Showing posts with label pre-young adult fiction. Show all posts
Showing posts with label pre-young adult fiction. Show all posts

Saturday, May 20, 2017

Mockingbird by Kathryn Erskine


Rating: WARTY!

This was another audiobook checked out for the library on spec and which didn't work out for me, but it's worth listening to so many to find the handful of gems amongst them. You never know where the next captivating book will come from, or for that matter, the next inspiration for a new story of your own.

The problem with this novel is that there is a huge difference between someone being on the autistic spectrum (Caitlin has Asperger’s) and some person being simply a blithering idiot, and for me this author went the wrong way. Caitlin is telling this from her own perspective which rarely woks for me and it failed here. The author tries to get is on her side by removing her mom and her older brother Devon from the picture, Devon having died in a school shooting, but for me this was nothing but an arbitrary choice, made for no other reason than to stick Caitlin in it, and it delivered nothing to the story, which far from being engrossing and drawing me in, felt tediously amateur, overly simplistic, and boring.

I think it would have made for a much better story had Devon not been a dead angel, but a living demon, who is emotionally abusive to Caitlin. There would be a story that had meat on its bones, but this one was all bones, and the bones were dry as dust, as well as being pedagogic and preachy. I cannot recommend it.


Molly Moon's Hypnotic Time Travel Adventure by Georgia Byng


Rating: WARTY!

This is the third in the Molly Moon series and also - due to some confusion about titles, the first I read - or rather listened to since I go the audio book read very charmingly by Clare Higgins (who you may remember as Ma Costa in The Golden Compass movie). I was not very impressed with the story, unfortunately. The plot is that Molly Moon is kidnapped several times at different stages of her timeline, by a villainous Indian whose purpose was never clear to me, although I did DNF this, so I may well have missed it.

The Indian employed a lackey who was the one who actually kidnapped Molly. The lackey wanted to get back to the fountain of time or whatever it was, which he thought would restore his youth and looks (time travel apparently turns people into lizards, if they overdo it). The problem was that the entire story was one long repetitive slew of time jumps, which was interesting at first, because it was quite engagingly described, and one example of hypnotism was really quite beautifully done, but after the story kept repeating endless time jumps, and with Molly's dog being kidnapped to forced Molly's compliance, and then she getting it back and then it begin kidnapped again, it was tedious, to say nothing of confusing. I may have missed this, too, but I never did understand why they needed Molly.

On top of this, the story sounded faintly racist to me, as the Indian bad guy was given this absurd affliction of spoonerism, which rapidly became annoying to me. Obviously the story isn't aimed at me, it's aimed at middle-grade readers, so they may have a different take on it to what I did, but I can't recommend this one.


Molly Moon Stops the World by Georgia Byng


Rating: WARTY!

This is the second in the Molly Moon series and also - due to some confusion about titles, the one I read after I read the third one. I haven’t read the first, and I decided I really don’t want to, not after reading the second and in particular, the third. Technically I listened to these rather than read them, charmed by the hypnotic voice of Clare Higgins who does a better job reading than the author did writing.

In the first volume, Molly learns how to hypnotize people and turns it to her advantage before “retiring” from her successful, if fraught, career on stage, and taking over control of the orphanage where she was raised, making it a decent place for kids to live. In this volume, Molly inexplicably decides she ought to try hypnotizing inanimate objects and by doing do, discovers that she can atop time, freezing everything – living and inanimate alike – except herself, who can then moves through this frozen world with impunity. Of course this attracts attention from someone else who also has this power, and thus the adventure begins.

The problem with these books is that they're so repetitive, and this turned me off them. I did skip to the last disk in the set and was quite charmed by the writing during a part of the ending, but overall, I can't recommend this. Less discriminating readers of the appropriate age range might have better luck.


Saturday, May 13, 2017

Beautiful Blue World by Suzanne LaFleur


Rating: WARTY!

I honestly have no idea what this story was about - I mean, what was the aim here? What did the author hope to achieve? The author's name is hilarious because Suzanne means Lily, so her name is Lily The Flower! I loved that. It was the best thing about his whole book. Normally I don't talk about covers, but I have to say this is yet another example of Big Publishing™ getting its hands on your work and ruining it. The cover artist clearly had no clue what was going on in the book because the front cover represents nothing between it and the back cover.

The best thing I can say about it is that it was short, otherwise I would have ditched it as a DNF. It was aimed at middle-graders, so perhaps I'm not in the best position to judge it, but I honestly cannot see what they would get out of it that I did not. One of my kids is middle-grade, though, and the other is just out, and I can promise you that neither of them would have the slightest interest in this book, not even as short as it was.

Yes, it was another audiobook experiment, and it failed, but this is why I go out on a limb with audiobooks - for the one in a handful that really impresses me, and one which I might never have experienced had I not got the audio version of it. The one that makes it worth listening to poor ones like this. The reader didn't do an awful job exactly, but there were two issues I had with Christy Carlson Romano. The first is that she sounded way to old to be reading a first person story by a twelve-year old since she's in her mid-twenties. At the risk of being pounded for suggesting a return to child labor, is it such a bad idea to get a real twelve- (13-? 14-? 15-?) year-old to read these and let the kids earn some cash?

The second thing is that despite her her age, Romano sounded like a Disney princess and this really put me off the story. The sad thing is though, that even had I adored the reader and her treatment of it, I still would not have liked the story, because nothing happened. There was no drama, not even close, nor where there thrills, spills, chills, or excitement.

The whole plot, that we have this twelve-year-old Mathilde Joss going to war sounded interesting to me, but it was completely misleading because she joins military intelligence in one of those absolutely pointless and unsupported non-plots that far too many middle-grade novels employ - it just is. accept it we don't have to justify it. Well, guess what? You do! And Lily the Flower didn't. She didn't even try, so we had absolutely no reason whatsoever for the military hiring these kids except that this is a book aimed at middle-graders and the author says "This is the way it is!".

Mathilde lives in a fictional parallel universe in the land of Sofarende, which is under attack from Tyssia, but this world is exactly the same as ours, except that they don't have radar for reasons unexplained, so they have to use kids to magically predict where the bombers (asininely called "aerials" here for no good reason other than to make them seem alien) will come and bomb next. I kid you not.

Mathilde is yanked into this world, leaving her friend Megs behind, because megs failed the admission test and Mathilde did not, yet later, Megs shows up anyway without any explanation! None of these kids are allowed any further contact with their parents - again without any explanation or rationale.

The weird thing is that it takes twenty-five percent of the novel before Mathilde even gets to this secret base where the non-action takes place. Her task is to talk with a prisoner, but none of their conversations have any value, or bearing on the story, and none of them are remotely interesting or help advance the war effort. In short, it's a completely pointless exercise. So she learns that war is horrible and it's better not to start them, like there's a middle-grader anywhere on the planet who doesn't already know this? If this book was supposed to teach about the horrors of war, it was a major fail.

Then the novel weirdly fizzles out at the end with the kids being taken from the base, and sent abroad for no apparent reason (except maybe the area they were in, which they'd been repeatedly assured was well away from the fighting, was being invaded? How was that even possible, when areas nearer the front, where Mathilde had come from, were safe? None of this made any sense at all, and not a single one of these kids seemed at all home-sick or traumatized by what they were going through! It wasn't remotely realistic.

The story just fades away at the end, with Mathilde on a boat, alone, since she got lost (that's how intelligent she is!) and that's it. Is this the start of a series? If so the intro sucked and I don't want to follow it. Is it a stand alone? If so, it sucked, and I wasted several hours listening to it when I could have been hearing something worth listening to. That's four hours of my valuable and limited time of which this author has robbed me! But then I may well have robbed people too, with my books, so it all balances out in the end.

So the effect this book had on me was to make me laugh at how pathetic it was, not to make me consider war and suffering. It fails in everything it might be trying to do, but maybe I'm being a bit presumptuous there, because it was so wishy-washy in whatever it was trying to do was being done so badly that I can't honestly be sure it was trying to do anything.

It actually felt more like I was reading excerpts from a longer and better book, and these were the parts the author had torn out in disgust because they were so bland and uninteresting, and because they actually held up the plot of the real book, which is still out there somewhere, going unread. So no, I can't recommend it! My standards won't let me!


Wednesday, May 10, 2017

How Oliver Olson Changed the World, by Claudia Mills


Rating: WORTHY!

Following up on The Trouble With Ants by Claudia Mills, which I liked, I found this short and sweet audiobook at the library. Oliver Olson's parents need some therapy because what they're doing borders on child abuse. They're so over-protective as parents that they barely let Oliver do a thing for himself. He has to eat boring "healthy" snacks, and they won't let him watch cartoons (presumably because they're too violent or silly.

The thing is though, that they're inconsistent. They help him so much with his homework that it really doesn't benefit him because he's not allowed to think for himself, and they give no consideration whatsoever, in this healthy lifestyle they're promoting, to how much they are damaging him with stress by placing all these restrictions on him, denying him a pet, and not letting him cut loose once in a while.

Healthy food is fine. I have no problem with that, but if it's so unappetizing that kids are turned off it, rather than setting them up for a healthy life, you're turning them from it. You need to cut them some slack once in a while and try to make sure the healthy part of the diet is as attractive (if not more so!) than the junk food they inevitably get their hands on. Fortunately, events conspire to rescue Oliver from this strait-jacket of a life in which he's confined, before he grows up to become a serial killer or a sociopath.

The biggest complaint I would have about the book is that Oliver is inexplicably well-balanced despite all he endures, and he's rather too mature for his age. As for the audiobook, the biggest complaint about that is Johnny Heller. I am not a fan of this guy's book-reading at all, but he's the go-to guy for countless stories, which means he keeps getting stories offered to him without the audio book people giving any consideration to letting new voices in, or even to whether this guy's voice is really the best for the story.

Frankly his voice just annoys me, and it did particularly in this story because, while it is told from the PoV of Oliver, there are four main female characters who feature prominently in it, and it just seemed genderist to me to have a guy read it when four-fifths of it revolves around females and female influences.

That said, it was entertaining and amusing. Oliver's class in school is studying the solar system (and the author does a fine job in supplying information about it without seeming like she's lecturing). The school is having a sleepover so they can study the planets through a telescope and also watch a space adventure movie (which shall remain nameless since I've grown to detest it lately!), but of course Oliver's parents refuse to let him sleep over because they can't be there to watch him and make sure he brushes his teeth, like a single night without brushing will necessitate dentures first thing in the morning!

Oliver's parents pretty much take over his course assignment: to create a diorama of the solar system, but a girl comes to his rescue. Crystal Harding, known best to Oliver for talking too much in school, somehow manages to set the two of them up as diorama team, working together, and Oliver is then stuck with the task of weaning his parents off the project.

He achieves this with a studiousness, patience, and calm which is as commendable as it is rather unbelievable, given how he's been raised. This, in turn, sets him on the path to freedom form his "shut-in" world and improves his overall outlook on life. It's a great ending, a well-written and amusing story, and very short, but just the right length for this story. I recommend this one, and this writer as someone worth keeping an eye on for any new output.


Friday, May 5, 2017

Someone Was Watching by David Patneaude


Rating: WARTY!

This was an audiobook that almost made it under the wire, but the more of this review I wrote the worse it seemed to me! Jeff Woodman's reading was very good, but the material lacked credibility or seemed like it was being artificially manipulated for the scare-effect. Consequently, the scares felt very much like they were tacked on...well, tackily, instead of being organically and intelligently incorporated into the story. The novel redeemed itself somewhat with the ending, but overall while initially thinking it's a worthy read for middle-graders, I found myself changing my mind, and I'll explain why.

The story begins three months after the young daughter, Molly, of this Wisconsin family has disappeared while they were picnicking in a park by a river. Everyone blames themselves for it, although the parents were shamefully lacking in attention. Chris, the thirteen-year-old son had gone off by himself, deliberately avoiding taking Molly with him, hence his guilt. Molly disappeared, of course, and the assumption by everyone is that she drowned, even though three months on, no body has been found.

This was my first beef: that a possible abduction had not once been considered. It felt completely unrealistic and makes the police look stupid. If it had been considered and dismissed for some reason, that would be one thing, but it never was, so for me, this was poor writing. This bad writing continues as the family therapist advises a trip to the same park where Molly went missing - for closure. The absurdism here comes from the abrupt turn-around in everyone's attitude: things miraculously - and unbelievably - change. They changed far too much, far too quickly, in fact, to have any credibility, and this is further highlighted by events that same evening.

As part of this therapy, they watch the video Chris shot that day (this was a 1993 novel, so no smart phones were to hand, nor was there any of today's digital technology typically available). Something bothers Chris about the video and keeps him awake. When he watches it again, he notices the arrival of the local ice cream van, but instead of sitting in the park with the music playing, selling ice cream, the van quickly goes quiet, stays only for a minute, and then leaves. This makes Chris suspicious, but for me, again, it was a a bit of a stretch. Maybe middle-graders won't care, but for me there should have been a bit more. just a bit.

Chris brings his suspicions to the attention of his parents, who summarily dismiss them all! This is the same family which, quite literally the day before, were dysfunctional to a painful degree, unable to come to terms with Molly being lost, yet now, they summarily dismiss what Chris says, and all but forbid him to talk about it.

Chris and his school friend Patrick decided to investigate further, back in the small village near the park where the ice cream folk, Buddy and his wife Clover, have a shop. They discover that the ice-cream vendors have left long before the season is over, with the excuse that Clover's mom is ill. Conveniently, there's an envelope in the mailbox, revealing where they went, so rather than take all of this to the police, Chris and Pat decide to fly down to Florida to pursue them, and see if they really have Molly.

Once they arrive in the Florida location, they have some poorly tacked-on encounters which stand out rather sore-thumb-like, such as the police officer showing an unnatural interest in them in a restaurant, and three young thugs trying to shake them down in the street. Maybe middle-graders won't be so picky about the tacky, but for me it did not work. The rescue was better, but even there the boys were shown as idiots rather than heroes.

They do rescue Molly of course - that much was a given -but instead of going to the nearest house and asking for help (it would be very easy to tell a story about a man chasing them - since it was true!), they keep running and almost get caught before they - finally - make it to the police station, where the story pretty much ends. There was an epilogue but I'm no more interested in reading those than I am prologues.

So while the reading was good and parts of the story were engaging, for me, overall, it was a fail. I'm more picky than middle-graders, so maybe they won;t care, but I think this was a wasted opportunity to educate middle-graders about how to behave - and survive - (given the unlikely premise that they fly to Florida in the first place), and I think the author blew a great opportunity for the sake of cheap and gaudy thrills. I can't recommend this one.


Wednesday, May 3, 2017

Millicent Min, Girl Genius by Lisa Yee


Rating: WARTY!

This is a debut novel by an author who really didn't seem able to get into the mind of an eleven-year-old smart girl. So naturally this book has been nominated for awards which in turn spawned a trilogy when one book was far more than this particular subject ever merited. The problem is that the author is confusing genius with autism, and 'child-genius' with 'humorless adult'. Consequently she makes Millicent look like a moron rather than a genius, or to put it more charitably, she makes a girl who in reality would need some professional psychological help, look like she was dropped on her head at birth.

This is why I have absolutely zero respect for literary awards, and normally (when I have advance warning!), avoid like the plague anything which has won awards. Once in a very rare while such a book is worth reading, but in my sorry experience those books are a lot harder to find than the lousy ones, and the ones we typically are unfortunate enough to run across are for the most part pretentious and clueless drivel. For the awards people to constantly rate this garbage as merit-worthy only leads me to believe that they too, were dropped on their collective head as a baby.

The author makes the idiotic assumption that a kid stops being a kid if they're an especially smart kid. That's utter nonsense. They may see life through a sharper lens than most kids do, but they're still children with childish (in a benign sense) - impulses and drives. They still enjoy children's games and toys. They are not, simply from the fact of being more intelligent than most (in academic terms at least) an adult or humorless, or superior in a mean sense.

One of the most glaring problems with this book is that the main character has Spock syndrome. The Vulcan from Star Trek (original or reboot, it doesn't make that much difference) is supposedly of very high intelligence, but is routinely made to look like a clown because he simply (and inexplicably, given how much exposure he's had) cannot grasp human idiosyncrasies. In the same way, this novel is constantly telling us how smart Millie is, but what it's routinely showing us is how dumb and clueless she is. Worse, it's rendering her as borderline autistic in her rigid and utterly inexplicable inability to cope with human interaction. If she is autistic, that's one thing, and might have made a great story - one worthy of an award, but this author never suggests that. What she does is inexcusable. She presents Millie as lacking completely in not only social skills, but in any sort of clue as to how to develop them, yet she offers no reason - other than how "intelligent" she is for this deficit.

Millie's parents are the worst parents ever, since they seem utterly clueless in diagnosing Millie's condition. Fortunately it's a condition which exist only in the author's limited imagination. Millie is just one in a parade of one-dimensional characters, each representing an extreme of one sort or another, and the novel is so trite and so completely predictable that it's not only fails to offer an intriguing read, it also isn't even remotely realistic. These people are robotic, as simple and limited as the mechanical arms on an assembly line, each going through pre-programmed motions, and not a one of them capable of exceeding their programming, and living and breathing.

Millie meets Emily at the same time as she is forced into tutoring a boy she hates. Desperate to keep Emily as a friend, Millie elects to lie about her intelligence and gets herself into a situation that is unrealistic and which is dragged on for far too long. Predictably, Emily blows up, even though given what we've been told about her, this blow-up is out of character and comes off as false. It was at this point that I gave up reading this book, because I could see exactly how inauthentically it would continue to play out, and I lost all interest in it offering anything new, fresh, or credible.

Millie's extreme intelligence, despite that fact that we've repeatedly been shown that she can diagnose problems with the facility of a particularly sensitive and empathetic adult, is betrayed time and time again by the author as she makes her character fail in such diagnoses where it suits her, so that she disastrously assumes her mother's obvious pregnancy is a disease. The writing is amateur, rigid, inconsistent, and poorly done. I cannot recommend this. The only purpose it served for me was to once again provide a convincing example of how comprehensively blinkered are those people who give out literary awards.


Saturday, April 22, 2017

The Trouble With Ants by Claudia Mills


Rating: WORTHY!

Illustrated by Katie Kath, this is evidently part of the "Nora Notebooks" series, but can be read as a standalone. I'm not a huge fan of series, but this one was harmless, and moreover, it placed a heavy emphasis on science, which is a wonderful thing in books for young girls and makes them far from harmless!

Middle-grader Nora gets a new notebook and decides to devote the space to recording observations on her pet ants which she naturally (or unnaturally depending on your perspective!) keeps in an ant farm. Personally speaking, if all ants, wasps, hornets, and Africanized bees became extinct, that would work for me! Nora loves her ants though, and observes them every day. The problem, of course is that the ants die when separated from their queen, but Nora's ambition is to be the youngest girl ever to be published in a science journal, so she presses on with her research.

No one else gets her obsession though, so at school she has to contend with shrieks when she unveils her ant farm during show and tell, and she has to suffer the fake and fawning attention her classmates devote to one girl's addiction to making videos of her cat, dressed in assorted outfits. Making the girls be "girlie-girls" with this shrieking was a mistake, because it perpetuates stereotypes that need to become extinct also!

There is strife and trouble, problems with ants, problems with school; in short, the usual , but Nora maintains an objective view and deals with it all with wry comments and good humor, and everything works out in the end! Despite the stereotyping I mentioned earlier, I thought this story was charming, and I recommend it.


Thursday, March 9, 2017

The Book of Sight by Deborah Dunlevy


Rating: WORTHY!

Errata:
"inch by inch, certainty of death foremost in his mind, not daring to breath." - should be 'breathe'
"It had been wo weeks" - two weeks, presumably? Or maybe that unspecified number of weeks had been rather woeful?!
"Its hot pink color was already, and it was taking on the even brown tones of Dominic's hands." 'already fading'?

The problem with series, and one reason why I'm not really a fan (except for a few rare cases), is that they are by nature derivative and repetitive, and worse, they mistreat the reader by only offering a part of a story while still trying to charge you the full price! This series is going to run to at least four books. Worse than this, the first volume tends to be a prologue for the rest, rather than an actual story, and I don't do prologues. They're tedious and antiquated.

In this case I decided to make an exception in the hope that this one would be a different experience, but I had mixed feelings about this right from the start, and my worst fears were realized when it came to an abrupt ending (I don't read epilogues any more than I do prologues, but I doubt the epilogue moved the story very far!). The ending was abrupt and a cliff-hanger of a sort, which I never appreciate. So it was indeed a prologue, but that said, the story wasn't bad for the intended age range, so I consider it a worthy read for that group. For myself, I have no interest in pursuing this any further.

It started out routinely enough, and that was part of the problem: the trope kid (in this case, 14-year-old Alex) at a loose end of one kind or another with one or both parents absent. In this case it was both because, even though dad was present, in effect he was also absent since he was a poor father who neglected his child while he pursued his publication of his moderately successful comic book series. On the first day of her summer holiday from school, a weird-looking guy who claims he's some sort of delivery boy shows up at Alex's front door.

We're given a reason for Alex to be trusting enough to open the door because she thinks it's one of her father's graphic artist types, but the guy claims he's a messenger. He hands her a parcel and doesn't require a signature. He tells her it's a book, and then he leaves. The fact that none of this makes Alex even remotely suspicious (he requires no signature and knows what's in the parcel) tells me she's not too smart. I don't do books about dumb girls. There are far too many of them out there (YA authors I'm looking at you), so I'm hoping at that point that Alex gets smarter fast, but I'm not confident that she will. In the end she is a bit smarter, but the kids as a group are not very smart in their behaviors generally speaking.

At one point the author writes, "...which with characteristic creativity she had dubbed 'dad days'." I'm not sure if that's meant to be sarcastic, or if it's just badly written! Alex has shown no evidence that she has a sarcastic demeanor to this point, and that title certainly isn't creative. This is one of the reasons the book failed to properly resonate with me: there were parts I really liked, but other parts that fell flat. Also the book, while commendably not in first person voice, switches perspectives between kids and I didn't appreciate that approach. There's a lot of telling in place of showing, too. Again, kids for whom this is written may not notice or may not care about these things, whereas I tend to

There were one or two errors, but aside from that (which was no big deal for me as long as it was relatively rare!), what bothered me most was the trope. I mentioned the disaffected teen; next came the 'things appearing but disappearing as soon as you look away' trope which is tedious and way-the-hell overdone. In Alex's case it was the appearance of a tiny man after she had begun reading the book. She sees him, looks away, and looks back and he's gone. She does this twice. It's annoying! And so common in this kind of story that it's become a suspension-of-disbelief destroyer for me. There's also the trope two characters who dislike each other, but you know they're destined to be together. The sad thing is they're named Adam and Eve! I am not making this up - the author is! Yet despite this no one remarks on their names!

That aside, the book was intriguing and the way Alex struggled to read it and then suddenly got it, was a joy. The words appeared to be nonsense, but as she started pronouncing them, she was transported in some way to another world where a story unfolded about a king and four brothers and a magical jewel. Visons, ideas and dreams lead Alex to a place where four trees are grouped together. When she visits it, she discovers a marking on one of the trees, but then the trope male character predictably the same age as Alex shows up and I became annoyed again, because it seemed like the "required" (when it's not at all) romance is going to trample all over the story. In the end it didn't, so this fear never materialized and I thank the author for that!

In general the story was well-written, with a clunker or two here and there, such as when Adam is trying to locate a particular place in the vicinity. It's by a dried-up creek, yet when he approaches it, I read that there was "a dark green line on the other side of another grassy field. It had to be a creek." The thing is, if the creek was dried up, there would hardly be a dark green line marking it, since the vegetation would be dried up, too - as is confirmed when he gets closer.

That aside there was some good and commendable writing, particularly about team-work and getting along, and owning up to mistakes, which I really liked. Sometimes the teamwork aspect was overdone, but as I said, overall, I think this will do well for the intended age group. It's just not for my age group!


Wednesday, March 1, 2017

Igraine the Brave written and illustrated by Cornelia Funke


Rating: WORTHY!

Written and illustrated by Cornelia Funke, this tells the story of Igraine, who is the younger of the two children of Sir Lamorak (which sounds a bit like caramel backwards!) and Lady Melisande. The parents are fine magicians and are proudly raising their magician-in-training son, Igraine's older brother, Albert. Igraine though, has no interest in magic. Enamored of the life lead by one of her grandfathers, Igraine longs to be a knight. It's soon to be her birthday and her parents are working long and hard on a magical gift for her - a magical, lightweight suit of armor - which she longs to see, but is not allowed.

As her patience wears thin, doing her chores around the aged and slightly crumbling castle, such as feeding the water snakes and cleaning the stone lions and gargoyles which help protect her home, Igraine learns of unexpected developments in their neighborhood, namely: the disappearance of their neighbor, and the usurpation of her power by her unscrupulous nephew, who now has designs on the magical singing (and talking) books owned by Igraine's parents. These cannot be allowed to fall into the hands of the enemy, but Igraine's parents are confident they can repel any attack from Osmond the Greedy.

This all turns around when, in process of adding a finishing flourish to Igraine's armor, the parents accidentally turn themselves into pigs. Worse, they are out of giant's hair, which is essential to turning them back into humans. Since Albert must remain to guard the castle, being in the only functional magician left, it falls upon Igraine to go get the giant hairs. Why these hairs could not be summoned by magic is. I think, a good question, and one the author didn't see fit to address!

Igraine sets off alone, and eventually finds the giant, Garleff, who happily gives some hairs because Igraine's parents were very kind to him. On her way back, she visits the Sorrowful Knight, aka Sir Urban of Wintergreen, who is pretty much in an isolated sulk because he failed to beat the evil "Hedgehog," Osmand's henchman, in a joust. Somehow, this sulker is the guy who teaches Igraine about chivalry! Go figure!

He decides to accompany Igraine back to the castle to make sure she get home safely and ends up challenging Rowan Heartless (aka the Iron Hedgehog because of his spikey armor). On the way back they encounter a three-headed dragon. I am not at all sure why this bit was put in. I thought the dragon might be connected with the disappearance of three princesses, or that it might come help them fight the usurper, but it just disappeared. Maybe the author forgot about this plan? Maybe there was no such plan.

Likewise, I'm not sure why such a big deal was made of Igraine's desire to be a knight, and her special armor, because at no point does she enter into a fight of any kind, or put the armor to any test other than getting it wet (and it doesn't rust). Maybe the author has some plan she forgot as she wrote this, or maybe her plan changed. It just seemed odd; however, Igraine was strong in other ways, and so this is why I liked her. To me a strong female character isn't necessarily one who can kick your ass, she just has to be kick ass, and Igraine was.

Obviously Igraine wins-through in the end. I liked the story and I recommend it, despite it being somewhat bland. I had hoped for more. I'm not sure why this was so lacking in some respects, but it was amusing and entertaining, and this is why I consider it a worthy read.

It's worth noting that this story is bears some references to Arthurian tradition. Igraine was supposedly the name of King Arthur's mom. Maybe this Igraine grew-up and married, and her offspring became England's legendary king? (or a Welsh hill tribesman, depending on how much legend you swallow!)? Who knows?! Melisande is a Germanic name, also found in other languages, meaning strength, and was the name (in the form of Melisende) of the Queen of Jerusalem in the mid-twelfth century. Sir Lamorak was a knight of Arthur's purported 'Round Table', and Albert was, of course, the name of the German who married Queen Victoria!


The Relic of Perilous Falls by Raymond Arroyo


Rating: WARTY!

This was another audiobook I experimented with. It's read by the author, who sounds a bit like Phil Hartman, the American comedy actor who was shot by his mentally-ill girlfriend in 1998 while he was sleeping, and I can't say that the author does an absolutely disastrous job, but after listening to about an hour of this I soon found myself being irritated by his voice, particularly when he was doing this young female character, and making her sound like she was mentally deficient rather than just young. In principle, it's nice to have an author read their own work. That's the only way you can really tell how they meant it to sound, but in this case it was eventually annoying and not pleasant.

Will Wilder is a 12-year-old boy who deserves his last name. He's irresponsible and has way too much energy. In his defense, he's gifted, or plagued, with the ability to see otherworldly 'shade' creatures, and his stupidity ends up unleashing them. No wonder the town is called Perilous Falls. Now it's Will's job to fix things. So far so good, but this novel carried a quite heavy religious agenda - so it seemed to me, and I disliked the preachy tone. It's tied to the remains of the Saint Thomas, who supposedly had so little faith that he didn't believe Jesus had risen.

If you ask me he was the smartest of the twelve! The burial place is supposedly one of only three of the apostles: the Basilica in Rome, of Peter, the Cathedral of Santiago de Compostela in Spain, of James, and the National Shrine of Thomas in Chennai, India, yet not a one of these can offer evidence that what they contain really is what they claim to contain. Will Wilder's village, though, supposedly has the very finger (among other body parts) that was plunged into the wound! This is what keeps the evil away. The skeleton came from Italy in World War Two. How it got there as opposed to being in India remains a mystery.

Not only does Will screw up and break his kid brother's arm, he also screws up further and steals the relic from the church, thereby removing the town's protection, and unleashing evil. Why all the evil is there, waiting to be loosed is yet another unanswered question. I never did get this demon thingy. And what's the deal with demons? There are none in the Bible - just angels, of which Lucifer is one.

Given that Thomas is supposedly buried in India, how this GI brought the relic home from Italy is a mystery which goes unexplained, but then I DNF'd this so maybe I missed something. Obviously the book isn't aimed at me, but I've enjoyed many such books which were not. I have no interest in pursuing a series like this, though, and I can't recommend it based on what I heard of it.


Tuesday, February 21, 2017

Treasure Island by Robert Louis Stephenson


Rating: WORTHY!

As was the wont back then, Robert Louis Stephenson began publishing his novel in serial form, at the beginning of the same month that the Earps and Doc Holiday were to confront the Cowboys over the latter's disregard for the city ordinance - a dispute that was resolved with ordnance, as are so many in this novel! It was published in book form about two years later.

All the well-known names are here: Jim Hawkins, Billy Bones, Long John Silver, Blind Pew, Black Dog, Israel Hands, Ben Gunn, and so on. All the stock phrases are here, too: swabs, lubbers, shiver me timbers, avast, and so on! This is the source-book for all things piratical, including the parrot on the shoulder and the peg-leg! It's also the source of some unintentional humor given how much phrases have changed in the century-and-a-quarter since Stephenson wrote this. "I'll lay you" and "I had my way with him" were never more misunderstood, but at least I discovered from whence the British term "quid" - meaning a pound (money) - originated!

This, the original pirate story, is told in six parts. I was fortunate enough to have it read to me by Alfred Molina, who does a damned fine job of it. I could have done without the pain-in-the-stern squeeze-box sea-shanty music! Why do audiobook publishers feel this insane compulsion to add irrelevant and trite music to the story? What an insult to the author! "Oh, your story lacks a little something! Let me punch it up with this irritating music! It'll keep your readers awake I'll lay! Have my way with them I will." That aside, it was one of the best narrated stories I've listened to, and it begins with the slightly mysterious Billy Bones, who is known as "The Captain" at the Admiral Benbow inn where Jim helps his mother, his father having very recently died.

Billy Bones is a secretive man, and it's only when he dies that Jim discovers that he was in possession of the feared Captain Flint's treasure map. Dr. Livesey, who had been treating The Captain, and the local district Squire Trelawny manage to get themselves a ship, the Hispaniola, and they go off questing for this treasure.

Somehow word got out about Billy Bones though, and both Black Dog and Blind Pew come looking for him. Just as Jim and his allies think they have escaped all that, they discover that pretty much their entire ship's crew is pirates, who signed on for the voyage under the leadership of the ship's cook, who is really a pirate himself - Long John Silver, who even Flint was reputed to fear. The odds are three to one against Jim and his associates. Long John Silver proves how ruthless she is on the island, and Jim manages to escape his clutches only to run into Ben Gunn, who had been three years stranded on the island. He throws his lot in with Jim in return for a cut of the treasure, and safe passage home.

Retreating to an old stockade built by Flint, Jim and his allies hold out against the pirates, and an attempt at parlay breaks down. Silver loses patience and promises an attack. The attack is repelled, but Jim goes off on an adventure of his own, leading to his cutting the stolen ship adrift which in turn leads to his confrontation with Hands. Returning proudly to the stockade to report his triumph in recapturing the ship, Jim is rather perturbed to discover he has now become the prisoner of Silver and five of the mutineers, who evidently have taken over the stockade while he was gone!

As if this wasn't twist enough, his friends and Silver are now apparently entreated with each other, and are going to recover the treasure together - but the treasure burial site is empty! Gunn has secreted it away. On the voyage home, they hire a new crew, and Silver escapes with a bag of gold forever. Given, as Jim says, there's still treasure on the island, you have to wonder if Silver didn't exploit his stolen treasure for a new ship and crew to go after what was left behind! This is a great story, the very bedrock of all pirate stories that followed, and I recommend it.


Wednesday, February 15, 2017

Emily and the Strangers Vol 1 by Rob Reger, Mariah Huehner, Emily Ivie


Rating: WARTY!

I must have slept through the nineties because I had never heard of "Emily The Strange" until I saw this graphic novel in my ever-adored local library. It called to me, but now I'm left lamenting what else is out there that I might never happen upon.

Emily, as represented in this short graphic novel, is completely lovable, from her 'tude, to the way she's drawn and colored. She's a perfect mix of Goth and Steamed-punk. I love her positive, if aggressive, attitude, her never-defeatist approach to life, and her very inventive G-Rated cussing, which was hilarious.

From reading around (yeah, I'm a shameless book slut!) Rob Reger's friend Nathan Carrico designed Emily in 1991 for a skateboard company(!). Reger created the designs, and he and Matt Reed brought them into the fashion world on T-shirts featuring this girl and 4 black cats (one of which no doubt had a ring-tailed lemur tail). Those cats have bred, because there are many in this story, and they're exquisitely depicted. I don't know anything about Emily Ivie, the evidently very talented artist, but co-writer (with Reger) Mariah (that's mar-eye-uh, not mar-ee-uh) Huehner describes herself as a "big old geeky nerd who loves talking about stories and storytelling." She lied! Her face isn't old and her eyes are very young which is probably why she can get inside Emily The Strange's head so readily.

This volume combines the first three issues of the Emily (and) the Strange(rs) mini-series in which her idol Professa Kraken dies, and she has the chance to win his octopod-inspired guitar - which is also conveniently haunted by his spirit. The story here is that Emily strives to win the guitar, and just as she is convinced she missed her chance, fate (and cats) conspire to put her in front. The odd thing, which I really didn't get, is that even though she won it, there's a condition attached to it: that in order to keep it, she must win the battle of the bands, for which the anti-social (if not sociopathic) Emily must put together an actual band.

The story then moralizes somewhat about team-work and 'can't we all just get along', so for me it lost some momentum at that point, but it was still enjoyable. I'd dispute that this is a young-adult story! It felt much more like middle-grade to me, but it was fun. The other characters in the band were interesting. There was the guy who factored into Emily's success in the guitar contest; I don't know what his angle is and I wasn't too fond of him. He's a fan, if not a stalker of Emily's, and he rather creepily named himself Evan Stranger (Even Stranger), but other than his weird addiction to Emily, he isn't strange at all.

There was also Winston and Willow, who are fraternal twins, but otherwise complete opposites, and there is Raven, who is a girl-bot which was made and then lost track of by Emily, and who is now working in a vinyl, record store where Emily encounters her again. She fascinated me, but got very little air-time. This band doesn't work until the final member turns up, the very orange Trilogy, and then they're winners all the way.

Now I'm interested in Emily. I'd like to read the story of her creating Raven, and also about her earlier history. I recommend this one.


Tuesday, February 14, 2017

Elvis and the Underdogs by Jenny Lee


Rating: WARTY!

This was another audiobook experiment which failed! The story is about a rather sickly kid named Benji Wendell Barnsworth who is ten. He tells the story in first person, which is usually a problem for me at the best of times. It was not remotely helped in this case by the fact that a man with a rather croaky voice was reading this story. It. Simply. Did. Not. Work. The book was a DNF for me. Life is too short!

I can only conclude, from the number of trips we're told Benji makes to the hospital, that this mom is a world-class lousy mom. Or maybe it's the fact that the nurse at the hospital Dino, is practicing medicine without a license? This could account for at least some of those repeat visits.

These idiots think prescribing a therapy dog for Benji will cure him of his ills. He gets the president's puppy delivered by mistake and the president is such a bastard that he demands the dog be wrenched away from Benji, so the kid gets a different dog. This dog goes literally everywhere - including into the department store, and into the hospital. I somehow doubt that even a therapy dog would be allowed to get away with that, but who knows. Crazier things happen in this story.

Benji's two brothers, who happen to be twins, are complete dickheads and need to have their asses kicked (where's the trope school bully when you really need him?), but they get away with pretty much whatever they want to - due largely to the fact that mom is a lousy parent. It should be needless to say that I very quickly tired of this. even if it were not for the reader's annoying voice, the story was garbage. Maybe young kids will like it, but I don't really see how. I'm sure not about to recommend a children's story as flaccid and vacuous as this was.


Friday, February 10, 2017

Keeping Score by Linda Sue Park


Rating: WARTY!

I liked Linda Sue Park's The Kite Fighters which I positively reviewed back in February 2015, but I cannot say the same for this one. If you are a fanatical, dyed-in-the-wool, psychotically passionate baseball fan, and you like middle-grade novels, then this might be the perfect entertainment vehicle for you, but for me, quite frankly, I'd have rather spent the time watching the little dot fade in the center of one of those old cathode ray tube TVs when you turn it off, than have endured this.

I had thought it might be quirky, or funny, or give an endearingly-skewed take on baseball from a young girl's PoV, but it offered quite literally none of that. Instead, it offered nothing but endless discussion of baseball players, and baseball games, and baseball stats. It was all baseball all the time and it was not as boring as hell - it was far more boring than all hell. Wporse than this, it was trite as all hell with the pathetic little story tacked on the end about some wartime tragedy. I mean seriously? Pathetic. I'm also done with Linda Sue Park. I can't voluntarily read any more stories written by an author who would stoop to writing such trashy pablum as this, I really can't. Stick a frigging Newbery in it. It's done.


The Star Thief by Lindsey Becker


Rating: WORTHY!

Erratum:
"The Mapmaker took in and impatient breath." - presumably should be "an impatient breath"

This was an advance review copy for which I thank the publisher and author.

Don't be misled by the resemblance of this middle grade novel's title to The Lightning Thief. I'm not a fan of the Riordan series, but this is as different as you can get, and this author had me at the very first sentence, which is what all we writers should strive for, but few achieve! That first line read, "Honorine realized it was going to be a difficult night when she stepped into the east parlor to do a bit of light dusting and found it on fire." That struck me as hilarious and an awesome start. It's like she knew exactly how to begin this to bring me on board!

The book continued to impress as I read on. It's an easy and fast read which hits the ground running and never stops. It's something of a steam-punk fantasy for kids, and has the interesting premise that the constellations are really mystical animals who have powers, and with whom regular people can interact. There are also rather evil creatures in this story too, so in some ways it's like reading about angels and demons.

Honorine is a young housemaid who works for the wealthy Lord Vidalia who has disappeared. She's also something of an inventor. When odd events get going in the manor that night, starting with the fire and progressing to curious discoveries Honorine makes, and then to visits from two different factions on the same wild night, both of which claim that the other guys are the bad guys, Honorine has to choose who to trust. But she's torn. At first, she sides with the group which has her childhood friend and young lord of the manor, Francis, working with them. She had thought he was away at school. After this she gets to spend some time with the Mordant, which is what these constellations are called.

There are few mordant on their magical 'ship' and the reason is that there's a battle going on between two sides, one of which is trying to capture all the Mordant, and the other of which is trying to prevent that. Maybe both sides were bad! Yes, it was exciting, adventurous, action-packed and confusing, and my hope was that the author had it in her to keep up the pace. It turns out she did. There is never a spare moment, and always something new to find.

Like a seasoned professional, the author keeps on peeling back layers and just as you think you have a good handle on things, another layer strips away and reveals a deeper understanding. Honorine is thrown into the middle of this turmoil, and is constantly trying to determine who is right and who is wrong, what's really going on, and where she fits in. In the end, this strong young female figure takes things into her own capable hands, because she knows, ultimately that she's actually the only one she can trust to do the right thing.

I loved the story, the plot, and the characters, all of them, but especially Honorine, who is a true hero and a great role model. I recommend this book without reservation.


Wednesday, February 8, 2017

A Corner of the Universe by Ann M Martin


Rating: WARTY!

When I picked this off the shelf at the library, I didn't realize it was a Newbery Honor book. Had I done so, I would have put it right back on the shelf, but I missed the little sticker in the corner, focusing instead on the back cover blurb. 'Newbery' is synonymous with 'tedious drivel' in my experience, and this one was no different. The books ought to carry large, bright, garishly-colored neon warning stickers.

It was another audiobook experiment I tried, and we didn't get along with very well. The story is about this eleven-year-old Hattie, who discovers she has an uncle, Adam. Adam has been confined to a psychiatric institution for schizophrenia and autism, and is now coming home to roost, because the place is being closed down. No one has ever mentioned him to Hattie. The two of them get along like a house on fire.

My problems with this book were two-fold. Most of the text consists of Hattie talking about her life, which has to be the most mind-numbingly boring life ever lived by anyone, anywhere. It was an awful listening experience having her endlessly rambling about who did what and where, with nothing she said being in any way remotely out of the ordinary. I couldn't stand this pretty much from the off. It was tedious listening.

The other problem, and the bigger one I feel, is the reader of the book. The main character is telling this story in the worst of voices for a novel: first person, yet the book is being read by Judith Ivey, who was in her fifties when she recorded this. Hattie is eleven. I'm sorry, but it just doesn't work. It was entirely wrong, and made the book into a joke for me, having this mature woman speak for an eleven-year-old girl. I cannot recommend this one at all.


Saturday, February 4, 2017

The Wolves of Willoughby Chase by Joan Aiken


Rating: WARTY!

This was ultimately a waste of my time. The story is old (1962), but not as old as its setting, and it's the start of a series which I have zero intention of following. It was read by the author's daughter, Lizza Aiken, which seems like a charming idea, but while her voice was pleasant enough, it really didn't engage me very much in relating a children's story. I think it would be much better employed in reading adult historical novels.

Why this is called The Wolves of Willoughby Chase I haves absolutely no idea. Clearly the author knows nothing about wolves, and while they do feature very briefly a couple of times in the story, they ultimately have nothing whatsoever to do with it. I had hoped that the villain would meet her come-uppance at the hands...paws (and jaws) of the wolves, but she did not, so I was forced into contemplating that perhaps the wolves of the title were not really the four-legged variety, but the two-legged one.

The story is that Bonnie is expecting a visit from her cousin Sylvia at the same time as her very well to-do parents are planning a trip pursuing Bonnie's mom's good health. Sylvia arrives and the parents depart, and the new governess, Miss Slighcarp, a distant relative, has designs on the manor. When the news comes back that Bonnie's parents have died, Slighcarp suddenly fires all the servants, dispatches Bonnie and Sylvia to an awful workhouse posing as a school for orphans, and promptly begins changing everything around at the manor.

Of course this does not stand, and everything works out well in the end. Her parents aren't even dead, as I suspected from the beginning. The story though, wallowed in abuse of these two children without a thing to leaven it, and it was honestly boring - even the wannabe adventurous parts.

Bonnie's parents appeared to be landed-morons. There's this kid, Simon, who is homeless and when he approaches Sir what's-his-face about living in a cave on the property, he leave shim to it, not even once offering the boy the chance to come live a the house, perhaps in exchange for work. He seems equally clueless later when Bonnie asks him what's to be done about the five-score orphans at the school they've just been rescued from. I'm sorry but no.

Here's yet another story where the girls have to be rescued by the boy and it's just not good enough. I can't recommend this one.


Thursday, February 2, 2017

The Land Without Color by Benjamin Ellefson


Rating: WORTHY!

This was a middle-grade ebook and it was odd because the first chapter seems to have nothing whatsoever to do with the chapters that come after. The first chapter is about four kids named Brandon, Derek, Paul, and Steven playing kick-the-can with some younger kids; then they go fishing. They disappear from the story at that point, and in chapter two and every chapter after that, the story is about a kid named Alvin, who gets this never-pop bubble gum for his birthday, and finds he can blow giant bubbles without the gum popping, one of these bubbles which carries him into a magical land where everything is grey. There are no other colors because they're been stolen by the goblins.

I began wondering if the grandfather who the kids visit in chapter one is the same person as Alvin, and the story is a flashback starting in chapter two. The last chapter confirms that it is. It just seemed like the writer had forgotten what he started writing about! There were one or two other, minor, issues, such as this sentence: "he saw the path before him stop directly into a sheer cliff" which could have been worded a lot better! There was also a disconnect between some of the images and the text, for example where we're told a general is wearing a "camouflage military uniform of red, orange, yellow," but where the illustration shows no camo, only your usual olive drab (or in this case gray drab!). In general, the story was well-written.

I have to question some of the choices here, though. The underlying theme of the story is that good nutrition brings color to your life and health, and I concur that good nutrition is sorely lacking in far too many lives. A third of the US adult population is obese, which adds something like one hundred fifty billion dollars to national healthcare costs, and it also means that the overweight are paying $1,500 dollars a year more for healthcare. That's the real reason behind the health industry trying to get people to lose weight. Don't ever forget that they're not charities, and their motivation has nothing in common with actually caring, rest assured!

Thirteen million children in the USA are obese, but a healthy diet needs to be more than simply eating vegetables. Fruit is mentioned, but it's the overriding obsession with vegetables I don't get. There's no mention of cereals or dairy, or of a balanced diet. A real diet needs to be a whole mind and body affair, including exercise and yes, including some moderated junk food. Remember, your body needs sugar, it just doesn't need as much as you think it does, and the excess goes straight to the fat factory.

The oddest thing about this ebook though, was the images, which are black line drawings on a white background. I typically have my Kindle app set to white text on a black background to save on battery power. I imagined that the images were designed with a white page and black text, so I tried to switch colors to see if it made any appreciable difference to how the images appeared in the text, but the only options the Kindle app on my phone offers for background screens is black, sepia, and pale green! Who ordered that? It's one more reason why I call it a crappy Kindle app. You'd think with all the money Amazon is minting, they could offer a better app than this, but maybe they don't care. Maybe they'd rather have you shell-out for a Kindle reader with the attendant limited functionality. I've been there and done that. I don't want to go back.

The thing with the white image background is that it butts up right against the text, making the text look like it was cut off. The first image I saw, I thought it had been accidentally placed right on top of the text, but I realized after a moment that it wasn't. If the images are at the left of the screen, then there's a gap between them and the text, but when the images are on the right, as almost all of them are for reasons unknown to me, the text butts right up to the white image border and looks truncated. I am not fond of Amazon's Kindle app!

On the iPad, the kindle app does have the option for a white background and the images and text looked fine there, but I still prefer to have white text on back for battery conservation so maybe authors should give some thought to how they design their images. The more wear and tear on the battery, the sooner it's going to die and have to be junked, and a new one purchased, which costs energy and resources to make. Recycling doesn't start at the trash can. It starts when a product is produced.

This image issue is a definitely a peril for writers who try to illustrate their stories. You cannot count on the ebook rendering them as you envisioned them for the print version. The simple solution would be to have the image background transparent, so that it merely shows through whatever background the reader chooses for their Kindle reader, but if your background is black and your line drawings are also black, then the image will disappear into the background if your reader chooses a black background screen, so you can't really win! I like my ebooks, but this is one reason why ebooks fail when compared with print books: the writers and illustrators lose all control over how their work is viewed.

The other issue I had with the images was that the way Alvin was drawn made him look like a grownup! Seriously. He did not look like a middle-grade student; he looked like a midget adult. So for me the images were a fail. They really contributed nothing to the story, and were not particularly well-done. They weren't a disaster by any means; they were okay, and maybe younger children will like them, but for me they didn't work. That said, the story was engaging and descriptive enough that it would have done well without images. It had lots of oddity and weirdness which I tend to like.

Having been carried into colorless land, Alvin tries to find people to ask where he is. On a point of order, gray is a color! If there were literally no color, then the world would be black (and part of this world is), but since we consider black to also be a color as opposed to what it really is (the absence of light and color), then using gray, as most writers do, is fine, I suppose.

The first 'person' Alvin meets is a squirrel which can talk and which becomes his traveling companion. He next meets a mouse which also talks. All the people he meets are gray except in rainbow city, and even there, they are struggling to maintain their color, eating free junk food dispensed by the King, which supplies some color. Some of them are missing their head. The junk food is also part of the underlying theme, and I commend the story for that.

I did have a bit of a problem with this being a 'great white hope' story where the interloper rescues the natives who can't help themselves. In addition to that, it was a case of a knight in shining armor rescuing the helpless princess, which is far too Disney for me, but balancing that, the main character was a black kid, which is far too rare in stories, so it gets kudos for that! What a tight rope the author walked, in trying to get past my filters! LOL!

On this same topic, the author has a short bio note at the end in which he proudly mentions his "four beautiful daughters" and I have to take issue with this as well. Is the only thing a writer can say about women is that they're beautiful? It's degrading. And no, I don't buy that it was meant in a generalized sense either, because then he could have said "four wonderful daughters" or something along those lines. the problem with endless claims of 'beautiful' is that the word becomes completely meaningless. If everyone is beautiful then the word has no value, because it literally means nothing to describe a woman as 'beautiful'.

My problem here though, is that I have to ask: do these daughters have no other qualities? He couldn't have described them as "four smart daughters"? Four industrious daughters? Four accomplished daughters? Four loyal daughters? Four talented daughters? Four loving daughters? The only thing he can think of in relation to a woman is skin deep? It's shameful. It really is; however, this is a different issue the story he tells, so I'm not going to grade his book on his attitude towards women when that misguided attitude isn't expressed in the novel, so he gets a bye on that one!

Meanwhile, back at the story, Alvin has to battle sinking land which, when he illegally picks flowers, delivers him to the underground prison for goblins. He has to deal with the idiot Crimson Guard, the idiot King, and a two-headed dragon. He has to visit the goblins who strike terror into everyone, and he has to figure out the real reason for the color drain, in which he gets a lot of help from the mouse who seems to know everything.

All in all, and criticisms aside, this was a fun story and will offer young minds a lot to think about. It has a lot in common with Gary Ross's movie Pleasantville which has a similar basic theme, but which is a different story intended for an adult audience. It also has some things in common with Jasper Fforde's Shades of Grey (which has nothing to do with the "fifty shades" trilogy. I recommend this novel for middle-graders, but I wouldn't want to read a sequel to it.


Saturday, January 21, 2017

Clementine and the Family Meeting by Sara Pennypacker


Rating: WORTHY!

I never knew exactly what a penny-packer did for a living, but now I do: she writes great stories for kids! This was a fun book for middle-graders. I haven't read any others in this series, but this one worked as a stand-alone. it was smart, inventive, and entertaining even for an adult reader because of Clementine's quirky take on her life and her interactions with everyone she encounters.

Clementine is apparently prone to get into trouble one way or another, and when she learns there is to be a family meeting at home one evening, she panics because she can't remember doing anything wrong lately and is mystified as to why a meeting should be in order. It turns out that the family is going to be welcoming a newcomer: mom is pregnant!

Naturally Clementine has issues with this, being perfectly happy with her four-square family. Adding a fifth to the mix knocks everything off kilter as far as she's concerned, and as if that wasn't bad enough, her rat has escaped - the one she was working with in a science experiment at school. And she;s lost her favorite winter hat - the one grandma knitted for her.

Marla Frazee's line drawing are great, and very evocative. Sometimes her perspective is a little off - Clementine seems to shrink to almost half her size when she goes to talk with her teacher one day at recess. That aside, I liked the drawings and the take on life shown here, as well as the well-written ending. I recommend this (and perhaps the others in the series too, if they're anything like this one).