Sunday, April 26, 2020

The Nut That Fell from the Tree by Sangeeta Bhadra, France Cormier


Rating: WORTHY!

From an advance review copy for which I thank the publisher.

This was a fun children's book written in sweet rhyme by Bhadra, and illustrated with color and flare by Cormier. Based on the pattern set up by Randolph Caldecott in his 1878 children's picture book The House That Jack Built, this could almost be a prequel to it. It's also reminiscent of the 1952 song, "I Know an Old Lady" by Rose Bonne and Alan Mills.

This book begins with a nut which fell from a tree - an acorn to be precise - which passes through the possession of several forest critters such as a rat, a blue jay, a goose, a raccoon, a bear, and on until it finally comes to rest in a place it can grow, where the grown tree provides a nifty site for a tree house! I enjoyed the rhymes and the beautiful illustrations and I commend this as a worthy read.


Friday, April 24, 2020

The Campaign by Laurie Friedman


Rating: WARTY!

From an advance review copy for which I thank the publisher.

Errata:
“never-a-hair-outof-place” is missing a hyphen.
"555 feet 51/8” five and one eighth looks like 51 eights!
“Mom spears a chunk of kung pao chicken” followed by, only one page later, “They’re both eating mu shu chicken with chopsticks”
My shu pork is Northern Chinese dish. Kung Pao chicken is a Sichuan dish from southern central China! Not really the same thing.

This book felt like it wasn't sure where to go and so took the safest, most predictable path from start to finish. It felt like a heavy-handed lesson on the Mount Rushmore presidents, but the face it offered was just as cold and stony as that edifice to presidents who were certainly not the best examples of humanity we could have chiseled into a rock face.

Amanda Adams (yes, that's her name) decides that she wants to run for class president, all without discussing it with her best friend who she expects to run as her VP; then she irrationally gets miffed when she discovers that her best friend is also running for the same office. Once again the book description was apparently written by someone who seems to have little clue what's going on in the book and is just trying to make it sound sensational, which it really isn't. We're told that "Politics is in her DNA" but she clearly does not have any such DNA, and she makes one gaff after another in a poorly-conceived campaign despite having grown up with a Congress person as a mom and a political strategist as a dad. Nor do we ever get any sense that Amanda has a real clue what she's doing. Quite the opposite.

All of this really undermines her credentials and make me wonder why she was running at all. She seemed to have no motivation or plan. The book might have been more engaging had Amanda been a rebel who was, for example, determinedly resisting her parents' efforts to push her into running for this office, but finds herself motivated to do it anyway because of some cause which stirs her. This book wasn't written for me, but it didn't seem like it would appeal very much even to its target audience as it stands. It was obvious from the start which running mate Amanda would end up with, but the real problem with it was that she'd had this idea of running for president for some time but had given zero thought to lining-up her running mate. And this is the girl who has politics in her DNA? Na-uh! Not even close.

We got an Amanda who ran into trouble getting the support of her soccer team because they all irrationally felt that she'd spend all her time campaigning and neglect soccer games and practice, but we're given no reason why they would think that of her. Didn't they know her better than that? It's no spoiler to reveal that her team loses an important game, because it's that kind of a color-by-numbers novel.

What's shameful is the approach to the game, treating it like it was a major 'take no prisoners and slaughter the enemy' battle in an ongoing war rather than with any kind of sportsmanship. I found these rallying cries offensive. Clearly they were taking their cue from the USWNT in the last soccer World Cup when, in their first game, they were lording it over a clearly inferior team instead of being professional about their scoring bonanza. Amanda is given the baseless perspective of a goalkeeper who thinks she and only she is entirely and solely responsible for keeping the ball out of the goal. I guess her team has no players on defense, with every other member of the team is playing on the forward line. It was entirely unrealistic and unbelievable.

Now you can argue that this girl is in seventh grade and may well think like she does because of that, but Amanda is supposed to be the hero of the story with politics in her DNA, and who takes life lessons from the Mount Rushmore community. The problem is that she never seems to learn anything from these mini-bios of the presidents that she bores the reader with, and the story becomes nothing more than jingoism, repeating the tedious and clichéd mythology without actually examining it at all.

Rather than break new ground and find presidents who led exemplary lives which would merit examination and emulation, the author took the road most trampled and trotted out Washington, Jefferson, Lincoln, and the Roosevelts. The book was just starting in on the womanizing John Kennedy when I quit.

Why take this trite and easy route? Why not dig a little and find presidents who were not land cheats, as Washington was; not slave abusers, as Jefferson was; not overseeing one of the biggest land-grabs from the Navajos and Mescalero Apaches in New Mexico as Lincoln did; not supporting waterboarding as Teddy Roosevelt did, or dishonorably discharging African American men of the 25th infantry Battalion (the Buffalo Soldiers) on unfounded charges as he did; and finally, not sanctioning the unjust imprisonment of Japanese Americans in World War Two as Franklin Roosevelt did.

There have been 45 presidents in the US, and while the present one is a dangerous, racist, homophobic, misogynistic, and scientifically ignorant clown, not all of them have been like that. Some - like Clinton and Kennedy - have been reprehensible womanizers, but others, like Obama, have been a beacon. Could the author not have found some like that? Apparently not.

I can't commend a book like this at all.


Wednesday, April 22, 2020

Black Women, Black Love by Dianne M Stewart


Rating: WORTHY!

From an advance review copy for which I thank the publisher.

Errata:
"Repeating Laura’s name like a mantra, he ensured her" - I think maybe 'assured' her?

"Thirty-three-year-old Mary and her husband, Hazel “Hayes” Turner..." is fine, but the way Kindle mangled this book, 'Turner' was on the next page and indented like it was a new paragraph! Amazon will do that to you. That's why I don't do anything with them. Clearly Amazon's intention here was to split Mary and her husband, thereby making the author's point! LOL!

"T his severing of Black families..." - the gap after the 'T' was in the text. It may have been because the book had drop caps. That's a big no-no when Amazon is going to kindle your book. I use kindle in its original sense. Amazon can only handle plain vanilla text with any reliability - and forget pictures!

"h isTorically, The fear of..." - again mangled by Kindle. Several words had the letter 'T' capitalized for no apparent reason other than this is what Kindle does to your work. This one also had the initial letter not capitalized!

"...but never laid eyes on her husband after the county sheriff and two accompanying police officers first courted him off to jail." Hardly courted! I suspect the author meant 'carted him off'.

“due to the unanimous feeling on the part of the staff and board that there were more work 107 opportunities for Negro women” - the number 107 is actually a page number that Kindle integrated into text

“T he deleTerious impacT” - Another exmaple of Kindle mangling the text.

“taking long-distance trips to see her fianc[é] through a glass.” I don;t understand the use of the square brackets. This was perhaps another Kindle mangle. Kindle sucks, period.

This book was hard to read and not because it was academic or because it uses a lot of big words - it doesn't, nor because Amazon had done its usual job of dicing and julienne-ing the text, but it does tell horrifying stories of how the African American community has been treated through its all-too-often tragic history on these shores. It's a history that both continues in far too many ways today, and can be understood from the roots it has, which extend all the way back to the forcible capture and enslavement of free Africans.

Further, it extrapolates from that long history and puts in perspective the fact that "more than 70 percent of Black women in America are unmarried." Reading this book will remove any surprise you may have as to why that is. Slavery wasn't the only oppression. There has been a history of suppression and oppression, of keeping people down and of treating people unfairly, and the heaviest burden of all of that has always fallen on the black community.

The book explores slavery, the Reconstruction, the Great Migration north, nd the continued history of abuses right up through modern times. It talks about welfare under which - and contrary to disparaging lies that are spread about it - the African American community seldom fares well, and which rather than encourage couples to marry and take joint responsibility for children, it very effectively mandates "that women remain single in order to receive government support." It discusses the modern repercussions of this unfair and unequal treatment including what the author labels "the prison-industrial complex," which unfairly targets people of color and thereby removes them from the pool of potential partners for black women.

Well-researched and unfortunately full of disturbing anecdotes from the people who have been abused by these various systems, this book tells a horrifying tale, but one that needs to be heard and internalized. I commend it fully.


Goodnight Mind for Teens by Colleen E Carney


Rating: WORTHY!

From an advance review copy for which I thank the publisher.

Erratum:
"Same’s alarm sounds at 6 a.m." - presumably this was intended to read 'Sam's alarm'
There were also some oddities such as bullet lists starting with a lower case 'y' instead of a bullet, and also an odd sequence of five screens with an alternating full screen line of text followed by half screen line. The last line of all this had ‘morphine’ by itself after a half screen line

There is a book by this author called "Goodnight Mind" and this one is evidently the teen version of it. I haven't read the first one, but this is a useful book which asks, "Do you have trouble getting to sleep at night?" I don't and I'm not a teen (I don't even play one on TV!), but I am the parent of two teens who seem, during this unprecedented home isolation, to be turning into, what was it Dracula called them in Bram Stoker's novel? "Children of the night. What music they make"! So I do understand this issue with sleeping problems even though I personally have very few nights where I have trouble sleeping.

This short book offers explanations for behavior, and suggestions, hints, and tips for working on getting one's head down and actually sleeping. It includes URLs for downloadable checklists to help focus on what exactly the problem is in each individual. The author is Dr. Colleen E. Carney, an Associate Professor and also the Director of the Sleep and Depression Laboratory at Ryerson University in Toronto, Canada. She packs the book full of ideas, techniques, and suggestions to identify what your problem is, because there is no solving it until you understand it, and then she goes after the problem on several levels with multiple techniques, and without getting all academic about it. I commend this as a worthy read.


#VERYFAT #VERYBRAVE by Nicole Byer


Rating: WORTHY!

From an advance review copy for which I thank the publisher.

This book pretty much does exactly what it claims it will do: presents a brave and frankly not-so-fat Nicole Byer in a bikini - and then another, and another. And another! And she looks great in most of them, a bit weird (and usually intentionally so!) in the rest, although my personal favorite was the picture at the very end of the book where she was laying down in a simple dress, and looked awesome. The fact that the author has the cutest face does not hurt these images one bit. I don't know how old she is, and it doesn't matter; all I can say is that whatever age she is, she looks half that age because of her face.

This book had no intention of offering advice on diet or healthy eating, and maybe it ought to have. That clearly wasn't the author's intention, but part of having a positive body image - of loving your body - is knowing that you're not only comfortable in your own skin, but that you're taking care of that skin and whatever's in it whether you're #VERYFAT or #VERYTHIN or anywhere in between. In a study of almost 6,000 Coronavirus patients, ones with poor outcomes nearly always had underlying conditions, and 41% of those fatalities were at least in part because the patient was obese. Body positivity is the only smart way to go, but that doesn't mean becoming willfully blind to health considerations.

But this book is unashamedly about bikinis, how to buy them, how to wear them, how to mix and match tops and bottoms, with a few hints and tips about getting the best fit, and handling idiots who think it's their duty to comment uninvited on others, but mostly it was a string of photos of the author sporting various items of clothing, nearly all of which were varieties of bikini (but not string bikinis!).

There were some oddball instances of confused text, most notably when I read: “...sliding her vagina down my face” but this isn't what happened. I promise you it was her vulva she slid down Nicole's face, not her vagina. It was sad that Nicole was grossed out by this, but not by the possibility of garnering an STD from this stranger with this uninvited sexual contact.

I could have done without so many four letter words, so be warned there are multiple ones in here, and I'm never comfortable with the use of the word 'bitch' which can strangely e both and endearment and an insult, so for me, that was over the top, but apart from that I think this is an amusing book. The author has a great sense of humor. It was fun, entertaining, and educational, and uplifting, and I commend it was a worthy read.


The Witches of Willow Cove by Josh Roberts


Rating: WARTY!

From an advance review copy for which I thank the publisher.

This book was a bit too much like the trope clones that came predictably rolling in post Harry Potter. Unless the author is really going to make an effort to bring something new to the table - something different, something original - then really, what's the point? I know this is aimed at middle grade (and read like it was) and I'm certainly not the intended audience, but to have witches waving sticks and chanting in Latin or worse, chanting in rhyming English, is so old and trite now that it's really not worth reading. Making your protagonist a female Harry Potter and doing the same thing with your villain isn't changing it up enough to get close to an original story.

The worst thing about this novel was the Salem angle. The Salem witch nonsense has been done to death and really, does it show any respect for the poor women who were murdered back then on the blatant religious lie that they were witches? No, it does not. It's shameful to keep dragging that out of the closet. For goodness sake let those poor women rest in peace. Even if the story had been brilliant, it would have tedious to read yet another witch story that tries to set its roots in Salem, but the story wasn't that interesting.

I didn't finish this, but the idea seemed to be that of a long-standing grudge, and so the question became: why was it so long-standing? Why didn't this evil witch carry out her revenge three or four hundred years ago? Why now? There seemed to be no answer to that, unless one popped-up in the very latter part of the story, and even if it did, what was the point of this revenge? It occurred to me that unless this person intended to reincarnate those victims from centuries ago in the bodies of her juvenile witch recruits, this revenge really offered her nothing, and even if she was planning on some reincarnation routine, the question of why now - at this time rather than a few hundred years ago still lacked a good answer.

So for these and other reasons, I quickly grew tired of a story that felt like one I'd read many times already, but under different covers and by different authors, so I did not finish it. I can't commend it based on what I read. There were too may tropes and too many clichés.


Feminist City by Leslie Kern


Rating: WARTY!

From an advance review copy for which I thank the publisher.

Feminist City isn't an interesting sci-fi novel, but a non-fiction book about how cities are not designed with women in mind. I agree with that thesis as it happens, having read material on this subject before. This is why I requested this book. It never hurts to learn more, especially if you're interested in female issues and especially if you're a novelist who's always open to ideas for plots or at least ideas for how to make characters who are a different gender than your own seem more lifelike, realistic, motivated, and perhaps having issues to pursue!

This take on cities is a very personal view, and I have to say that the author went off on tangents that for me, didn't serve her main argument well. For example, at one point she devolved into discussing how movies don't tend to represent female relationships. I'm like what? The thing is that after rambling about this and even mentioning a couple of movies that do represent them, the author then got into a prolonged ramble about some TV shows I've never heard of that represent female relationships pretty well. I'm like: are you not undermining your own claim with this?

And what does it have to do with your thesis about cities not being female-friendly? I don't mind it when authors mention stuff tangential to their main thrust, but a digression like this seemed to be an extended reminiscence about her own favorite TV shows rather than anything that materially contributed to her argument. And lest it be forgotten, TV and movies are not reality, even when they're called 'reality shows'. In fact reality shows are the precise opposite of reality. They're as artificial as it gets.

The author lives in Canada so maybe these are Canadian TV shows or maybe they're just shows I never had an interest in. She seems to be forgetting that unless the movie topic is specifically about female friendships, the writer and director had no reason to go out of their way to tell a story about such things because the movie's story is about something else.

Despite her claim, there are in fact many movies that do have female friendship represented in them not as the main plot, but as an included element. Also there are many movies about female friendships. The author, despite writing a book herself, seems to be unaware that there's a whole genre of novels precisely about female friendships! I guess she doesn't read much fiction, but Netflix has a bunch of movies about female relationships and friendships, so I don't get this fruitless digression into fiction when she's supposed to be making a case for a real world issue.

Another thing that struck me as odd in a feminist book was her digression into the topic of the 'Flâneuse'. I'd never encountered this name before, but it's a French word that describes the kind of person who has sufficient idle time on their hands that they can perambulate the city, exploring it and people-watching. I've never been a fan of pretentious French words being introduced into the lingo, but this one is quiet ancient. The original term was Flâneur, and I while I understand that in the ancient past, a term specific to a woman was routinely coined, particularly in a language that absurdly insists that inanimate objects have gender, I don't get why this was perpetuated by a writer of a book like the one under review here. Nor do I see why a woman can't be a Flâneur and leave it at that.

To me it was disturbing to find a female author of a book, and especially a book decidedly aligning with feminism, seeking to employ a female version of the word. If we're about equality, shouldn't one word serve all genders? It's the same case in Hollywood: why actress and not actor for all? We don't call a female doctor a doctrix! We no longer use aviatrix! Why perpetuate the erroneous idea that a female needs to be singled out a special case? Now I'm digressing! I freely admit that this is a pet beef of mine, and fortunately the whole book was not like this.

For me the author was at her best when relating, anecdotal as they were, stories of contending with urban environments while also contending first with a pregnancy and then with a baby on board - that is, onboard a carrier or a stroller. This was in London where the deeply subterranean underground railway, aka 'The Tube' was effectively inaccessible to anyone with a perambulator and pretty much the same even with a stroller. The fact is that the London Underground is a resistance movement: it's antique for the most part, and resists change for a variety of reasons.

Women were largely unseen and herded, back when most of it was built, and while that's no excuse to persist with that idiocy today, it has to be said - given how old the system is - that perhaps it's harder than it might seem to upgrade it appropriately, which is why the inaccessibility problem persists. Not that I'm trying to justify it; it needs to be fixed, not just for moms, but for people who have disabilities. And fear of heights in some London stations (just kidding)! To me it seems that the real problem is that these things cost money, and the will to make those expenditures is lacking among authorities that are largely male, white, and not sporting any differently-abled status. Once that complexion is changed, the rest ought to follow. I hope.

One thing in this discussion of the London tube was when I read (of the author's experience while pregnant): "This was most obvious to me on the Tube, where I was rarely offered a seat during my rush hour commute." While I understand that pregnancy involves carrying around extra weight and fatigue along with a young life, at times the author seems like she's equating being pregnant with being an invalid! This seems as unkind as it is inaccurate. Not every woman feels disabled by her pregnancy. Some do, and clearly there's an issue here, but the wording might have been less ambiguous.

Clearly there ought to be an offer of a seat, leaving it up to the individual to accept or decline as she sees fit. But I didn't see how this was so much an issue with cities not being designed for women. I mean it's always possible to await the next train since they run so frequently during rush hour, and get in there ahead of the crowd to find a seat. To me this seemed much more of a societal issue, with people in general largely being selfish despite attempts by the news media to show how kind we are. If we were truly that kind, it would hardly be a news item now, would it?!

I went into this book thinking it would answer a question that's asked in the book description. I know authors typically don't write these descriptions any more than they design the covers, but it was a question I would have liked to have had answered. The question was "What would a metropolis for working women look like?" and the problem seemed to be that this book isn't an organized journey through the issues, laying out the problems and supplying answers, or at least offering suggestions toward answers. This book is more like a collection of essays and it's a bit repetitive and lacking in substance. It's more like an impressionist painting where I'd have preferred - on this occasion - a photograph, and for me it really didn't get where it ought to have been trying to go - where it suggested it would go.

The problems with cities were highlighted here and there such as for example, the aforesaid lack of elevators on London's underground system, and the sparsity in the design of public toilets (where these can be found and even if they are in good condition). Some of the issues were less about the design of cities and more about societal issues, such as the idea of "A place where women can walk without harassment." No design of any city is going to prevent this as long as men think women are property, possessions, playthings, or people who are to be treated like juveniles. Even the most perfectly designed city will be nightmarish if it's populated by a significant assortment of jerks and dicks.

One of the ongoing problems with cities and one which was not addressed here is that cities are not communities no matter how well they are designed. No matter how much, say, New Yorkers (or alternatively the media) like to pretend their city is a community, it's in actual fact a large, impersonal city and most people are out for themselves, attending to their own plans and business, and with little time to consider others. This is normal in cities.

That's not to say it's right or that it can't be better, but it is the status quo. Something that would improve the situation would be to design cities not as cities but as conglomerations of small communities, wherein the community is more like a village while still being part go the whole, but even Cuomo's fine words about looking toward an improved future, post-covid 19 (assuming there ever is a post-covid 19) are going to lead nowhere without serious infrastructure changes and attitude modifications. Some systems can be improved, but unless you knock down the whole city and redesign it from the ground up, it will never be ideal.

That doesn't mean there's no room for improvements or that we cannot make cities better even as they stand, but the problem is that there are many interests in the city, and cities have grown the way they have because of those interests, most of which are about making money, not about making sense. None of this was addressed in this book, which in the end was much more a collection of personal anecdotes and ideas about problems than it was about how to get there from here.

It was a bit rambling and a bit repetitive, and overall, I was disappointed in it. Thus I'm unable to commend this as a worthy read because it doesn't really deliver on what it promises. It takes one or two interesting steps in that direction, but it's a long journey and this doesn't cover anywhere near enough of the distance there to make for a satisfying read.


Friday, April 17, 2020

The Self-Love Revolution by Virgie Tovar


Rating: WARTY!

From an advance review copy for which I thank the publisher.

Subtitled "Radical Body Positivity for Girls of Color," I'm not sure this book was really radical except in the author's expression of the sentiments which have been expressed before, so this brings nothing new to the discussion other than the author's personal reminiscences. Virgie Tovar sounds like she might be a fun person to know and to hang with, but the book has the habit of coming off as strident and preachy at times. It was very outspoken and opinionated and while there's nothing wrong per se with that, and even though I sincerely support the book's larger aims, in the end I couldn't bring myself in good faith to commend this as a worthy read because it contains a little bit too much of anecdote as opposed to hard hitting facts, and I felt that this often undermined the author's arguments. It also has some misleading information.

The book assumes a specific audience, so it's like I wasn't invited to read it, and while I understand that it's important to target your readers, it felt weird to me to read: “I was a little older than you are—about twenty-five—when I did this.” No! She's nowhere near older than I am! That wasn't a big issue. It was amusing, though! The same kind of thing happened when I read: “‘No’ wasn’t a serious part of my vocabulary until I was, like, twentyone. It totally changed my life in the best way. I’m kind of jealous that you get to learn this before I did, but I’m glad I get to be the one who tells you about it.“ Nope! But fine for her intended audience even if it felt a bit exclusionary.

One of the real problems I had with this book was that it's all about being non-judgmental, and I support that aim fully, but even as it was saying this, the book itself sounded very judgmental at times. For example, in one part I read, “Some people talk about inheritances, like a piece of property or a really nice pair of earrings or your great grandmother’s silverware or your weird auntie’s salt and pepper shaker collection.“ Isn't describing your relative as ‘Weird auntie’ judgmental? I mean based on the fact that all we're presented with in evidence is her collection of salt and pepper shakers, that doesn't strike me as anywhere near sufficient to convict her! It felt like a case of "Pot, meet Kettle!"

On that same topic, I read, “I had a really big crush on my classmate (classmate's name redacted by me - Ian)...He only liked skinny girls and he was really mean to me.” The problem with this is that we have only the author’s story here! That's not to say the author is making this up, but there's another perspective that we never get to hear. Suppose she had this crush and was making herself obnoxious about it? I'm not saying this is true, but the way this anecdote is told, it leaves the person relating it open to the accusation that perhaps the recipient of this crush may have considered that for her, 'no' didn't mean 'no', and found that only rudeness could repel her unwanted attention.

Maybe that's the case, maybe it's exactly as the author reports; more likely, it's somewhere in between - six of one and half a dozen of the other, as they say. I don't know, and this is why this goes back to what I said about the evidence offered here being personal anecdote a lot of the time. Without a larger sample, it's really hard to exclude biased reporting and it makes it difficult for the author to defend herself against an accusation that she has a personal gripe - which still would be valid, but which would also serves to undermine her making a larger case.

As to misinformation? At one point the author writes: "I didn’t know about all the research that says that skipping meals is bad for people.” Yet nowhere is 'all the research' cited or referenced. Again, we have personal anecdote. I would have agreed with her if she'd said irregular habits (whether in regard to eating or to sleeping) are bad for you, but skipping over-indulgence is actually shown to be a good thing and is supported by research! The Harvard Health Blog is hardly a peer-reviewed science paper, but it discusses such papers and I'd take their word over anecdote. This article:
https://www.health.harvard.edu/blog/intermittent-fasting-surprising-update-2018062914156
supports reading I've done elsewhere which argues convincingly that intermittent - i.e. regular short fasting - is actually good for your health as long as you eat healthy meals along with it and don't go overboard with the fasting part of it. The author of this book rejects any kind of fasting out of hand, saying at one point, “‘Fasting’ is not a good idea." But we all fast when we're asleep! That's why the first meal of the day is called break-fast! It doesn't hurt to have a period of time - other than when you're sleeping! - during which you avoid food, and eat regular meals the rest of the time. It's not hard to do and it pays dividends (now that's a personal anecdote!). I'm not a Muslim, but I tend to eat very minimally if at all during the day whether it's Ramadan or not, and to eat whatever I like in the evening - but let me qualify that by saying I eat a lot of fruit and vegetables and little junk food. All I can say is that it works for me.

While I completely agree with the author that most diets - especially commercial ones and fad diets - are completely worthless - most people put the weight back on and many even gain more weight after than they had before - not all attempts to lose weight are failures. What's a guaranteed fail is dieting like the author says she did: ”When I was eighteen, I attempted a more drastic version of my sixth-grade summer diet. I decided I was going to try to eat nothing— maybe a spoonful of food a day.“ Now honestly, that’s not a diet, that’s just rank stupidity, but because you make a truly dumb decision when you're eighteen doesn't mean that all attempts to diet are stupid. It's just as judgmental to abuse people who wish to diet as it is to judge people who choose to love their body as it is.

Another example of a personal opinion injected into this work is “Food is good, not bad.“ Seriously? It honestly depends on the food. If you chose to eat nothing but cheesecake all day, every day, then yes that 'food' is bad. Choosing to eat healthily isn't ever bad, but the author assumes all food, all cravings, anything you want to put in your mouth is equal and that's dangerously misleading.

The author rightly decries the fashion circus and the cosmetic mega-business, but she conveniently ignores the agribusiness-industrial complex as you might call it, which is dedicated to selling us calories and doesn't give a damn if those calories come as sugary, fatty or salty foods, all of which are unhealthy if not controlled. In a study of almost 6,000 Coronavirus patients, ones with poor outcomes nearly always had underlying conditions, and 41% of those fatalities were at least in part because the patient was obese. Body positivity is the only smart way to go, but that doesn't mean becoming willfully blind to health considerations.

Yes, the author gets it right in that your body does need sugar. It does need carbs. It does need fat. The issue she conveniently ignores is that your body doesn't need the massive quantities of these things that we can readily get from junk food today. Here's where a good science education comes in handily, specifically the science of evolution. During most of humankind's history, it was hard for us to get these things (sugar, fat, salt) in our diet, so our bodies craved them because getting enough back then was the problem and a craving helped to satisfy that important biological need by driving us to seek out such important parts of a naturally restricted diet.

Here and now, in 2020, we do not have any problem at all getting all the sugar, fat, and salt we could ever dream of. That doesn't make it healthy to continue to crave it and eat it every chance we get. Quite the opposite. It's dangerous and unhealthy to suggest all food is equal and we ought to feel free to eat as much as we want, of whatever we want, whenever we want. It's downright irresponsible and this was the main reason why I started turning against this book even thought I would dearly have liked to support it.

The author claims that there have always been fat people, and she's right in a limited sense. What she conveniently ignores though, is that there has been a fat epidemic over the last half century or so. Obesity rates among US adults, for example, have pretty much tripled since the sixties:
https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3228640/

This is something new and different. It's not business as usual as the author claims, but we're in danger of complacently letting it become so. What changed is still being argued over, but the easy access to cheap calories - and bad calories - i.e. those coming from junk food promoted by food manufacturers who spend millions lobbying Congress and the senate - is one leading candidate for bringing about this change.

The author claims that “We actually all know how to eat right.” but we manifestly do not. No one is born with the inbuilt instinct of how to eat right. That's something we learn - or do not - from our parents or guardians, our family, our peers, and from movies and TV, from advertising, and increasingly from social media these days where there are paid influencers for everything, and they don't always make it clear who is paying them to promote whatever it is they're pushing. Without having a solid foundation in healthy eating from the off, we're doomed to fail at whatever it is we think we're succeeding at or embracing.

At one point the author mentions “the white standard was the one I felt more pressure to meet” But nowhere is this explicitly defined. We can divine from reading elsewhere that it's intended to be a slim pretty female, but slim pretty females come in all races. They're not just white. This is a racist comment that seems to have roots in the author's own personal history. Again it's a personal anecdote, not the result of an impartial study.

She was on more solid ground when she was talking about how much of what people of color have traditionally been subjected to has been white: the movies, TV, and so on, but that depends on what you choose to watch - and it is a choice. A person who listens to a particular type of music - say country - might conclude there's a white standard whereas someone who watches rap is forced to conclude that there's a black standard. The same goes for watching many sports, such as football or basketball in particular. The encouraging thing is that there's a bigger diversity of media now than there's ever been so it's not quite as bad as it was, and we can personally choose what to accept from it and what to reject. Anyone who truly loves their body will realize this, and take all this promotion with a pinch of whatever.

That said, there is still a long way to go. An article on Huffpost:
https://www.google.com/amp/s/www.huffpost.com/entry/why-do-young-girls-hate-their-bodies_b_57f4cf08e4b0ab1116a54ca9/amp)
titled "Why Do Young Girls Hate Their Bodies?“ has (or had when I copied this URL) ads showing rail-thin women modeling clothes! That’s how hypocritical we are. A better and more positive article is this one:
https://www.google.com/amp/s/health.usnews.com/health-news/blogs/eat-run/articles/2018-07-30/what-do-women-with-positive-body-images-have-that-others-dont

In terms of the general appearance of this book, the publisher once again seems to have allowed an author's book to be put directly into Amazon's crappy Kindle conversion mangle, and out came a noticeably garbled text. Fortunately it was legible for the most part if one ignores the random colorization of the text here and there, but there were issues with headers being interspersed with the text so that I read, for example, the following: “...but when she wasn’t in bed she’d be running around with uncorrected proof...” Now that's amusing, but the 'uncorrected proof' part is the page header which ought to have been removed well-before this book was ever allowed to become Kindling, which is what Amazon typically does to text.

In another section I read, “I never got more compliments from others than when I was Healthy and thin are not the same thing. starving myself.” I think 'Healthy and thin are not the same thing.' was intended as a heading, and Amazon managed to interleave it with the body of the text. That same heading was repeated right after this as well. Way to go, Amazon, you clowns! Not that Jeff Bezos, who has profited from COVID-19 to the tune of $24 billion so I read yesterday - while millions of Americans are now out of work - actually cares.

I personally have zero time for Amazon and I refuse to do business with them. I don't care that it likely costs me book sales. Someone has to take a stand and put quality over profit. Just remember that unless your text is pretty much plan vanilla, Amazon will dice and julienne it in very inventive ways, and especially if it contains images! Hopefully if this particular book is ever issued as an ebook, these problems will be fixed. This was an ARC after all.

So in conclusion, I support many of the sentiments expressed in this book. I dream of the day when perceptions, attitudes, and opinions change. I just don't feel this book will help as much as I wish it would. I felt the sentiments could have been expressed better and with a less blinkered perspective. We do need to be less judgmental and more supportive of people who are, in the author's word, 'fat', but we need to be wise in how we convey this information to people to help them wisely choose their course ahead, rather than brow-beatign them to accept 'my way' or offering them the highway as the only alternative. BTW, fatphobia isn't really a good word, although it's obviously gaining currency. The actual term is Cacomorphobia, even if it probably sounds worse! I wish the author all the best in her career but I can't support this expression of it for the reasons I've cited.


Peak Plague Mystery by SA Fearn


Rating: WORTHY!

From an advance review copy for which I thank the publisher.

This story appealed to me because it's one of the very, very few set in my home county (not one of the home counties!) in England. I'm not talking about books that mention Derbyshire. Jane Austen seemed to have a fondness for it, and Chatsworth House, in central Derbyshire, is often used as an outdoor reference for a country manor in those period films. The only other novel I can ever recall reading was one I read years ago about vampires. This one is nothing like that, although it deals with something quite deadly, and very real: something that's popularly known as Bubonic plague - although it can surface in two other forms , or simply, The Black Death!

Contrary to popular perception, this plague did not die out in Medieval times. It's still very much alive and well. Over a thousand people get the plague every year. Just last year (2019 as this is written) two people died of Pneumonic plague in Mongolia. At least since the year 2000, there have been cases every year in the USA. Derbyshire had its very own outbreak at a place called Eyam (pronounced 'eem' which is located in the Derbyshire Dales, close to the area where this novel is set.

To my knowledge it's not been since in Britain since then, but in 1665, Bubonic plague was transported from London on a roll of cloth that was infested by the vector of the disease: fleas. It began to wreak havoc on Eyam. Untreated with antibiotics, plague can have a 60% mortality rate and Eyam wasn't a very large village. It still isn't, with a population of around a thousand. The saddest case I think, is that of Elizabeth Hancock. She somehow managed to remain uninfected. Perhaps she had a natural immunity, but her entire family: six children and her husband, died in the space of a week. I've visited their graves.

This novel is set in the Peak District, a beautiful area in the northwest bulge of Derbyshire. Four young friends take an interest in the strange death of a girl who was at the time of their own age, but from a few years before. The death was ruled a suicide, but Adam, his sister Chloe, and their friends Adele and Jonathan start to realize that Rebecca Johnson did not kill herself. She was murdered in a cover-up. Now the four of them are at risk because of what they know!

Call me biased if you like, but I enjoyed this story. It's adventurous, original, educational, engrossing, and I commend it as a worthy read.


Sunday, April 12, 2020

Don't Mess With This Witch by Liz Lorow


Rating: WARTY!

From an advance review copy for which I thank the publisher.

Errata:
“...not a plant like a Fichus or Gardenia.” A fichu is a square of lace used to preserve modesty on low-cut gowns in the 18th and 19th century. I believe the author meant ficus.

“I had no control over a porcupine wandering into my neighborhood in rural England. They live there." No, they don’t! Britain has no porcupines! There are porcupines around the Mediterranean, but southern Europe is as far north as they get. Britain has hedgehogs which are unrelated to porcupines and much more cute. I had a couple as pets growing up there.

“...he flexed his bicep.” Doubtful! Biceps, yes, bicep? Not so much! I don't see how you can have a character who almost chides someone for not using 'whom' and then doesn't know that the bicep is only one part of the biceps which is the muscle that gets flexed! In another part of the novel I read, "Recommended? By whom?" Seriously, no one but the most pretentious people use that in speech, and you certainly don't hear it from a 16-year old in juvie.

“You’re itching is driving you crazy” - confusion of 'your' and 'you’re'.

Reading this book was like a roller-coaster in terms of my wanting to rate it a worthy read, and not. I kept changing my mind and I had multiple issues with it. In the end that;s what decided it. I read the thing the whole way through - except for the epilogue (I don't do epilogues or prologues) and I didn't hate it and in general the writing wasn't awful either, and I enjoyed some of the characters, but in the end, there were so many issues that I can't in good conscience rate it positively.

I like stories where a team gets together to achieve an end. I just published one myself, so I was a bit disappointed that what seemed to be a team forming here ended-up not becoming one. On the other hand I liked the main character - for the most part. She was smart and amusing and strong, which is a big plus for me, but countering that were the parts of the book where she was effectively infantilized by the trope YA guy named, of all things, Logan. I could have done without him. So that's the way this story hit me all along - one time I was up for it, the next I was having grave misgivings about it.

At one point Logan, the main character's love interest, says, “I was raised to respect and protect women." This turned me off the story because it became yet another YA story where the girl is the maiden in distress and the big tough guy is the white knight coming to save and protect her! Genevieve, the main character, needed no one's protection. I can see a guy saying that - guys do say those kinds of things, but the fact that there was no push-back from Genevieve was what was wrong. We need to get past this idea that women are universally weak and helpless and in every case, need a strong man to take care of them. It's that kind of thinking that leads to abuses: putting women on a pedestal on the one hand and slapping them with the other.

In another instance, I read, "Logan leapt to his feet and extended his hand to help me up." Again this suggests Genevieve is the weak one who needs the help. I know some people might view this as merely being gentlemanly, but unless you have a later scene where Genevieve extends a hand to help Logan up, this bias against women being capable of taking care of themselves is really an abuse. If Logan respects women, why does he constantly treat them like they're always in need of help? It felt sexist, especially in this case, given how powerful Genevieve truly is. In another instance, Logan said, "I don't want you going anywhere without me...Someone needs to be with you to protect you." Again with the infantilization. it was almost as nauseating as how many times characters rolled their eyes in this book or the incessant number of times Genevieve opened or closed her eyes. It was like she was doing that constantly!

Her power was also an issue in that she felt rather like a 'special snowflake' - like she never had to work for a thing; everything she tried to do was a great success, powers came to her just when she needed them, and she always had the right spell for the job despite her evidently substandard education on the topic. It was a bit too much. She never had to struggle for anything.

I liked the idea of witches in juvie. That's what drew me to the story in the first place. It was different, original, and interesting. The students were captive, but they were expected to follow an academic schedule - and they had a surprising amount of freedom, but their magical powers were somehow suppressed so they could not use them - and yes, these witches seemed more like magicians than witches. Not that the book description helped, since it wasn't at all honest in describing what happened: "Now the administration needs Genevieve’s help to find a student/inmate who escaped." No, they don't! They never asked her to do that. She did it all by herself!

That didn't detract from the story for me, but it does reinforce my own tack in avoiding Big Publishing™ because the people who write the back cover blurbs seem never to have actually read the story they're describing, and worse, the people who illustrate the front cover seem never to have read it either. I know those who do not self-publish have little say in their covers or book blurbs, which is why I pay zero attention to the front cover when deciding which books I want to read. They're highly misleading, and I laugh at authors who have dramatic cover reveals because they're so pathetic and juvenile. In this case, the cover showed a young woman with straight black hair, yet the antagonist in this novel has wavy brown hair. I honestly don't see how you can confuse the two. I guess it wasn't edgy enough for the cover photographer, huh? They'd rather misrepresent it.

But enough about the cover. I read a book for the content, not for the pretty picture on the front. One of the first issues I had with this, other than the silly trope of having spells cast in rhyme, was the fact that this juvenile witch detention center had an off-limits library! What? Why? Why would they put dangerous books in a detention center that could potentially enable these witches to escape? It made zero sense. A regular library? Yes! An off-limits one? No!

Though this wasn't a high-school, another issue (other than purloining 'muggles' from JK Rowling and changing one letter to make it somehow 'different') was the trope high-school bully, in the form of a teacher who routinely brutalized the children by subtly undermining their education, and using their failures to add months onto their sentences. I know there needs to be a villain in these stories, but this felt like lazy writing, with a teacher having that much power and evidently no review or oversight. It just felt like too much.

One of the issues I have with magical novels is that the authors tend not to think things through and truly envision what a world with magical powers would be like - even one where magic is kept hidden from the public). With few exceptions, they tend to have the world be exactly the way it is today, just with the addition of the magicians, or witches, or whatever, and it really doesn't work very well.

For example, in this story, there was a section where Genevieve says, “At least I didn’t live in Centralia, Pennsylvania. That town is deserted because of a coal fire that’s been burning underground since nineteen sixty-two." This is true. In fact recently, there was an article on CNN's website that talked about a stretch of abandoned highway there which has been literally covered in graffiti and has become a tourist attraction, but the authorities are covering it up because it's not safe for tourism.

So far so good, but this novel isn't our world: this is a world where there are witches with powerful magic, and yet none of the witches have been out there to try and stop the burning? If you're going to reference real-world events, then then it seems to me to necessitate a witch's perspective to go along with it. Why haven't the witches stopped the burning? Do they not care? Can they not do it? To suggest there are immensely powerful witches and yet this fire still burns, like the witches frankly don't give a damn, leaves a hole in the story for me. I think you really need to address why witches didn't make a difference. Or not mention the situation at all.

There was an instance where Genevieve is trying to hide behind a pole and I read, "I had to become invisible - something I’d never tried before, or skinnier - something every witch has tried with varying success.” This felt like body-shaming - that witches are universally overweight, or think they are. This felt like something that could have passed unmentioned, or if you have to mention it, then maybe say some witches have tried it. To call out every witch and suggest they're overweight or have a poor self-image felt like an awful thing for a female author to do to her fellow females.

So while this writer can write and tell a decent story in general terms, for me there were far too many loose ends and examples of thoughtless writing for me to rate this as a worthy read. I wish the author all the best in her career, because based on this one, I think she has some good stories to tell, but this particular one was too hobbled with issues to fly and sad as it makes me, I can't commend it as a worthy read.


The Secret Lives of Church Ladies by Deesha Philyaw


Rating: WARTY!

From an advance review copy for which I thank the publisher.

I simply could not get into this novel at all. I loved the title and the idea, and even the cover photograph, which was exquisite, but the actual text seemed so rambling I honestly could not follow what was going on.

It began perfectly fine and I was really getting into it as these two women, approaching middle age, were evidently conducting some sort of casual lesbian relationship even as one of them seemed to be desperately searching for a man to latch onto. The other seemed quite happy with the status quo, but evidently her friend was uncomfortable with living out the rest of her life like that, or at least felt she ought to have more, and was trying to talk her lover into finding a man herself.

From there it seemed to quickly explode into a score of different directions with characters popping up out of nowhere and I lost track of who was who and what was what. The writing style seemed like some sort of free-association, stream-of-conscious affair which completely lost me. I would have been happy to have read a whole novel about those two women and no one else, but they became quickly buried under the other characters, in whom I had zero interest, so I gave up reading it. I can't commend this based on what I read of it, even though the beginning was remarkable and quite captivating.


Saturday, April 11, 2020

Modern Kogin by Boutique-Sha


Rating: WORTHY!

From an advance review copy for which I thank the publisher.

It's been a while since I've reviewed a crafts book on my blog so this was not only an interesting one to look at, it's also long overdue that I look at one! Subtitled, "Sweet & Simple Sashiko Embroidery Designs & Projects" this books draws upon an ancient Japanese tradition, kogin-zashi (hard G, long I in the kogin, short I in the zashi), which was essentially mending fabrics that have begun to wear thin. During the Edo period, in the Tsugaru region, citizens were forbidden from wearing cotton (made form the cotton plant, of course) and forced to wear linen (made from the flax plant), which wore out more easily, necessitating repairs. These skills though, went a step further, and simple darning evolved into techniques of decorative art that adorned all kinds of creative items.

This book addresses that aspect of the art, listing well over 20 projects:

  • Butterfly Brooches
  • Square Brooches
  • Scarf Pins
  • Circle & Oval Brooches
  • Geometric Pattern Barrettes
  • Button Hair Ties
  • Memento Box
  • Kogin Hoop Art
  • Coffee Bean Sampler
  • Floral Sampler
  • Holiday Ornaments
  • Elegant Ornaments
  • Snowflake Pin Cushion
  • Argyle Pin Cushion
  • House Coasters
  • Indigo Pot Holder
  • Square Coasters
  • Diamond Placemat
  • Beautiful Bookmarks
  • Framed Brooches
  • Classic Coin Purse
  • Gusset Pouch
  • Zippered Pouches
  • Kogin Purse

Additionally, the book details techniques, equipment and materials, and offers many hints and tips. I confess I was not quite in agreement with the layout of the book, which listed all the projects with a photo up front, but then referred the reader to page x where the actual instructions were given for that particular project. It would have made more sense to me to include the instructions with the illustration.

But perhaps this is a book not intended as an ebook, but a print book, with the ebook merely distributed to reviewers like moi! The formatting of the ebooks was, as usual, largely mangled by Amazon Kindle's crappy conversion process, which does not handle well anything that's not plain vanilla text. That;s one reason I refuse to do business with Amazon, but the text was legible, so I hope this is intended to be a print book or at least that the ebook version will be revamped before publication. While there was a link from the content page to the relevant project, there was no link from that project to the indicated page, and no page numbering to find one's way there.

But these are minor considerations when compared with the beautiful end-results one can get, and so I commend this book as a worthy read.


Scullion by Jarad Greene


Rating: WARTY!

From an advance review copy for which I thank the publisher.

I guess me and writers named Greene with first initial J, are not destined to get along. I quit reading this about four fifths the way through because it wasn't entertaining me at all. I kept hoping something would happen or that it would get better, but it never did, and I felt resentful of the time I'd spent reading it when I could have been doing something more fulfilling. When I picked the thing to review I'd thought the two characters on the cover were women who worked in the scullery of a castle, but only one of them is.

He gets kidnapped by trolls who mistake him for the other person on the cover who is actually a female warrior. Apparently trolls are really stupid mistaking an accidental headscarf for real purple hair, but the trolls are not consistent in their stupidity which made the device rather flimsy.

There were half-hearted attempts at humor. Despite this being set in medieval times, they have modern amenities and outlooks - but these fell flat on me. The story felt confused, with far too many characters coming in like Keystone Cops and filling up the panels without much of an introduction to set the stage. I lost track repeatedly as to what was supposed to be happening or why people were doing certain things (and not doing other things that seemed far more logical in the circumstances), and I decided this was not for me. I can't commend it at all.


Mara the Space Traveler by An Leysen


Rating: WORTHY!

From an advance review copy for which I thank the publisher.

Here lies another children's picture book mangled by Amazon! I cannot understand at all why any publisher would want to release this in a Kindle version, not even just for review. If there's one thing that Amazon's crappy Kindle conversion process does with utter reliability, it's that it totally mangles anything that's not plain vanilla text. This is one of many reasons reason I refuse to do business with Amazon. The Kindle version of this was chopped, shredded, julienned, and sliced and diced until the story was out of order and made no sense. Even on a iPad, the images were reliably out of order and sliced in half, and not vertical so they would have at least followed the pages, but horizontally, so it was impossible to read. Some of the text was so small that it was blurred out of legibility.

Fortunately, in both Bluefire Reader and Adobe Digital Editions it looked perfectly fine. Originally published as "Mauro de Ruimtereiziger" by Belgian artist and writer An Leysen, this is now available in English. It's beautifully illustrated (in the non-Kindle versions) and tells the thought adventure of Mara, who travels in a helicopter-like spaceship to a distant planet inhabited by little reptilian creatures of the forest. Their habitat is being threatened by the thoughtless and selfish sun-king who is drying up everything and turning it into desert under the guise of providing sunlight to everyone. Mara manages to defeat him by engaging with the water dwellers, and then she's off to another adventure!

This story was short and gorgeously illustrated, and very charming. I commend it as a worthy read.


Ella Has A Plan by Davina Hamilton, Elena Reinoso


Rating: WORTHY!

From an advance review copy for which I thank the publisher.

This is the second book I've enjoyed by this team of writer Hamilton, and artist Reinoso. Told poetically, this story features Ella, who has a problem in that cousins Taye and Jade just do not seem to be able to get along. The last thing Ella wanted was to have her mom's big day spoiled. She consulted mom about it and mom referred her to great grandad Frank, who had a similar problem many years before and solved it in a highly original manner.

Before she can learn what that solution was, Ella finds herself having to quickly come up with one of her own, which she does, and it works a treat I love a story with a strong female character. Young Adult authors could learn a lot from reading this book! LOL! I commend this for a fun story, sweet text, and engaging illustrations.


Mop Rides the Waves of Life by Jaimal Yogis, Matthew Allen


Rating: WORTHY!

From an advance review copy for which I thank the publisher.

Mop is the nickname of a young surfer dude who has some issues with his fellow kids. Written by Yogis, and illustrated charmingly by Allen, the short book tells in a straight-forward way of how Mop learned to be more mindful of his behavior and his reactions to the behavior of others.

I've said this before many times and I feel compelled to say it again here: I honestly cannot for the life of me understand why any publisher would want to release a picture book in a Kindle version, not even just for review. If there's one thing that Amazon's crappy Kindle conversion process does with utter reliability, it's that it totally mangles anything that's not plain vanilla text. This is one of many reasons I refuse to do business with Amazon. The Kindle version of this was mangled. Even on an iPad, the images and text were out of sync, although the images, amazingly, were at least not sliced in half like they had been in an earlier children's book I reviewed, but still, in this case, parts of the text were omitted altogether in Amazon's crappy Kindle app.

Fortunately in both Adobe Digital Editions and in Bluefire Reader, they appeared fine, and with the correct text next to the picture it related to! So I was able to follow Mop to school, watch him play four square (whatever that is! I'd never heard of it!) with his friend and get into an argument during which he pushed his friend into the sand box. One has to wonder where the teacher supervision as during this time! But his anger issues are not improved by his giving vent to them, so during a surfing trip with his mom - which was a nice touch - he learns a valuable live lesson, and he turns his life around before it gets out of control.

I've read a couple of (grown-up) mindfulness books myself recently and so I can understand where this is coming from and get with it. It's a good idea and a useful tool for managing potentially difficult or troubled children, and I commend this as a worthy read.


Plastic Soup by Judith Koppens, Andy Engel, Nynke Mare Talsma


Rating: WORTHY!

From an advance review copy for which I thank the publisher.

I cannot for the life of me understand why any publisher would want to release this in a Kindle version, not even just for review. If there's one thing that Amazon's crappy Kindle conversion process does with utter reliability, it's that it totally mangles anything that's not plain vanilla text. This is one of many reasons I refuse to do business with Amazon. The Kindle version was chopped, shredded, julienned, and sliced and diced until the story was out of order and made no sense. Even on a iPad, the images were reliably out of order and sliced in half, and not vertical so they would have at least followed the pagination, but horizontally, so it was impossible to read.

Fortunately I have more than one reader app option, and in both Adobe Digital Editions and Bluefire Reader, the book was beautiful: colorful, the illustrations charming, the text brief but informative, and the story well done. The story, written by Nederlander Judith Koppens, and Andy Engel, and illustrated by Nynke Mare Talsma, whose middle name appropriately means 'sea', is of course, the appalling amount of plastic that's in use today, far too much of which gets into the ocean.

It not only gets there in the form of bags and bottles and other large items, it also gets there - and this understandably isn't covered in this story - in the form of micro plastics, some of which is even now probably in the table salt you have in your kitchen. It's a disgrace, a menace, and a health hazard for every living thing, and everything we can do to educate and warn about this is to be commended, which is why I commend this as a worthy and educational read.


A Quick & Easy Guide to Consent by Isabella Rotman


Rating: WORTHY!

From an advance review copy for which I thank the publisher.

I enjoyed this graphic novel aimed at advising people about consent. This would be a great book to have lying around when you bring your date home, assuming we ever get back to normalcy in life after COVID. It's smart, comprehensive, inclusive, and educational, and if I had one complaint it would be the language level. This might well get the message across to avid comic book readers, but the language in use here seemed rather 'hi-falutin' - rather more at intellectual end of the scale than perhaps where it needs to be, and as such, it might well be over the head of many people who are the audience this comic truly needs to reach.

That said, it covered a huge swathe of consent - what consent is, how it can be given, what it means and more importantly, what it doesn't mean, how it's given, what's behind it all, how to approach what might be a difficult conversation, and on and on. It's all done in a friendly chatty manner. It truly is well-written, with the above-mentioned caveat, and the art is wonderful. I commend this as a worthy read. Some millionaire ought to buy the entire print run of this and give them away at appropriate venues! Not that there are any such venues at the moment, but you know what I mean.


Wave, Listen to Me! Vol 1 by Hiroaki Samura


Rating: WARTY!

From an advance review copy for which I thank the publisher.

Me and this graphic novel ebook did not get along at all. There were several reasons for it. The first is the fiction that "This book belongs to:" with my name and email address, when the book never has or ever will belong to me! It's set up as one of those so-called 'social DRM PDF' books, but it's never actually a download, so if you close your browser before having read all of it, it's gone, and you have to go back to Net Galley to get it back again. It's not social at all. It's anti-social and falsely criminalizes reviewers who do not get paid for this, but do it out of the goodness of their hearts. I've never shared a review book, and have no intention of doing so, and personally I'm going to to quit requesting for review any book that employs this system in future.

Another issue is that the book is almost 200 pages long, but this format offers no way to navigate it quickly. If you want to get to page 196, you have to continually swipe the screen bottom to top since this vertically scrolls. It's a nightmare when writing a review and trying to find a specific page to verify something. It won't allow any fast scrolling, so if you stop swiping, the pages stop scrolling.

When you get there, you're greeted by this: "The success of this book depends on influencers like you..." Good luck with that after my experience! Once at the end, the fastest way to get back to the beginning is not to swipe again, but to close the entire thing and re-download it from Net Galley. The fact that it is faster that way is the very definition of insanity gone wild.

The next issue is that this is a manga, but it doesn't start from the back and read to the front as these typically do. It starts from the front, but then the pages are backwards, as compared with the western way of reading, so instead of starting at top left, you have to start at top right and read right to left. Not being an avid reader of manga this is a chore I have to keep reminding myself of, but it's manageable. What really irked me though was the rampant racism of the illustrations.

When Scarlett Johansson was picked for the role of Motoko Kusanagi in the live-action Ghost in the Shell there was an outrage because the character was perceived as Japanese. I agreed with that outrage. I was also outraged that because she gained notoriety for her role as Back Widow, she became the go-to girl for a host of other action movies, leaving other, capable actors of assorted ethnic backgrounds locked-out of those roles. On the one hand I can't blame an actor for wanting to ensure their financial security, but Johansson has a net worth of well over $150 million and she had a steady movie career long before Iron Man 2 came along, so I have to wonder about someone who repeatedly takes roles that other, less financially comfortable actors could admirably fill.

But I digress. The point is that here in this comic book we have every single Asian portrayed with western features. I have to ask: where is the outrage? I'm quite used to the huge-eyed and pointy-chinned representations of manga characters, but these were drawn realistically, and with some skill, yet not a single one of them was Asian despite all of them having Asian names and the entire comic book being set in Sapporo, which is the capital city of Hokkaido, an island which is part of the State of Japan. For me this is wrong. What are they afraid of - that readers might be turned off a book because it has fur'ners in it? That might apply some forty percent of the people in the USA who support a clearly racist, bigoted, and divisive president, but it doesn't apply to people like me who enjoy and welcome diversity in our reading.

The content page of this comic was rotated ninety degrees for reasons unknown. It was in landscape mode even though the entire comic other than that was in portrait format. So anyway, the comic is about a woman named Minare who is pissed-off with some guy, and vents about him to a stranger in a bar. Rather than give her a look and move carefully away from her, the stranger invites her to his radio station and records her venting on air, and she becomes a celebrity. This is a tired plot that has been done many times before and this version brought nothing new to the story. In fact, for me, it was confused, rambling, and incoherent, and I lost interest in it very quickly. I can't commend it based on the third or so of it that I could stand to read. Sadly, there far too many loudmouthed jerks who become celebrities in real life without having to read about them in fiction. I can not commend this as a worthy read.


Single That by Acamea Deadwiler


Rating: WORTHY!

From an advance review copy for which I thank the publisher.

I agreed very nearly 100% with everything this author said, and where I disagreed, it was merely a matter of nuance. This is a short, but forceful book by a strong female author, and I commend it fully. The only real issue I had with it was that Amazon's crappy Kindle-creation process will, guaranteed, mangle anything that's not plain vanilla text. This is one reason I flatly refuse to do business with Amazon. I encountered similar issues in several Net Galley advance review copies I downloaded yesterday. More on this anon.

Subtitled, "Dispelling The Top 10 Myths Of The Single Woman" I would heartily recommend this to every young-adult novel author, and every romance author, and many adult novel authors along with a good many movie and TV show writers because they simply don't seem to get it and in the vanguard when it comes to promoting the myth extolled in the seriously-misguided Neil Diamond song where he sings, "Girl, you'll be a woman soon; soon, you'll need a man." Um, no! Doesn't work that way and there's nothing wrong with that!

Don't get me (or the author!) wrong! This book isn't about eschewing men or hating them, or deliberately living life without them. It's about choice: a conscious and informed choice not to need one. It's about being fine with one or without one, and that there's nothing at all wrong with women who get along fine without men as readily as they get along with them. It's not about celibacy or asexuality. It's not about past trauma or being shy or domineering. It's not about taking a vow.

Someone who has been fine without a permanent man by her side for years may well find one she's perfectly happy to settle down with, and marry. or she may not ever feel a need to do that. But the fact is that it's her choice and none of anyone else's business. We're all human, but we're not clones. This is simply about choice and individuality. It's about being the designer, architect, engineer, maintenance staff, and captain of your own life. Anyone who thinks there's something wrong with those who desires such agency is a moron. Period.

The author covers these topics:

  • Single
  • That does not mean Desperate
  • That does not mean Lonely
  • That does not mean Jealous
  • That does not mean Sexually Frustrated
  • That does not mean Unrealistic
  • That does not mean High Maintenance
  • That does not mean Bitter
  • That does not mean Crazy
  • That does not mean Hard to Love
  • That does not mean Broken

The author does a great job of explicating these thorny issues. When she wrote, “To be admired only for my appearance is not admiration at all. It’s objectification.” I almost cheered out loud. I can't for the life of me think why she didn't actually mention books, comic books, movies, TV shows, and advertising that routinely treat women this way, but this was her book, not mine.

Sometimes her wording was a bit obscure to me, but I was rarely left in doubt about what she meant. Sometimes there were sentences that to me were nonsense not because I disagreed with what was being said, but because the sentence literally made no sense such as:

“There are no probably won’t like what’s absolutes.” I think something got mangled there! This also raised a frequent formatting issues. The word 'absolutes' in that sentence was on the next line. This is one of many examples I found where the formatting of the book was lacking. For that sentence, I have to blame the author - or editor! For the formatting, I have to blame Amazon. And maybe the author/editor! But it's no huge deal. As writers, we've all been there! Presumably the final print edition will have these wrinkles ironed out.

There were several cases of missing hyphens, such as “all-handson-deck” and “onenight-stand." There were some oddball cases, such as the use of “Cadillac’s” where no apostrophe needed since it was merely a plural and not a possessive. Apostrophes like that are way over used! One sentence read, “This is far from a state reserved for scorn women.” Scorn was wrong. I wasn't sure if she meant scorned or scornful, or something else. Another sentence read, “But it’s easier to designate this a female trait and slap it on to any woman....” I think 'onto' was called for there.

There were times when I felt the author was too kind to her critics! At one point I read, “Since I don’t really know this guy I can’t say if he’s good or bad.” On that I had to disagree! Any guy who would post to a chat group: “Camey . . . you need some good DICK . . . which will inspire you to write a different kinda book.” Is a bad person period - and potentially dangerous too. I'm not a huge fan of pet names. Maybe the author likes to go by Camey, but personally I'd prefer the full glory of Acamea. It's a strong name, reminiscent of Academia!

This book is obviously aimed at a US audience, and I confess I don't have her take on Thanksgiving: “Thanksgiving dinner can be tough.” I didn't grow up in the USA, so the annual holiday is meaningless to me, although the four-day weekend is great! But I don't even experience that at Christmas, not even when I was single. Maybe I'm selfish with my time, but I always have things I want to do that don't require company. It does mean I fully understood her because when I was single, I had times when friends would all-but beg me to join them for Thanksgiving dinner evidently out of fear I would die of loneliness if I were by myself, and so I allowed myself to be brow-beaten into it, and then spent the whole occasion trying to gauge how soon I could leave and get back to what I really wanted to do (writing, or maybe a movie, most likely!) without seeming to be rude.

On the topic of formatting, there were many instances where the text would jump to the next line, mid-sentence, or where the next paragraph wouldn't be indented like all the others were. There were too many of these to track, but like I said, these are relatively minor formatting issues, and do not detract from the force of the author's important and powerful message. Overall, I loved this book, felt it deeply, and I commend it highly.


Friday, April 10, 2020

Transmission by Morgan Rice


Rating: WARTY!

This was a middle-grade novel about a terminally ill thirteen-year-old who discovers he can receive messages from a dead alien culture. At first he thinks it's just hallucinations, but it becomes more and more persistent and finally he talks his mom into taking him to the SETI institute where it gets confirmed that he's really receiving genuine messages. The people who are studying the transmissions had been unable to understand them until this kid got involved and made sense of them simultaneously making sense of his visions.

It sounded like an interesting and definitely 'off the beaten track' premise, which is what attracted me, but the story was a little bit too juvenile and simplistic for my taste. I gave up on it about halfway through when the kid learned that the aliens had sent a sort of a time-capsule to Earth. The coordinates that the aliens gave were in Columbia, in South America, but the US people went there - with armed soldiers, yet - to pick the thing up apparently without saying a word to the Columbians, leading to a stand-off with the Columbian army.

This was exactly the sort of Trumpian bullshit that's lost the USA a lot of international friends - this sense of self-entitlement and USA über alles. I wasn't exactly brimming with enthusiasm over this story to begin with, but that was far too much to allow: sending troops uninvited was tantamount to a declaration of war and to present this in a children's novel as thought it was perfectly acceptable behavior, and then get aggressive when the locals showed-up and objected, was entirely wrong-headed and seriously poor writing.

This novel could have been written much more wisely than this, and for me it was the last straw. I can't commend this as a worthy read and I'm certainly not about to read a whole series like this. I should have stuck with my instinct which is to reject out of hand any novel that has 'saga' or 'chronicles' anywhere on the cover!


Elemental Thief by Rachel Morgan


Rating: WORTHY!

Read wonderfully by Arielle Delisle, this audiobook was delightfully not a first person voice book. The story was entertaining, original, and engrossing. It fell apart rather at the end with main character Ridley Kayne doing some dumb stuff, but overall I enjoyed the book despite it being part of a 'chronicles' series. I'm allergic to books that have 'chronicles' or 'saga', or 'epic' on the cover, and I typically avoid them like the plague, but this one was a very rare exception. It was not sufficiently exceptional though, to make me want to pursue this series. This one volume was quite sufficient.

Ridley and her father live in a world where elemental magic is all around, and it used to be employed by experts to make the world a profitable and enjoyable place, but a decade or so before the story begins, there was a foolish experiment done with the magic, and it caused the system to go haywire - rather like Earth is going haywire right now with climate change, caused by thoughtless, stupid, and selfish human activity. Yes gas guzzling SUV and pickup truck drivers: I'm looking at you. Although you're all amateurs compared with Big Business Republican Complex.

Since Ridley's father was a magical jewelry maker, his family has been leading a semi-impoverished life and though Ridley attends a high class academy, she's shunned by the children of the rich and elite families. Why her father can't continue making jewelry and just not using magic to do it, goes unexplained. Apparently he's retreated from that into selling antiques. That part of the story could have happily done without the trope shunning and bullying. It's so over-traveled in YA stories, and in this case it contributed nothing to the story at all, so why do it? It was just thoughtless and bad writing.

Of course since this is a standard YA story, you know Ridley is a special snowflake. Her magic comes not from nature, but from within herself because she's an elemental. People are supposed to wear a small metal device in their skin which prevents them from employing magic. People without such a device can be identified by drones, and they can be caught and punished, but Ridley cannot wear the amulet. Since the magic is within her, it's like she's allergic to the special metal in the device. She carries it instead, on chain around her neck - illegally so, but it prevents the drones from classifying her as an illegal magic practitioner. Why having this sitting on her skin rather than just under it works for her goes unexplained.

Ridley witnesses a murder but doesn't go to the authorities. She and her father are trying to keep a low profile and Ridley is also a thief - stealing from the rich to help the poor, and using her magic to break into the apartment homes of the rich and famous. But when her friend Shen is implicated in the murder in a doctored drone video, Ridley has to take action. Her situation is complicated by the fact that Archer (yeah, seriously, these characters were named Ridley and Archer), the trope antagonistic rich kid discovers that she stole a figurine from his family home, and now demands she get it back because it's involved in a life or death issue.

So while on the one hand I did like this and commend it as a worthy read, I had multiple writing issues with it, all of them rooted in the fact that it relies far too much on idiotic YA trope garbage instead of stepping away from that. It could have been a much better story, and this is why I'm not interested in pursuing this series. There were several things to dislike even while enjoying the overall story.

One of them was that Ridley really isn't a strong character. She ought to be, given what she does, but she's far too subservient to Archer and you just know there's going to be a romance there, which makes little sense given the reasons behind why she dislikes him so much. I don't like weak female characters - not when they're the main character. I don't mind if they start out weak and find strength as they go, but it seemed like just the opposite was happening here!

On top of that there's the ridiculous trope of having her father call his seventeen year old daughter by a pet name (Riddles - barf!). That happens way too much in these stories. Maybe some readers like it. I don't. If Ridley were two or four years old, then yeah, go with it, but when she's seventeen? It just makes her father look like an idiot and it demeans and belittles your main female character.

On top of that, Ridley didn't seem like she was very smart or inventive. She has this huge magical power on tap, but she never even considers using it to solve her mysteries: to retrieve the figurine, for example, or to destroy evidence that could expose her and many other magic users, or to prevent herself and her father from being kidnapped at one point.

If this had not been a series, experimenting with her magic might have been brought forward and made her a much more interesting character, but precisely because it's a series, this kind of thing - assuming it enters the story at all - is going to be farmed out over far too many volumes, and it will be weakened, and diluted into meaninglessness, undermining the while story and devaluing her character. This is one huge problem with series. I mean, what child wouldn't have experimented with her magic? Yet we're expected to believe that Ridley never did. That makes her dumb. The very antithesis of a special snowflake and an inherent contradiction which devalues the story.

There's one incident where she reflexively saves Archer's life by employing am impressive magical feat, but when she and her father are confronted by these kidnappers, she can't do a damned thing. Why not? It wasn't consistent. Does she love Archer, whom she professes to hate, more than her own father? Is that why she could help the one but not the other? It was little things like that which turned me off the story enough, that I don't want to read any more of this series.

One amusing thing is that with the audiobook, you can speed up the reader's voice and get through it faster. I didn't crank it up to the point where it sounded like a chipmunk is reading it, but my adjustment did, in this case, make the narrator's voice sound a touch waspish and snippy when conveying Ridley's behavior and speech and it was hilarious.

She sounded so frenetic and it amused the hell out of me. Maybe it's just me and my warped sense of humor, but there was this one point where Ridley was explaining about getting an extension to a school project and she said, "I asked for a week's extension, so he gave me a week's extension." I honestly don't know what it was about that, but it made me laugh out loud.

There were other, similar instances that amused or made me LOL, too, so that helped get through this novel and it was something I could not have done were this an ebook or a print book. Maybe I would have ended up not liking the book in a different format, and I sure as hell couldn't have read it in the car while driving! One takes ones little joys where one can, right? Especially in this tragic era of viral plagues. Anyway, I commend this as a worthy read.