Saturday, July 2, 2016

Wonder Woman Earth One Vol 1 by Grant Morrison, Yanick Paquette


Rating: WARTY!

With the upcoming Wonder Woman movie, to which I look forward immensely (and depressingly almost a year away as of this review!), and from the fact that Gal Gadot was by far the most impressive character in the rather sad and confused Batman v Superman movie, I decided to take a look at this one, which my awesome public library had sitting right there on the shelf. I was disappointed. Worse than this, it betrayed the original concept dreamed-up by William Moulton Marston and his wife wife Elizabeth.

This is evidently some sort of reboot in the Earth One series, although why a character which has been continuously in print for over three-quarters of a century was felt so lacking in oomph that she needed a reboot is a bit of a mystery. The blurb told me that this was "a wholly unique retelling that still honors her origins" so since I knew squat about the comic book character, I decided this might be a good place to start, but in the end I was not impressed. The art work wasn't bad at all, but some of the images made little sense, and the story itself left a lot to be desired.

We learn here that Princess Diana did not derive from clay brought to life, but as a daughter of Hercules (himself very much a villain here). That's really the only significant difference. We still get Captain Steve Trevor, who is back in this incarnation, and who Wonder Woman delivers to the USA for treatment after his plane crash. The problem is that the story really bogs down at this point, with Wonder Woman made to look like a village idiot with her lack of understanding of the modern world. She's not as much of a moron though, as the army officer who doesn't know the difference between a Humvee and a Jeep. Maybe he'll do better when the Oshkosh L-ATV comes into common use.

Wonder Woman isn't really likable in this story, and especially not when she compares the ineffective soldiers to little girls - like little girls are somehow feeble and useless. This was so far out of left field that it could only have been written by a male writer who turned-off his brain before he wrote this or was so completely out of touch with his subject that he knew no better.

I can't recommend a graphic novel about Wonder Woman in which she's portrayed (and betrayed) so badly and where she is so bizarrely forced into delivering dumb lines insulting to women, and where her entire oeuvre consists of offering nothing more than a few cheap shows of super-strength. Wonder woman was supposed to be so much more than this - a different kind of super hero, and the writer failed dismally to deliver in this retelling. There was nothing unique here, and worse, nothing antique (unless you classify those ineffectual chains wrapped around her on the cover as harking back to the purported 'bondage' themes of the original Woman Woman comics). But when you got right down to it, there was nothing to empower women in this character. Quite the contrary. This was a golden opportunity to deliver so much more, and it failed. Instead of an up-armored Humvee, we got an old jeep.


Stripped Bare by Shannon Baker


Rating: WARTY!

Not to be confused with Stripped Bare by Emma Hart, or with Stripped Bare by Susan MacNichol, or with Stripped Bare by Penny Clark or with Stripped Bare by Lena Matthews, or with Stripped Bare by Rebecca Moon, or with Stripped Bare by Lacey Thorn, or with Stripped Bare by Lowri Turner, or with Stripped Bare by Aurora Rose Lynn, or with Stripped Bare by Nikka Michaels, or with Stripped Bare by Phil Martin (and so on!), this rather unoriginally titled novel was an advance review copy from Net Galley which I got by accident!

Not sure if I wanted to read this without looking at more detail, I tried to log into Net Galley not by clicking on the link in the email they'd sent me, but by logging-on separately and finding the title through an author search, yet this still got the book automatically added to my list! In the words of John Hurt's Olivander, "Yikes!" Having been saddled with it, I did give it the old college try, but it was not for me. There were too many writing issues and I could not stand the main character.

In what is obviously the opener for a series (I'm not a fan of series), this story is about Sheriff's wife Kate Fox who is guardian of her young, troubled relative, Carly. The novel gets into the action right from the off, which is always a good thing, when Carly’s grandfather, Eldon, is shot and killed, and Kate's philandering husband, Grand County Sheriff Ted Conner who is up for re-election, is seriously wounded. Kate's juvenile charge is missing.

It seemed likely from the start who the villain was, but I'm usually bad at guessing these things so I was surprised I was right. I had to go check since I did not read all of this novel, and the reason for this is that I took a disliking to Kate pretty much from the start. She's supposed to love her husband (she doesn't know right at the start that he's having an affair), yet she fails to get into the ambulance with him. This woman named Roxy who curiously happens to be present, goes with him instead? I couldn't get past that because it was so wrong and Kate was so stupid not to see what was happening here. We were told repeatedly how desperate she was to get to her husband and be with him, and then she lets the ambulance take off with Roxy, and she stays behind? It made zero sense, and no rational reason was offered for it.

There were other reasons not to like Kate. She lives with her husband on a cattle ranch, and at one point she processes this thought: "I could tolerate ears and tails frozen off, a common casualty of spring snowstorms..." This callousness on her part - that she could tolerate pain and suffering in the very animals she relies on for her living turned me right off her. I did not like her one bit after this and was rather hoping the villains would get her. I honestly don't care if cattle ranchers really do view their 'livestock' like that or not. It was unacceptable to me if you want me to like your character.

Kate was unlikable in many other ways. Her dangerous driving to get her to where her wounded husband lay resulted in her smacking into a fence post. I read, "The post didn’t break, but it tilted out, drawing barbed wire with it and snapping the line post six feet away." Her response? “Sorry, Elvis.” Is Elvis the owner of the property she's just criminally damaged? Nope. Elvis is what she named her aging pickup truck. Yes she was worried about her husband (the one she couldn't be bothered to get into the ambulance with), but now she's shown me twice how callous and selfish she is. Plus for a rancher, you'd think she'd know the difference between an AutoGate and a cattle guard (aka a vehicle pass, a Texas gate, or a stock gap). You can "sail over" a cattle guard. You cannot sail over an AutoGate unless your car flies. Shades of Harry Potter again!

When she finally takes Elvis to the hospital, she selfishly parks right under the awning at the entrance to the ER instead of finding a parking space! The hell with other people coming in! The hell with ambulances delivering other patients! Once again she proves herself selfish and thoughtless. At this point I couldn't stand her, and I was actively rooting for Ted and Roxy.

Some of the writing was weird. I read, "Because the railroad depot was the first building in Hodgekiss, in 1889, and the main reason for the settlement, the town had grown up along the tracks." How does this work? There was literally nothing there, but they built a railroad depot anyway, and then a town grew up? Where was the need for the depot if there was no one there to begin with? I'm sorry but that's not how these things work!

There were sections where there was far too much info-dumping, such as:

I started off on another trek to Broken Butte. I had to drive over most of Grand County and into Butte County, sliding just a mile or two through Choker County, which ran along Grand’s eastern edge and north to Nebraska’s border with South Dakota. We’re a bunch of square states, and Grand County copies that pattern. Sprawling over six thousand square miles, it’s bigger than Connecticut, Delaware, or Rhode Island, with about as many people living inside its borders as there are square miles.
TMI!

At another point, Ted, who has literally just come out of a coma, is able to update Kate on where everyone is. How he managed that feat would have made a much more interesting story than the one I got! At around this point, I was unable to read any more of this story because it was turning me off on every page. I wish the author the best of luck in putting yet another detective series on the market, but I can't in good faith recommend this one based on what I read of it.


Silent Thunder by Iris and Roy Johansen


Rating: WARTY!

I quit this audiobook about two fifths the way through because it was becoming ever more boring. The essential plot was really nothing more than a modern day pirate treasure hunt, and it took far too long to get going. It began with a woman and her brother who were supposed to be examining a Russian submarine which was about to go on display at a museum. Why they were even involved is a mystery. Purportedly they were ensuring that it was safe, and determining which areas needed to be cordoned off from the public, but none of this explained why they were digging around behind panels and moving consoles on a submarine which hadn't even been cleared for hazardous substances.

Clearly they were only there so the brother could get killed and the sister find some secret codes which she promptly loses. There were less ham-fisted ways to do this. The way it was done made no sense whatsoever, but arguably worse than this was the reader's voice. Jennifer van Dyck has this way of reading which sounded odd to me from the start. At first I couldn't figure out why she sounded so weird, but then I realized she was putting the same stress on every syllable, so everything she read sounded almost like a question. It was hard to listen to for any appreciable length of time to begin with, and it did not become easier.

If the story had been more interesting I might have persevered, but why bother when it's this bad from the off? At least it wasn't in first person otherwise I never would have made it through to twenty percent. Of course it's the start of the inevitable series (yawn), but I have no interest whatsoever in pursuing it.


Gossip Girl (Abridged audio) by Cecily von Ziegesar


Rating: WARTY!

If I’d known that Kirkus said of this: "Deliciously catty and immediately engrossing" I would never have pulled it off the library shelf. Kirkus pretty much never read a book they didn’t gush over, so their reviews are essentially useless, and I actively avoid books they recommend even if they sound interesting from the blurb. I didn't know beforehand that they'd praised this one. If I had, it would have saved me the time listening to it. Or perhaps, in this case, even had I known their take on it, I might still have got it because the big attraction for me was that it was read by Christina Ricci. After having fallen in love with her watching the Netflix Lizzie Borden movie and subsequent miniseries, I was severely disappointed to discover that her reading voice sucks! It’s a drab and monotonous voice which would have made even an exciting novel dreary, but in this case, the material she was reading was as bad as her reading voice proved to be.

Gossip Girl is purportedly about " a wickedly funny and risqué original novel about the provocative lives of New York City's most prestigious private school young adults", but in reality, it's about shallow mid-teens going about their spoiled-rotten but unutterably shallow and uninteresting lives. There is no "Sharp wit," no "intriguing characters," and no "high stakes", but there is oodles of cheap and boring "melodrama."

This audiobook was a waste of petroleum products. The best thing I can say about it is that it was abridged. If it had been abridged to "Chapter One The End" it would have been perfect.


Winter by Marissa Meyer


Rating: WARTY!

This is the last of the Lunar chronicles, and a case in point as to why I no longer read series with 'Chronicles' in the name (or 'Saga' or 'Cycle' or any of those other trope pretentious buzzwords), and certainly an excellent example of why I typically dislike series. I loved the first volume ion the series, Cinder and reviewed it positively. I even reviewed Scarlett positively though I had some major issues with it. By the time I got to Cress it was time to say, "Enough is enough!" I wrote some 45K of reviewing material on these three volumes explaining what I saw in them (or failed to see!).

After Scarlett and particularly Cress, I wasn't as willing to spend so much time on Winter as I had on the previous three. If it failed even after a couple of chapters, I was out of there. And after a couple of chapters I was out of there. There are over ninety chapters and almost 900 pages in this tome, and from what I've gathered from other reviews, and from what I saw myself, all of it is a waste of perfectly good trees and bandwidth. It turns out it was exactly as I feared it would be and exactly why I'm not a fan of series.

The first problem is right there in the blurb: "... despite the scars that mar her face, [Princess Winter's] beauty is said to be even more breathtaking than that of her stepmother, Queen Levana" How is this a qualification for anything? What does beauty have to do with it? Is she a runway model? No! She's a princess in line for the throne, so what, I ask again, does beauty have to do with anything? She's apparently admired for her " grace and kindness" but nowhere do I see competence, integrity, diligence, advocacy or anything else like that listed here. Grace has nothing to do with it, and kindness is relative in a totalitarian society like the one which she exists, but at least she's in love with " the handsome palace guard," so what else could possibly matter? The beautiful people are together. The hell with everyone else! Excuse me while I barf profusely.

Winter turned out to be the most limp of all four "princesses" in this story (which is, from other reviews I've read, nothing more than a litany of one "princess" or her lover after another being captured and held prisoner. Seriously, that could have been taken care of in a few pages. Well over eight hundred is completely self-indulgent and is what happens when you have some success with earlier volumes that you're allowed to get away with anything in later volumes. Another reason to despise series, the writers who religiously vomit them up, and the publishers who so avariciously beg for them from writers. And why I shall never, ever, ever write a series. And why I refuse to grace this garbage with the kindness of a positive review. It's ugly!


Rhythm & Clues by Sue Anne Jaffarian


Rating: WARTY!

Not to be confused with Rhythm & Clues by Rachel Shane, this is your bog-standard first person PoV detective story, of which I am not a fan. The thing that interested me about this particular one is that the main character was older than you typically find in these stories, and she was a member of a defunct band. The problem was that instead of a detective, the main character and her mother both came off as interfering busybodies.

Actually, there were far too many busybodies: the whole family was this way evidently, as well as the daughter of the man with whom main character Odelia's mom was involved. Odelia Grey and her mom in particular, had no problem getting into an investigation that had nothing whatsoever to do with them, and in which they were in fact interfering with police business, and doing so after they'd been warned in no uncertain terms by police officers, to stay out of the investigation. At one point the mom calls a person who might be a suspect and gives him information which has not yet been made public, before the police even have a chance to talk to him. This is unacceptable and turned me right off the story and the characters.

In addition to this, the writing style was not very good. The writing focused way too closely on minor everyday activities, bulking up the page count without conveying anything of interest, and certainly nothing to do with the investigation. It made for somewhat tedious reading. Some of the writing made no sense whatsoever. For example, at one point, Odelia outright asks her mom if she's having sex with a guy who lives in the same retiree, gated community in which she lives. Seriously? What the hell business is it of hers? Well, she's a busybody. That wasn't even the biggest problem. After Odelia asks this of her mom, and her mom indicates that she is, I read this: "It was difficult enough getting the picture of Mom and Art doing it out of my head" so why the hell did you even ask? It made no sense.

At another point, there was an exchange between Odelia and her lawyer employer who is called in to help. He says, "I had to shave while driving 75 miles per hour," and she "points out" that he drives a stick shift. If he's doing seventy, he's not shifting gears, so how is that even relevant?! Other than that he's a moron if he's shaving and driving at that speed - or even driving at all. This guy is supposedly a lawyer and should know better, but then none of the characters I encountered in this story seemed blessed with an over-abundance of smarts.

Sometimes the writing was simply obscure: "She said she'd just flown in saying she was on a two week vacation from her job." Huh?! There were some intentionally funny bits, though, such as this one: For a minute I wondered if she was going to try to make a run for it. Or more like a shuffle for it, considering her age. That was amusing, but this kind of thing was rare. Mostly it was just annoying as Odelia's mom gets (or at least lets) her grand-niece break into a neighbor's apartment because Odelia's mom is in a fluster about why he's 'disappeared'. Then they call Odelia at 1:30 in the morning because they were both hauled down to the police station. Well deal with it. You broke into someone's house, morons. These people were stupid and insufferable, and I lost all interest in reading about them. I quit this after thirty percent, because I couldn't bear to read any more about them.

The front of the novel has some "praise" including one comment from Kirkus, which is pointless. Kirkus has pretty much never met a novel they didn't like, so their reviews are utterly worthless! I actively avoid books (when I know beforehand) that Kirkus has praised. The story (at least the thirty percent I read) had nothing to do with music other than that the guy who has disappeared (and without notifying Odelia's mom, with whom he's not really acquainted, of his exact itinerary! The scandal!), was once in a band, so the music angle was a complete let-down for me. This guy could have been on a cycling team or in a group of charity volunteers, and pretty much the same story could have been told about him.

So overall, while I do appreciate the chance to have taken a look at an advance review copy, and while I do wish the author the best of luck with this series, I was not impressed with the story. I have no interest in pursuing a series based on these characters, and I can't recommend this based on the portion I read.


Rock Paper Tiger by Lisa Brackmann


Rating: WORTHY!

This was an advance review copy I got from Net Galley, and I really appreciate the opportunity to have read it. Thanks to the author and publisher, and to Net Galley!

I loved this novel! It was refreshingly different, had something interesting and out-of-the-ordinary to relate, and had a believable main character and a believable plot. This was written for adults and it showed. Though the main character was quite young, she was beyond the YA range and definitely more mature than your trope special princess YA character about whom I've seen far too many novels. Indeed, my desire to break that detestable mold was why I wrote Femarine!

Rock Paper Tiger is about a woman who's down on her luck, feeling sorry for herself, and in some sort of nebulous trouble that she can't get a good handle on, but she hangs in there and wins through in the end, and all without having some shining white knight coming to rescue her. This pretty much defines what I mean when I talk about a strong female character. Of course there are different varieties of strong character, but this is definitely an admirable one. She's not strong in that she can kick anyone's ass. In fact she gets her own kicked in different ways more than once. She has no super powers. She's not paranormal. In fact she's rather weak in some senses, because she's hurting inside and she's physically disabled after being the victim of a mortar attack while serving in the Middle East in the US Army, yet she keeps on going and she never gives up. It can be done, you YA authors! You can write a novel with a female character, and have her go it alone, and have her be credible!

The first thing which impressed me was that this was written in first person - a voice which I routinely detest - and yet it was completely readable. Not once did I feel nauseous reading it! See? It can be done well enough to impress even a decidedly-biased curmudgeon like me! That doesn't mean it has to be done, and it certainly doesn't mean every novel should to be written this way. I'd be a lot happier if there were significantly fewer such novels, but this one definitely made the grade. There were also flashbacks which I normally detest, and even those were interesting and actually contributed to the story, so way-to-go Lisa Brackmann! If you can write a novel that impresses me, and it's in first person, and there are flashbacks, you can't be writing wrongs!

This is also the first in a series about which I know little. I think maybe there are two more, but this doesn't mean I'm going to rush out and read them. My biggest fear is that any sequel to this, however loosely connected, cannot be as good as this one was! This is one reason I'm not a fan of series either, although there are some which have been worth pursuing. I just feel that if I read the next and it wasn't as good, it would tarnish my memory of this one! But I am tempted, which is a rarity for me.

The story is about Ellie Cooper, who has been for some time out of the US Army after being injured in a mortar attack on the base in the Middle East where she was a medic. She had a severe leg injury, but in the end didn't lose her leg - just a chunk of muscle from it, rather like Gregory House and like House, she's in frequent pain. Unlike him, she is not an addict, and doles out a meager ration of her dwindling Percocet™ supply to herself when the pain becomes too much.

She lives off her miserly benefit she got from the Army after she was invalided out. Since her injury was not obtained in combat, and for a variety of other reasons (read: excuses) she didn't get as much as she'd hoped for, but it's enough to get by on in China. What she did get was a marriage proposal from the guy she was having casual sex with on the base. Shortly after that, when he left the military for a more lucrative private employment, they moved to China where his job took him. Shortly after that she came home unexpectedly early to find him at home with a Lily - of the human rather than the Lilium variety, and he told her he's in love with Lily and wants a divorce so they can marry. Ellie is dragging her heels, and is hurting from this state of affairs too. Or is it the state of an affaire?!

She also has a drinking problem, and doesn't seem to eat very well or exercise. She gets herself into foolish situations, but none of this prepares her for the situation she's about to get into when she comes into contact with a Uighur who is staying with an artist friend with whom she's had a casual sexual relationship for some time. Because of this contact, she now finds herself both under surveillance and threatened not only by the Chinese Public Security people, but also by some anonymous Americans who are probably CIA. Her art friend disappears, as does the Uighur, and all these suits seem to think Ellie is the key to finding both of them. The story follows her as she ambivalently tries to "help" the suits to keep herself out of trouble, whilst also trying not to sell-out her friend. She suffers for that friendship.

I have to say I had to wonder why she didn't simply leave China when this began, if not at the beginning, then certainly at the end, although the author kind of has that covered. but on the other hand, she was being watched, and if she had tried to leave, maybe she would have simply been picked up. I would certainly have lit out, but maybe Ellie is tougher than I am, or maybe she simply loves the life there despite the hassle. I also had to wonder why these people thought she had such a handle on what was going on that she could tell them what they wanted to know, but maybe these suits aren't as informed as they claim to be. Intelligence only goes so far when it comes down to the way governments operate, after all, doesn't it?!

On the down side, there were some formatting issues with the ebook - a hyphen missing from between words here and there, some lines ending in a carriage return long before the edge of the screen was reached, but I assume these will be fixed in the actual released edition. Other than that, the writing was excellent - I mean really good and eminently readable. This is why I am so tempted to move on to the next thing Lisa Brackmann wrote, even if it is a sequel, despite having a list of books to read that's a mile long (and probably literally so at this point).

I loved the way the author conveyed the feeling of paranoia and claustrophobia that a person has to feel in a situation like this - not knowing who the good guys are, fearing there are none, not knowing who to trust, not knowing where to go or what to do next. That's how a totalitarian society works, and from whence its power is derived, and that came through five by five. The author has actually lived in China, so this is authentic. I didn't get the sense that she'd been in the military, but that, too, sounded authentic to me, and in the end that's all I care about! I don't require Tom Clancy detail or authenticity - in fact, that turns me off a novel - but I do like one that reads like it's true no matter how fictional it is and either way, this one worked. I really liked it, sped through it effortlessly, and was pleased by how it went and how it ended. I recommend it unreservedly.


Kris Longknife: Intrepid by Mike Shephard aka Mike Moscoe


Rating: WORTHY!

In the sixth volume in this series, about which I have mixed feelings, but find generally favorable overall we get, once again, the same story warmed-over as we've read in several of the previous volumes, with names places and details tweaked to give it the appearance of something fresh. This is one reason I'm not a fan of series. Sometimes I happen across one which is worth pursuing, but most are of this nature: uninventive and derivative, which makes them boring to me. This series really skated along the edge of being irrelevant, but in general I liked it sufficiently to keep reading it like a guilty pleasure, ans I really can't say why.

The plot runs along tried and tested lines: Kristine Anne Longknife, a Lieutenant in the Wardhaven Navy (a planetary alliance many light years from "old Earth", and also a princess by dint of the fact that her dad was elected - yes, you read that right - king of the planetary alliance) is wandering through space - she apparently is allergic to setting foot on a planet unless she has to kick someone's butt. When she happens across a planet which has villains in need of a butt-kicking, she lands with her marines which she commands even though she's navy and they're not, kicks butt, makes nice with the planets' important people who are always down-home "old farts" who also adore her, and jets off to do the same thing elsewhere in the next volume.

She's a bit of a Mary Sue (actually a lot of one), incapable of wrong-doing, morally superior to everyone, a brilliant tactician and unbeatable in battle on the the ground or in space, no matter who she faces, and despite the fact that she's always outgunned and outnumbered, and usually taken by surprise. Oh, and although she is militarily magical and has medals galore, she never gets promoted above the rank of lieutenant. She's not even referred to as captain when she's captaining her own ship! LOL! She gets no respect from anyone around her, but they all love her unconditionally and would do anything for her. She has a down-home maid who uses ridiculous phrases like "baby ducks" and who shows her no respect, and who was caught selling information, yet she was never fired. The maid is really an ex army intelligence operative who always has precisely the right weapons Kris will need for her next engagement even if she doesn't know what it's going to be.

Kris never has sex or even thinks about it beyond occasionally contemplating, from time to time, her physical attraction to her bodyguard whose name is, naturally, nauseatingly, Jack. She never has a period, either, curiously enough. The Wasp, her space craft, is supposed to be a ship of exploration, like the Enterprise is in Star Trek. yet exactly like the Enterprise, it never explores. instead it gets into one conflict after another, usually against the Peterwald empire, which is a big rival to Wardhaven. After having a date with the male heir to the Peterwald empire - which is exactly like a monarchy despite it being modeled after Communist Russia (precisely, in fact, as is the empire in the David Weber Honor Harrington series, but this one isn't as tedious or as plodding as that series became) - Kris learns over the next few volumes that he's just as bad as his dad. Eventually he gets killed, which leaves his sister Vicky, on a murderous rampage against Kris, but in this volume, the two bond and become bosom buddies, and Vicky branches off into her own series - in a universe where sex exists apparently, from what I've read, although I have not read any of that series yet.

The stories are curiously addictive and I wish I knew why, so I could write a dumb-ass series like this and have people still read it! In this volume Kris learns of a Peterwald-funded, but cut-price attempt to take over another planet for avaricious gain - although there is nothing on this planet that would make the expense of the journey to it worthwhile. Kris defends it successfully of course, even being merciful to a murderous enemy and makes friends with her opposing Colonel. As if that isn't enough, she also saves the life of Vicky;s father, which is what leads to them bonding. All ridiculous, but, as I said, curiously addictive! So, I recommend this one if you check your brain at the door, as I have to!


Runaways Vol 3 The Good Die Young by various contributors


Rating: WORTHY!

In this volume, which I was able to launch into right after finishing volume two, the runaways were pursuing a decoding of their parents' secret book, and finally finding out how this all began and where it was going. They discover that their parents are taking part in a ritual under the ocean in front of their alien overlords, and decide to ship-wreck it. Since I laid out the details of this series in my review of volume two, this review will be shorter.

This story was slightly less entertaining than the previous one, but still worth reading. There was some annoying stuff wherein the only interactions between these guys, despite being on the run, hungry, and scared, was of a romantic nature. Yeah, I get that teens often can think of nothing else, but this group was composed mostly of females, and given their circumstances, it seems to me they'd be less focused on romance than on survival. That said, maybe when young people are as hunted and desperate as these guys were, they might well tend towards a more profligate approach to romantic behaviors - like that girl in the Airplane movie?! Who knows? The thing is I could see guys doing this a lot more readily than girls, and this is written by guys!

In addition to this there was this (as another reviewer termed it) "random vampire" thrown into the mix which came right out of left field and served no purpose that I could see. The more interesting thing was the increasing reference to a mole amongst the runaways. I never did guess who it was, but it's revealed towards the end of this volume and plays out quite well. Given this, I didn't see the point of another character (the vampire) who has his own antagonistic agenda.

Both Tony Stark (in a suit) and Steve Rogers (in costume) put in an appearance, and I liked that the Runaways were as suspicious of Captain American as he has been of Government and SHIELD. Overall, though, this was a nice read and I plowed through it in short order. At this point I was interested in reading more of these although they're not really aimed at my age range - more at middle grade despite the Runways being mostly young adult ages. The problem was that later stories in this series were far less impressive to me than these early ones, and I am done following the Runaways now.


Runaways Vol 2 Teenage Wasteland by various contributors


Rating: WARTY!

This was my first venture into Marvel's Runaways, a comic book series in which a band of mostly young teens, but including an 11-year-old, learns after seeing them literally sacrifice a girl, that their parents constitute an evil organization they call 'The Pride'. The series was created by Brian Vaughan and Adrian Alphona, but Joss Whedon has also had some involvement in it, leading some to wonder if this might be Marvel's next big venture - into movies or into a TV series, adding another foundation stone in their burgeoning super hero empire.

I decided that if this was indeed somewhere Marvel was going, I should try to get a leg up on the whole thing since I knew squat about these guys other than the vaguest notion of what they were about. This chance came from my beloved local library when I saw a whole bunch of these on the shelf. I had two immediate problems. One was that of what appeared to be two separate series, and not a one of them had a volume number on the cover or on the credits page, so I had no idea which one came first. I had to look it up online, only to discover my second problem, which was that volume one wasn't on the shelf! I did get vols 2 & 3 though.

Why are graphic novel creators so devoted to keeping people in the dark about where they are? This is one reason I detest series! I know these graphic novels are already aggregations of single issue comics, but could they not put something on the cover to indicate cardinality?! I had to go online to find out which ones to start with, and even then I couldn't figure out who's on first, or whether I was looking at two sets that were really separate or whether they were merely different print runs of the same stories (it turned out to be the latter). I finally picked volumes two and three of the small format paperbacks and a volume of the large format because it was written by Whedon. I have no idea what order that one was in.

That said, I blitzed the two small ones and found them to be quite entertaining despite a few issues here and there (which were no worse than any other comic book). Yes, issues in the issues! The parents of these kids were chosen by aliens to usher in the end of humanity. The reward they were promised was that six of them would live through the genocide of their fellow humans and become immortals. I'm sorry but I see no incentive there! We're supposed to believe that these evil parents were cool with the idea that they would have one child each thereby creating the six survivors? Either they're stupid or far from evil. The aliens told them that only the most devoted of their servants would be the ones who were saved, so there was no reason to believe they would accept substitutes or care about children or their servants' wishes!

Their parents are an assorted group of aliens, time-travelers, scientists, telepaths, and wizards, and what happens is that the kids, who have surprisingly been unaware of how evil their parents are, spy on them and are shocked by their behavior, so they...run away! They try adopting super hero names but it doesn't work. The youngest makes her own thrown-together costume, but none of them really are interested in the traditional super hero path, which made this very appealing to me, especially since I'm working on a super hero novel myself right now. The characters are also mostly female and of diverse ethnic backgrounds, so this is another feather in its cap as far as I'm concerned.

Talking of diversity, Karolina Dean is the alien and she knows she's literally alien. Like superman, her power comes from the sun, but unlike the foundational DC hero, her power fades at night. This was another thing I liked. I've never understood how Superman managed to be as super at night as he was during the day, but perhaps he worked like a capacitor?! Molly Hayes is the daughter of the mutant telepaths, but she's more like Superman in that she has super strength and invulnerability. Nico Minoru, like Harry Potter, is the daughter of wizardly parents and can do magic, although in the two volumes I read, she did very little of it. She's also the de facto leader if there can be said to be one.

Chase Stein is the son of the scientists and has no super power, but he did steal his dad's 'fistigons' which are gloves which seem confined to emitting fireballs and extruding metal claws rather like Wolverine. Alex Wilder is the son of gangland capos, and is described as having a precocious and forward-looking intellect, although he never came off as being particularly smart to me. Gertrude Yorkes (there's that out-of-style name again, but maybe it's because she) is the daughter of the time-travelers. She has an empathic link with a velociraptor nicknamed Old Lace. She goes therefore, by Arsenic. Once again we see the velociraptor way over-sized as it was in the Jurassic Park movies, but since this one is genetically engineered, perhaps there is a reason for that.

This series was written in the mid-'oughts, yet all of these teens seemed unusually familiar with - and addicted to - anachronisms. This brought me out of suspension of reality quite often because it didn't feel like things these teens would say or reference. I mean, how many teens, even US teens, would even know about a 1939 play adapted into a 1944 Cary Grant movie titled Arsenic and Old Lace, as opposed to how many older comic book writers?! They did explain the Beatles references by mentioning that one of the kids had an album, a present from a parent, but this doesn't explain how all the other kids would be familiar enough with them that they never questioned the references.

Those gripes aside, I did like the off-the-beaten-path route this story took, its basic premise of rebellious teens, its cast, and the overall story. This one was focused on the kids establishing themselves in a 'base of operations' and their move towards helping people in a rather forlorn, misguided, and half-hearted effort to right their parents' wrongs, but there as very little super hero activity here. it was mostly focused on the interactions between the teens, but even so, it was very readable and interesting, so I recommend it.


Runaways The Complete Collection Vol 4 by various contributors


Rating: WARTY!

I have to give this fourth volume a negative rating too, along with the third volume I also reviewed. This one I didn't even finish, ditching it about half way through. I'm done with the Runaways series now: it was tedious and repetitive and nothing new was being offered. The characters which had held so much promise when I first began reading their adventures now seem to be running out of interesting or entertaining things to do, and they had nothing new to offer me. Add that to the tedium of some of the characters behaving the same in story after story, making the same mistakes or the same bad jokes, never developing, growing, or learning, and with Molly becoming ever more nauseating it's not appealing to me any more.

I mean Molly is supposed to be thirteen, but she consistently behaves like she's six - and a boy! There's nothing wrong with girls being masculine or tomboyish, but in her case it's not a character trait, it's a consistent failing of the writers to grasp the first thing about twelve- and thirteen-year-old girls. Although they do know how many teeth a thirteen-year-old should have, which is one nice thing I can say! LOL! But Molly never has a period. She's never interested in boys or girls on an emotional level. She shows no growth whatsoever towards maturity despite approaching young adulthood - and living on the street, and fighting for her life from time to time. It's simply not credible that she is a perennial juvenile. Chase is a perennial airhead jock type, Nico is perennially running out of new spells to cast. Frankly, it's boring and unimaginative and I'm done with this series although I still have some individual reviews to post of earlier material I read which was better!


Runaways The Complete Collection Vol 3 by various contributors


Rating: WARTY!

I have to give this a negative review overall, but portions of it I shall be reviewing separately and positively. This review is for the complete volume four collection which to me was not a worthy read. The art work was bordering on Japanese style in some portions: over-sized eyes and so on, of which I am not a fan, and even when it wasn't drawn that way, it was less than thrilling. The stories in the first half of the volume were not entertaining to me. It picked up in the second half, but I'll review those separately since I read them separately prior to getting my hands on this volume.

This takes place during the time of a super hero civil war which was recently and very excellently captured in the third of the Captain America series, which this volume references several times. The main Marvel heroes don't really feature here, though, but the young Avengers, with whom I was not at all impressed, played a lead role. One problem I had with this set of stories was the Skrulls. I am not a fan of this invasion by aliens. I don't know what it is, but it fails to impress me and doesn't stir my interest. I had the same problem with the first Avengers movie - the story was great right up until the alien invasion began, then for me it fell off and was not so interesting.

So while some of the individual stories later were engrossing (once the young Avengers and the Skrulls had departed them), I was not impressed with the overall package, so I cannot recommend this.


Saturday, June 18, 2016

Wonder Women by Sam Maggs


Rating: WORTHY!

This is a book about twenty five women in various fields of endeavor who have distinguished themselves as 'innovators, inventors, and trailblazers'. I would say twenty five plus women, but that gives entirely the wrong information! But there are more than twenty five women discussed here and every one of them is interesting - some much more so than others. Note that there's a score of books out there with 'Wonder Women' in the title - make sure you ask for the genuine article by name: Sam Maggs!

I was impressed that the mini-bios began with women of science, which featured astronomer Wang Zhenyi, mathematician Ada Lovelace, nuclear physicist Lise Meitner, mathematician Emmy Noether, and Chemist Alice Ball. Next, in medicine were Jacqueline Felice de Almania, Elizabeth and Emily Blackwell, Ogina Ginko, Anandibai Joshi, and Marie Equi, all doctors. On the secret world of spies, there was Brita Tott, Mary Bowser, Sarah Edmonds, Elvira Chaudoir, and Noor Inayat Khan. Among Innovators were Huang Daopo, Margaret Knight, Mariam Benjamin, Bessie Blount Griffin, and Mary Sherman Morgan (who actually was a rocket scientist!), and explorers/adventurers featured Maria Sibylla Merian, Annie Smith Peck, Ynes Mexia, Annie Londonderry, and Bessie Coleman.

These women lived from the thirteenth century to the latter half of the twentieth, so there's some serious history here too, and each section was punctuated with some mini bios about yet more women, and interviews with contemporary trailblazers, including a transgender woman who was fired by IBM for...wanting to be who she felt deep down she was, as well as one with Buddhini Samarasinghe, founder of STEM women. The book was a fun read and a great introduction. Many of these women, such as Zhenyi, Anandibai, Noor, and Annie I had not heard of before. Others such as Ada, Emmy, Lise, and Hypatia were much more familiar. These women were cutting edge in their time, and enlightened even by our standards.

I never read introductions and what-have-you so I skipped that, and launched right into the bios which was all the introduction I needed. The author's tone is warm and light-hearted, which makes for a cool refreshing read for the most part, despite the wealth of facts which are delivered. Plus the author is evidently into Doctor Who, which is never a bad sign! I did have one issue that I have to raise though. I can understand and appreciate the author's enthusiastic tone despite it being rather over the top at times. That's fine! These women need to be celebrated and in far too many cases it's long overdue, but I don't think you serve the cause of feminism well by insulting half the population on what felt like every other page.

It made me wonder who the target audience was - are we preaching only to the choir? If we are, isn't that simply putting the same limitations on these women as they suffered during their lifetime! Are we to confine these revelations only to a female audience? Even if that's the plan, it's still no excuse to indulge in flagrant and liberal man-bashing here and there, as though modern men are no better than men have historically been.

Yes, male-dominated societies have treated women abominably historically, and still do in far too much of the world, but it's only recently that this injustice has been widely recognized and combated. In the past, it was the way things were because so few people had the wisdom, education and influence to change it into what it needed to be. That doesn't excuse what it was, nor does it make it acceptable, nor should we ever forget it, because that's the surest way to let it come romping right back through the front door. In fact, trying to wedge that door open is precisely what the Republicans are doing right now in the US as I write this review. Next they'll be trying to get us to believe that if Hilary wins, she's going to rename her workplace 'the ovum office'. I sincerely hope she does win not only because of what she can bring to the table, but also - given the current alternative - it's a dangerous step backwards for the US if she doesn't.

The way to address a pendulum which has swung too far in one direction is not to swing it to the same extreme in the opposite one. The solution is to bring it to a stop at dead center and nail it down so securely that it never moves again! Writing as though modern men are inevitably tarred with the sins of their forefathers, or trying to project modern views backwards to show how shockingly far short of today's standards men fell a hundred or five hundred years ago, isn't a wise move in my view, especially not in a book of this nature.

That said, I really enjoyed this for the most part. There was some great humor in it, such as an aside that daguerreotypes are "...not something that steampunk authors made up," and "...the late Middle Ages, a time when everybody had weirdly flat faces if you believe the artwork..." were most welcome. The stories needed this to leaven the ofttimes heart-breaking revelations I was reading, such as in Lise Meitner's story. On a related note, I personally found it interesting how many unsung women of Jewish descent have made their gender proud over the years.

Describing Emmy Noether as "a total BAMF" might not be the wisest description, although it is a powerful one! I'm sure that the author humorously intended it as the acronym for Bad-Ass Motherfucker, but it’s also become a well-known word in the comic-book world used to describe the sound that Nightcrawler makes when he teleports, and by extension, a word used to describe teleporting in general. Might be a bit confusing, although given what's been learned of late about quantum teleportation, maybe there is a tie-in!

The 'Sub' articles on people like Hypatia, Sophia Brahe (yes, that Brahe!), Émilie Le Tonnelier de Breteuil, marquise du Châtelet (whose name alone is worthy of celebration), Marie Curie, Lanyang Lin, Rosalind Franklin, Marie Daly et al were most welcome, and I couldn't help but wonder how it was determined who got a long article and who got an honorary mention. I'll bet it was tough. Of course, with some of these women, there is very little known about them - another problem with how history treated women. Others are still living today, such as Dr Lynn Conway of whom I had never heard, so I owe the author a dear thanks for that education!

The story of the Blackwell sisters was another welcome learning experience. Elizabeth Blackwell became, despite strenuous opposition, the first woman in the USA to graduate with a medical degree. She went on with her younger sister Emily, who became the third woman in the USA to graduate with a medical degree (the second was Lydia Folger - not that Folger! - Fowler who graduated the year after Elizabeth), to start up the very excellent New York Infirmary for indigent Women and Children. Having said that, I was sorry to read the author citing their policy of "no boyz allowed" as she puts it, as though it was a proud credential. It made me sad, because this was just as discriminatory as it was for the male-dominated colleges and universities to declare no women allowed in their medical programs. Or indeed to abuse women in places like Pakistan for wanting nothing more than a basic education. I didn't see that approach as a positive or commendable step. It's that pendulum again! This kind of thing is one reason why I wrote and published Seasoning!

It isn't mentioned in this brief bio, but Elizabeth was also instrumental in founding and running a school aimed at supporting her family after her father died prematurely, and she started a slave Sunday school. She was a self-starter to her core! Elizabeth never married - claiming she could never find anyone good enough to make up her other half, although some would say that Florence Nightingale was a contender. That didn’t happen, but her sister Emily moved in with yet another female Doctor, Elizabeth Cushier. I guess female doctors were a very close-knit community back then!

I encountered another similar instance in the story of innovator Margaret Knight who invented (inter alia) a machine which could create flat-bottomed paper bags. I know! It's not something to which anyone pays attention in our spoiled-rotten modern (western) world, but back then it was a labor intensive process to make such an ostensibly simple thing. Margaret fixed this by creating a machine to do it and do it well (and almost got ripped off for it).

The author casually mentions that the machine "did the work of thirty humans!" I know (at least, I assume!) that she intended this as an enthusiastic compliment on Margaret's ingenuity, but this was in 1868, and back then it would have been a tragedy for thirty people to lose their livelihood - multiplied over and over again for each machine which was produced. Progress runs rampant and people do lose their jobs. Tesla and Edison between them, for example, put professional lamplighters and snuffers out of work, and this kind of thing was repeated over and over again with every new "labor-saving" device.

It bothered me that the author trotted this out with such abandon when it was clearly bad news for those self-same poor families from which Margaret herself had only just risen. Whilst I commend the enthusiasm, I think for the sake of balanced reporting, this wasn't something which should have slipped by so cavalierly, especially when it's still going on today as robots take over more and more jobs which thirty (and more) humans were once earning their keep from. And no, this is not a Luddite call to arms! It's just something we should not let slide by our attention.

Aside from having an amazingly cool name that I'm totally going to steal for a novel at some point, Ogino Ginko (that would be Ginko Ogino in western cardinality), did in Japan what Elizabeth Blackwell did in the US, and against tougher odds, in my estimation. The Indian equivalent to these two women was Anandi Joshi, who said, "I thought that I should never learn any more, and I would rather have died." if that doesn’t emote a tear in your eye, you’re a statue. In pursuing a medical education, she faced the same kind of abuse that too many Muslim women (and one is too many) face even today.

I read with pure pleasure the stories of the unstoppable force of nature named Marie Equi, and the mini-bio of Agnodice, an Athenian woman who was equally feisty, and who exposed herself in a court room and got away with it because it was evidence! There's also Maria Dalle Donne, the first female MD ever, in 1799, Rebecca Lee Crumpler (whose name might have been better assigned had it been owned by Marie Equi!), the first African American woman to become a doctor of medicine, Okami Keiko, the first Japanese woman to earn a medical degree in the West, Sarah Josephine Baker, Fe del Mundo, the first woman to graduate from Harvard Medical School (they evidently didn’t know that Fe was a Filipina name...), and Gurubai Karmarkar. There is a bunch more, and every one is worth reading about.

The book was well-written, as I mentioned. There were a couple of minor writing issues, such as "Margaret Knight was born the youngest of five children with two older brothers and sisters" and which seems not to make sense at first glace, or which seems to be tautologous. It actually does make sense. I just think it could have been better worded! The last gripe I have is about factory safety. The author mentions at one point men objecting to women's hooped skirts in the factory, and she dismisses it as sexism. I agree that genderism was a part of this back then, but there is also a very practical safety issue here. I've worked in places like that (not, thankfully, in nineteenth century conditions!), and even today there are safety rules in place about loose clothing for very, very good reasons which have nothing whatsoever to do with genderism and everything to do with protecting limbs. About every four days in the US someone gets injured because hair or clothing is caught in machinery. This is what I meant about commentary being a bit over the top at times.

But those issues aside, I highly recommend this book, because the problems I encountered with it are far less important than it is that knowledge like this be preserved and disseminated.


Blasphemy by Douglas Preston


Rating: WARTY!

This one had a great opening chapter about some apparent entity appearing in a black hole created by a particle collider, and then for the NEXT FIFTEEN CHAPTERS it completely abandoned that and went meandering everywhere but in pursuit of this beginning. It was so tedious it made my eyes water. Either that or I was crying over the loss of my time in listening to this garbage. We were slammed with one new character after another, NONE OF WHOM DID A DAMNED THING, and all of whom were the most simplistic trope cardboard cut-outs imaginable. This novel sucked green wieners big time. I am done with this author. But I do appreciate his putting "A Novel" on the cover because I was so convinced that this was a learned treatise on a victimless crimes that I was ready to send him money finance his campaign! Waste. Of. Aluminum and petroleum byproducts.


The Witch Hunter by Virginia Boecker


Rating: WARTY!

This one I could not get past the second chapter. It was first person PoV, and I am so deathly sick to my guts of that PoV that I honestly can hardly stand to read it any more even if the story isn't too bad. In this case it was too bad. It was bog-standard trope from the off. Hey lookit me! I'm a special snowflake teen! Lookit how I move and fight! Lookit how I'm the one girl in a manly man's world! My friends are named Caleb and Marcus and Linus! I'm so awesome! Snoopy's probably around here somewhere doing a happy dance because I am genuinely so superlative! Hey, lookit me again! I'm in training, and I am a klutz, but you know I'm going to become the most important person in the universe! No, seriously, lookit me some more! I'm so wonderful, it's magical! No, focus on MEEEE! I have a secret!

Who the hell cares? Seriously? I hope the necromancers do get you, because you are tedious to an extreme. Bye Bye! I have to go find some serious anti-nausea medicine at the nearest store.


Thursday, June 16, 2016

Heist Society by Ally Carter


Rating: WARTY!

I used to be enthusiastic about Ally Carter when I discovered her Gallagher Girls series, but that didn't last long. Initially I liked it and positively reviewed I'd Tell You I Love You, but then I'd Have to Kill You which was ridiculously titled but not bad. The next two in the series were awful, though. I didn't like Don't Judge a Girl by her Cover which I reviewed negatively back in February of 2013, nor did I like Cross my Heart and Hope to Spy. Normally I won't read on in a series if I dislike one, but in this case I had both novels from the library at the same time and decided to give it a try. I wished I hadn't! Cam, the main character, had become too stupid for polite words.

I got a chance to read a 'spies and thieves' author promotion collection in July 2013, titled Double Crossed and liked it, which encouraged me to give a different young adult series by this author a chance, which means she's lucky indeed when there are so many authors competing for my attention. This particular novel turned out to be better than expected when I began it, but over the course of the novel, it proved to be decidedly sluggish in actually getting on with the story, and some of it made no sense whatsoever. Worse than this, the ending was remarkably limp.

Kat is a thief in a family of thieves, but she has conned her way into a boarding school to get out of her family's way of life. Despite this, she's dragged back into that life when someone frames her father for a theft he didn't commit, and she herself is framed for a stunt on the school premises which results in her expulsion (in quite flimsy premises I have to say). The man her father appears to have crossed is a seriously bad and very powerful Italian mobster. The person who framed her and got her kicked out of school is someone she's not even angry towards. This seemed not only to be entirely inappropriate, but to be out of character for her. She wasn't remotely pissed off with him for indulging in what frankly was at best a form of harassment, and at worst an exertion of control over her - control she had fought tooth and nail to free herself from. Her response (or rather complete lack of one) simply wasn't credible, nor was her complete capitulation to fall back in with these guys and save her estranged father.

She seems the kind of character who would be so peeved that these people got her expelled from a school in which she was doing well, that she would simply disappear and ditch them all to their fate, but she doesn't. She buckles under and goes along with their scheme, which made me dislike her considerably. I began wishing we could have kept her in school and follower her career there! It might have made for more engaging reading. On the other hand, she had four fingers and a thumb. Kidding. No, on the other hand, she was a very confident and capable young woman who knew how to get things done, which was no doubt why they'd dragged her into this. She immediately takes charge and gets things moving, but her easy access to money and unfettered and unescorted travel around the world is a bit of a stretch. Did no one ever wonder why she wasn't in school?!

I had a couple of other problems. Kat was presented as a sharp operator, yet she lets a new person into their crew at the last minute when none was needed, which seemed way off to me. It felt like she was constantly pining after for Hale, her old friend, which was annoying and made her look weak and pathetic. She'd had her chance at him, and rejected it along with everything he represented, yet now she's suddenly all a-flutter over him despite the fact that he's clearly a womanizing jerk? That stunk, because it made her look really stupid, and brought back the ipecac taste of Cam from the other series.

The ending was so flaccid that it proved to be the final straw. How she dealt with the mobster made zero sense given all that had happened. Why the mobster was so obsessive about her and so convinced her father having stolen his property was another big hole in the plot. it never felt real - it felt like a big game the author was playing with me. So. overall, I don't consider this a worthy read, and I do not plan on following the series. I'm done with Ally Carter! Next author please, right this way!


Guardians of the Galaxy Vol. 3 Guardians Disassembled by Bendis, Bradshaw


Rating: WORTHY!

Not very long ago I reviewed a (non-graphic) novel about the Guardians of the Galaxy and I was not impressed with it. Since I've never read a Guardians graphic novel, I was curious to see how it compared with both that and the movie. My excellent local library had several on the shelf. I chose this one because the title was such an amusing play on "Avengers Assemble!" The interesting thing about this though, was that in many ways it paralleled the earlier novel in having the team split-up at the beginning and get back together later, so it was also a really good novel to compare to the previous one. I have to say now, having finished it, that while I still had a problem or two with it, this graphic novel was light years ahead of the text novel I reviewed here.

What was missing was the humor that I had come to expect, having been first exposed to this team through the excellent Marvel movie, but that aside, writer Brian Michael Bendis and artist Nick Bradshaw did a pretty decent job. The novel seemed much more focused upon violent conflict than ever it did in other forms of entertainment, but aside from that, the novel was in many ways reminiscent of the movie (or vice-versa!) so it was familiar territory and it worked pretty well for me.

The only other problem I had with it was that the creators seemed to have taken the disassembly to a rather extreme level, getting off topic (it seemed to me) towards the end of this story to the point where I wasn't even sure it was the same story, but comic books have always been rather loosely wrapped for my taste, so this didn't faze me that much, and overall I liked it. I especially liked the chance to see Captain Marvel aka Ms Marvel make a guest appearance, since this is also to be an upcoming (and long, long overdue I have to say!) female super hero movie from Marvel. The novel introduced a host of other super heroes, with only some of whom I was familiar, so this was interesting too.

Star Lord (also known by the unfortunately phallic monica of Peter Quill) and his team are disassembled on the orders of his dad, who is the despotic ruler of a stellar empire. Apparently dad wants his son back in the fold, which begs the question as to how truly evil this guy is. It seemed a bit of a stretch to me that he would bother to do this, but in order to achieve his aim, he contracts a diversity of other villains to take the team apart, selling off Rocket for scientific experimentation, bringing Peter home, turning in both Drax and Gamora over to the villainous groups who had the biggest ax to grind with each, and so on.

The rest of the novel is about their individual experiences, and about them getting back together. As I mentioned, there was a lot more fighting in this than I was accustomed to from the movie and a lot less interesting inter-character interactions. In the movie, the action scenes were fun, but mainly because they were interspersed with sections which explored character idiosyncrasies and which allowed the viewer to really get to know and empathize with the characters. It made me really invest in them. The graphic novel - not so much, although I imagine you would be more invested had you been following the comic book series.


Outlaw Princess of Sherwood by Nancy Springer


Rating: WARTY!

Read quite charmingly by Emily Gray, this very short novel from an author I intend to avoid like the plague from now on, was awful, and the writing did no justice to the reader's game voice. It was vacuous and frivolous, and downright stupid and offered nothing whatsoever to anyone with an ounce of integrity.

The absurd plot was not in having a fictional character named Rowan Hood, the daughter, supposedly, of Robin Hood, which might have made for a good story (maybe the previous volume was better), but in attaching to her a princess of an absurdly named king of an even more absurdly named kingdom, neither of which ever actually existed, and have that princess fart around in Sherwood Forest mooning over the fact that her mom the queen was being held hostage by her dad the king in a cage(!) out in the forest, guarded by three rings of armed men, in some sort of brain-addled attempt to get their daughter back.

Rather than "man" up and turn herself in, the daughter fretted for day after day about how her mom was suffering, and then cooked up this ridiculous plan to kidnap the king and hold him to ransom - the ransom being her mom's freedom. Seriously?

These people were outlaws for goodness sake! Robin Hood was also around to rescue them, so gone was any hope of a couple of strong female characters. All they had to do was sneak up in the night, shoot arrows through everyone except her mom, and they were done! But no, let's fret and whine, and pick daisies, and worry about our clothes, and fret and whine some more. This novel was beyond ludicrous and headed deep into plaid. It ought to have been put into a cage, dragged through the forest, and dropped into the ocean instead of getting published!


The Case of the Left-handed Lady by Nancy Springer


Rating: WARTY!

This is the first of two negative reviews of novels by Nancy Springer. I guess I'm done with pursuing her as an author of interest! The two stories were very different, and whereas the other didn't grab me at all, I found this one rather engaging for the first half of the novel (which is quite short). It's an audio book which is read acceptably although not particularly inspired by Katherine Kellgren, and it's about Sherlock Holmes's younger sister, who of course didn't exist according to the Canon of Conan the Anti-Barbarian. Out of keeping with Doyle's style, this one is told in first person which is far from my favorite PoV and rather spoiled the story in the long run. Why the author chose to go this route is a mystery, but it was a capital mistake! For the most part, I managed to put that aside without becoming nauseated by it, but there were times when I was shaking my head and wishing the author had been smart enough to write in third person.

Enola Holmes is only fourteen, and having been given access to some money by her mother, she ran away from home and established herself as a private detective or a perditorian, as she calls it - a finder of the lost in London. She's rather surprised to be visited one day by Doctor John Watson, who has never met Enola, and who engages her to find herself - and her mother, who is also apparently missing. Enola is posing as Ivy Meshol (that last name being an anagram of Holmes - Enola isn't very inventive or very smart). Ivy is purportedly the secretary of the renowned perditorian Doctor Ragostan, who of course doesn't exist, thereby leaving "Ivy" free to take on any case under his name and investigate it herself.

Enola pursues her calling in much the elementary way as Sherlock does, employing disguises and making deductions, although she isn't anywhere near as sharp as Holmes when the game is afoot. Unfortunately she's given to ruminating idly and pointlessly on her rather slack investigation far too much. Completely unlike Holmes, she obsesses over her clothing to the point where it nauseated me, particularly in the latter half of the novel. Rather than go looking for her mother who (she has a good idea) is off pursuing art and staying with 'gypsies', Enola decides to look into the disappearance of a Duke's daughter which appears superficially to be an elopement, but which upon even modest examination, seems much more like she left of her own accord, but Enola has issues with that explanation even after she's already determined that the daughter evidently has a split personality.

I have to say that this is probably the very last novel I shall read that rips off Arthur Doyle, because that's all this is - cheap and cynical theft of property, even though copyright on this has long expired. I call it theft, because if you're going to have a cousin, or sister, or whatever, of Sherlock Holmes, I think it's beholden upon you to at least offer a respectful nod and a wink to Doyle's style and Holmes's expertise and methods. It's a tragedy of Adlerian proportions if all you're going to do is steal the name to sell your book and offer nothing else, and you should be thoroughly ashamed of yourself.

This story had nothing whatsoever to do with Holmes or Doyle, or with the brilliance and insights of either of them. It was just a young adult story which shamelessly abused the name to sell more copies than it would have, had the character been made to stand on her own two feet - something at she would have singularly failed in my opinion. I actively disrecommend this novel.


Human Evolution by Robin Dunbar


Rating: WORTHY!

Errata:
"resting, dosing..." Dozing? I don't know what 'dosing' means int his context! p229
"No species of primate devotes more than 20 per cent of their day to social interaction" - perhaps 'ape' was needed in place of 'primate' since humans are primates?

This was a fascinating glimpse into human evolution and had a lot of material which captured my interest. I don't know if this is all up-to-the-minute material or has a mix of new and old, but I was happy to encounter material I had not seen or heard of before, so this was a good educational experience for me, and well worth the learning. This is a dense book; not scientifically dense in the sense a published science paper, but a lot of information coming down the pipe in short order, so no space is wasted here and it's all good stuff, as they say, packed with science, with references (there are extensive end notes, as well as a bibliography and an index), and with in-place nods to authorities in the various (and diverse) fields this work touches on.

The author pursues a position that I have very little familiarity with, so it was interesting to me to learn of it. Its focus is on time-budgeting: how much of their day early humans, and before them Australopithecines (and before those, apes and monkeys for comparison purposes) needed to devote to resting, foraging, and grooming in order to get the rest, the nutrition, and the social interaction completed in order for their society to function. A lot of this is speculative in relation to ancient societies, in the sense that these things don't lend themselves to fossilization. but there is indirect evidence to support the contentions which are explored here. There's also direct evidence for some facets of this. For example, it's possible to learn from the chemistry of bones whether an individual was stressed or healthy and even what they were eating. What's offered here makes sense in the context of what evidence we do know, and I liked the arguments.

This book was clearly written, and it placed early humans and Australopithecines in an easily grasped context which certainly clarified things for me. I was interested to learn more about just how transitional H. habilis was, and I was also interested to learn more about Neanderthals. I've never viewed them as the bumbling hunched-over people of the historical view, so my quandary has always been just how much like us they were, and I read arguments here that offered some interesting and surprising differences.

There were also some novel (to me) cases made from topics which you don't normally read about in books of this nature such as, how important are things like laughter, singing, and religion, things we take for granted and spare little thought for, in sculpting the kinds of societies in which these individuals existed - or could exist? Laughter is offered as an interesting and viable substitute for grooming in societies who had so many members that a decent amount of physical grooming could not have been indulged-in to cement such numbers together given time constraints on their day. With grooming, we're told that only one of the grooming pair benefits (but perhaps these people sat around in a grooming circle, each grooming the one in front?!), whereas with singing and laughter, more than one recipient benefits, thereby cutting down on how much time was required. I think more study is required, but these seem intelligent arguments to me.

One which I found intriguing is the position that, in modern societies, it seems that three is the size limit for shared laughter in the form of amusing stories or telling jokes, and this may well be true in a modern society where there are so many distractions, and so many topics to talk about. Neanderthals, after all, had no cell phones and played very few professional sports I imagine! I have to wonder if, in a primitive society, we really need to revise our estimates of this nature? Even in modern societies, many more than three people can share a joke if they're attending a performance by a comedian, for example. Not that I'm suggesting that archaic humans had comedy clubs, but they did have camp fire gatherings, so I was rather leery of too much comparison with modern human society.

It would have been nice had this been explored more, and perhaps in scientific circles it has and it would have bulked-up the book too much to go into a deep discussion of it, so my speculations may be immaterial, but this was not the only area where I would have liked to have known more. Another of these was with regard to burials. We can only speculate about the elaborate burials of some individuals that have been exhumed: bodies buried with lots of personal artifacts, rich clothing, tools, weapons and other artifacts. This has been used as an argument for religion, and it is persuasive, but nowhere have I seen another argument set forth, which is that these burials were simply an attempt by friends or relatives to express their love, respect, and sense of loss for those who died. The revelation that an ochre-packed extraneous human femur was found in one grave tends to suggest that not everyone was buried with reverence! I mean, if all of the dead were so decently buried and decorated because of religious belief in an afterlife, then how did this one individual end up being employed as a repository in the burial of two children? Could these people not have been accorded a respectful and loving burial without any thoughts of an afterlife entering into it? It seems possible to me, but then I'm no expert on these topics!

I loved the non-nonsense science which puts creationists in their place anytime, anywhere. One thing which rang throughout this book was that there was a plethora hominins and hominids, which show a continual transition from apes to modern humans This is indisputable. What is harder to nail down are less physically evidenced things such as the arrival of speech and whether Neanderthals had it. here, scientific evidence can still be employed, but it's not quite as cut and dried as are other aspects of evolution. I enjoyed this discussion immensely - it was clear, to the point, and well supported, as was the discussion on friendship and the differences between men and women in this regard. It seems there are six potential requirements for a real friendship to form, any three of which can cause a level of bonding: language, place of origin, similar education, shared interests/hobbies, world view, sense of humor. These things are worth knowing for those of us who are interested in writing novels and imbuing them with realism!

Overall, I enjoyed this immensely. I appreciated the well-referenced, clearly argued text, and the wealth of good and fresh (at least fresh to me!) ideas. This book was very engaging - more so than I had feared it might be!) and kept my interest throughout. I'm grateful to the author and the publisher for the opportunity to read an advance review copy, in return for which I offer this honest review.


Monday, June 13, 2016

Gertie's Leap to Greatness by Kate Beasley


Rating: WORTHY!

I don't know her, but in my opinion, Kate Beasley is a mischievous-looking author, so it was hardly surprising to me that that this came from her keyboard! It's a nicely-written middle-grade novel and is of course about Gertie, who is planning on being the best fifth-grader ever this year. She's well-on-track to kick-start it with her zombie frog, until Mary Sue Spivey shows up as a transfer student. Mary Sue is smart and her father is a movie director who happens to direct movies featuring Jessica Walsh, who is a hero of fifth graders everywhere, so Gertie's plans have to hop-it.

Her phase two decision to become a genius student and thereby overshadow Mary Sue also gets a D. It seems like every plan Gertie comes up with is effortlessly derailed by Mary Sue and now, looming on the horizon, is career day, wherein Mary Sue gets to have her movie director father show up maybe, and Gertie can't even bring her own father because he's gone for two weeks working on an oil-rig out in the ocean. Gertie decides she can handle this alone. She's a big girl now. The problem is that career day doesn't go anything like Gertie planned or even imagined it would, and now Mary Sue is more popular than ever and Gertie is looking more and more like the villain in this little drama they have going. Talking of which, the school play is auditioning next....

The story was a bit of a roller-coaster, and Gertie was in many ways her own worst enemy, but this state of affairs wasn't random. For reasons which go unexplained, Gertie's mom abandoned her and her dad, and married another guy, and Gertie has never come to terms with it. She grew up with her dad, who was absent periodically, and her great Aunt Rae, and an annoying little kid named Audrey who was often parked with Rae when her folks wanted a date night or day (both of which seem to be very often). Gertie doesn't suspect that her 'perfect' nemesis also has personal issues with which she wrestles, too.

Names of characters in my stories are important to me and (as they used to in years gone by) tend to carry a meaning behind the façade, which relates something of the character who carries them. In that context, I have to observe here that the popularity of the name Gertrude - which I personally don't like - fell steadily throughout the twentieth century, becoming very effectively non-existent since the mid-sixties, so why this name was chosen for this character, who I think deserved better, is a mystery explicable it seems to me, only as a rather forlorn attempt at alliteration, but I decided not to fret too much over that any more than I wondered why it was Kate Beasley and not Kat Beasley which to me is a kick-ass name! Not that Kate is awful; I have several nieces named in some variation on 'Kate'.

But I digress! I had some technical issues reading this in Adobe Digital Editions reader. The chapters were slow to load, taking about eighteen seconds for the screen to appear when turning the page to a chapter header, whereas pages with images on them (which often do load slowly in ADE) popped up right away! I don't know what that was all about. The only problem with the images was that some of them were truncated so it was impossible to see all of the image. In contrast, on the Kindle app on my phone, I had no problem with slow screen loading or with seeing the images (although the images were understandably small). The best of all, though, was on the Bluefire Reader app on my iPad, where it was picture (and text) perfect.

I had some minor issues with the writing, too. I felt the story ended a little too abruptly. There never did seem to be any resolution. It felt like it was left hanging a bit. Although the very brief epilogue (which I typically don't read since the epilogue ought to be the last chapter, not some appendix), was unexpectedly interesting, and peculiar in that it didn't wrap-up the story at all. In fact, it seemed like it was actually the prologue (which I don't read either) to another story! I felt that Mary Sue was portrayed as much more of a villain than she actually was, which was misleading given later revelations), but perhaps middle-graders won't be so picky.

Those gripes aside, I really liked the story and the general way in which it was unveiled. I liked the tone and the chapter headers and the excellent gray scale illustrations by Jillian Tamaki (now there's another great name to play with!), and taken overall, I recommend it as a worthy read for its intended age range and perhaps, beyond, too! Go read it if you don't believe me!