Saturday, November 5, 2016

The Whizz Pop Chocolate Shop by Kate Saunders


Rating: WORTHY!

This was an audio book red amazingly by Jayne Entwistle, a professional narrator and (almost literally) one-time actor, who does great British voice because she's...British! She lives in the US now.

The story is a magical one in more ways than one. Lily and Oscar Spoffard move into a property their family inherits. It used to be the location of a very successful chocolate manufacturer and retailer which purveyed chocolates to royalty, until two of the talented Spoffard triplets were murdered by the other in 1938.

But there's more going on here than that. The third triplet is evidently in search of the magical chocolate molds used by his brothers, and now Lily and Oscar are tied up in the adventure, especially after they're recruited by a little known division of MI6 (the Brit equivalent of the CIA), they begin to learn their family history and of the magic that can be passed own in families - maybe to them?

The story wasn't perfect (but then which is?!). The terrorists didn't seem to end up caught, and the magical abilities the children were supposed to have never materialized in any overt form, but apart from that, the story was chock(olate) full of LOL moments, and the talking immortal cat (Demerara - great name for a cat) and the similarly endowed rat (Spike!) were hilarious. Spike was actually my favorite character, but then I have a soft spot for rats. Lily was a close second. I'd have been proud to have had a daughter like her. I thought Ms Entwistle overdid the cat's voice a touch, but overall I loved her characterizations. Her voice was to die for dahlings! I thought the story was great, and very entertaining. I shall be looking for more from this author.


Tuesday, November 1, 2016

Super Fish 2 The Stare Wars by Mary Lee


Rating: WORTHY!

This book is a riotous sequel to a riotous first book, and once again features the mysterious tiny super hero girl fish, who wears a mask and sports a cape? Our host this time is an octopus who we interrupt in the middle of making a sandwich - with real sand. You just don't get that kind of service nowadays.

The octopus seems quite obsessed with having staring contests, but I would caution you severely against getting involved in a staring contest with an octopus on a smart phone. It's a worse proposition than getting involved in a land war in Asia. The only person ever to have beaten the octopus in the staring contest is in fact: Super Fish! You knew it, right?

This was a fun addition to the series, and I think more fun than the first one. What's more, it featured actual sharks! Yes!


Super Fish by Mary Lee


Rating: WORTHY!

I've had some good success with Mary Lee's books, although not every one of her's I've read is a gem. This one though, is a riot! How bizarre - a tiny fishy super hero! And a girl fish too! Who is that masked fish - and what's with the cape? As soon as I read the dedication (by a star fish, no less!), I knew this was a book for me. The wording reads, "Dedicated to the amazing fish that make our oceans beautiful, except for sharks and jelly fish. They don't make good choices." How can you not love a book that starts out like that?

With bright colors standing out against the deep, dark, ocean background, you can't fail to be impressed with how this lights up the characters. Our host is the turtle who was once rescued by Super Fish. He has stories about her and even a photograph. He can barely contain himself, and that jar with the fish in it...?

I thought this was fun and frivolous and very entertaining - and eminently readable on a smart phone in case that tablet isn't to hand.


Moo Knows Numbers by Kerry McQuaide


Rating: WORTHY!

I've been in love with Midge and Moo since I reviewed Lost in the Garden and A Day With Moo back in February 2016. In this one - another in a series of 'adventures', Moo helps children count from one through ten which is really easy route to find if you can just put your finger on it....

The illustrations are, as usual, adorable, and Moo's indispensable presence helps keep thing moo-ving. This is very much his book, starting right with number 1, the one and only Moo! there's color and action, and the pictures look great and the text is readily readable on my smart phone, so it will always be there to entertain your child even if the tablet is left at home. The print book is probably sweet, too, but I haven't seen it. If you're looking for a simple counting book for a young child, you can't do better than this one, especially int he adorability stakes (or steaks, if you want to get technical about Moo...).


Calling Invisible Women by Jeanne Ray


Rating: WORTHY!

This was an audiobook I picked up on spec from the library and it turned out to be one of the most enjoyable books I've ever encountered. The tone was delicious, the reader, Coleen Marlo, perfect, and the story amazing. It's one of those stories which makes a hopeful writer like me wish I had thought of it first, but I doubt I could have written this particular story as well as Jeanne Ray did. The tone of voice in the story is beautiful: slightly bemused, humorous, and a little bit sarcastic. It's first person, too, which I normally do not like, but it was perfect here. Audiobooks tend to be much more experimental with me because I'm a captive audience when commuting, so I see a lot of fails with these, but those are worth the listening, because one in a while one like this pops up and makes it all worthwhile.

Clover Hobart is a fifty-four year old woman who discovers one morning that she's invisible. Her visibility wavers for a day or two before it becomes, apparently, permanent. The weird thing though is not her visibility, but the fact that no one in her family: not her husband the pediatrician, not her emotional daughter, and not her unemployed son who is living at home see any difference. She's apparently always been invisible to them!

Her best friend Gilda, who lives down the street, notices. At first Clover starts panicking, but as she grows used to it, she realizes there are things she can do. If she takes her clothes off, no one can see her and it's a super power. She discovers there are other such women in her position and that they have a secret society which meets in the Sheraton in a conference room which they don't even have to book to reserve it. No one knows they're using it! Since these women all travel naked, they have to bring a tissue with them so they can raise it when they want to speak. Clover becomes friends with some of them. At first she has a problem with the nudity, but since one property of invisibility is that she doesn't feel heat or cold, she eventually embraces it as they have done.

One day, she accompanies one of her new acquaintances to the school where she lost her job when she became invisible. The two of them ride the school bus and spend the day in the school. No one can see them and they're able to prevent bullying and tackle other issues. This inspires the other woman to think she can get her job back. On another day, Clover foils a bank robbery, but of course gets no credit since no one could see her do anything. They just thought the robber randomly threw his guns away!

I noted that some critics down-rated the story for being unrealistic(!) or vacuous, but to me, the whole point of the story was to be playful and light-hearted, and have fun while exploring a very real issue: the metaphorical invisibility which older women routinely experience, and which they do so far more than older men. I think the author did a fantastic job and I want to read more of her work. I recommend this unreservedly.


A Quiet Life in the Country by TE Kinsey


Rating: WORTHY!

This was a great old-style English country house murder mystery which kept on giving. There were some parts where it flagged a little, but overall it was a very worthy read. I enjoyed it immensely and I recommend it, which may come as a surprise to people who follow my reviews because I'm typically not a fan of series, nor am I at all enamored of first person voice, and this is both: it's book one of a "Lady Hardcastle" series, and it's also told in first person! As it happens, the voice wasn't at all distracting or intrusive, and since this was book one, there was no fear of cookie-cutter stories or of a tediously formulaic approach. It just goes to show that even a cynical, cantankerous curmudgeon like me can find the occasional exception to the rule!

In a sense, it's reminiscent of Sherlock Holmes, in that the assistant is the one relating the story of the 'great detective' (although both parties do their share of detecting here). On the other hand, this story departs rather a lot from the traditional Lord (or in this case Lady) and servant duo. Lady Emily Hardcastle and her Lady's maid, Florence Armstrong (that latter name is chosen wisely, trust me), are more like companions than ever they are mistress and maid. Flo has no problem setting Lady Hardcastle straight, and even being a real smart-aleck from time to time. They have a wonderful repartee, which is what made this story for me, but then they've been together for a long time and Lady Hardcastle is a widow, so they have only each other and their relationship is entirely understandable and realistic. The two have a history of adventure abroad, which made me think this was not the first volume in the series, but it is, and I shall be interested in learning how things develop from here.

In this particular adventure, as the title suggests, the pair have arrived in the English countryside and are setting up home in a cottage with the idea of enjoying a real break from the adventurous and hectic life they had been leading (not always by choice!) abroad. The problem is that on their first ever foray into that countryside, they happen upon a dead body hanging from a fine old English oak. It looks like some despondent young man hung himself, but as Lady Hardcastle observes, one or two things about this scenario hardly ring true.

From that point onward, the game is afoot and before long there's another murder and a theft. Lady Hardcastle and Flow dive into the case because they think the detective has got it rather more round his neck than the first victim had, but in the end, and contrary to one or two negative reviewers' observations I've seen, the detective turns out to be a lot smarter than he first appears, and he and the two would-be detectives begin to get along famously.

I thought I'd solved the first murder quite early in the story, but I had not. On the other hand, I'm typically useless at solving these things, which is why I enjoy them! I still think my solution would have worked in a slightly different story, but this only serves to give me the chance to turn it into a story of my own, right?!

All in all, a fun read, a decent mystery, and a good story. I think it could have been served by being slightly shorter, but I'm not about to make a fuss over that that because I did enjoy it as is, and I recommend as a thoroughly bang-up show, what?!


Zoe Dare vs The Disasteroid by Brockton McKinney


Rating: WARTY!

This was another oddity from Net Galley in that it didn't specify that it was a graphic novel when it actually was. It's like this is the inverse of the other two which I'd initially thought were going to be graphic novels, but which turned out to be books of short stories. In this case I felt I was on safe ground since I know the publisher and the cover looked very graphic novel-ish! I really liked the cover and the graphics inside (the other covers inside were not so hot, but the panel work was to my taste and looked really good, I thought).

For me, the problem with this was the story, and it's story I come for, otherwise all you really have isn't so much a graphic novel per se as a coffee-table book. What attracted me to the story was the idea of a kick-ass female Evel Knievel and especially that such a person was the only one who could save Earth from an asteroid which seemed intent upon plummeting into the planet's crust. If it had actually been that, then this might have made for a great graphic novel, but it really wasn't in the end. The blurb was a bit more misleading than blurbs usually are because it turned out that Zoe wasn't the only one who could save Earth.

The two AI robots that were also advertised in the blurb turned out to be a bigger disaster than I'd feared they would be. I wasn't keen on them in the first place, but I was willing to risk those for a good story about two strong female characters. The problem with these robots though, is that they were far more 'A' than ever they were 'I'. I saw absolutely no point whatsoever to them, and their endless spewing of "Hashtag <smart mouth comment regarding current situation>" throughout the comic was fingernails-on-chalkboard irritating. In fact, in terms of being truly annoying, they were the equivalent of the two transformers, Mudflap and Skids in Transformers: Revenge of the Fallen, minus the racism, but every bit as bad otherwise.

I liked Zoe's "punk rock" sister, but why she was specified as punk when she really wasn't very punk at all, is a mystery. A rad haircut doth not a punk make! Despite this, she was my favorite, with Zoe second, the alien girl third. No one else rated at all because they were nowhere near as interesting as the three girls, which is actually quite a compliment from me! I think the two biggest problems though, were left-field nonsense and what felt like a thrown-together story. The problem was one of weight: there was too much silliness baggage for this story to be able to take off. One problem was how these guys got into space to go after the disasteroid (great name for the story, by the way).

Given that the space shuttle has long been retired, I saw no sense in 'resurrecting' it to get these guys into space, especially since the space shuttle was completely useless for anything other than low Earth-orbit missions. The new Space Launch System and the Orion spacecraft being built by Lockheed Martin and the ESA is what's going to be used for these things in future, and that's not likely to be ready before 2024, but it would have been nice to see it enter service in the comic world. The shuttle is way over-used in stories and film, and it's antiquated and tired-looking. Could the writer not stretch a little bit and treat us to something intelligent like that instead?

This wasn't the biggest technological problem. The idea that you can get onto a motorbike (which is powered by internal combustion), and ride it off an asteroid and down to Earth in emulation of the iconic if cartoonish sports-car drop in the Heavy Metal movie, was just ludicrous beyond belief. You can get away with this in cartoons, but if you're trying to make your story seem even remotely realistic, you need to understand some basic physics, the primary problem of which, here, is that an internal combustion requires air. There's no air in space! This is why we use rockets the fuel of which carries its own oxygen supply! Motorbike leathers will not protect you in space! These are childish mistakes which remove all hope of anything even approaching realism. Yeah, it's fine for Saturday morning kid's cartoons, but grown-ups need to be treated with more respect than this. Conversely there is air around the Earth and it will burn you up if you fly back in from space without adequate protection, which a motorbike and leathers will not offer!

This whole thing made me feel like this was fan-fiction, thrown together rather than thought-out, and it was a very unsatisfactory story, with someone who had a death-dealing chest wound coming back to life because "Hey, I'm a stuntman, I do it all the time?" No! Just no! It was simply too nonsensical and too fly-by-night. If the whole story had been goofy form the off, then these things would have fit better, but it wasn't. It was for these reasons that this failed for me, and I was truly disappointed because I had high expectations; but what seemed to offer an original, fun, and engaging story fell apart in the execution. I wish the author all the best. I think he has some good stories to tell, but this wasn't one of them.


Fellside by MR Carey


Rating: WARTY!

I can't say a whole heck of a lot about this because I made it only through the first four chapters and had to go the the ER because I almost died of boredom. (Would I make this stuff up?)

The book is some five hundred pages long and I could not bear the thought of reading five hundred pages of something that barely moved an inch in four chapters. On top of that it was a first person voice, which to me is usually worst person. On top of that it was your usual trope, "I woke up in hospital and forgot my memory."

This girl is a drug user, and somehow her apartment set on fire and the young kid upstairs (whose mother ought to be prosecuted for leaving him home alone) died from smoke inhalation. The girl is charged with murder (I kid you not), found guilty and sent to jail at...Fellside!

Now you know everything, including the fact that she's more than likely, if trope holds, innocent and will be found so at some point in the story, so what's to surprise the reader? I don't know! Maybe something, but I lost interest in hanging around to find out. Why didn't the author simply start the story in jail and skip the first four chapters? I might have read a bit further then.

The girl was so whiny and self-pitying that I was actually glad when she got sent down. That's one less boring person for the rest of us to have to contend with. But seriously, no, I could not stand the thought of reading any more about her, not when there are so many other books waiting to thrill me and so little time that I know I will never get to them all. So based on what I did read, I can't recommend it. I couldn't commend it in the first place, so how can I re-commend it if I never commended it to begin with? No one would ask these questions if it were not for me!

I don't know if this will do you guys any good, but I can't stand the thought of saying nothing and risking having one of you become infected with this. Maybe it will warn some of you away from a book that would bore you to death, so I can feel happy that I might be saving lives with this review! Yeay me!


Saturday, October 29, 2016

Ghost Summer: Stories by Tananarive Due


Rating: WARTY!

I could not read this book the whole way through. I made it to about 70% in in terms of page count and almost two thirds through it in terms of the number of stories I read, but I simply could not continue reading because the stories were crushingly boring. In my experience with this author, the best thing about her has proven to be her astonishing name, which I love. I'm sorry I can't love what she writes, though!

There comes a point even with the best of good will that you need to cut your losses and move onto something that will provide a more rewarding read. To continue reading in a situation like this is really to indulge in what's known in economic terms as the sunk cost fallacy (I think wikipedia has it under 'Escalation of commitment'), and I do not subscribe to that! I did move on, and I didn't regret it because the advance review copy I moved to after this proved to be eminently entertaining! Life is far too short to spend it on books that don't thrill you from the off!

By the time I quit, I'd read nine of the fifteen short stories it contained. Only one of them had been interesting to me, and even that was nothing special since this kind of story has been done to death: laying a ghost by discovering long buried bones? This variation on an old theme brought nothing new to the oeuvre.

I got this book thinking it was a graphic novel of Tanarive Due stories, so I thought it might be interesting even though I hadn't liked the only other novel by this author that I read, which was Joplin's Ghost. It was included in a flyer from Net Galley advertising graphic novels. Two of the "graphic novels" were short story collections. I got both of them and liked neither! I am going to be very careful about requesting any more 'graphic novels' from Net Galley, rest assured!

This might sound strange to say, but one of my biggest problems with this novel was that it felt racist to me. It seems this author can write only about black families, and even then only about ones with issues or with silly superstitions. There are no Caucasians or Asians in her world. This is why it felt racist to me. And no, I'm not trying to suggest she's saying all African American families are superstitious or believe in ghosts or whatever. Clearly this whole book was written about the paranormal so that's a given, but the family circumstances of everyone she writes about here are awful and it felt like racial profiling! Are there no black families that lead relatively ordinary lives that she could write a paranormal story about?! Not according to this author, which is one major reason why I did not like this.

The story titles are as follows. They were divided in the book into sections which meant quite literally nothing to me, so I'm simply listing them here in order they appear in the book and ignoring the section headers:

  • The Lake
  • This was about some kids rowing up around a lake wherein resides something that's not very friendly to kids and which is also very hungry.
  • Summer
  • This is apparently about a baby which was apparently switched out by fairies, or something along those lines. It simply fizzled rather than have any kind of an ending.
  • Ghost Summer
  • The title story was the one I thought was ok, but as I mentioned it really offered nothing new or different. I think this is the longest story in the collection, and it honestly felt really long, but it avoided being boring.
  • Free Jim’s Mine
  • I honestly saw no point whatsoever to this story. It didn't seem to go anywhere to me. It touched on slavery and servitude, but cheapened that message by tossing in the supernatural element. It's like the author felt that slavery isn't bad enough by itself, there has to be something more - some horrific supernatural element added to the recipe to make it truly cook. I think the author and I will have to agree to disagree on that score.
  • The Knowing
  • Is it a blessing or a curse to know when people will die? The "twist" in this story was pretty obvious, so it really offered no kick for me, and making this story first person failed for me because I detest that voice.
  • Like Daughter
  • This is about cloning and again was boring and made no sense to me. There was no supernatural element: it was all sci-fi.
  • Aftermoon
  • This is a werewolf story which made so little of am impression on me that I completely forget what happened in it.
  • Trial Day
  • This is a story about a man who is on trial for his life, and whether or not someone who could help him will testify.
  • Patient Zero
  • This one, as was pretty obvious from the start, is the story of a kid who is immune to a plague that is slowly killing off everyone else on the planet. It was again first person and I found it obnoxious. I skimmed lots of it rather than read every last word, and it was at this point that I decided I couldn't bare to start another of these stories, so I can't tell you a thing about the remaining stories which follow.
  • Danger Word
  • Removal Order
  • Herd Immunity
  • Carriers
  • Señora Suerte
  • Vanishings

Like I said, life is too short and these stories were quite simply not speaking to me or entertaining me. I can't recommend this one at all. I don't get why she's so fond of Roots, either. From what I've read it would seem to be a mashup of fiction and plagiarism, so I have no desire to read it when there are more realistic books available on the subject.


Thursday, October 27, 2016

Doctor Who The American Adventures by various authors


Rating: WARTY!

This is the first of two novels I got from Net Galley as advance review copies, thinking they were graphic novels! WRONG! Rest assured I shall be very cautious about selecting anything from Net Galley that comes in a flyer advertising graphic novels from now on! Nevertheless I have to read these and see what happens. In this one, the answer was nothing much. I was very disappointed. Had the stories actually been in graphic format, I would still have been very disappointed, because for me the story is more important than the art.

The book consisted of six short stories, each one an adventure featuring the current Doctor (Peter Capaldi) who has been conspicuous by his complete absence this year for reasons the BBC has utterly failed to justify. However, on the bright side, there is a new Doctor Who spin-off titled Class which is set in Coal Hill Academy, and features the exploits of a teacher and five students, and in the first episode, a guest appearance by Capaldi.

But I digress! The stories in this book are as follows, with a brief review of each:

  1. All that Glitters features an alien usurpation of a gold prospector in old California. The Doctor just happens to arrive on the scene to investigate and put things right. This story lacked any real oomph. Yes, you heard me right: oomph!
  2. Off the trail is about a family traveling the Oregon trail in the old west, who are abducted by aliens. The Doctor just happens to arrive on the scene to investigate and put things right. Wait! Isn't that essentially what the previous story was about?
  3. Ghosts of New York is about the discovery of a buried spacecraft under New York City during the excavation of the subway tunnels. The Doctor just happens to arrive on the scene to investigate and put things right. This story happened to be very reminiscent of the 1967 Hammer film, Quatermass and the Pit, which I liked better.
  4. Taking the Plunge concerns a fun fair ride used by an alien to suck life-force out of human riders for later sale. The Doctor just happens to arrive on the scene to investigate and put things right. This story sounds very familiar to me, too, but I can't think of the Doctor Who story I saw it in. It's like the inverse of the episode The Unquiet Dead which featured Eve Myles before she became a Torchwood cast member.
  5. Spectator Sport is the story of a robot assassin who tries to murder an alien spectator at the Battle of New Orleans. The Doctor just happens to arrive on the scene to investigate and put things right. This has elements of the episode A Town Called Mercy, but mostly reminded me of the movie Timescape, which was released on video as Grand Tour: Disaster in Time.
  6. Base of Operations features aliens trying to take over Earth by emulating and replacing humans undercover of preparations for the D-Day invasion in World War 2. The Doctor just happens to arrive on the scene to investigate and put things right.

The problem with all these episodes is that they were predictable and boring. There was no companion, no humor, no risk that something might go wrong. This is quite literally how it happened - evil alien causes problems, Doctor shows up miraculously and fixes it, Doctor leaves. Rinse. Repeat. It was that monotonous. The stories were simply not entertaining. There was nothing really new or original here, and they failed comprehensively to exhibit the Doctor in a lovable light. The Doctor was boring and essentially a will o' the wisp; he had no real presence and so what;s the point of a Doctor Who story which feels like the Doctor isn't in it for all realistic purposes?

What's the point, for that matter of setting these in the USA? There wasn't anything in any of the stories that really solidly tied the story to the US. The gold rush story had really nothing to do with the gold rush. The Oregon Trail story could have been any road trip horror story in any country. The New York subway story could have been told of any underground railroad excavation anywhere there's an underground. The funfair story could have been any funfair. The spectator sport story could have been told of literally any battle anywhere at any time. The World war two story could have been set in England or anywhere in Europe for that matter, and not have lost a thing. I didn't get the US connection unless it was solely to try and sell copies of this this book in the US.

You can say what you like about Steven Moffat, but one thing he was not, was boring. He produced some of the most amazing Doctor Who episodes ever, he wove the old series into the new often and expertly, he had a great sense of humor, a great way with words, and I will miss him when he's gone. These stories are not a patch on the TV show. I'm hoping that Chris Chibnall will be able to not only carry this heavy mantle but to run with it. These stories didn't cut it for me and I cannot recommend this collection.


Wednesday, October 26, 2016

Level The Playing Field by Kristina Rutherford


Rating: WARTY!

Note that this was an advance review copy for which I thank the publisher. Note also that this is going to be a lot longer review than I usually give to a book of this short length, because this is an important topic and I don't think it was covered adequately or ironically, equitably here!

The overall impression I had of this book was not that of a reasoned and cogent argument, or of anything that went into any depth. It felt much more like a rant, and as such it failed to make a case. This is the kind of subject which all too often becomes emotional, but that serves no purpose in trying to get a the roots of a discrepancy like this, to properly understand the issues, and to determine how best to set them right - or even if they can be set right.

What disappointed me most of all was that the author seemed unable to recognize the issues even when she described them. For instance, I read:

Every PGA Tour event is televised and some tournaments draw more than 10 million viewers. Only select LPGA Tour events are televised, and even major tournaments draw fewer than 1 million viewers.
I don't get her point here. It seems to me that she's elucidated the problem perfectly: the viewership of the female tournament is one tenth that of the male tournament, meaning that the advertisers are not going to show-up in droves, meaning the money is going to be significantly less, meaning that the winner's purse is going to be dramatically reduced. The the root of the discrepancy, and therefore the problem to be resolved here is why the viewership is so much less, but the author evidently wasn't interested in pursuing this question, preferring instead to wave a hand at media coverage and mark it down as explained. Well, they had media coverage here, but the viewership was far less. Why is the author not asking why that's the case? I'll talk more about this later.

On the one hand the book makes some good arguments for equity in how women are treated when it comes to sports and it definitely highlights the discrepancy between how male and female athletes are viewed (and paid), but on the other hand it came across as rather whiny and preachy, and it seemed far more focused on money and celebrity than ever it was in trying to understand why there's such a massive discrepancy between how athletes of each gender (regardless of whether they're celebrities or not) are viewed.

The author never did distinguish between equality in how athletes are treated, and equality in how athletes garner for themselves a fan base. You can legislate equality, as the US did when Democrat Senator Birch Bayh introduced what became known as Title IX in June 1972 (a year before Roe v. Wade made huge strides in another direction related tomember of Congressr who co-authored it, but it's most commonly referred to as Title IX. Patsy Mink was the first Asian American woman elected to Congress

At the beginning of this book we're asked, of two basketball stars, "Why aren't athletes like LeBron and Maya valued and recognized equally for their talent?" There are reasons for that which we'll go into shortly, and I would have been much more impressed had the book gone after real answers like this instead of the route it took. I would have been more impressed still had it approached the subject as fairly as it expects male and female athletes to be treated! The only 'solution' on offer here seemed to be that if women are given the same media exposure as men, then everything will magically balance-out, but nothing was put forward to support this claim, and frankly I have a hard time seeing that happening for a variety of reasons, and especially not in the US.

The first issue is the question of whether sports really represents the same kind of workplace that other occupations, say in the medical profession or in businesses not tied to professional sports offer. Frankly it doesn't. No one in their right mind would argue that two people, regardless of gender, who were doing the same job to the same degree of skill should get equal treatment including pay, in any ordinary endeavor, but the question of how you resolve whether two people are doing the same job in sports went totally unexamined. There were some random potshots taken at it, but nothing substantial.

Instead, we were treated to a distinctly monocular view: that of men v. women, without any attempt to look at the issue using any other lens. In particular, the fact that sports is one occupation which is conducted in the full glare of media, and with huge audiences in attendance and dramatic financial considerations in play wasn't addressed at all. This is one reason why, at the risk of a pun, it's a different ball game when compared with other occupations.

The book opens with a mention of several female athletes, including Danica Patrick, a NASCAR driver, who is gushingly described as "the most successful female race car driver in history" yet this driver has never won a race on US soil, and as of this writing has had only a single win to my knowledge. So how is her 'success' being calculated? By the fact that she earned thirteen million dollars last year? What does that have to do with being an athlete per se, or with being successful at her chosen sport? Nothing! It pretty much has to do with her having a monopoly in being a high-profile female on one hand, and her not being a complete disaster at what she does on the other.

While I would not deny Danica Patrick, or anyone else the success she's had, however it's measured, I would balk at trying to use this as an argument for equality and the author strangely seems to agree with this because whenever she talks about other female athletes, none of those are championed as successful for having no wins! On the contrary, they're put on a pedestal as being very successful in terms of winning things.

So we immediately have a disconnect in what constitutes success, which then means we have a problem in determining how that success should be rewarded. Do we value a high earner who is not successful at least insofar as garnering wins goes, or do we value success in terms of wins even when remuneration is poor? What's the goal here?! It cannot be the double standard the author seems to have set up. This is important.

I also have to wonder why this book doesn't reference other people who are sports professionals, but who do not earn the big bucks. There are thousands of people in sports, men and women, and only the so-called top-tier ones get the big bucks. Most of the others are entirely unpaid or only part-timers, or full-time professionals earning only the lowest level of financial remuneration for athletes in their field.

Admittedly this can be significant pay, and much higher than most of us can hope for, but I think it would have served a useful purpose to ask why they - both men and women - are not as highly paid as the ones featured in the book, and to ask: does the reason for their inequality offer any clues to the reason for the inequality between men and women - and I'm not talking in terms of performance. This is sports, remember, and individual performance is only one factor - and a relatively small one as it happens, because this isn't your regular everyday occupation, especially not in team sports.

The natural response to what I've said here might be that this book was talking only about high achievers, matching high-achieving males with similar females, but if we apply the 'logic' employed here, but in this direction, can we argue that those people, too, would magically get pay raises and achieve equality if only they could get the same media exposure? You really can't, so I'm wondering how it is that we think increased exposure alone would magically improve women's lot in sports?

If you think I'm trying to make an argument here that female sports professionals are really only lower-tier, or poorer-grade, or second-rate performers, then you're misunderstanding. The argument I am making here is that it's really not as simple or as straight-forward as this author seems to be trying to argue. You can't make a case for equal pay without supporting it, just as you can't make a case for those lower-tier athletes (of any gender) to be on par with the top-tier athletes without supporting that in some way, too.

You can't argue that it has to be done purely from a bald claim that person B ought really to be remunerated at the same level as person A, regardless. You have to ask what is being contributed, because professional sports is about exposure and audiences, not just about personal performance. This is an aspect of the endeavor which the book doesn't explore. Yes, it complains about poor exposure for female athletes, but it doesn't offer any suggestions or real examination of root causes! It merely blames the media and leaves it at that.

The only argument the author seems to be able to make is along the lines of "Hey! Fair's fair!" but the way this system works, and has worked for far too long, really has nothing to do with how well a given athlete performs. The most widely-followed sports really aren't about that, notwithstanding all of the individual achievement awards and post-game MVP appellations. It's about blind team solidarity, sheep-like (or perhaps more accurately, wolf-like) adherence to pack mentality, and in-your-face aggression towards every team and every supporter who isn't "us". Individual players have no part to play in that aspect of team 'sports' especially given that at some point the individual will move on or retire, while the team continues on largely unaffected by the loss of any one individual.

It's not that women can't give attitude or be aggressive, or assertive as over-hyped TV cameras love. They can. It's just that women in general are not as overt as men are in this regard and this applies whether the male or female in question is a player or a spectator. Women are not as combative (that's not to be read as 'not as competitive', which would be a huge lie) as men, and while this is perfectly fine - in fact, I personally prefer it - it doesn't play well given the juvenile frat-boy sports mentality which is rife in today's male-soaked sports media, where it's entirely given over to a combative attitude.

The mentality is 'destroy or be destroyed', 'win at all costs', losers are useless, and so on. The Queen song, We Are the Champions sums it up: "We are the champions! No time for losers 'cause we are the champions of the world!" This is how it's seen. The US football Super Bowl winners are hailed as champions of the world even though no other nations competed!

Again, it's a winner takes all mentality, and it has nothing to do with how well individual athletes perform per se. It's that very psychosis: aggression, combativeness, posing, strutting, in-your-face rudeness, and asinine attitude, which completely turns me off sports, but it is this which appeals to the cave-man mentality that far too many team sports and media outlets seem dedicated to embracing, promoting, and perpetuating. There is no more room for equity and fairness here that there was in the Roman Colosseum.

Before we go any further let's be clear that there are inequalities. According to the Women's Sports Foundation:

  • Female students comprise 57% of student populations, but female athletes received only 43% of participation opportunities at NCAA schools.
  • Male athletes get 55% of NCAA college athletic scholarship dollars. Guess how much women then get!
  • Women's teams receive only 40% of college sport operating dollars and 36% of college athletic team recruitment spending.
  • Median head coaches' salaries at NCAA Division I-FBS schools are $3,430,000 for men's teams and $1,172,400 for women's teams.
These telling stats are not ones you'll read in this book, because the book isn't about making that kind of a case. It's all about individuals, and I think that approach was a mistake. I think that very approach played into the media status quo rather than challenged it, which is what is actually needed here. There is a real problem, almost half a century on, in Title IX providing true equality for females in sports. This is a fact, but whether, if there were true and complete equality, this would translate into the same thing at the professional and media level, is another issue entirely. Given the result of over forty years of Title IX, the answer seems to be that it would not make enough of a difference.

The problem with the stats just quoted is that all we get is the bald fact of inequality. There's no exploration of why it's so or why it's being allowed to perpetuate and exacerbate in the professional world. This disparity is nowhere more pronounced than in professional soccer as is highlighted in Newsweek. The US women's team has won three world cups whereas the men's team has never advanced beyond the quarter-finals, yet male players routinely "earn" three times what female players do! To earn their relatively meager compensation, the women must win all twenty of the season games whereas the men could lose all twenty and still get full pay. Is this fair? Not even close. This is exactly the disparity that Title IX sought to set right, so how is it that it fails so badly when these athletes actually get to the professional level?

On this score (at the risk of another pun!) I was sorry to see some sleight-of-hand in this author's reporting. Consider this statement regarding remuneration in the National Women's Soccer League: "The average salary in the U.S. based NWSL is between $6,000 and $30,000 for a six-month season. A top-tier player on the men's pro side makes more than the high-end of that average - in a single week" Note how we went from an "average" to a top-tier performer? The average isn't even an average, it's a range. Is the actual average halfway between the two values? How does that compare with the men's average? We're not told, but comparing an "average" to a top-tier man's pay isn't comparing apples to apples. That said, the two would still be discrepant, but when the numbers are twisted and mismatched like that, it's really hard to get a good picture. We can't begin to figure out how to narrow a gap when we don't even get to know what the gap is or why it really exists!

One assertion from the author, referencing what someone else has said on the topic, is that "the key to closing this gap is simple: People just need to see us play. When increased exposure leads to interest from advertisers, the amount of money involved can rise pretty quickly," but this is not borne-out by experience. According to Newsweek, the Women's World Cup final of 2015 was the most watched soccer match - male or female - ever in the US, but this garnered nothing for women's sports, not even for women's soccer in the year that followed.

It's been almost twenty years since the US women's team won the World Cup soccer final in front of a sold-out Rose Bowl holding some 90,000 fans. It was a stunning game every bit the equal of a men's game - in truth leagues better than a men's game. The US men's soccer team has never done this! Whenever there's such a win, and there have been three, it's all "we're world class" and "women's sports are on the upsurge," but the day after it's always "ho-hum! What's next?" You cannot blame female athletes for asking "What do we have to do to get recognition? You cannot blame the US Olympic women who carried home 61 medals to the men's 55 from Rio for asking the same question. The author apparently isn't interested in asking this kind of question or pursuing it as far as it needs to go.

There are important aspects to these discrepancies which the author doesn't touch upon too, and which in fact relate directly to her calling an unfair play on pay. Look at US basketball, for example: while fifty or so top NBA players earn more than the entire WNBA teams roster combined, the NBA brings in five billion dollars, whereas the Women's National Basketball Association is lucky to break even. This is a question which ought to have been explored, but was not. Why does the WNBA fare so poorly? Is it because the media is shunning it, or because it simply doesn't attract as many fans and global sponsorship as the men's games do, and if that's the case, then why is that so? The author seems content to blame media bias, offer no support for the claim, and leave it at that.

We'll get back to that in a second, but let's take a moment and ask why the author never addresses the fact of women being segregated in sports as they are in no other profession, not even in the military these days. She simply accepts this segregation as a given, and I have to wonder why that inequality isn't addressed. If the leagues were white players on one side and black players on the other, then I'm sure she would have found that worth questioning, so why no questions about gender segregation? The black basketball league would then be the one making the big bucks and the white league would be in the position the women's league is, more than likely, in terms of garnering coverage! It's not an inapt comparison!

I further have to wonder if this segregation is part of the problem: if women, instead of playing in the WNBA, played in the NBA, how would they fare? This isn't to try and set up an argument for saying that women can't compete on equal terms and therefore shouldn't get equal treatment. Women have proven repeatedly that they can compete on equal terms. This is to point out that this book really doesn't delve very deep. It makes a superficial argument that everything ought to be equal, but it never makes a case for why, and it never wonders whether this particular aspect also ought to be equal and if so, would it improve matters? It avoids that altogether. It also avoids dress code, which we shall look at shortly.

Back to the segregation. It's a fact the women tend to be smaller and less muscular than men, but is this a problem? Maybe. Women would be typically shorter and lighter than the men they played against were the basketball leagues to be combined. In the NBA, the average height is six feet eight inches, whereas the average height in the WNBA is six feet. Would this be a disadvantage given that half the NBA players are necessarily six feet or less, and basketball is in theory at least, a non-contact sport? Would the advantage that a tall woman has among less tall-women in her league translate to poor performance if she became a medium-sized person among many taller persons in a male league? It's an interesting question, but it went unexplored and ignoring this made the author's case feel more like special pleading than it did a call for fair play.

Dd you know that the ball is also different between the male and female game in basketball? It's slightly smaller and lighter. Why is that and why does the author not address it? Why do female basketball players use a smaller ball while female soccer players do not? There's no answer because the author didn't ask the question. These differences in equipment translate across many other sports - the women's javelin and the women's discus are both smaller and lighter than the men's, the shot is lighter in the shotput, LPGA courses are shorter than PGA courses, and so on. In basketball, while women shoot free throws on par with men, their 3 pointers from the field average lower even in their own league. So what does equality mean? What does parity have to hinge upon? Again, we get not a word on this from the author who seems to be arguing for parity in pay but not in anything else.

As a Washington Post article puts it,

As Alice Dreger, professor of clinical medical humanities and bioethics in the Feinberg School of Medicine at Northwestern University, told me: "The reason we have females separated in sports is because in many sports, the best female athletes can't compete with the best male athletes. And everybody knows that, but nobody wants to say it. Females are structured like a disabled class for all sorts of, I think, good reasons."
This is something else the author did not explore in this book. Is the problem that simple or is there more to it? She didn't ask. According to the NY times, "There has yet to be a financially viable women's mainstream sports league in the United States." The author would undoubtedly argue that this is because of poor media coverage, but although she argues that, she fails to support any such argument.

And take a look at the crowd in the image accompanying the article. That says it all right there. Women are not sports attenders in general - not on the level at which men are - or even at which women are when it comes to men's games. The attendance by gender at all of the major sports in the US shows males turning up at literally twice the rate of female attendees. We read a lot in this book about women who play the sports, but nothing about those who attend and thereby help pay the salaries of the participants.

It bothers me that the author doesn't explore these aspects as a reason for disparity and inequality, asking why the attendance is so poor. Advertisers are not going to want to pay much to have an ad at a game with seven thousand people when they can have one at a game which will be seen by twice that number of people (not even including the viewers at home), and without extra advertising revenue, there's less cash to pay the players. The author doesn't explore, either, whether men really ought to get more if they play eighty games in a basketball season, which is twice what female players play.

There's an interesting, and sad, article here about this disparity in attendance related to Syracuse University's performance in the 2016 basketball season (and on the topic of inequality do compare the men's basketball page for Syracuse in Wikipedia with the women's! This makes a better argument about inequality than this book did, in my opinion!). Women had a far better season than the men (losing in the final whereas the men lost in the quarterfinals) yet their attendance was averaging less than a thousand, while the men's was almost twenty-two times as high.

Keep in mind that roughly thirty percent of the attendance at the men's games - that would be 6,000 to 7,000 people - was women. Where were these women when it came to games played by their own gender? ESPN is on record as saying that men accounted for 66% of its WNBA audience in 2013. Where were the women? Why are they viewing women's games at roughly the same percentage as they're viewing men's games? Why are so few men viewing women's games?

None of this is explored in the book, yet all of it is relevant to the case the author thought she was making. Is the lack of interest in women's sports not just from the media and from men, but also from women themselves? Apparently so, and this is one thing Title IX cannot legislate. They can compel equal opportunity (to more or less success as we've seen), but they cannot compel fans and supporters into existence or into attendance.

There are sports where women compete on perfectly equal terms with men, but where women are highly underrepresented. The author never explored this. For example, Danica Patrick has extremely high visibility and is highly rewarded for racing in NASCAR, but as mentioned, she has never won a race (as of this writing) on US soil, and has had only one win elsewhere. The author mentions Danica Patrick but never explores the details. Patrick earned about thirteen million in 2015, whereas Dale Earnhardt earned almost twice that, with no wins! Kyle Busch, who won at least five races earned less than Patrick did! There is no justice or parity anywhere in this particular story, yet no one seems to complain about that!

What do TV advertisers advertise at women's games? At men's games it seems to be cars, beer, power tools, and financial and retirement opportunities. What do advertisers want to offer to women, and do they have the same advertising budget to offer it with that the car and beer advertisers do? Again, this is unexplored, but it does have a bearing on the subject. More to the point is what happens in comparable situations.

For example, a new TV show is very much like a sports event. Because of the intensely capitalistic system the USA operates in, the show needs viewers to survive. If viewership goes down, the show is cancelled. We've lost a lot of quality shows because of this, while crappy so-called "reality' shows thrive. Why? Because this is what idiots watch on the idiot's lantern. It's that simple. Quality often fails were the lowest common denominator wins every time, and this is the issue: it all comes down to what makes money for the media. It has nothing to do with parity or equality, fairness or gender rights. If the female sports events don't attract viewers and sustain the attraction beyond world cup events, then advertisers are not going to be interested and the media is not going to cover them, yet this author doesn't ask why attendance is so poor. She just blames the media for it.

Let's talk about equality some more - in this case, equality of dress. Has anyone given any thought to how male athletes dress as compared to female ones? Probably not, but I think it's part of the problem. Take a look at your average male track athlete in the last Olympics and note how they dress for the track. On men, the shorts may be tight or loose fitting, and the shirt may be sleeveless or not, but they are wearing a shirt and shorts. Now take a look at the women who are, for all practical purposes, dressed in bikinis. Shotput? The same. Javelin? The same. Why is that? For beach volleyball, they wear even less! The men don't though. Why is that?

Consider this: swimming is the only event I can think of in the Olympics in which men wear less than women. Maybe it is literally for all practical purposes that women dress so skimpily, but if that's the case, then why are men not emulating them in terms of wearing an abbreviated top and bikini shorts? Now look at soccer or basketball. What do women wear? Very much the same as men do! Why is that? It seems to me that if you want to be taken seriously as an athlete, you might want to reconsider wearing bikinis for every event! Is this a valid argument? We don't know, because once again, this is a highly visible aspect to sports which this author completely ignores.

I didn't like this author's overall attitude either, quite frankly! At one point, she says, "But it's female athletes who most consistently give us representations of women who embody qualities like toughness and power and tenacity." How disrespectful is that to women who work in other professions? Are female firefighters not tough? Are female law enforcement disempowered? Are female soldiers, sailors, air personnel, and the Coast Guard lacking tenacity? Are female industry leaders powerless? Are teachers not tenacious? Are female nurses not tough?! The single-minded focus on athletes here, notwithstanding this was the main purpose of the book, was an insult to women working in other fields.

In conclusion, this book felt far more like a cult of personality than an honest exploration on gender inequity in sports. The bottom line, though would seem to be popularity: does the media really shun women's sports or does the media simply show what's most popular because it's from this that advertising revenue will derive, regardless of what gender is involved in the sport?

This question should have been one to explore, but we don't get that here: who attends? Who pays to watch? Is the female game perceived, by those who pay the entrance fees, just as worthy of admission price as the men's game is? As reported in late 2016, "The WNBA registered its highest attendance (1,561,530) since 2011 and the highest average attendance (7,655). For comparison, the average attendance at NBA games is over twice that, at around 17,000.

Are people simply voting with their feet not for which gender is worth supporting, but for which game is worth viewing with their limited budget? Which has the best atmosphere? Which one their friends will be going to and talking about the next day? Maybe it's just that simple, maybe it isn't, but we won't know the answer to that from reading this book, and I cannot recommend it because not only does it not achieve what it claims to aim at, it doesn't even pursue what it claims to be chasing! If you want to write a book about leveling the playing field, you need to be on the level in what you write.


My Book of Feelings by Tracey Ross


Rating: WORTHY!

Note that this was an advance review copy for which I thank the publisher! Note also not to confuse this one with My Book of Feelings by Desiree Kelley, which is evidently a book of poetry but which I have not read.

Here's a useful book for young children to have. The author explores and discusses what feelings are and how they might feel inside (fluffy or sharp), and what to do about them. I read this in the Adobe Digital Additions on a desktop computer, where it made me feel fluffy, and both on my smart phone and on an iPad. In both of those cases I used Amazon's crappy Kindle app and the book looked awful. My feelings about that were very sharp!

I haven't seen it as a Nook book, but my gut feeling about that is that it would be a lot better than what Kindle can do. But in absence of any real knowledge of that, I'd recommend buying this one as a print book to be safe. This kind of book is definitely not designed with the e-world in mind; they're designed for print, let's face it, and because of certain features in this particular one, a print book seems like the best way to go even if it's more expensive. Read on for more details!

The author begins by discussing what kinds of feelings you might have, and explains how you might get to feel that way. She also discusses the fact that you might have these feelings and not quite know why, or that you might have several mixed feelings. She then goes on to talk about what you might do to let feelings out in non-harmful ways. There's also lots of space to write down your own feelings and draw yourself experiencing them! That might be a bit hard on a tablet computer (unless your kid is unsupervised and has access to a Sharpie...), but in a print book it would be useful, and might even help a child to deal with those sharp feelings, too! I loved this book. It's a great idea, a useful tool, and is really good to look at except on the Kindle app!


Rosco the Rascal Visits the Pumpkin Patch by Shana Gorian


Rating: WORTHY!

Just in time for Halloween and in plenty of time for Thanksgiving, this is a middle-grade chapter book with some illustrations set around this time of year (assuming you're reading this in late October and you're in the northern hemisphere!). It has its roots in a real dog owned by the author, but the story is fictional. It's part of a series, and you can get another one in the series free by signing up for the author's mailing list.

Rosco (which I keep wanting to add an 'e' to so it looks less like a corporate name!) is in the McKendrick family, which consists of mom, dad, and two children, ten year old James, and seven-year-old Mandy. In this adventure, they visit the pumpkin patch where dad wants to procure a giant pumpkin to carve for Halloween. Rosco is a bit naughty at times, but it all comes from his desire to have fun and run-off excess energy. To be fair, he also has some very positive traits, though. He's very protective of children, and both his naughtiness and his protectiveness play a role in this story, as they enjoy the outdoors, take part in activities on the pumpkin farm, and get lost in the corn maze - which turns out to be fortunate for an even younger child who's in there, also lost. And very afraid. And hurt.

I'm not a big fan of "intelligent" dog and cat stories because in my sad experience the authors make them so human that they're no longer dogs or cats, so really, what's the point? In this case, though, I loved the way the author seems to get inside the dog's head, making it appear very human in a very doglike way, without turning it into a completely unbelievable human substitute. The story wasn't written for my age range, but even so it was fun, interesting, realistic, believable, and very entertaining. It carried positive messages and had a warm and happy ending. I recommend this for kids of all ages.


Monday, October 24, 2016

Dojo Surprise by Chris Tougas


Rating: WORTHY!

This story was an advance review copy for which I thank the publisher, and it's a little bit weird and off the beaten track, which is a good thing. I think that's why it appealed to me. it;s also part of a series of "Dojo" books, and I have to warn you that it did not look at all good on a smart phone, so you definitely want to read it on something else.

The kids of the Dojo Daycare want to throw a surprise birthday party for their rather nervous sensei, and their sneaking around does little for his mental health, but they succeed in creating the surprise using hard-won ninja techniques, and in the end have a great birthday party, and a much relieved sensei! I think it's fun and playful and very colorful, but be warned: it might put sneaky ninja ideas into young children's brains!


Abigail the Whale by Davide Cali


Rating: WORTHY!

This was a wonderful book which takes a positive-thinking approach to bullying. You can't control what other people do (although you can influence it for better or for worse!), but you can control how you see what they do and how you let it affect you.

Abigail is overweight and she loves swimming, and there, at the crux of these two contentions, is her problem: people make fun of her at the pool, and call her Abigail the Whale. She makes a big splash and it's not seen in a positive light by her classmates. I was tempted to wonder why the teacher didn't berate her classmates for their bullying and their mean 'fun-making', especially given that he's the one who turns around and introduces her to positive thinking, but I doubt young kids will be quite that analytical! It would have been nice had he said something to the other kids, though.

But this is about Abigail's problem, not the teacher's, and Abigail is smart and considers this new addition to her armory seriously. Once she tries it out and finds that it works, she embraces it whole-heartedly and starts to enjoy life again, and not just at the pool. I liked the way this book offered something for the child to do, and a way to think positively about herself. It's very simplified here, but maybe this will sow a seed or two which will grow, flourish, and blossom strongly later in children's lives. I love the illustrations by Sonja Bougaeva, and the book's overall tone.


I Am Josephine (and I Am a Living Thing) by Jan Thornhill


Rating: WORTHY!

Note that this was an advance review copy for which I thank the publisher.

"Inspired by science and nature writer Jan Thornhill's many classroom visits, this book is intended to help children recognize themselves as part of the natural world, with an emphasis on how all living things share similarities."

This was a great book which teaches a little taxonomy along with exhibiting a fun young girl who is the very embodiment of life. Josephine compares and contrasts herself with everything around her. Is she like this or different from that? In her comparisons and contrasts, we learn that she's a living thing (and definitely full of life!), and an animal, and a mammal, and a human being. We also learn what some other animals and plants are, as she skips and dances through her colorful world examining everything. The book is a joy to read and a delight to look at, and is educational to boot, with some interaction where young kids can search and count. All in all it's a great little book and I liked it very much.


Baba Yaga by An Leysen


Rating: WORTHY!

This is a familiar story since I read one similar to it not all that long ago. It's rooted in Slavic mythology and makes for a bit of a dire read for younger children given the threat of being eaten by a witch, though this isn't very different from quite a few of the better known and perhaps more beloved fairy tales, but it is worth keeping in mind when considering reading it to impressionable youngsters. On the up-side, it presents a tale of a self-possessed and brave girl who does what she has to, and wins out in the end.

It's a gorgeously illustrated book about this evil witch who flies around in a cauldron, eats little children, and lives in a cottage in the forest which sits on two chicken legs. The story was well written, and even when I was tempted to raise the issue of a man bereft of his wife being called a widow, which is the female form, rather than a widower, I realized that this is the very thing I rail against myself: why do men get to be called actors, that is, those who do the acting, but women are dismissed as actresses, which sounds more like something you sleep on? There are many genderist words like that, so I say, go for it! Widow it is!

The problem with this widow, though, is that he's been enchanted by Baba Yaga's sister who lures him into marrying her, and who holds him so entranced that he doesn't even see how abusive she is to his daughter who he loves and dotes on - or did. Olga's dad (mom isn't on the scene here, not in person, anyway!) falls in love under her spell, but his new wife doesn't want any step-children around. Why she didn't simply pick a guy who had no children goes unexplained, but the upshot of it is that she really doesn't like Olga's positive attitude and so sends her off to borrow a needle and thread from Baba Yaga, knowing that the child will be eaten, and she'll never have to be concerned with the little brat again.

What she doesn't know is that mom's love for Olga was so powerful that, like in the Harry Potter stories, it left behind a protection for her in the form of a nesting doll which mom bequeathed her daughter. This doll offers advice which might not seem valid at the time it's given, but which proves to be very useful when the right time comes. This doll is not about to let this child be eaten, and so with advice and guidance offered in this manner, Olga is able to survive and overcome the power of the evil stepmom.

Like I said, the story is a bit dire, but for feisty children of strong constitution, this tale will stir them to be confident and not fearful, and to be brave and resourceful. Hopefully! I liked it and I recommend it. Besides, the artwork is wonderful!


The Tale of Peter Rabbit By Beatrix Potter


Rating: WORTHY!

This was an unexpected delight. Peter Rabbit is the naughtiest rabbit ever - and naughty is precisely the correct term for him. He's off adventuring when he should be gathering berries with his sisters; he's getting into trouble with the local farmer; he's almost getting himself caught; and he's ending his day by losing all of his nice new clothes!

First published in 1902, this story has every ounce of quaint still clinging to it like a scent of pot-pourri, and it's not your modern bleached fairy tale either. It's also a best seller, having sold over a hundred fifty million copies, which isn't too shabby given that it started as nothing more than an illustrated letter aimed at cheering up the sick son of a friend. Based on an actual pet rabbit which Potter owned, and illustrated by the author quite charmingly, this tale is well worth a few minutes of any child's time - no matter how old the child is!


Sea Otter Rescue by Suzi Eszterhas


Rating: WORTHY!

Note that this was an advance review copy for which I thank the publisher.

"Sea Otter Rescue is the third in the four-book Wildlife Rescue series. Each book introduces a species of animal in danger somewhere in the world and profiles a rescue center that helps it."

This is my idea of what a non-fiction animal book for young people ought to be in contrast with the 'Tigers for Kids' book I also reviewed today. This book is more enjoyable, much more professional, and made for an educational, fun, and engaging read. Suzi Eszterhas is award-winning wildlife photographer, and not too shabby of a writer, too. She gets the facts out in front, gets to the point, doesn't ramble or repeat herself, and makes a great case for her cause. Some of the profit from this book will go to aid in sea otter rescue at the Alaska SeaLife Center which is the source of her information.

In simple and plain, but informative prose we learn how sea otters end up in dire straits and what's involved in rescuing and caring for them. The people involved get some of the spotlight, too. I recommend this for anyone who cares about our fellow mammals, especially ones which are threatened as some sea otters are. What you read here might surprise you! Some of it did me! Note this is not to be confused with Sea Otter Rescue by Roland Smith or with Seldovia Sam and the Sea Otter Rescue by Susan Woodward Springer and illustrator Amy Meissner, neither of which I have read.

This book felt professional, knowledgeable, and focused. It was full of interesting and useful information. It did not hurt that it was also full of pictures of the cutest mammals ever. Mostly young ones, of course, because these are the ones most often in need of help. You would definitely not want to mess with a full grown one. In fact you oughtn't to mess with them at all - leave them be and enjoy them from afar. If one looks like it's abandoned or in trouble, call animal rescue. The book has a host of information about that, too.

Sea otters are struggling in some places and among their major problems is big oil, and pollution of the ocean from irresponsible trash jettisoning. In short, it's the usual suspect: destruction of habitat by insensitive and selfish humans. This book discusses the life and natural history of the sea otter, how irresponsible people make their lives immeasurably worse, and what's being done by this little Alaskan rescue center to come to their aid.

I loved the way it was written succinctly, but sparing no important detail, and I adored the pictures. It was a pleasure to read and served a needful and useful purpose. You can't ask for more than that in a book aimed at young people. It was beautifully presented, with rich, color images and well-organized. I recommend it.


Tigers for Kids by Kim Chase, John Davidson


Rating: WARTY!

This book was a free special on Barnes and Noble, and I can see why. It was not very well written and rather sloppily edited in places. It read more like fan-fiction than any serious attempt to interest young children in tigers. A lot of it was repetitive and felt, at least, like it had been taken from some online source and the rest made-up. A lot of it actually read like it was a middle-grade essay. It was free, so you can't complain too much, but caveat emptor! Or in this case, cave-cat emptor?!

While the book gets a lot right, it's also a fount of misinformation. For example, on page 7 (the page number on my tablet in the Nook reader - the book itself has no page numbers), we're told the modern tiger is a descendant of the "saber tooth tiger" but that's not true. Tigers and their closest relatives, snow leopards, broke away from other cat species some three million years ago and are not closely-related to saber-toothed cats (not tigers!) at all - no modern cat is.

One of the things the introduction promises, is to explain why tigers have stripes, and it comes up with the obvious answer that tigers are better camouflaged with stripes than if they were all orange or all black or white. What this book doesn't tell you is that the basic reason for the coloration is that the tiger's skin is that color! If a tiger were shaved, it would not look as pretty, but it would still have the same stripes, and probably would be a lot cooler in the daytime heat!

But the thing which isn't addressed at all is that the tiger tends to be a crepuscular and nocturnal hunter, plus, it sees prey and prey sees it in ways it is hard for us to imagine with our sight, so the tiger's camouflage and hunting habits have to be pictured in a world of poorer daytime vision, better nighttime vision (be it greyscale), and a world inhabited by odors which we cannot even begin to imagine with our amateur and dysfunctional noses!

It's not true to say the tiger can see as well as a human during daytime. It can see as well as it needs to, but it doesn't have the acuity humans have for the simple reason it never evolved in tigers: it wasn't necessary for them to be able to conduct their business, which is hunting, and which is conducted at twilight or at night. During those times of day the tiger can capture six times more light (not "six time greater" as the book has it) than humans because they have six times the number of receptor rods in their retinas - just like your domestic cat does. They also have, like a domestic cat, a tapetum lucidum - essentially a mirror behind the retina which reflects light back onto the retina so they can 'double-dip' as it were. The cost of this is that they have poorer daylight vision - both domestic cats and tigers - and see color poorly if at all as compared with humans.

The "six time greater" spelling/grammar error is repeated in other places in the book in different ways, such as when I read on page 15 that "their black strips...hide them", when it should clearly have read 'black stripes'. There are awkward constructions such as "One form of verbal communication used by tigers is roaring. Other tigers from as far away as two miles can hear the roaring of other tigers." Another instance was "It is not uncommon for there to be a dominant or leader among the cubs."

Contrary to what the book tells us, that "Our current day tigers evolved into a subspecies that existed 25 million years ago," modern tigers have existed for less than two million years. About three million years ago they existed only as an ancestor species that eventually split into snow leopards on the one hand and tigers on the other, so I have no idea where the '25 million' figure comes from, and the book offers no references whatsoever to check.

In conclusion, if your kids absolutely adore tigers and can't get enough of them, and you can get this book free, then go for it, but I can't in good faith recommend it as a useful book on the topic. You should read my other non-fiction review posted today to see how a book on animals should be done.


Sunday, October 23, 2016

Princess Academy by Shannon Hale


Rating: WORTHY!

I’m a captive audience in my car with a commute that’s not overly long, but which isn’t short either, so I listen to audio books and I tend to take more risks and experiment more with this format than any other. Consequently I have more fails with this format than any other, but it’s worth it to find the occasional gem, and one such book was this one. If there’s one thing I detest in writers it’s a sheep mentality. Instead of coming up with something original (or a refreshing take on an older theme as, say, The Hunger Games trilogy or the Harry Potter heptalogy represented), most authors, particularly in YA, jump right on someone else’s band wagon and turn out sorry clones of existing work. barf. I prefer the author who tosses out cliché and trope and takes the road less traveled, as I tried to do in Femarine, and as this author does here, which is yet another variation on the same theme I varied.

Another audio book to review - this time positively. My problem with princess stories - the kind where a prince is essentially holding a lottery for a bride - is several-fold, not least of which is what it says about the prince: he's so vacuous and shallow that he thinks he can get a suitable lifelong partner in such a critical role through this haphazard means? The other side of that coin is what it says about the princess-to-be in that she's so shallow or so desperate that she's willing to sell out for this guy she never met and will be expected to marry before she even knows him. It's truly pathetic.

That doesn't even begin to cover trope and cliché either. These stories tend to be larded with them: that the most humble, plain, and simple girl gets to win, or alternatively that the girl who least cares about or least expects to win gets to win because she's a special snowflake, and the only one who truly understands the prince.

There's also a really pretty girl who everyone expects to win, but who doesn't because it turns out that the plain-jane is prettier somehow! There's the really dumb girl who is the only one who thinks she will win, and there's a really bitchy girl who we all know will never win. There's also the truly sweet girl who becomes the main character's bestie, and who dreams of marrying the prince, but who doesn't honestly believe she will win. She ends up marrying the captain of the guard or the king's younger brother or something like that. It's tedious. It's been done to death, and any author who continues to churn out this kind of story with no variation and no twist and nothing new to offer is the really dumb girl. Any author who thinks he or she can make a trilogy out of this trash is beyond dumb.

So what I look for on the very rare occasion when I read a story like this, is what I tried to provide in Femarine: something significantly different. This audio book was such a story. It impressed me and continued to impress me because it continued to inject new ideas into this trope and thereby stirred it up significantly. There were some bits that were a touch too rambling and boring, but these were few. Most of the time it kept adding the twists to make it entertaining and engrossing.

What I liked about it was that Miri, the main character, was smart, but not particularly special except in that she learned. The value of books was am important part of the story. They actually played a role in the story and in Miri's growth, and were not just lazy short-hand used by the author to say "Hey, look how smart my character is!" Miri was always learning, and this is what made her stand out from far too many spastic princesses in other stories I've read or read about, and who show zero growth or real smarts.

I liked that the girls weren't the usual suspects in these stories, but the daughters of quarriers (and some of the girls were quarry workers themselves) in a pit which produced a special high quality stones used for important buildings in the cities down the mountain. I didn't like the 'us versus them' mentality (mountain people against lowlanders, where the mountain people were considered primitive and dumb and the lowlanders urbane and cultured), but I did like that the girls were not in fixed groups or fixed mentalities. Relationships changes and morphed, and the bitchy girl wasn't always the bitchy girl. The ending was very different from what you might expect and really turned the story again from the course you might expect.

The thing was though, that while I always feared that this story would go straight to hell in a hand-basket, I always had the feeling that it could completely capture me, and this is what it did in the end, so I recommend this for those of you who, like me, are tired of trope and ready to quit with cliché. Yes, it did have some examples still of that kind of mentality - that the girl must end up with the boy for example, but overall it was different enough and enjoyable enough, and above all unpredictable enough that I consider it a very worthy read. Or listen - Laura Credidio does a decent job of rendering the characters, although her voice was a bit annoying at times.

Lastly, one thing I don't get about this is that it's part of a series. Why? This was a great story and it was told well, and it came to a satisfying conclusion. Why did the author feel the need to ruin all that by dragging it unnaturally, kicking and screaming, into a series? Is she so lacking in imagination that she can't think of a new idea to write about? Let it be known that I have no intention of following the series. As far as I'm concerned, this book stops here!


Blood's Pride by Evie Manieri


Rating: WARTY!

If I'd known that Kirkus rated this one as "highly imaginative" I would never have picked it off the library shelf! I don't think Kirkus ever met a book they didn't like which means their reviews are utterly useless. If I'd also known it was the first of a series I would have thought twice about it and definitely would have no interest in a series after listening to a small portion of this.

Bianca Amato has a charming voice and would be a delight to have a conversation with, but in telling a story like this, she sounded ponderous and slow, and the story itself moved at a glacial pace. I couldn't stand to listen to it, but had I the print or e-version, I still wouldn't have been able to stomach it, so I guess this author is not for me, and I am not for her! The only review I can give is this much: that I gave up on it at about 10% in (or slightly less).

One problem with audiobooks is that you can never tell where the prologue ends, so I ended up listening to much of it, and this served once again only to remind me why I so dedicatedly skip all such prefaces, forewords, intros, prologues and whatever. They're tedious and contribute NOTHING to a story. Enough with them already, you authors! Get on with the damned story!

This one was far too tedious to stay with. Life is short and books like this are too long and too common! Move along! This is not the adventure you're looking for!