Miraculous Origins by Thomas Astruc, Quentin, Sebastien Thibaudeau

Rating: WORTHY!

Not to be confused with Miraculous Origins by Cheryl Black!

Taken from a French TV show and transformed into an entertaining comic book, this is the origin story of Ladybug (aka Marinette Dupain-Cheng) and Cat Noir (aka Adrien Agreste), two young French teenagers who are given their powers through jewels called 'Miraculous'. The jewels are curated by little creatures called Kwami. Marinette's, called Tikki, permits her to transform into Ladybug, complete with flesh-hugging Harlequin mask à la Green Lantern.

Adrien (I'm sorry but I can't see or hear that name without hearing Rocky calling to his girlfriend) has a similar kwami, Plagg, which I find to be the cooler of the two. Plagg is reminiscent of Hiccup's dragon, Night Fury, in the How to Train Your Dragon movie. Hawk Moth is the arch villain who wishes only to steal their miraculous and in their everyday life, the villain is Chloé Bourgeois, a stereotypical spoiled-brat who is the Mayor's daughter and a rival for Adrienne's affection. The action takes place, refreshingly outside of the USA, in Paris.

Neither of the two kids, despite working together as heroes and despite the total inadequacy of their 'masks' as a disguise - the equivalent of Clark Kent's eyeglasses - knows the other is also their classmate in school, but they work beautifully together, Ladybug coolly deflecting all of Cat Noir's advances (ironically, Ladybug has eyes only for Adrien!), and the pair inevitably, after some pratfalls, defeating the villain. The two are like an inverse of Marvel's Spider-Man (here represented by Ladybug and every bit as nimble and athletic) and DC's Catwoman. The villains are puppets of Hawk Moth, transformed into evil-doers by the butterflies he employs to deliver evil super powers to them while staying in the shadows himself. He "evilizes" them and makes'em do his dirty work for him!

Out of curiosity, I watched two of the episodes on TV. They are episodic (you can watch them in any order and it makes no difference), but they're also extremely formulaic. Someone of Marinette's acquaintance (close or not so close) has bad feelings over a defeat, Hawk Moth senses this somehow, and dispatches a butterfly to convert those feelings into super-powered evil, and Ladybug and Cat Noir have to defeat them inventively. It's pretty much the same in every episode from what I've seen, and I hope the comic book version, which seems a bit more mature, stretches and takes more risks than the TV version does.

The Amazone conglomerate wants two bucks a pop for these TV episodes, but they're free on You Tube. Sometimes I think Google is hardly better than Amazon, but bless 'em for this, so I was at least able to take a brief look. The stories I watched were amusing and very cute. I always like a good time travel story, which one episode featured, but the shows are certainly not something to which I'd become addicted; then it's not aimed at me, and it is a very successful show. This comic is the origin story. It's less "cute" than the TV show and a bit more gritty, and it's just as entertaining. The art is good - very much in the 3D computer mode rather than the traditional drawing and coloring mode. The story lines are not bad and the execution works.

When I first saw the comic I thought it was about two girls, but the blond is Adrien. I also thought the characters were much younger - middle-grade rather than older teenagers - so I was rather concerned about the sexualization of Ladybug with her skin-tight suit. It's still a problem - as it is with all female super heroes - but since she's older and Cat Noir is decked-out pretty much the same, I was less concerned about it than I was when I thought she was twelve or thirteen. At least the genders are treated equally, for what that's worth! Ladybug's costume is somewhat ameliorated by the playfully black-spotted ladybug motif, so maybe it's not so bad by comic book standards. I thought the ears and tail on Cat Noir were an interesting touch, and at least Ladybug is shown to be very much her own person and the more dominant of the two.

So, all in all I recommend this as a worthy read.

Good Morning, Superman! by Michael Dahl

Rating: WARTY!

I would have liked to have rated this positively. I like to do that with children's books, but although I hold them, in some ways, to a less exacting standard than I do more mature work, I cannot dispense with all standards, and I have to rate this one negatively because I feel it sends the wrong messages. I did like the beautiful art by Omar Lozano - bold, bright, and colorful, but the book isn't a coffee table book. It's supposed to offer a message, and that's where the problem lay.

On the one hand it features an African American kid, of which see see far too few in children's books, but having offered that, it makes the kid subservient to an heroic white guy. There are no heroes of color we could have chosen here? The first real problem, however, was that in his haste to be heroic, the kid abandons his breakfast, spilling the bowl and leaving his dirty dishes and a banana skin on the table. This is the kind of responsibility we want our kids to learn? Not mine.

Brushing his teeth is presented as one of the boy's greatest fears which must be overcome instead of, as it could have been shown, a way of adding to his super powers by protecting his teeth. Just as Supergirl is shown as Superman's assistant, the kid's little sister is presented in the subordinate position of bringing him his lunch box. Slavery anyone?

I'm sorry, but while I can see what was being attempted here, this felt wrong-headed in so many ways that I cannot in good faith recommend it as a worthy read.

Civil War Ms Marvel Vol 2 by Brian Reed

Rating: WARTY!

I picked this up thinking it was a part of the younger Ms Marvel series, but it isn't. It's part of a pompous, self-described "Marvel Event" wherein each main character in the Marvel "universe" gets a volume about their actions during the super hero civil war, as depicted in the 2016 Captain America movie. This one, unfortunately, was not about the teen Ms Marvel to whom I've really taken a shine, but about the older Ms Marvel, who is a different character, and I liked neither it nor her. There was a teen in the form of Araña, who evidently goes by other names too. These heroes are obsessed with names! LOL! Plus there was the usual problem of graphic novel creators not having the first clue how to label their product, so I got this without realizing it was volume two!

The story was spotty, being broken up into disconnected episodes rather than forming a coherent whole, and it really was not entertaining. It embodied all that I dislike about graphic novels, and almost nothing that I actually do like. It felt like the authors wanted to press-gang as many Marvel super celebs into it as they could, but it meant no-one got any decent air-time except the most boring one, and Ms Marvel came off looking like a prize jerk in her behavior. It wasn't entertaining, and although the art by de la Torre, Wieringo, and Camuncoli was good (sorry there are no first names. I don't know these artists, and the library edition I got had obliterated their names with a UPC sticker!)

Carol Danvers, aka Ms Marvel (and other names) sides with Iron Man in enforcing the Super Hero Registration Act. She teams with Wonder Man (which seems like a dumb name for a hero, to me, but then none of the names are that great when you get right down to it). Ms Marvel literally tears apart a family when she takes Spider Girl (who has several freaking names, I forget which one she was using here) into custody, literally pulling her out of the arms of her young daughter. I was already starting to dislike this version of Ms Marvel before this point, but this and the ridiculously long, drawn-out fight between the highly vindictive if not psychotic alternate universe Ms Marvel and her vendetta against Rogue was the final straw, I was "Check please, I'm done here!"

There was too much thrown in here and it offered little sense and made for a poor reading experience. I think I even saw a kitchen sink in one frame. I cannot recommend this one at all.

Young Avengers Mic-Drop at the Edge of Time and Space by Kieron Gillen, Jamie McKelvie

Rating: WARTY!

Having been thrilled with Marvel's "Ms Marvel" - the teen version, not the absurdly disjointed, brutal "Civil War" version - and having really enjoyed Marvel's Runaways, I made the mistake of thinking this success could continue. I brought home the first three volumes of the Young Avengers. Was that ever a mistake! The series is boring, ridiculous, bland, and nonsensical. Fortunately, I brought them home from the library and not from the bookstore, so I didn't waste any of my money on these. See my review of volume one in this series for some background.

This series features the bizarre "Hulkling" (Theodore Altman), the childish "Kid Loki" (Loki Laufeyson), the ridiculously named "Marvel Boy" (Noh-Varr), the absurdly named "Miss America" (America Chavez), the completely pointless "Patriot" (Elijah Bradley), the only one with a decent name, "Prodigy" (David Alleyne), the unfortunately named "Speed" (Thomas Shepherd), and the inappropriately named "Wiccan" (William Kaplan) who has nothing to do with the religion of Wicca.

Volume three was pretty much a clone of volumes one and two, which featured pointless and unentertaining traipsing through other dimensions by these supposed heroes, fighting, and eating breakfast. There was no story. This was garbage. Period. The baton was dropped. Nothing else.

Young Avengers Alternative Culture by Kieron Gillen, Jamie McKelvie

Rating: WARTY!

Having been thrilled with Marvel's "Ms Marvel" - the teen version, not the absurdly disjointed, brutal "Civil War" version - and having really enjoyed Marvel's Runaways, I made the mistake of thinking this success could continue. I brought home the first three volumes of the Young Avengers. Was that ever a mistake! The series is boring, ridiculous, bland, and nonsensical. Fortunately, I brought them home from the library and not from the bookstore, so I didn't waste any of my money on these. See my review of volume one in this series for some background.

This series features the bizarre "Hulkling" (Theodore Altman), the childish "Kid Loki" (Loki Laufeyson), the ridiculously named "Marvel Boy" (Noh-Varr), the absurdly named "Miss America" (America Chavez), the completely pointless "Patriot" (Elijah Bradley), the only one with a decent name, "Prodigy" (David Alleyne), the unfortunately named "Speed" (Thomas Shepherd), and the inappropriately named "Wiccan" (William Kaplan) who has nothing to do with the religion of Wicca.

Volume two was pretty much a clone of volume one, which featured pointless and unentertaining traipsing through other dimensions by these supposed heroes, fighting, and eating breakfast. There was no story. This was garbage. Period. No culture in evidence!

Young Avengers Style (something) Substance by Kieron Gillen, Jamie McKelvie

Rating: WARTY!

Having been thrilled with Marvel's "Ms Marvel" - the teen version, not the absurdly disjointed, brutal "Civil War" version - and having really enjoyed Marvel's Runaways, I made the mistake of thinking this success could continue. I brought home the first three volumes of the Young Avengers. Was that ever a mistake! The series is boring, ridiculous, bland, and nonsensical. Fortunately, I brought them home from the library and not from the bookstore, so I didn't waste any of my money on these.

Why graphic novel series creators are so dead-set on confusing their readers, especially ones who come late to a series, and are so insistent upon dedicatedly keeping potential readers and fans in the dark about which volume is which is an enduring mystery. Is it really so hard for the publisher or the cover artist to take the perfectly logical, helpful, and simple step of putting a number one on the front cover of volume one? Or would they much rather waste people's time and money? Is it so hard to put a short text reading "Collects Issues 1 through 5"? I guess it is, because the designers here found it far less demanding to put "Style > Substance" on this cover. What does that even mean? Style is greater than substance? It doesn't mean Style over Substance, because that's not the symbol they used! Dumb. Dumb. Dumb. The title doesn't even apply to the story within, which is more like Silage > Frustration.

The goodreads page for this makes it crystal clear how confused the publishers are. The title there is listed as Young Avengers, Vol. 1: Style > Substance (Young Avengers Vol. II #1). Seriously? Someone is very confused and I think it's the graphic novel creators/publishers! Say what you mean, mean what you say. It's that simple.

So, for the uninitiated, Young Avengers was created by Allan Heinberg and Jim Cheung to appeal to a younger audience than comic books evidently do, and features teen characters who are essentially unimaginative rip-offs of more mature and established Marvel characters from The Avengers. Some of these teens are offspring of unholy unions between mature "super heroes" although since none of the "super heroes" ever have sex (or swear! LOL!), it's quite a mystery as to how these offspring were actually conceived. It's not even possible genetically.

Our closest relative on Earth is the chimpanzee with which we share nearly all our genes, yet it's not possible to conceive offspring between humans and chimpanzees even if you could find some low-life chimp who would be willing to volunteer to have sex with an ugly and disgustingly bald human! It's sure as hell not possible to conceive with someone from a different planet. Not after millions of years of divergent and unrelated evolution. Maybe super-heroes have super-eggs or super-sperm?

Evidently the original launch of the Young Avengers was so unsuccessful that it had to be relaunched in January of 2013 by Kieron Gillen who wrote the tedious text, and Jamie McKelvie who did the average art. There's nothing of interest here. Nothing thought-provoking. Nothing engaging. The stories are disjointed and bland, even where they make any kind of sense. There is often little connection between one panel and the next let alone between one part of the story and the next. None of it made any sense or provided any entertainment.

This series features the bizarre "Hulkling" (Theodore Altman), the childish "Kid Loki" (Loki Laufeyson), the ridiculously named "Marvel Boy" (Noh-Varr), the absurdly named "Miss America" (America Chavez), the completely pointless "Patriot" (Elijah Bradley), the only one with a decent name, "Prodigy" (David Alleyne), the unfortunately named "Speed" (Thomas Shepherd), and the inappropriately named "Wiccan" (William Kaplan) who has nothing to do with the religion of Wicca.

The first volume puts the team together despite the team supposedly having been put together earlier during the Heinberg and Cheung era. We get to know nothing about the characters except what we're begrudgingly told, which is very little, so not one of them seemed like a real person to me. They have no personality. In the end, these "heroes' were only their powers, and their power seemed entirely restricted to fighting and mischief - oh, and and eating breakfast. Boring.

The only other thing which featured was that there were a couple of gay or bisexual guys, and those felt like they'd been put in there for no other reason than to ride the LGBTQIA bandwagon. They had nothing else to offer. None of these characters did. Loki was pathetic. Miss America had one trait and one trait only: violence. Not one of them had a life outside of their little clique. it was like a pathetic high-school melodrama.

So what was the story? There was no story. The entire volume was the same as the next two volumes in the series, which consist of pointless traipsing through other dimensions, fighting, and eating breakfast. There was no story. This was garbage.

Ms Marvel Last Days by G Willow Wilson, Adrian Alphona

Rating: WORTHY!

This volume exemplifies one of the things I complain about with graphic novels. It's a good story, but I got it home from the library only to discover that I'd already read it as part of a different volume. Frustrating? Yes! This is why I refuse to buy these things because you never know when you're going to wind up with one you already read as part of a compendium, or under a different cover. What's with this insane obsession with variant covers? Spend more time on improving the art in the panels, and the hell with the wastefully time-consuming extra covers! The story is also incomplete - in this volume and in the compendium. There is no conclusion. Instead of it diverging into a short story about Spider-Man, I'd rather have had the original story concluded.

The story begins with a planet appearing in the sky above Earth. This has been done in Doctor Who and other stories, and none of it makes sense. A planet that close to Earth, even in another dimension, if it's appearing through some sort of dimensional rupture, will exert a massive gravitational pull on Earth, just as earth will on it, and life on both planets would be destroyed. That this never happens in these stories is testimony only to the poor science education the writers have. It makes the story completely unrealistic.

That gripe aside, I really liked the rest of the story because it pretty much abandoned the lie-destroying planet motif and got down to more personal business, and Ms Marvel entertained, as she typically does in these issues. I've read only one volume in this series which has disappointed me, and although some of Ms Marvel's behavior, particularly towards her would-be boyfriend, is inexcusible, G Willow Wilson tells a good story and Adrian Alphonsa illustrates it perfectly.

Ms Marvel Vol 2 by G Willow Wilson

Rating: WORTHY!

Here is yet another volume in a series where I've been disappointed by only one volume so far. I'm not a fan of series, so that's quite a compliment from me! I thought I'd read the first three, but this volume pops up in between two of the other volumes I read and favorably reviewed. Is it so very hard for the creators of a graphic novel series to actually put a number on the front cover so readers can readily identify in what order they should pursue the series? Seriously? What is the big freaking deal with being so cryptic that it's impossible to know where to start a series without engaging in some real research? Graphic novel series creators are frustrating as hell! It's doubly frustrating to bring home two volumes from the library and discover that they're really the same volume, or that one volume is a compendium which incorporates the other. This is why I refuse to buy these things, because you end up with more than one copy of the same story.

That off my chest, I did enjoy this volume. The art was good, and the story engaging. Also, it filled a few holes in the earlier stories I'd read. Kamala falls for a new guy - one who shares her religion and her interests - only to rather predictably, I have to say, discover that he's working for the dark side which is employing him to recruit her. Naturally, and predictably, she refuses, but rather than return to her buddy who has stood by her side throughout, she rejects him, too, with a weak story about how she can't be involved with a guy while she's wedded to her super powers and her need to fight evil. Tired tropes assemble! That, I felt, was poorly done and made her look callous and irrational. She's already involved with this guy anyway, even if not romantically. This does explain why he's moved on in a later volume and begun dating someone else, but Kamala cannot whine about it, after the way she treated him!

That dislike dealt with, I was pleased with her in other respects, especially as she continues to grow and learn new ways to use her shape-distorting powers. All in all, and despite my distaste for her "romantic" behavior, I did like this volume and I recommend it as part of this excellent series. The story was - apart from the non-romance - as well-written as ever, and the art by Elmo Bondoc, Takeshi Miyazawa, and Adrian Alphona was the usual entertaining, colorful, and amusing standard.

Mystique Ultimate Collection by Brian K Vaughan, Jorge Lucas, Michael Ryan, Manuel Garcia

Rating: WORTHY!

Originally created by artist David Cockrum, Mystique's "real" name is Raven Darkhölme, although she has many aliases, and no one really knows squat about her actual name, or her origins or how old she is - it would seem she's at least a century which begs the question as to why she would be interested in anyone of her own apparent age unless she simply wanted to get laid by a young stud. Like Logan, otherwise known as Wolverine, her youth is preserved by her mutation. In Logan's case it's his healing ability. In Mystique's case it's through her shape-shifting, so she sure doesn't look like she's a centenarian.

Being contrary, she rejects the use of the name 'Raven' in this volume, and is going about her routine business of assassinating people who harm mutants, when she finds herself about to be terminated. At the last minute (because rescuers never can be punctual), she's rescued by Magneto, which is a surprise to her because she thought he was dead; however, it's not Magneto, it's Charles Xavier. He's merely projecting Magneto into her brain in order to win her trust and effect the rescue. Well, he fails!

The deal is that he wants jobs done which he doesn't want tied back to him or his mutants, and Mystique represents the perfect undercover agent to carry out his wishes. If she were not wanted by every nation on the planet (except one!), she would have rejected his deal out of hand, but having a lifelong interest in self-preservation, she decides to throw her lot in with him at least for the time being especially since his wishes happen to coincide with her aims for once.

She begins carrying out ops for him which are rooted in the assassination of Prudence, an X-men undercover operative. Prudence was on the trail of a viral agent which has the power to kill everyone who has been inoculated against smallpox, which includes the entire US military, along with medical professionals and a host of other people. Smallpox is a horrible disease, and this mutant version is a huge threat. Mystique takes up the baton and flies with it. She's cool, exciting, inventive, resourceful and every bit the embodiment of a strong female character that I like. Plus she can literally kick ass. Her foes are a match for her (almost!) and the plots are pretty decent. I really enjoyed these stories.

This graphic novel had some truly breath-taking art between chapters done by Mike Mayhew, and though it was superlative, it wasn't so different from the regular panel art that it made me feel cheated as some comics do. Overall this novel was very well illustrated by Jorge Lucas, Michael Ryan, and Manuel Garcia. That George Lucas sure gets around doesn't he? LOL! I've been watching a show on Netflix titled Life which is about this cop who returns to the job after twelve years of false imprisonment for a triple-murder he didn't commit, and the name of the producer is Loucas George! You can't get away from the guy!

One thing I liked about the art is that it seemed a little less "sexploitive" than comic book art all-too-often is where a female character - super or otherwise - is concerned, so I appreciated that. That and the overall quality of the art and of course the excellent stories were what made this a worthy read.

Ms Marvel Vol 1: No Normal by G Willow Wilson, Adrian Alphona

Rating: WORTHY!

Admirably written by the talented G Willow Wilson, and nicely and amusingly illustrated by Adrian Alphona, the Ms. Marvel book is actually the first in the series - finally! I can't believe graphic novel writers make it so hard to figure out which collected volume is the first you should read. Is it such a problem to put a big "#1" of the front cover? LOL! It's a good story though, so I want to read more in this series. I think I've now read the first three (but who can say?!), and really liked one and three; two, not so much. Finally I got to learn how Kamala Khan got her super power - and it was by the oddball method of becoming enveloped in an unexplained fog which wafted through the city!

Working on an idea for a super hero novel (not graphic, just text!) myself, I've started thinking about the existing ones a little bit more closely. Becoming empowered by a fog struck me as decidedly odd, because everyone in the city (this is set in Jersey City; Marvel seems obsessed with the east coast for some reason) was likewise exposed, yet only Kamala seems to have developed any super powers from it. Why? This goes not only unexplained, but unexplored. I found it sad that she wasn't curious about why she alone was blessed or cursed. Thinking about other heroes, only one immediately comes to mind - although I'm sure there are more - who developed his power in a way parallel to Kamala, and The Hulk really goes unexplained too, so this is nothing new.

I mean, how did Bruce Banner change, and no one else exposed to gamma rays did? Maybe it's because no one had the exposure he did, yet we're all exposed to gamma rays from space - fortunately not to a high degree. The fact remained that it was he who survived and developed his...condition. Spider-man is a similar case, but though many are bitten by spiders, none that I know of have been bitten by a radioactive spider! Superman doesn't count because he isn't special - anyone from Krypton would have his powers if they came to Earth, as his story shows. Batman and Iron Man are self-made, so they're responsible for their "power". Thor is just like Superman in many regards, so nothing to be learned there. Wonder Woman is also in that category. Green Lantern got his power because he was chosen and imbued with it, just as was Captain America, although in a different manner. Again, anyone in theory could have had their power. So we're back to Kamala being special in an undefined way which few other heroes are. Unless of course she was chosen somehow, but we're left with these unanswered questions, which make her very intriguing to me.

Moving on from the receipt of the power, we immediately get to the story of how she recognized it and learned to live and work with it, which I thought was really well done in this book. It felt real, and natural and organic, and it made for a fun and engaging story, especially since it's tied, in many ways, to her Muslim upbringing, her distance from her traditional parents - and from her school-friends, and her desire to be "normal" yet be able to use her gift to help others. I loved this story and recommend it as a great start to the series. I was unimpressed by volume two, especially the artwork. Volume three was a much more impressive and very amusing volume. I review both of those separately elsewhere on my blog.

Ms Marvel Vol 5 Super Famous by G Willow Wilson, Takeshi Miyazawa

Rating: WORTHY!

I reviewed the previous volume to this (I think - Graphic novel creators make it far harder than it ought to be to follow a series!) back in July of 2015 to mark the end of my year of two reviews per day every single day without a miss, which was stressful, but a great discipline. I wasn't impressed with the comic because the artwork was atrocious, but I was impressed - as much as not, by the young Ms Marvel character, Kamala Khan.

I started in on this graphic novel and found it refreshing. The young Ms Marvel is more like Spiderman in that she's young, has real relationship issues, and has to cope with demands on her time which interfere with her super-heroics. It's also set in a Marvel world where the usual Avengers super heroes have been switched around a bit. Thor is now a female (and still evidently named Thor, not Thora!). Spider-Man wears black instead of his usual red and blue. Captain America is black, but having said that, there's a disturbing lack of African American and Asian American presence in this story.

Ms Marvel is a young teen who is a Muslim (yet she never actually practices her religion), but there's also a Captain Marvel - who I assume we'll see in the movie theaters at some point, although the date keeps on being pushed back, from July 2018 to November, and then to March 2019. Seriously? At least we get Wonder Woman next year, although how good that will be depends on how willing DC is to totally screw-up yet another of their properties. They seem to be batting a thousand so far in that department ever since Chris Nolan finished his excellent Batman trilogy.

I read an earlier comic in this series where I really didn't like the artwork and found some of the story condescending, but this one seems much better and the artwork is far better. The comic was also really funny. Kamala's ex-boyfriend creates two clones of Kamala using technology left behind by Loki, and these clones start to multiply and take over the city. One of them is supposed to represent the scholarly Kamala while she's off super hero-ing. This one can say only "Easy-peasey" and marches around hilariously. The other is supposed to represent the good sister Kamala attending on her brother's wedding preparations, and has only one line related to the wedding. No one seems to think there's anything wrong here! Until the clones start flooding the city.

This one was funny, and very entertaining, and unlike the previous one, made me want to read more in this series.

Turncoat by Ryan O'Sullivan, Plaid Klaus

Rating: WORTHY!

Note that this was an advance review copy for which I thank the publisher. More info about this graphic novel can be had at http://turncoatcomic.com/

This tongue-in-cheek and highly amusing super hero graphic novel features Duke and Sharon, who don't get along, which more than likely explains why they're not married any more. When they were together, she shot him fifteen times, putting him in hospital for eighteen months, and filed for divorce. That ought to tell you how infuriating he is. Now he has a restraining order against him, but the real problem here is that she and Duke work for different teams in super hero control programs - clandestine operations designed to cull super heroes before they proliferate everywhere, and thereby keep them down to a manageable number. Let's face it, someone has to do this.

Now though, it looks like Sharon has taken to swooping in on Duke's sanctions, completing them before he does, and getting all the credit. She even took out The Savior, who'd been widely considered not only untouchable, but also invulnerable. Maybe there's more going on here than first meets the eye mask. Like, are these heroes based loosely on well-known super heroes from Marvel and DC, or does it just look that way?

Duke really isn't very good at his job despite his profound detestation of everything about super heroes, so he's not likely to figure it out. He's about as on the edge and you can get without flying off from centrifugal force (and to those pseudo scientists who don't think centrifugal force isn't real, I invite them to hang on to edge of something that can spin, get it spinning really fast, and then let go. If they survive, they can tell me how it doesn't really exist). Duke's also really annoying in an amusing (for the reader) and infuriating (for his fellow characters) way.

Sharon, on the other hand, looks like a kick-ass heroic figure. She'd merit a story all of her own. But she's retired - isn't she? Told with a quirky sense of humor and with a sharp eye for comic book super hero conventions (not those conventions, the other ones), this book had me enthralled and I read it faster than the flash. With a name like Plaid, how could he not be an artist? The artwork was perfect for the tone and genre and the story was brilliant. The only complaint I have is that the lettering was often a bit on the small side and too 'plump' to make out characters distinctly from time to time. It was nothing bad enough to spoil the story, though, so i recommend this unreservedly.

Who is AC? by Hope Larson, Tintin Pantoja

Rating: WORTHY!

Normally I avoid like the plague any novel which has been praised by Kirkus for no other reason than that Kirkus pretty much never met a novel they didn't like, so their reviews are completely worthless and I don't trust 'em! I also liked this novel despite the fact that the author is an I sneer (or is that Eisner?) award winner. Another group of novels I avoid are those which have won awards and especially those which have won Newberys, so I was good there because this one hasn't won such an award - or if it has, I'm unaware of it at this time! Fortunately, this enabled me to read this and I did not regret it.

We know who AC is before she does! AC is a kick-ass, young black female who somehow has super powers transferred to her via her phone while flying to her new home - but the charming thing about her is that she was kick-ass before she ever got her powers. Disgusting and inappropriate as this is given our age difference, I fell in love with Rhea (huge spoiler, that's her real name!!) pretty much from flicking through a few of the pages in the library, and I fell hopelessly in love when I finally got home and read it.

Rhea has a slightly unstable life, but she knows what she wants. She writes fiction and sells it through her friend who owns a small local bookstore. She copies these at a copy shop and binds and pays for them with her own hard-saved cash. Unfortunately, one night she leaves something behind and when she returns to get it, she discovers that the shop is being held up! She plucks up the courage to act, and finds herself transformed into a super hero who would give Hit Girl a run for her money. But this action creates its own problems which AC aka Rhea has to face.

I loved the illustration by Tintin Pantoja, and the writing by Hope Larson was tight and funny, and realistic. I definitely want to read more about this character, and I recommend this as a worthy read.

Wonder Woman Earth One Vol 1 by Grant Morrison, Yanick Paquette

Rating: WARTY!

With the upcoming Wonder Woman movie, to which I look forward immensely (and depressingly almost a year away as of this review!), and from the fact that Gal Gadot was by far the most impressive character in the rather sad and confused Batman v Superman movie, I decided to take a look at this one, which my awesome public library had sitting right there on the shelf. I was disappointed. Worse than this, it betrayed the original concept dreamed-up by William Moulton Marston and his wife wife Elizabeth.

This is evidently some sort of reboot in the Earth One series, although why a character which has been continuously in print for over three-quarters of a century was felt so lacking in oomph that she needed a reboot is a bit of a mystery. The blurb told me that this was "a wholly unique retelling that still honors her origins" so since I knew squat about the comic book character, I decided this might be a good place to start, but in the end I was not impressed. The art work wasn't bad at all, but some of the images made little sense, and the story itself left a lot to be desired.

We learn here that Princess Diana did not derive from clay brought to life, but as a daughter of Hercules (himself very much a villain here). That's really the only significant difference. We still get Captain Steve Trevor, who is back in this incarnation, and who Wonder Woman delivers to the USA for treatment after his plane crash. The problem is that the story really bogs down at this point, with Wonder Woman made to look like a village idiot with her lack of understanding of the modern world. She's not as much of a moron though, as the army officer who doesn't know the difference between a Humvee and a Jeep. Maybe he'll do better when the Oshkosh L-ATV comes into common use.

Wonder Woman isn't really likable in this story, and especially not when she compares the ineffective soldiers to little girls - like little girls are somehow feeble and useless. This was so far out of left field that it could only have been written by a male writer who turned-off his brain before he wrote this or was so completely out of touch with his subject that he knew no better.

I can't recommend a graphic novel about Wonder Woman in which she's portrayed (and betrayed) so badly and where she is so bizarrely forced into delivering dumb lines insulting to women, and where her entire oeuvre consists of offering nothing more than a few cheap shows of super-strength. Wonder woman was supposed to be so much more than this - a different kind of super hero, and the writer failed dismally to deliver in this retelling. There was nothing unique here, and worse, nothing antique (unless you classify those ineffectual chains wrapped around her on the cover as harking back to the purported 'bondage' themes of the original Woman Woman comics). But when you got right down to it, there was nothing to empower women in this character. Quite the contrary. This was a golden opportunity to deliver so much more, and it failed. Instead of an up-armored Humvee, we got an old jeep.

Runaways Vol 3 The Good Die Young by various contributors

Rating: WORTHY!

In this volume, which I was able to launch into right after finishing volume two, the runaways were pursuing a decoding of their parents' secret book, and finally finding out how this all began and where it was going. They discover that their parents are taking part in a ritual under the ocean in front of their alien overlords, and decide to ship-wreck it. Since I laid out the details of this series in my review of volume two, this review will be shorter.

This story was slightly less entertaining than the previous one, but still worth reading. There was some annoying stuff wherein the only interactions between these guys, despite being on the run, hungry, and scared, was of a romantic nature. Yeah, I get that teens often can think of nothing else, but this group was composed mostly of females, and given their circumstances, it seems to me they'd be less focused on romance than on survival. That said, maybe when young people are as hunted and desperate as these guys were, they might well tend towards a more profligate approach to romantic behaviors - like that girl in the Airplane movie?! Who knows? The thing is I could see guys doing this a lot more readily than girls, and this is written by guys!

In addition to this there was this (as another reviewer termed it) "random vampire" thrown into the mix which came right out of left field and served no purpose that I could see. The more interesting thing was the increasing reference to a mole amongst the runaways. I never did guess who it was, but it's revealed towards the end of this volume and plays out quite well. Given this, I didn't see the point of another character (the vampire) who has his own antagonistic agenda.

Both Tony Stark (in a suit) and Steve Rogers (in costume) put in an appearance, and I liked that the Runaways were as suspicious of Captain American as he has been of Government and SHIELD. Overall, though, this was a nice read and I plowed through it in short order. At this point I was interested in reading more of these although they're not really aimed at my age range - more at middle grade despite the Runways being mostly young adult ages. The problem was that later stories in this series were far less impressive to me than these early ones, and I am done following the Runaways now.

Runaways Vol 2 Teenage Wasteland by various contributors

Rating: WARTY!

This was my first venture into Marvel's Runaways, a comic book series in which a band of mostly young teens, but including an 11-year-old, learns after seeing them literally sacrifice a girl, that their parents constitute an evil organization they call 'The Pride'. The series was created by Brian Vaughan and Adrian Alphona, but Joss Whedon has also had some involvement in it, leading some to wonder if this might be Marvel's next big venture - into movies or into a TV series, adding another foundation stone in their burgeoning super hero empire.

I decided that if this was indeed somewhere Marvel was going, I should try to get a leg up on the whole thing since I knew squat about these guys other than the vaguest notion of what they were about. This chance came from my beloved local library when I saw a whole bunch of these on the shelf. I had two immediate problems. One was that of what appeared to be two separate series, and not a one of them had a volume number on the cover or on the credits page, so I had no idea which one came first. I had to look it up online, only to discover my second problem, which was that volume one wasn't on the shelf! I did get vols 2 & 3 though.

Why are graphic novel creators so devoted to keeping people in the dark about where they are? This is one reason I detest series! I know these graphic novels are already aggregations of single issue comics, but could they not put something on the cover to indicate cardinality?! I had to go online to find out which ones to start with, and even then I couldn't figure out who's on first, or whether I was looking at two sets that were really separate or whether they were merely different print runs of the same stories (it turned out to be the latter). I finally picked volumes two and three of the small format paperbacks and a volume of the large format because it was written by Whedon. I have no idea what order that one was in.

That said, I blitzed the two small ones and found them to be quite entertaining despite a few issues here and there (which were no worse than any other comic book). Yes, issues in the issues! The parents of these kids were chosen by aliens to usher in the end of humanity. The reward they were promised was that six of them would live through the genocide of their fellow humans and become immortals. I'm sorry but I see no incentive there! We're supposed to believe that these evil parents were cool with the idea that they would have one child each thereby creating the six survivors? Either they're stupid or far from evil. The aliens told them that only the most devoted of their servants would be the ones who were saved, so there was no reason to believe they would accept substitutes or care about children or their servants' wishes!

Their parents are an assorted group of aliens, time-travelers, scientists, telepaths, and wizards, and what happens is that the kids, who have surprisingly been unaware of how evil their parents are, spy on them and are shocked by their behavior, so they...run away! They try adopting super hero names but it doesn't work. The youngest makes her own thrown-together costume, but none of them really are interested in the traditional super hero path, which made this very appealing to me, especially since I'm working on a super hero novel myself right now. The characters are also mostly female and of diverse ethnic backgrounds, so this is another feather in its cap as far as I'm concerned.

Talking of diversity, Karolina Dean is the alien and she knows she's literally alien. Like superman, her power comes from the sun, but unlike the foundational DC hero, her power fades at night. This was another thing I liked. I've never understood how Superman managed to be as super at night as he was during the day, but perhaps he worked like a capacitor?! Molly Hayes is the daughter of the mutant telepaths, but she's more like Superman in that she has super strength and invulnerability. Nico Minoru, like Harry Potter, is the daughter of wizardly parents and can do magic, although in the two volumes I read, she did very little of it. She's also the de facto leader if there can be said to be one.

Chase Stein is the son of the scientists and has no super power, but he did steal his dad's 'fistigons' which are gloves which seem confined to emitting fireballs and extruding metal claws rather like Wolverine. Alex Wilder is the son of gangland capos, and is described as having a precocious and forward-looking intellect, although he never came off as being particularly smart to me. Gertrude Yorkes (there's that out-of-style name again, but maybe it's because she) is the daughter of the time-travelers. She has an empathic link with a velociraptor nicknamed Old Lace. She goes therefore, by Arsenic. Once again we see the velociraptor way over-sized as it was in the Jurassic Park movies, but since this one is genetically engineered, perhaps there is a reason for that.

This series was written in the mid-'oughts, yet all of these teens seemed unusually familiar with - and addicted to - anachronisms. This brought me out of suspension of reality quite often because it didn't feel like things these teens would say or reference. I mean, how many teens, even US teens, would even know about a 1939 play adapted into a 1944 Cary Grant movie titled Arsenic and Old Lace, as opposed to how many older comic book writers?! They did explain the Beatles references by mentioning that one of the kids had an album, a present from a parent, but this doesn't explain how all the other kids would be familiar enough with them that they never questioned the references.

Those gripes aside, I did like the off-the-beaten-path route this story took, its basic premise of rebellious teens, its cast, and the overall story. This one was focused on the kids establishing themselves in a 'base of operations' and their move towards helping people in a rather forlorn, misguided, and half-hearted effort to right their parents' wrongs, but there as very little super hero activity here. it was mostly focused on the interactions between the teens, but even so, it was very readable and interesting, so I recommend it.

Runaways The Complete Collection Vol 4 by various contributors

Rating: WARTY!

I have to give this fourth volume a negative rating too, along with the third volume I also reviewed. This one I didn't even finish, ditching it about half way through. I'm done with the Runaways series now: it was tedious and repetitive and nothing new was being offered. The characters which had held so much promise when I first began reading their adventures now seem to be running out of interesting or entertaining things to do, and they had nothing new to offer me. Add that to the tedium of some of the characters behaving the same in story after story, making the same mistakes or the same bad jokes, never developing, growing, or learning, and with Molly becoming ever more nauseating it's not appealing to me any more.

I mean Molly is supposed to be thirteen, but she consistently behaves like she's six - and a boy! There's nothing wrong with girls being masculine or tomboyish, but in her case it's not a character trait, it's a consistent failing of the writers to grasp the first thing about twelve- and thirteen-year-old girls. Although they do know how many teeth a thirteen-year-old should have, which is one nice thing I can say! LOL! But Molly never has a period. She's never interested in boys or girls on an emotional level. She shows no growth whatsoever towards maturity despite approaching young adulthood - and living on the street, and fighting for her life from time to time. It's simply not credible that she is a perennial juvenile. Chase is a perennial airhead jock type, Nico is perennially running out of new spells to cast. Frankly, it's boring and unimaginative and I'm done with this series although I still have some individual reviews to post of earlier material I read which was better!

Runaways The Complete Collection Vol 3 by various contributors

Rating: WARTY!

I have to give this a negative review overall, but portions of it I shall be reviewing separately and positively. This review is for the complete volume four collection which to me was not a worthy read. The art work was bordering on Japanese style in some portions: over-sized eyes and so on, of which I am not a fan, and even when it wasn't drawn that way, it was less than thrilling. The stories in the first half of the volume were not entertaining to me. It picked up in the second half, but I'll review those separately since I read them separately prior to getting my hands on this volume.

This takes place during the time of a super hero civil war which was recently and very excellently captured in the third of the Captain America series, which this volume references several times. The main Marvel heroes don't really feature here, though, but the young Avengers, with whom I was not at all impressed, played a lead role. One problem I had with this set of stories was the Skrulls. I am not a fan of this invasion by aliens. I don't know what it is, but it fails to impress me and doesn't stir my interest. I had the same problem with the first Avengers movie - the story was great right up until the alien invasion began, then for me it fell off and was not so interesting.

So while some of the individual stories later were engrossing (once the young Avengers and the Skrulls had departed them), I was not impressed with the overall package, so I cannot recommend this.

Marvel's Captain America: Sub Rosa by David McDonald

Rating: WARTY!

I came to this novel under false pretenses. I don't know who decides how to categorize these novels when they're put up on Net Galley as advance review copies. I suspect it's the publisher, but whoever it was misrepresented this one. It was categorized under graphic novels, but it's no such thing! There are no graphics in sight - in this case not even a cover, so I was disappointed before I began this. My advice to publishers is not to put your text novels under the graphic novel header. It's misleading at best and dishonest at worst. Nevertheless I gave it the old college try, and I have to report that it was not a beautiful day in the neighborhood for Mr Rogers, aka Captain America. I really could not get into this. I made it to just beyond the half-way point, and when it didn't remotely look like it was getting any better (indeed it got worse, descending into monologues and pages of exposition), I gave up on it.

I'm not a huge comic book fan, but then this was not a comic book, as I was sorry to discover. My experience of Captain America is all from the Marvel movies which have been hitting the screens with a routine and regularity, and a runaway success that's nothing short of breathtaking, and every one of those movies has been funny, amazing, action-packed, intelligent (for Hollywood!), fast-paced, and thoroughly entertaining. This novel was none of that. Instead, it was a series of uninspired fights followed by uninspired dialog, followed by more fighting. And there was neither anything super nor heroic about it. You could have taken out the Cap, and substituted one of the GI Joes, or one of Schwarzeneggar's older characters, like the one from Commando, or tossed in a Jason Bourne or James Bond, or any such macho action dude, and it could have been exactly the same story. There was no reason for the Cap to be here.

The story began with Commander Maria Hill contacting Cap to ask him to take care of her niece, Katherine, who plays the standard maiden in distress, despite the fact that she can handle herself and gets the Cap out of more than one scrape, yet she never gets any respect. I think this story would have been a much better adventure if Commander Hill had taken charge and cap had not been involved, but it is what it never was, and that's what I have to review.

The dialog was uninspired and not amusing, except unintentionally, such as at one point when the Cap is fighting a character named Taskmaster, who has "photographic reflexes" (what's really meant is cinematographic reflexes - any move she sees he can emulate). At one point, while fighting Taskmaster and attempting a futile distraction, Cap asks, "So who's paying you, Taskmaster, and how much?" Was Cap not paying attention two minutes before when Taskmaster came flying through a window and announced, as an introduction, "...she's worth a lot to me. Two million dollars to be exact."? I guess not. His motive is to collect a bounty. he's being paid two million dollars to be exact! Cap doesn't come off as very smart in this story, which is another problem. Of course that doesn't explain who's offering the bounty, but that's not exactly what Cap asks, is it?

The writing is a bit clunky, too. Workman-like for the most part, but not inspired. At one point, in the same paragraph we got "Then it came to him...then with a jolt it came to him..." which made for jarring reading. I guess the first time it came to him it didn't jolt him enough? Or maybe he needed to drink a Jolt cola before it came to him? Character descriptions were boilerplate, along the lines of "a lion's mane of hair" and "a curved beak of a nose." Not very inspired or inspiring. It felt like the author had cut & pasted these from other tepid random novels.

It was hard to find this on Goodreads because the title there is different. In fact the title seems very fluid. It's listed as Marvel's Captain America, but the novel itself is titled Marvel Captain America Sub Rosa. That latter Latin means literally beneath the rose or by way of translation, in secret. But it can be no secret that the Cap deserved a lot better than he got here. I can't recommend this based on what I read, which was more than enough for me when there are other novels out there which are desperate to be read and enjoyed and promise to be more rewarding.

Klaw The First Cycle by Antoine Ozanam, Joël Jurion, Yoann Guillé

Rating: WARTY!

This was an odd graphic novel and while I thought it was a good idea, I had too many issues with it and gave up reading it about two thirds the way through. This is what happens when I break my vow to never read any fiction with the word 'cycle' in the title! On another note, there are multiple stories titled "Klaw", believe it or not, and this isn't connected with any of the others as far as I know, so if you're looking for this particular one, make sure you get the creator's names memorized so you get the right book!

I was grateful for the chance of an early look at an advance review copy, especially one which had so much potential and with an amazing cover image, and while I recognize it was written for a younger age group than mine, I had some real problems with it nonetheless. One problem I didn't have was the artwork: it was beautifully done. Joël Jurion's drawing was decent - nothing spectacular, but nothing off-putting either, so that was a good start, but Yoann Guillé's coloring was magical. The plotting/writing left something to be desired however and that's a problem for me.

Angel Tomassini has a chronic bullying problem, but it's fantastical to the point of being ridiculous. He's chased in full view of everyone in the school and no one - not one single person, students or staff - does a thing about it. It's hardly surprising then, given how much fantasy we're already in, that he can turn into a huge tiger. He's not only bullied by the trope bullies, he's also bullied by the boyfriend of a girl he likes - a girl he was foolish enough to text. Her boyfriend Kurt saw the text and starts bullying him in full view of everyone at the pool, including the girlfriend upon whom Angel crushes. Again, no one does a thing about it, not even to raise a voice in protest, not even the girl in question. I sincerely hoped at this point that Angel was not going to end up with this lame, selectively blind, jerk of a girl, but that hope was forlorn.

The story gets interesting when Kurt is killed - by something with claws - even though it's obvious who's done it. It gets dumb again when the cops haul Angel down to the station without benefit of counsel or even his parents. Seriously? Angel is the son of a guy who owns the biggest fish wholesale business in the country. Yep, his dad sleeps with the fishes, and he also has major league mob connections, so Angel is freed pretty quickly. This begs the question as to why he's so freely bullied by all and sundry. Either he's a kid with ties to the mob and people are therefore in some fear of messing with him, or he's viewed as a no-import little guy who everyone (including some cops) feels free to bully. It doesn't work both ways. And Angel has to be truly stupid to have never figured out that his dad is shady at best.

As if this isn't improbable enough, Lisa, the girl who Angel is crushing on, and the now ex-girlfriend of dead Kurt, calls Angel up out of the blue and invites him to attend the same dinner she had planned on going to with Kurt. Seriously? But it gets worse. The next day at school she greets him by name, hugs him and kisses him on the cheek. More seriously? But it gets worse! This girl knows he has mob connections and despises them, yet she still asks him out and then later dumps him because of his mob connections! Even more seriously?! This girl has psychological problems, and none of these characters make any sense. Not that any of this bothers shallow Angel who is about as one-dimensional as you can get and still manage to exist in three dimensions. Supposedly Lisa was threatened in order to force her to go out with Angel, but if that was the case, how come she was so enthusiastic about it? How come she doesn't feel threatened when she summarily dumps him? Again, it makes no sense.

The story became too ridiculous for me when Angel starts donning a super-hero costume to fight crime. On the one hand he supposedly loves his father, but on the other, he's committed to putting him out of business. Okay, I'll give that the benefit of the doubt, but why does he need a super hero costume? He's already disguised as a tiger! I'm sorry, but I can't go with this. I wish the creators all the best because I like to support foreign efforts. This was a lot of work, but it didn't seem to me like it was well thought-through.