A Great Deliverance by Elizabeth George

Rating: WARTY!

"Inspector Lynley and his partner come to the secretive village of Keldale to discover if a sullen teenage girl was responsible for her father's savage murder." Have you noticed how the murder is never actually a murder? It's always a brutal murder or a savage murder, or a shocking murder. Nobody murders ordinarily in these books! I'll pass, because for me the only thing murdered here is a good, original story. You'd think that someone whose namesakes are two monarchs might set her standards a bit higher.

Playing for the Ashes by Elizabeth George

Rating: WARTY!

This is a defintie three strikes for this author. "DI Thomas Lynley and DS Barbara Havers uncover haunting secrets as they investigate a cricket star's shocking death." He should never have played with an aluminum bat in a thunderstorm, that's for sure...and aren't all deaths shocking in one way or another? Yawn.

This Body of Death by Elizabeth George

Rating: WARTY!

"After his wife’s murder, inspector Thomas Lynley stepped away from Scotland Yard… but a disturbing crime deep in a secluded cemetery requires his return." And yet again with the 'coming out of retirement' meme. How many scores of times has this been done? I read and negatively reviewed a novel by this author in 2016 and evidently she's shown no sign of improvement in five years. Yawn.

The Edge of Nowhere by Elizabeth George

Rating: WARTY!

This audio book came as one of a pair I picked up at the local library. Of course the blurbs made them sound interesting, so I figured if I like this, one will get me two. Naturally I began listening to the wrong one first, so the next day I started on the other one. The first had not been very impressive to start with, but it began to grow on me as I continued to listen. The second, which was actually the first volume of the pair, I liked right away, but then it began to grow off me, I'm sad to say. I think it's always sad when a book lets a reader down.

The main character, Becca, has the ability to catch people's thoughts, but in just the same way that mediums cannot ever give you anything concrete (because they're freaking frauds, of course!), Becca's thought-capture utility gives her only vague, fragmented snatches which made little sense. It did, however, drive her nuts when so many random thoughts invaded her mind, so her mom got her this thing which at first I thought was called the 'odd box', but which was actually called the "aud" box. I was saddened when I learned that, because I really liked the idea of them calling it an odd box. This is the price of audio books: no way to know the spelling of an odd word or a name, no ability to skip prologues reliably, and god-awful trashy music beginning and ending every disk.

What in the name of all that's inscribed is going through the mind of the audio book publishers that they feel they have lard-up the written word with mindless snatches of music that don't even disappear when the reader starts in on the text, but instead slowly fade away? I have no idea. Did the author write the music. NO! The music is entirely, completely, absolutely, fundamentally, and in every other way nothing to do with the story! It was absent from the novel as written by the author (which is all I care about), so what in the entire universe possessed these delusional deviants to add it? Are they so anal that they cannot get past the illusion that if it's a CD it has to have music? If it's audio it must have power chords and thrashing drums? These people are morons.

But I digress. The story begins interestingly enough when Becca catches thoughts from her stepdad that show he has murdered his business partner. Her dad, aware she can catch thoughts, knows that she knows, and this, finally, is evidently enough to motivate her mother to leave this jerk. Somehow Laurel, the mom, magically has the wherewithal to conjure up false identities for Becca and herself, and with hair color and makeup disguises, the two flee - to Whidbey island. Mom evidently has an old friend from high school who lives on the island, and who has agreed to take care of Becca. Mom herself, for reasons unexplained, does not stay with Becca, but disappears off somewhere else, leaving her daughter entirely alone.

The woman Becca is supposed to stay with dies before Becca gets to the house, and she has evidently told no one else that Becca is coming, so Becca is not only alone, she is without substantial money and has nowhere to stay. Then magic happens. Again. Becca gets a ride from a nice woman; she meets a nice young guy who directs her to another gruff but nice older woman, who magically runs a motel where Becca can stay for free in return for helping out around the place. You know this is what happens to all runaways right? They get everything on a plate and never have any difficulties. Happy, happy, joy, joy. This novel is Newbery material right there.

So this story that began with a great premise now descends rapidly into nothing more than high school rivalry and love triangles. The perky rockin' music was appropriate after all! Who knew?! Becca meets Derek, a slightly older student who is sweetness personified. She also meets Jen, one of the most obnoxious people it's possible to not avoid meeting. She immediately hates Becca and misses no opportunity to trash her in public and in front of Derek. Never once does Derek call Jen on it, or try to stop the insults flowing. Yet he's a nice guy, because we're told he is. He has a nice opinion of Jen, too, notwithstanding her disgraceful attitude and criminal behavior. (Note that I managed to stomach only about 30% of this novel, so when I say "never once" it refers only to that portion)

That's all the story offered at this point, and it was nowhere near enough. That and some vague mystery from the past which was so heavily and repeatedly foreshadowed that it became tedious to listen to. The reader, Amy McFadden, was way too perky and while not god-awfully bad, could not do a decent male voice to save her life, so that became a joke. Becca isn't very smart, either, which is another no-no in stories for me. When she gets a lift to go meet Derek, the driver sees him, and Becca catches certain foreboding thoughts. When she gets to Derek's side, she catches the other side of those thoughts, but never once does she suspect there's anything going on here. She's an idiot.

I was thoroughly disappointed in Becca that she had this ability to catch thoughts, yet did nothing with it: she did not practice, she tried no training of her ability, there was no exploration, no testing, no spying, nothing. Instead, she treated it like a mental illness, which was disappointing and short-sighted. I don't care if a girl starts out dumb and wises up, but I don't really want to read about female characters who have no sense of curiosity or ambition and never develop one.

There wasn't even any internal logic to the thought capture. She couldn't pick up thoughts from sentient animals such as dogs for example, and couldn't pick them up from an unconscious boy who'd had an accident, so it made no sense (unless maybe he was brain dead - I didn't read that far). She picked up no images, sounds, or smells, only words, and never once did she get a full sentence, again with no explanation as to why. In the case of the boy, Becca calls for an ambulance, and then refuses to give her name and hides her phone. What? I know she's trying to stay below the radar, but seriously is that the smartest way to do it?

My plan is, despite the disappointment here, to at least give volume two a shot, and see if it's any better, especially since I already started it. The problem with this plan is that the main character here appears to be Jen - at least in the beginning - and she was so nauseating in volume one that unless she underwent a marked improvement somewhere in volume one, then volume two isn't going to be enjoyable either! We'll see. As for this volume, I can't recommend it.