Showing posts with label Shelley Blanton-Stroud. Show all posts
Showing posts with label Shelley Blanton-Stroud. Show all posts

Sunday, April 26, 2020

Copy Boy by Shelley Blanton-Stroud


Rating: WARTY!

From an advance review copy for which I thank the publisher.

I made it about fourth-fifths the way through this. In the end I was driven away from it for several reasons, not least of which was because the story seemed to drag, and it went frequently off at inexplicable tangents that always made me feel like I'd missed something, somewhere in the text.

It started out a bit confusing and a bit boring frankly, in a chapter that dragged on for twenty pages or so. To me it felt like that part ought to have been told in brief flashbacks or better, in brief flashes of memory of earlier events, triggered by things the main character sees and does in the present. I'd rather that than have had all these pages devoted to it. I'm not a fan of flashbacks at all, nor am I a fan of prologues, and this felt like a too-long prologue.

Despite this disappointment, I decided to press on because the premise of the story appealed to me, but though I stayed with it and it improved to begin with, it went downhill again, and then picked back up, and so on, so for much of the novel it felt like I was riding a reading roller-coaster in terms of how much the novel alternately engaged and bored me. I liked it best then the main character was interacting with "Sweetie" and "Rivka" the two girls Jane, aka Benny, lives with when she first arrives in San Francisco. This part of the story was far too quickly over with for me.

This frequent readjusting from one locale to another was part of the story, but it made it feel a bit disjointed, like it was more than one story about more than one person. Paradoxically, despite this, we got little sense that Jane had moved from the country to a big city. There was no real world-building to speak of, so the action could have taken place anywhere, and Jane adapted so readily to big city life and taking cabs, handling money, and drinking with the boys, and so on, that it felt completely unreal. Everything came far too easily for her.

Jane started out as a strong character, who was interesting and who was someone I wanted to root for, but at other times, and increasingly, she made stupid decisions for no good reason that I could see. She also had a lot of sheer luck in the investigation she was pursuing - far more than was reasonable, which stretched credibility too much for my taste. In the end she became an unpredictable loose cannon doing things which made no sense to me at all, and she quickly lost me as a fan. She came off as really flighty and I lost interest in reading any more about her.

For most of the story she's disguised as a young man and pursuing a career such a young man might pursue, and it seems like too quickly she forgets she's really a girl, so we get very little of her insights into how her life differs now compared with what it was before, and given her impoverished roots and the superficial change of gender on top of that, there were such huge differences between how she had grown up and how she was living now that it didn't make sense she would have so few observations to share about it. There was a major disjunction between the two lives she led, and her serious lack of any real reaction to it felt completely wrong.

Things in her life seemed to fall into place without any real effort on her part, and the story she pursues at the newspaper doesn't always make sense to the reader. At least it didn't to me. I mean, the overall story made sense, but the details of how she put it together seemed completely haphazard to me. It feels like successful leaps are being taken in her investigation without the author sharing much about how she makes those leaps. Either that or I wasn't following the story as well as I ought to have been for one reason or another.

Jane wasn't the only one whose life made little sense though. Both Sweetie and Rivka are two of the other characters who could have been really interesting, but their behavior didn't seem to follow any rational trajectory, and neither does Mac's. He's Jane's too-easy route into the newspaper business. Additionally we seem to have Robert Oppenheimer - the nuclear physicist - introduced into the story for no good reason! How or why that came to be I know not. In the end then, this story had too much and not enough and I could not enjoy it, so I cannot commend it as a worthy read.