Thursday, November 13, 2014

The Siren and the Sword by Cecilia Tan


Title: The Siren and the Sword
Author: Cecilia Tan
Publisher: Riverdale Avenue Books
Rating: WORTHY!


DISCLOSURE: Unlike the majority of reviews in this blog, I've neither bought this book nor borrowed it from the library. This is a "galley" copy ebook, supplied by Net Galley. I'm not receiving (nor will I expect to receive or accept) remuneration for this review. The chance to read a new book is often reward aplenty!

Erratum:
p47 "…then la down…" should be "…then lay down.."

This novel is a huge rip-off of the Harry Potter stories (and the author admits it - kinda!). It's book one of the Magic University series, because one novel is never enough any more in the YA world. There was a prologue which I skipped as I always do. If the writer doesn’t consider it important enough to put into chapter one or later, then it’s not important enough for me to waste my time reading it. I've followed this philosophy consistently and I've never come across a novel (including this one) where I've had to go back and read the prologue because I felt I missed something. QED.

The novel is about main character Kyle's integration into magic college, his making of friends, and his resolving the issue of who is the siren who haunts the college library, but I use the word "story" very loosely because there really isn't one. What there is, is really thin and not nourishing at all. There's nothing new, original, or even interesting here, unless all you want is a cheap non-romance and some raunchy sex (Celia Tan is primarily a writer of erotica). That isn't enough for me.

There are no interesting characters here: no one who stands out, or who registers as engaging or fun, or admirable. There's no villain as such, and there's really no attempt whatsoever at world-building, so we're treated to a tale that's essentially just a series of sketches or vignettes rather than a real story.

The best thing about his novel is that it’s not told in first person PoV - the most self-centered, pretentious, and inauthentic of writing styles. I commend the author for that, but the rest is pretty much boiler-plate Harry Potter. Kyle Wadsworth is in the trope position of starting his first day at a new and surprisingly unexpected school. He's an orphan boy who isn’t wanted at home, who suddenly finds out that he's magical, and sees 'new school' as synonymous with 'new home'.

The only real difference is that Kyle is eighteen and starting college instead of just launching into a middle and high school education. You might want to make a note that there's a strong and very prevalent sexual content in this novel - which definitely wasn't in Harry Potter and which is much more graphic than you usually find in YA stories. That didn't bother me, and in some ways it was quite well done, but I never trusted it for some reason, and given how the story turned out in the end, it made everything that went before seem farcical and inauthentic.

We're quickly introduced to Jess, who's a stand-in for Ginny Weasley (after a fashion), but who has nowhere near the power which Ginny had. Next we meet Alex, who is pretty much Ron Weasley, and we meet Lindy, who is a clone of Hermione Granger, right down to her being born of non-magical parents and having wild hair. Not only is Kyle magical, but he's a special magical person - just like Harry Potter - and there's a prophecy about him. And just like Hogwarts, there are four school houses which follow the four suits of (tarot) cards:

  • Camella (Latin for a bowl or a cup
  • Gladius (Latin for a short sword - the primary fighting instrument of the Roman legions)
  • Nummus (the Latin term for copper coins)
  • Scipionis means that which belongs to Scipio (who was a Roman general), but it also means a rod or a staff
Just like Harry, Kyle is placed into one of these houses by magical means. Unlike Harry, he gets Gladius, which isn't the one he wanted. Like Harry, his dorm room is way up in the top of a tower above the common room. Oh! And there's even an underground chamber. This one isn't hidden, although it probably contains secrets.

Unlike Harry, Kyle has no problem whatsoever completely swallowing everything he's told - including, of course, the revelation that there are magical and non-magical people. None of this freaks him out, or even imbues him with a modicum of skepticism. He immediately and completely believes it all. I didn't like Kyle.

There's a really funny instance of cluelessness from Jess when the two of them 'magically' hook up and go out to eat. Jess claims she had a prophetic dream of meeting a man at a carnavale. That dream has never come true, so why on Earth is she claiming it was prophetic? Just because she remembers it? Lol! This struck me as completely nonsensical. I didn't like Jess.

Suddenly on their way to get pizza, her eyes look like deep pools to Kyle, and now the two of them are no longer hungry but horny! Once again we have a relationship in a YA novel which is all about looks, skin deep, carnality - and nothing to do with actually getting to know and value - or even like - a person. It's sad that this was written by a woman.

The classes Kyle is assigned make no sense. He's assigned a class on poetry! Why? Isn’t he supposed to be training to be some kind of a magician? He's a late starter (how that's so when he's just applying to the college is a complete mystery - students don’t normally apply to start when it's already two weeks after the semester begins) - but if he's late as we're told, and magically clueless, as we're told, then why isn't he being assigned some intensive introductory courses? There's no explanation for this.

At one point, we meet Kyle sitting outside a building with gryphons at the door (gryphon-door get it?!) and our hero is so clueless that he can’t think of a single thing to say about a TS Eliot poem. He's not the sharpest sword in the house is he? Fortunately this is where his magical powers come in, and he breezes the class. Apparent his magical power is understanding poetry.... Excuse me?

Next we're having broomstick races and someone is injured. I wonder where I read that before? Keep an eye on the person who gets injured - he fades from view in the story, and then comes roaring back completely out of the blue (and making no sense whatsoever plot-wise) towards the end.

Once again on page 69 (how appropriate) we get prettiness specified as the most important trait in a woman. Shame on Celia Tan. She also writes a conversation in which a nineteen-year-old uses the word "honey" as an endearment. Really? That struck me as highly unlikely. Which teens use that word any more? The author has Kyle talking about being in love with Jess when they hardly know each other, and when the only thing they evidently have in common is sex. It made me lose respect for Kyle that he "fell in love" with someone as shallow, one-dimensional, and cardboard as Jess.

The author does make an effort to pull it out of the fire in the second half, and things began to get a bit more readable with some unexpected twists and turns, but in the end, this wasn't a good story. It was too flimsy and lacking in any real substance. The characters were readily forgettable. The novel had far too little to offer. it had nothing new, and I can't generate any enthusiasm for reading a whole series like this. I barely managed to talk myself into finishing this and would not have done so were it not so short.