colored. I liked this graphic novel, and I recommend it as a worthy read.


Sunday, October 22, 2017

The Adventures of Superhero Girl by Faith Erin Hicks, Cris Peter


Rating: WORTHY!

This is the second graphic novel by Faith Erin Hicks I've read, and this was better than the first I read, which I also really liked. I loved the irreverence of the story, the artwork, the coloring, and the overall presentation. it was told in a series of vignettes, presumably a compendium derived from a web comic, colored for the graphic novel by Cris Peter who did a great job.

Superhero girl has all of Superman's original powers. Most people forget that he did not used to be able to fly - he used only to be able to leap tall buildings in a single bound. He had other powers too, but a lot of what we understand about him today is actually an accretion of things which grew as he developed from his original form. Superhero girl has not developed. She can only leap a building if it's eleven stories or less. But she does have heat vision! Bullet proof? Unknown!

She's a very amateur super hero, never quite having enough confidence, desperate to find real villains to fight, and in search of an arch nemesis, which she can't even find. The best she can do is some skeptical dude who constantly belittles what she can do in relation to 'real' super heroes. I adored her relationship with the 'evil' ninjas ans her behavior towards he average criminals whom she seemed to eventually control almost by mind power so fearful of her were they. Take >that< Superman! >Pow!<

Unfortunately, she already feels this way because her brother is a 'real' super hero, with corporate sponsorship, and a sterling reputation - and your standard spandex costume. Superhero girl has a cape (which shrinks in the wash, and a stick on mask which she typically forgets to stake off and which hurts when she does. When he comes to visit it makes her feel so belittled, but she is the eternal optimist who will not sell out, and she presses on and wins through regardless. I fell in love with her pretty easily. She is one of the most engaging and strong female characters I've ever read about, and I completely and unreservedly recommend this book.


Friday, September 22, 2017

Teen Boat! by Dave Roman, John Green


Rating: WORTHY!

There seem to be an awful lot of reviewers (even positive ones) who simply didn't get this book. It was a parody, and on top of that, it was gorgeously illustrated and on top of that, it was funny.

The stories were off the wall, but were also played for serious effect even as humor came squeezing through at every tack. Frankly, this is something and I might have launched in all seriousness to get my kids going and make them think their dad is really losing it - as they accuse me of so often (especially after I released Baker Street), but these guys (Dave Roman writer, John Green - not the John Green who makes me barf - artist) actually produced it. It's about this teenage guy who can turn into a boat! It was pretty funny, and consistently so through every story.

This foreign exchange student comes to the school and her name is Nina Pinta Santa Maria. Teen Boat (his actual name) falls for her, but she only has eyes for the school jock, who is a jerk of course. Teen has a best friend, a girl named Joey, whom he takes completely for granted. He is so oblivious of her that it's truly funny rather than annoying, although it does make me wonder why she puts up with him.

But then Joey has a secret of her own which isn't revealed in this volume. One of my sons, who seems to have inherited my wife's power to divine these things long before I ever do, thinks she's secretly an iceberg, and I'm on board with that. She's definitely a cool character.

Teen Boat runs for class president, falls in love with a Gondola, crashes into a gas tanker on his driving test, and has a run in with pirates, and therein a sequel lies! One which I shall track down ASAP and hopefully find it on sail..... If not, I may well end-up on the dock before the judge and be propelled with a stern warning into the brig for failing to bow! If looks could keel!


The Unbeatable Squirrel Girl: Squirrel You Know It's True by Ryan North, Erica Henderson


Rating: WARTY!

I picked this up at the library thinking it might be playful and fun, but it turned out to be another waste of perfectly good trees.

Squirrel Girl is someone I never heard of before much less know her origin, so I thought this might teach me something about her. All it taught was how dull of a character she is. In the end it was really just silly and the artwork indifferent. I've seen other Marvel comic books like this which put a minor character out there and draft in major Marvel super heroes to give it some cachet, but I have to say this was the most cynical of those and has pretty much cured me of wanting to read any more comics about minor Marvel characters!

It begins with some people trapped in the head of the Statue of Liberty surrounded by robot dinosaurs, which the Avengers are fighting. Inside the people make up nonsensical stories about Squirrel Girl which were boring. That story just fizzles out with no resolution (at least not one that showed up during the fifty percent of the book that I could stand to read) and we're suddenly into several other stories, none of which are related, with bizarre new characters appearing and disappearing.

I decided this was probably heading for the trope ending where Squirrel Girl wakes up after a dream, having eaten a betel leaf or something, and I honestly had no interest in learning any more about her. Based on the fifty percent or so that I read, I cannot recommend this.


Thursday, September 21, 2017

Noble Vol 1 by Brandon Thomas, Roger Robinson


Rating: WARTY!

This was a 'Read Now' graphic novel that I requested from Net Galley, and for which I thank the publisher. I like to look at the 'read Now' because while this designation can sometimes mean a novel is not doing well and for good reason, it can also mean a gem is being overlooked. I've many examples of both. This one I am sorry to report, was not a gem.

While I was, on the one hand, pleased to see a graphic novel featuring people of color and a strong female character (Astrid Allen-Powell), I have to say I was really disappointed in this one because it adhered so closely to trope that it really offered nothing new to the genre. The men were magically muscular even if they had not been so before, and the women were absurdly sexualized. I keep hoping for graphic novel illustrators to get real and join the rest of us in the 21st century, but far too few of them seem to be interested in doing that and remain trapped in a perpetual and unhealthy adolescence.

In many ways this novel was reminiscent of the TV series, Extant starring Halle Berry, wherein people come back from space changed in odd ways. This graphic novel has nothing to do with aliens, however. In the end, it's your regular super hero novel, and in that regard it's very similar to the Fantastic Four (the 2005 movie) wherein four people out in space are affected by a phenomenon and given super powers. Here, five people go out into space to prevent an asteroid colliding with Earth, something happens, and at least one of them returns to Earth with powers.

Without wanting to give away spoilers, one problem for me was that the plot assumed everyone was using the same data regarding the asteroid, and this is never the case. There are too many different nations with a vested interest in their own safety for them to rely on one set of numbers without verifying them, so a 'plot twist' late in this volume did not work for me.

That said, there never was any justification for sending out people to tackle this problem in the first place. Missiles could presumably have done the same job - especially set in the future as this was. We already have drones and robots, yet far too few writers factor this into their scenarios. This novel offered no reason for people to go out there, other than that it was necessary for whatever the asteroid would do to wrangle a super hero transformation. It was a bit lacking.

The main character, David Powell, was affected by something, and has developed mental powers which can repulse and otherwise move objects and people, but he is having trouble controlling the power he has. Despite flashbacks which are annoying to me, especially in this story where they served little purpose other than to confuse the story, there is no explanation offered for how he came to be in this state, running loose, using false identities, and hunted by the Foresight Corporation (which seems to be inexplicably lacking policing by any government). All we're told about him is that the guy has lost his memory.

This for me was one of the major problems with this story: it was a confused and disjointed mess, with apparently random scenes tossed in. There were random flashbacks which made little sense and the whole story was in disarray. The flashbacks really did not contribute to the story whereas other flashback (if they must be included) that could have illuminated things were never offered. Everything seems to be under the control of the global Foresight Corporation. Its CEO is Lorena Payan and she is the villain here, but she makes for a pretty poor villain, being pretty and poorly developed. I could not take her seriously.

Overall I did not get any enjoyment out of this, nor any entertainment. It was not really clear at any point what was going on, and this made it boring. I cannot recommend this story.


Saturday, September 2, 2017

All-New Ultimates Power for Power by Michel Fiffle, Amilcar Pinna


Rating: WARTY!

If you enjoy indifferently-drawn and badly-posed superheroes doing quite literally nothing but fighting on nearly every single page in the entire book, then this is for you. It's not for me. It was laughable in parts and tedious throughout. And once again the text was so small and badly done that it was at times hard to read. Fire Clayton Cowles and simply use print for the text for goodness sake! What is this, the 1930's?

I like a story with my super hero characters. There was none to be had here. The author seems to believe that if he puts Black Widow, Bombshell, Cloak and Dagger, Kitty Pryde, Spider-Man, and Spider-Girl (not woman, girl) together, than a story inevitably must happen, but no. No. No.

This was nothing but a monotonously long, continuous battle embellished with asinine overlaid words like 'KRANCHKT' and 'FWSHK', old TV show Batman-style, and there was no story. What there was, was so bland and boring that I have to ask why it was ever divided into sections in the first place. The obvious answer to that is that it was originally released as single soft-cover editions and this is the combination of several of them, but since every story is almost exactly the same, then why was more than one ever released?

The story was beneath the level of superhero. If the police are so incompetent they can't handle a simple street gang pushing drugs, there is something seriously, and I mean seriously wrong with society. What is the point of being a super-hero if all you are is a cop in spandex? This is one to recycle - and into the recycle bin, not to the used comic book store.



Friday, August 11, 2017

SHIELD Perfect Bullets by Mark Waid and various artists


Rating: WORTHY!

This was a graphic novel I saw in the library and decided, though I wasn't convinced I'd like it, to take a chance, and it paid off because I did like it! It seemed a bit patchy in places, but I think it was a good idea to do a series of stories like this, because we're never going to see most of the 'extras' featured here in the TV show, so this was a way to expand on the idea of SHIELD and the interactions it had with Marvel super-heroes.

There were several stories and they were varied in both good ways and not so good, and the artwork too, was a bit variable, but overall it hung well together and was enjoyable. I think my least favorite story was one featuring The Scarlett Witch. I like the character in the movies, but despite that, I haven't really warmed to her in the way I have to other characters because I don't feel I know her yet.

Perhaps unsurprisingly, my favorite story was the one which 'guest-starred' Ms Marvel whom I really did warm to in her own comic book series. There was just something about the way she was written and drawn, and I could see those same sentiments brought into play here and it was really nice, like meeting an old friend. I really hope they can bring her to the screen, big or small, and maintain her character in the transition.

Characters like this - people of color and from a different background to the standard WASP characters we've been too-often delivered. It seems like Marvel is slowly getting the message, but CDC is slacking on this score, although the expendables, aka Suicide Squad, did take a step in that direction. I'm not a Will Smith fan, though, so this was a bitter-sweet win for me!

So the graphic novel! Before I rant on about rather unrelated topics! There were six stories:

  1. Perfect Bullets was drawn by Carlos Pacheco and focused on the head of Shield (as he is in the novel), Phil Coulson, who is one of my favorite characters in the movie universe although I liked him a bit less in the TV Series. The graphic novel depicts him fanboi-ing in his youth and hanging out with his team and also assorted major Marvel characters in both i private and professional life, but this story wasn't really engrossing to me. It felt much more like they simply wanted to flood the pages with every major Marvel character there had ever been (as well as a host of lesser ones) in a huge fight, and this didn't appeal to me very much at all because it meant the characters were were far more like sacrificial pawns than they were people, and so the 'story' such as it was, was flat.
  2. Humberto Ramos drew The Animator which featured Ms Marvel. This was a fun story where Kamala Khan is in class being taught by substitute teacher Jemma Simmons. The problem with this was that the Simmons was drawn in this story looked nothing like the one drawn in the previous one, so I didn't make the connection right away. The class is interrupted by the arrival of some misbehaving super-heroic objects (which are apparently being trafficked by some students). Kamala does what she does, bu keeps running into and being hampered by Coulson and crew. It's funny and fresh, and authentic (within the universe). This was amusing but more realistically it was shameful how much Ms Marvel has done and yet she's still not taken seriously by Shield. Big mistake, and poor writing I think, but overall this was the best story and yes, it does include Kamala's signature run!
  3. Home Invasion, drawn by Alan Davis is a Spider-man story. This was okay but nothgin special.
  4. Fuel, drawn by Chris Sprouse was fascinating to me because it featured Susan "Sue" Storm separate (and secretly so) from her Fantastic Four buddies, and working on an assignment from Coulson. I liked this idea and I liked how she was drawn and portrayed. There seemed like there was a lot more to her here than I've seen of her before, but then I'm not exactly an avid reader of graphics, and even when I am, they tend to be one-offs and oddball stuff outside of the DC and Marvel universes. Most of my exposure to her had been from the movies, and I did not like the one in the rebooted Fantastic Four.
  5. Magic Bullets, drawn by Mike Choi paired Scarlett Witch and Doctor Strange, which seems like a charmed idea, but he was hardly in it and I wasn't impressed by this character in this story at all. She was flat and uninteresting. I do have to commend this writer, though, for bringing out so many female characters even as I condemn him for offering no characters of color their own story in this collection.
  6. Dark Dimensions, drawn by Paul Reno brought yet another female to the fore - one of my favorites, Maria Hill, whom I know only from the amazingly-named Cobie Smulders's portrayal in the movies. Here she was drawn rather oddly (especially in her stance in that first panel which made her left leg look huge, but then this entire story wasn't well done in my opinion. It also featured a truly odd character with an owl's head, and this struck me as peculiar as it would have had Howard The Duck been included, so despite Maria's presence, this story was also a poor one for me.

Overall, though, the graphic novel was a worthy read and I'm glad I found it. Personally, I should like to see Maria Hill, Sharon Carter, and Natasha Romanoff in their own movie. Marvel needs to get on it, or something like it, and soon!


Tuesday, June 27, 2017

Generation Zero Volume 2: Heroscape by Fred Van Lente, Diego Bernard, Javier Pulido


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

In my review of the first volume in this series, Generation Zero done by Fred Van Lente, Francis Portela, and Andrew Dalhouse, which I reviewed favorably, I concluded, "There has a to be a story, otherwise it's just pretty pictures" and I'm sorry to say this second volume fell into that trap. There was a story after a fashion, but it was so confused and confusing to me that I could barely follow what was happening.

It didn't help that even on a decently-sized tablet computer, the text was rather small, and impossible to read when it was shown as white on pale green, so I didn't even try reading those portions. The odd thing was that I didn't feel like I'd missed anything for skipping them. I will welcome the day when graphic novel writers recognize that you cannot continue to short-change the ebook format unless you want to irritate your readers at best, and piss them off so much that they refuse to read any more of your material in future, at worst.

Generation Zero is a group for kids who were experimented on by private military contractors in Project Rising Spirit, aimed at producing 'psychic soldiers'. This never made sense to me and it wasn't explained why kids were chosen rather than trained soldiers for this experiment, but I was willing to let that go since most superheroes have highly improbably origin stories. Now the kids are free of that, they're intent upon fighting back.

The problem is that the story was all over the place and entirely unsatisfying because none of it made any sense to me and it never seemed like it was going anywhere. It was never clear what was happening or what the Gen 0 crew were trying to accomplish. There were several characters chewing up the scenery and achieving little else, include Black Sheep, who was a super villain posing as a superhero. She was so far out that she was really irrelevant even as she tried mindlessly to kick everyone's ass. To me, she was far more of a joke than ever she was a threat.

Overall, this story felt like the old cop-out story killer: it was all a dream! I liked volume one, but I could not get with volume two and I can't recommend this graphic novel series anymore.


Saturday, April 22, 2017

Marrow by Preston Norton


Rating: WARTY!

This is yet another in a long line of sorry-ass first person voice novels. I loathe that voice. Once in a while I've found an author who can carry it, but for the most part it's far too limited, self-serving and self-obsessed, and it turns me right off. I'm at the point now where I'm not even going to read a book, no matter how interesting the blurb makes it sound, if it's in worst person. There are lots of other books out there that are far less annoying!

The story is about this 14-yer-old boy who has the super power to change his bone density. How that works without his changing his muscles to cope with the weight, is left completely unexplained. So we have yet another example of a writer simply not thinking his story through so we have magical powers here! Worse though, is that this super hero story is far too derivative of every other super hero story, particularly of the DC comics canon, of the 2005 movie Sky High, and of the lesser-known movie Super Capers.

The center of this story is Marrow, also known derisively (and accurately), as Bonehead because he is an obnoxious bonehead. I did not like him at all, so I'm not about to continue read his story. He barely manages to get through his graduation test (who graduates at fourteen?!), because he has anger management issues which are simply not addressed!

Instead of him being paired with a capable mentor who can help him, he's blindly paired with Flex, a rip-off of Hancock, for no other reason than that the author evidently is blindly following a rigid plot here, which pairs opposites and has them become wonderful friends and super effective. Barf. At least I'm guessing that's what happens, and Flex probably dies, too. But I wasn't interested. I ditched this right after Flex appeared. I think if he'd started with more original characters and allowed them room to grow, and move and 'have their being', this could have been a much better story.

There are other rip-off heroes here too: Zero is merely Frozone from The Incredibles. Sapphire is Jean Grey from the X-men. Fantom is Superman. For some reason, I immediately felt suspicious from the start that Fantom might be some sort of villain in disguise. The super-powers these guys have - all derived form a comet impact - don't make any sense - but then super powers never do. The X-men super powers made no sense either, but at leas there was a deeper story there, one engaging, and attractive. This one was not.

The super villain Arachnis is essentially the Empress of the Racnoss from the Doctor Who Christmas episode The Runaway Bride. She's tediously quoting lines spoken by The Goblin from the original Spider-Man movie: 'itsy-bitsy spider. Yawn. I won't insult you by recommending this book. I'll do you the favor of warning you away from it.