From an advance review copy for which I thank the publisher.
I love the idea of painting, although I do none of it myself these days. I don't have the time! This book, written by a woman named Virginia who lives in Virginia, but who has studied with the masters in the East and the West, struck me as particularly interesting because it is also about mindfulness and Asian art. I imagine all art is about mindfulness in one way or another, but this book focuses on it particularly, and it has a lot to say about technique too, so I concluded that it will be of immense value to anyone who wants seriously to get into this art form - and likely of interest to other artists too, regardless of which style they favor.
On a technical note, I have to say that the book doesn't work well on an iPad which means that the publisher wasn't very mindful about how it would look in other formats! Unless you have the large-format tablet, the text is far too small to read comfortably, meaning I had to enlarge the page and read, then slide the page around to the reach next section; then shrink it to swipe to the next page. This didn't always work well and was quite annoying - not at all conducive to mindfulness! Then there were problems in moving to the next page, requiring several swipes sometimes before it would slide over, so I wouldn't advise getting the ebook version - and unfortunately that's the only kind of book a reviewer like me gets to read! Maybe it's not available in ebook format? I dunno, but if that's the case it makes me wonder why it's issued for review in such a format! I now claim the record for using the word 'format' more times in a single review than any other reviewer! Yeay!
Amazon's website was predictably hopeless when it came to learning the print book's dimensions. I have no idea why so many publishers and authors sell-out to such an abusive behemoth. Obviously they claim that it's where everyone goes, but it is we who voluntarily give that power to Amazon. They wouldn't have it if we didn't kiss Billionaire Bezos's ass so passionately and routinely. But Waterstone's tells me the book is about 11" (2.96cm) tall. My iPad is only 7"x5" so the height of the book in landscape mode was less than half the actual print height. From this, I imagine the print version is a lot more legible! And now I'm exhaisted. I have to go lie down. Kidding. The book was 65 pages in ebook form, but it's twice that in print because both the Adobe Digital Editions app and the Bluefire reader app were counting each double-page spread as one page. Had the book been published in ebook form as single pages. It would probably have been more legible on my iPad at least.
So enough with the technical. Let's look at content! This was much less frustrating and much more relaxing! The art was beautiful, and delicate, and inspiring, and eye-catching - everything you expect from traditional Asian art. The author took us through selecting brushes and paints, and other materials and the kind of environment you might want to find to paint in. One issue I, as a vegetarian, had with the brushes was that the author recommends animal hair. For me, it would be hard to be mindful when painting with a brush that had animal hair in it because I'd be wondering where that animal was, and how the brush manufacturer got that hair. If it came from a slaughterhouse, I doubt that would make me feel good about using it to paint with! But maybe that's just me!
That aside, I was impressed by the thoughtfulness that had gone into this book, and the useful information with which it was replete. It had all kinds of suggestions from the type of paper to the type of brush, to how the ink was prepared and loaded onto the brush. Following this was page after page of beautiful art, with hints, tips, and step-by-step instructions on how to get there from here.
I was impressed and I commend this book as a useful tool for anyone who is into painting.