This is from an advance review copy for which I thank the publisher.
This was a short, easy read, full of interesting facts, informative asides, and rife with anecdote, detailing the rather depressing period leading up to the street-clogging Beatles "concert" on the roof of their Savile Row office building in London's toney Mayfair district. What they were actually doing is making a documentary about making an album, and they had ascended to the roof to record some songs, which is why they played some of them more than once - although the video release of the occasion doesn't make this clear. The film though, in many ways, became a documentary about the disintegration of the Beatles, and Let it Be became their swan song, even though they went on to record an equally famous (if not more so) album directly afterwards, called Abbey Road.
It was perhaps a fittingly cold day - especially on the roof where the wind blew across a London unfettered by the plethora of skyscrapers which have sprouted there more recently - to reflect the chill between the fab four, each wanting their own life, their own way, their own recognition. John was into heroin and even more into Yoko. He seemed completely lethargic, leaving it all on Paul to try and keep things moving, which made the latter seem like a drill-sergeant at times. George was disillusioned with being treated as third string after the internationally famous song-writing duo of Lennon-McCartney.
Ringo, whom the other Beatles called Ritchie - which after all was his name! - was annoyed by the constant bickering. He took off for a two week holiday. Later, George announced he was quitting and walked out. Eventually they all came back together, perhaps never more so than on the roof that day, when everything was forgotten but the band and the music, and they rocked out just like they had a mere half-dozen years before, at the start of their distress-flare career which arced so brightly over the sixties.
Paul really wanted to do a live concert and record that for the album. They talked about places they could do it - such as Tunisia or Russia, or even some venue in London, but George was dead set against performing live again. As each new suggestion was tossed out, one or other of them would veto it until the idea arose, parodying the words of a McCartney song, "Why don't we do it on the roof?" And after having people come in an put up scaffolding so the roof would not collapse under the weight of the people and equipment, they did it on the roof on a day that will be remembered in fame.
This book makes for a fascinating read (although I could have done without being reminded yet one more time that Paul's Höfner violin bass still had the playlist stuck on it from their last (real) concert in San Francisco's Candlestick Park from several years before.
The book had some ebook issues of the type which are common in Amazon's crappy Kindle app. In this case the issue was that the um was removed from the laut! I'm joking, but what I mean by that is that, the umlauts are off to the right of the letter they're supposed to be hovering above! I have no idea how that happened, but it was consistent throughout the ebook.
Presumably this will be fixed before the published version is released. I didn't even know it was possible to separate them like that, but I promise you if the Kindle-izing process can screw up an ebook, it will. You can't submit anything to this system except plain vanilla text if you don't want it mangled. My recommendation is to use the Nook format or a PDF. But note that I am highly biased against Amazon for its business practices and for personal reasons.
Apart from that, I really enjoyed this book and I recommend it as a worthy read.