Wednesday, August 11, 2021

Sweet Revenge by Diane Mott Davidson

Rating: WARTY!

The story is that "When caterer Goldy Schulz investigates a murder at the local library, can she prove a dead woman is responsible for the crime?" And my question is: why the fuck is a murder being investigated by a caterer? Does she plan on dishing out justice? I think this story would be immeasurably better if the title was "What's cooking, Goldie?"

The Pool Boy by Nikki Sloane

Rating: WARTY!

"After a messy divorce, Erika decides to take a day to relax by the pool - and is caught sunbathing naked by her pool boy! A USA Today bestselling author serves up a red-hot story of forbidden passion." How is this forbidden exactly? On second thought, who gives a fuck?

Where Are You by Sally Bryan

Rating: WARTY!

"Erin and Gia have a passion for the ages - until Gia disappears without a trace. When the memory of her lost lover comes back to haunt her 10 years later, Erin's feelings ignite all over again." She sounds like a psycho.

The Château of Happily Ever Afters by Jaimie Admans

Rating: WARTY!

"When her elderly neighbor, Eulalie, passes away," Eulalie, really? She named after a musical instrument or something? "Wendy is shocked to learn she’s inherited Eulalie’s French château." I'll bet. "But there’s a catch" No, really? "She has to share the castle with Eulalie’s irritating nephew, Julian!" Of course she must because it's the dumbest idea ever, so why not? Rather than turn it down, she lets herself be forced into compliance. Another tamed and obedient female character created by another unimaginative female author whose cookie-cutter writing copies every other novel where the MC falls for an irritating guy. "Can the unlikely housemates overcome their differences?" Oh for fuck's sake. Seriously? Why not just title the novel dumpster fire and be doen with it? "A laugh-out-loud read." I doubt it.

Cutthroat Cupcakes by Cate Lawley

Rating: WARTY!

I recently read and enjoyed Vegan Vamp by this author, although I would not want to read a series about it. Unfortunately, this book blurb makes this story seem thoroughly dumb. "When a cursed cupcake is used to kill, candy shop owner Lina is accused of being a witch and deemed the prime suspect. Now she’ll have to face her magical prowess and ensure the real killer gets their just desserts" Yeah. The witch cursed the cakes! And the warlock who works the case is a distraction! And this is the start of a series called the 'Cursed Candy Mysteries' - seriously? What, she's going to accidentally curse something in every volume which ends up with someone dying and there's a series? Because god forbid we should ever have anymore stand-alone novels. What a nightmare that would be. Barf.

Select by Marit Weisenberg

Rating: WARTY!

After Julia jeopardizes the future of her secret community of wealthy superhumans, she’s forced to attend public high school as punishment." Public high school is a punishment? What the fuck? Is that what this snotty author thinks of public schools? of course she meets "enigmatic John" and "everything changes…" except for the fact that this is yet another stupid, unimaginative YA piece of garbage. No wonder Kirkus thought it was "A spellbinding Romeo and Juliet retelling with “a mighty twist at the end to look forward to.” That, right there, is enough to make me avoid this one. And of course if there's one more thing we need in this world it's yet another stupid-ass retelling of Dumb-ass Romeo meets idiotic Juliette in which the couple live.

Mr Big by Nana Malone

Rating: WARTY!

"Many different women know Zach as Mr Big, but to Emma, he’s her older brother’s best friend." Where the fuck did that dumbass rule come from? That your best friend can't date your sister? It's in all these uninventive cookie-cutter novels, but it doesn't exist in the real world. And Mr Big, really? Why not have the author's name be Banana Malone and your main character named Ivor Hugedick? Barf.

Three Stupid Weddings by Ann Gallagher

Rating: WARTY!

The inevitably "Recovering from a breakup," guy, who is ironically named Victor, "isn't ready for romance, which - given his matchmaking family and the three upcoming weddings he has to attend - is terrible! Good thing he has his best friend, Dom, to play pretend boyfriend. But there's one complication: There's nothing pretend about Dom's true feelings for Victor." Dom and Victor? Really? This this a gay romance of a BDSM story - or is it both? I'll pass.

Bite Me by Christopher Moore

Rating: WARTY!

"Abby Normal" (really?) "and her undead friends must save San Francisco from a monstrous vampyre cat in this 'wildly funny' New York Times bestseller (Charlaine Harris)" If this is Charlaine Harris's idea of wildly funny, then it's good enough for me - to avoid it like the plague. In this case we need less of Moore. Roger that.

The Dog Share by Fiona Gibson

Rating: WARTY!

"When empty nester Suzy" That's how your main charcter is viewed? In a negative light like that? Who wants to read about a character the book blurb writer evidently hates or at least disrepsects? Anyway, "when Suzy befriends a terrier named Scout on the Scottish island she calls home, her life takes a turn for the better. But can Scout lead her to newfound romance?" No. The dog will lead her to a life of misery and suicidal impulses as the rabid dog slaughters everyone on the island. Yes of course she's going to find romance. What kind of a dumb-ass question is that - and what does it say about what an author and/or publisher think of their readers that they persistently ask brain-dead questions like that? And why do most all of these stupid descriptions start with 'when'??! Plus, how the fuck does a stray dog end up on an island and why isn't Suzy trying to find the actual owner instead of romance?

Beyond by Maureen A Miller

Rating: WARTY!

Maureen is a Miller? I thought she was a writer! Just kidding. This book is described as "A page-turning book" - what book isn't a page turning book? I guess if it were a short story occupying one side of one page it wouldn't be, but that would be a really slim book, and you'd turn the page anyway, just trying to figure out where the rest of the book was!

Here's the unoriginal story: "The day after her high school graduation, Aimee Patterson is accidentally abducted by a group of humanoid aliens. She won't be returned to Earth for five years - but when she meets handsome warrior Zak, she must choose between her home and an unknown future" Right because a relationship with your alien abductor is perfect. This is YA at its dumbest, trashiest, worst. Aimee evidently doesn't give a shit about who she left behind or who is grieving over her disappearance. And an alien named Zak? I assume there will be some weird alien name that sounds like Zak, so that's what dumb-ass Aimee calls him as opposed to actually making an effort to learn his language. In the film version, he will also speak with an American accent! LOL!

The First Time We Met by Jo Lovett

Rating: WARTY!

"Izzy and Sam have never forgotten the moment they met - it was Sam's wedding day. When fate brings them together again 14 years later, can they claim the happiness they missed out on so long ago?" Is that really a serious question? It's tired trope time again, folks!

Wide Awake by KB Anne

Rating: WARTY!

"First in a series!" Of course it is! "When Gigi's grandmother reveals their magical lineage, Gigi is suddenly dealing with visions, a shadowy stranger, and a spell book her best friend is obsessed with" I;ll bet she wishes grammie did reveal a goddamned thing, tha tlittle shit! And I'll also bet that shadowy stranger is her bad-boy love interest. Yet another unimaginative and unoriginal take on am already worn-out trope. I much prefer my strangers well-lit - because when they're drunk they're funny as hell.

Wicked Saints by Emily A Duncan

Rating: WARTY!

This blurb says, "The lives of a cleric, a prince, and a mage intertwine as they seek to assassinate a king" Why? Why can't the mage do it all by his or herself using magic? Or is this yet another dumb-ass fantasy wherein magic has its arbitrary limitations? And if Emily is a Duncan why does she go by Emily? Now there's the real story! Just kidding!

Love Always, Wild by AM Johnson

Rating: WARTY!

AM Johnson? Really? This novel's description blithely informs us that "Wilder never forgot his college love, Jax, the man who disappeared from his life nearly a decade ago. Now a successful author, Wilder has turned his heartbreak into a literary masterpiece. But he never expected Jax to read his book and seek him out" That's funny because every single reader (of book or blurb) fully-expected exactly that. So why is Wilder (Wilder, really?) so stupid. And Jax? Honestly? This is exactly what I'd expect from an author who publishes under the name 'Johnson'. I'm looking forward to the next effort by PM Johnson. Not sure about reading PMS Johnson.

Max and the Multiverse by Zachry Wheeler

Rating: WARTY!

"After a strange accident, Max begins slipping between alternate universes in his sleep - with a talking cat by his side." No. Just no.

The Ninja by Eric Van Lustbader

Rating: WARTY!

Eric Van Lustbader is a name that's always amused me. A Douglas Bader I can respect, but a Lustbader? I dunno! But it's not the name that's at issue here, it's the dumbass book blurb as usual in a non-review. The description asks, "When a ruthless serial killer targets people close to him, can martial arts expert Nicholas Linnear use his skills to take down a powerful villain?" What's he going to do? Kick the crap out of everyone until one of them confesses? I'm not convinced a linear inquiry is going to work! What if he needs to make a leap of logic? LOL! No, let the cops handle it.

Death Overdue by Allison Brook

Rating: WARTY!

Time for some more non-reviews where I look at idiotic bookd escriptions fpor fun! In this novel "Clover Ridge's newest librarian joins a former librarian's ghost to investigate two murders." A two-fer! Well, that's different I guess. In a way! In other ways it's precisely the same as all other books of this nature with interfering busybodies who have no business getting involved, running around impeding and otherwise trashing a police murder investigation for their own petty and pathetic reasons. I'll guarantee that this librarian - the living one - does no library work except maybe for a token gesture at it in each volume, but it doesn't really matter because no one is going to frequent a library where the patrons are always being murdered!

Buzz, Sting, Bite by Anne Sverdrup-Thygeson

Rating: WORTHY!

This audiobook, read delightfully by Kristin Milward, is a wonderful overview of the insect world and the importance of all of them - even the annoying ones! Anne Sverdrup-Thygeson is a professor of conservation biology at the Norwegian University of Life Sciences located about 10 miles south of Oslo. She writes well, and with a nice sense of humor which isn't lost in the English translation that I listened to.

There are nine main chapters, the title of each being self-explanatory:

  1. Small Creatures, Smart Design: Insect Anatomy
  2. Six Legged Sex: Dating, Mating, Parenting
  3. Eat or be Eaten: Insects in the Food Chain
  4. Insects and Plants: a Never-Ending Race
  5. Busy Flies, Flavorsome Bugs: Insects in Our Food
  6. The Circle of Life - And Death: Insects as Janitors
  7. From Silk to Shellac: Industries of Insects
  8. Lifesavers, Pioneers, and Nobel Prize Winners: Insights From Insects
  9. Insects and us; What's Next?

Here are some quotes directly from the book description - which for once in a rare while is accurate and useful: "Most of us know that we would not have honey without honeybees, but without the pinhead-sized chocolate midge, cocoa flowers would not pollinate. No cocoa, no chocolate." "Blowfly larva can clean difficult wounds; flour beetle larva can digest plastic; several species of insects have been essential to the development of antibiotics." "There are insects that have ears on their knees, eyes on their penises, and tongues under their feet." What's not to love about a book like this?! I commend it heartily.

Matias and the Cloud by Jorge Palomera

Rating: WORTHY!

From an advance review copy for which I thank the publisher.

Argentine author Palomera has delivered a colorful, inventive, and charming wordless picture book here, about a young boy who has a fabulous birthday, and who gets down to the last of his presents and discovers that someone has sent him a cloud! Naturally he wants to play with this, and in much the same way as a kid who abandons the present and turns the box into a multipurpose toy, Matias does the same thing, but in this case actually with the present, turning the cloud into several fun toys, including a beard and bushy eyebrows, and a bed for his dog.

The cloud doesn't appear until about two-thirds the way through the story, but it's fun when it does, and Matias proves himself to be a clever kid. I can imagine an adult reading this with their own child and inventing other ways to enjoy a cloud, had we one available. I commend this as a fun and accessible story which will stimulate all imaginations.

Friday, August 6, 2021

Under Dark Skies by AJ Scudiere

Errata: "the Jeremy Kite incidence" I think the author means 'incident'. "He couldn’t figure it out." Should be ‘She couldn’t figure it out’

I am avowedly not into werewolf or vampire stories for the most part because they're far too cookie-cutter: each one is a clichéd clone of the last, especially if it's a YA story (which this blessedly is not). This particular one promised to be different and thankfully it started out quite differently, and I liked it very much, but the more I read, the less I liked it because it was so trudging and inauthentic, and although the author took a commendably different tack with the werewolf part of the story - which is something I advocate authors to do, but so rarely see - she fell down on the realism with regard to the FBI investigation over missing children.

One immediate problem with this narrative is that while it is thankfully not in first person, it is told alternatingly from the perspectives of the main two characters, which means tediously going over the same ground we already covered, but from the other protagonist's perspective. That became an irritant in short order, and led to me quickly skipping portions of the text where this happened.

One sad trope the author didn't skip I'm sorry to say, was the haunted backstory that I've seen done to death far too many times and of which I am so bored. Are there no detectives who don't have a haunted past? No PI's? No FBI agents? No CIA officers? LOL! Not in the fictional world there are not, and it is such a tired trope. FBI agent Eleri is a woman whose lost sister has haunted her for years (not literally). Donovan is a werewolf. Both work for the FBI division of Nightshade, although they may as well be regular FBI agents for all the part that 'nightshade' actually plays in this story.

Eleri is the experienced agent and she plays mentor to Donovan, who is a new recruit who was previously a medical examiner, so the pair are like Fox and Mulder from X-Files with genders reversed. Other than that, this isn't remotely like X-Files. It's simply a missing children story, so why nightshade division needed to be involved is a mystery. That said, I read only fifty percent of this before giving up on it, so I may have missed something more supernatural toward the end.

At one point they locate a dead body in a shallow grave and Eleri supposedly helps excavate the body, but I seriously doubt that an FBI field agent would be on her knees digging up a body when an expert forensic team is there. She would just get in the way and mess up stuff. I may be wrong - I'm not an FBI expert, but it just seemed off base to me. There were times reading this when it felt like the author was putting shit into the story just to show off how much research she'd done rather than getting on with the story. I don't appreciate it when authors do that. If you feel like some things need to be in there, then there are much more subtle ways of doing it than were exhibited here.

The story has it that children are going missing and it's connected to a religious cult called The Children of God, situated in a remote part of Texas, so the agents head down there and then hit such an unrealistic series of coincidences that it became too much. On top of that, there was a lethargy about raiding the cult's camp that was utterly insupportable. That's why I quit reading in the end. I guess the author did it to have a big showdown at the end, but it came off as just plain stupid.

So, first absurd coincidence is that while out reconnoitering the cult's compound as his werewolf self, by accident, Donovan encounters a kid called Joshua who has escaped the compound. He's bleeding badly from a wound apparently inflicted with the edge of a shovel, and he has a broken arm and bruises, and Donovan and Eleri take him to a hospital, but despite the kid's descriptions of the brutal life there, do they raid the place? No! They don't consider this enough evidence to do that! Instead they're more concerned about finding a good place to sleep the night.

Second, and again purely by accident, they find a girl also from the camp, and who tells the same kind of stories about it that Joshua has told them. This girl is identified as one of the missing girls, and her story corroborates everything Joshua has already told them. She has also been badly treated. Do they raid the place? No! They don't consider this enough evidence to do that! Instead they're more concerned about finding a good place to eat.

Next, and again purely by coincidence, they encounter a truck driver who has picked up one or two kids from the camp and helped them out. He corroborates a story about a girl from the camp who sought medical help at a hospital, and later was killed in the camp, according to Joshua. Do they raid the place? Hell no! They don't consider this enough evidence to do that! Instead they're more concerned about the endless Texas heat. I'm sorry, but this is bullshit and piss-poor writing. This is thoroughly unrealistic and just stupid. It really turned me off the story and that's when I quit reading. It was too much.

I liked that Eleri's power was that she would dream true things and this helped the investigation, but there were still issues with this: in that she wasn't much more aggressive in finding her missing sister who she dreamed of often. There was a poor excuse made for why she didn't, but given that this supposedly haunted her for years, it made no sense that she hadn't pursued it when younger. I think that the young Eleri's quest to rescue her sister would have made a better story than this one turned out to be.

The werewolf part of the story I liked for the most part, but there were problems even with that. For example when he's investigating the compound, the author has Donovan's wolf sprint at over 30 mph for an hour, which isn't possible. Wolves can reach some 30 mph, but only in short bursts, and from the pseudo-scientific descriptions that are given, Donovan's change from human to wolf is a physical thing involving readjustment of his bones, which makes it seem like, rather than become a wolf, he's really a worst of both worlds wolf-human hybrid, and therefore he'd be hampered by his change, not enhanced by it. And no explanation is given for why two species as disparate as a dog and a human, would even remotely have a hybrid.

It's supposed to be through mutations, but given that canines and humans have not shared a common ancestor for well over forty million years, there's nothing to support even a fictional attempt to pretend there's any science involved in the hybrid. Plus, if two organisms can mate and successfully produce viable offpring, they're the same species, so this hybrid idea is nonsensical unless you keep it purely in the supernatural realm. You can't turn pure fiction into science. The idiot creationists learned that a good while back.

At one point the author has Donovan say, of his enhanced sense of smell, "I have a larger nasal cavity inside my head than most straight-up humans." He's trying to suggest this is why his sense of smell works so much better than most, but that's not actually how it works - not all of it. Dogs have a unique organ in the base of the nose called Jacobson's organ, for example, that humans do not have - or anything like it. They also have maybe as many as 300 million olfactory receptors in their nose whereas humans have some six million, so yes, having a large area for detecting smells is important, but it would be larger than any human has, and it's no good unless you have the brainpower to process that information.

Dogs devote 40 times more brainpower to processing smells than do humans. All of this ultimately goes back to your genetic complement. The olfactory receptor part of the vertebrate genome is the largest genome superfamily, signifying how important it is to us, and whereas humans have around 900 'smelling genes', rodents have almost twice that many. We have a lot that are broken and useless because they were no longer critical to our survival, so there was no evolutionary benefit to maintaining them, whereas dogs have a stunningly impressive ability to smell tiny concentrations of odor, so there's no doubt they have more functional genes in this department than we do. None of this is even mentioned in Donovan's 'explanation'. I felt more could have been done, or else the author needs to abandon any attempt to pretend there's any sort of rational scientific basis behind Donovan being a werewolf and just leave it in the supernatural.

As it was, I could have let those things slide, but the trudging and lethargic pace of the investigation, which led to me skipping parts of the narrative just to get past those bits, together with the absurd coincidences and lucky breaks, the obsession with inner monologues, with the Texas heat, and with dining and sleeping arrangements, and the complete lack of anyone's interest in raiding a cultist camp that was clearly abducting and abusing children and women was so ridiculous that I couldn't stand to read any more of this. I'm done with this series and with this author.

Monday, August 2, 2021

The All-Consuming World by Cassandra Khaw

Rating: WARTY!

From an advance review copy for which I thank the publisher.

I really dislike pretentious novels and this one was up there. It was also mixed voice in the sense that most of it was third person, but on occasion there was first person. I'm not a fan of mixed voice novels, and even less a fan of first person. I liked that the story hit the ground running, but there was a narrative and a dialogue that was not only obtuse, but was also larded with the kind of language that would make Deadpool blush. This is not a compliment, since I have no interest in reading either of these writers, but the novel is like the unfortunate bastard child of William Gibson and Bret Easton Ellis. I never liked Ellis. I used to like Gibson, but he quickly went downhill for me.

The story is futuristic cyber-punk, and it's one of these over-baked, aggressive books about tough-as-nails characters (in this case, female) who are so hardened and foul-mouthed that it's like a parody. I don't care about four-letter words here and there in a story, but this thing is so thickly-larded with them that it's hard to read. On top of that, the author seemed like she couldn't write a sentence without pulling out the thesaurus, so the text is dense and impenetrable in many places. I'm pretty well-educated, but this made for a really tough read, and not so much because the words were beyond my reading range, but because there was so much of this hyperbolic stuff that it really made it nightmarish to go through. How about this for a random sentence: "The only question is which sentential declension carried that nugget." It's all like that, and it's too much - especially so for a novel in this genre.

The plot was simple, but it was all-but obliterated by the writing style. I ended up not so much reading it, as reading bits and skimming chunks. There was a team of female cyber-enhanced and cloned warrior women who had a sorry end to their last mission. Now some of them want to find out why it went so badly wrong and to figure out what happened to the team member who didn't die, but went missing. My problem with this premise is that this is a world where AI is advanced and in charge of everything and has little regard for humans. If this is the case, why are humans, slow of thought, and uninventive, sent to fight it? Why not robots? Why not hackers?

I thought of this particularly when the two characters from the first chapter, who are trying to persuade a resentful set of ex-team members to regroup, try to recruit the one who was their driver. Why do they have a human driver? Or pilot, or whatever she is? Even now we're having road vehicles enhanced by the use of computer-made decisions. Airplanes have had a lot of this technology for years. Now these people, purportedly in the future, want to take a backward step and have a slower-thinking human as their getaway driver? It made no sense and betrayed the whole world that the author had built. Naturally you want the human element in this, but these women really didn't feel human to me, and they weren't anyone I was interested in reading any more about. I didn't care about them, what they did, or what happened to them. But if you're going that route, you can write a better story about them and why they're needed instead of AIs. This story didn't do that.

The story of the girls was interleaved with another story, about this AI machine which was interested in working for a larger AI. I may be completely wrong about this, but it seemed obvious to me that this little AI was actually the missing team member who the others were searching for. Again, it didn't stir my interest, and if this is what turned out to the be case (I have no idea if it was), it was not interesting to me, since it had been telegraphed leaving no surprises. These assorted problems I perceived in the plot and the writing style were why I DNF'd this one. I can't commend it based on the fifty percent or so that I skimmed/read.

Sunday, August 1, 2021

Hope Defined by Shannon Humphrey, SY Humphrey

Rating: WARTY!

The book blurb makes this novel sound interesting but book blurbs lie. This one started out on the wrong foot with me by having everything taken to extremes and too much slang in the speech to find it remotely interesting to read. The story is that Hope is your trope weird outside kid, up against the class queen bee, and it’s a tired trope that this novel didn't promise anything different to ameliorate.

There's a sci-fi element to this which you don't usually find in such stories, but I never got to that part because I was so turned off by the writing in the very earliest pages that I DNF'd it. One example of the poor writing is right up front and it's the double reference to a boy who was talking to the class about a project he'd done. Twice he's described like this with the space of a couple of screens: "He stood behind a podium and talked as confidently as if he had discovered a cure for cancer."

The book also features drop caps which do not work, not in a ebook. Keep your text as simple as possible because if you don't it will get screwed up, especially if you make the mistake of getting the Kindle version, which I don't, but the drop caps still cause problems, so all around, this was a no for me.

Buzz by E Davis

Rating: WARTY!

After I finished an entertaining sci-fi read, it took me a while to find a book I actually wanted to read next, and this turned out to be it. Several I had on my unread list were first person so I decided to save myself some grief and I skipped those. A couple of others I started reading and found that they simply didn't appeal, so I skipped those. When I started this, it seemed like it might be the exception, but in short order, I became convinced it had been a mistake to even start reading this, it was so full of trope and so amateurishly written.

I mean, we're told that the main charcter, is “a guy who did a carpentry apprenticeship” but we're also told that he's been on the ice since he was three with a lifelong crdream to play professional ice hockey, so when and where in hell did he end up doing a carpentry apprenticeship? Akso, what's with the title? Buzz? It plays zero part in the story - at least in the part I could stand to read.

This was about this gay guy, Cameron Riley, who wants to be an ice hockey professional - which is a bit of a cliché I admit - but it turned out he had some sort of problem which the doctors are trying to figure out, so he can't play for a while (and that's the end of ice hockey in this story BTW), Cameron travels to stay with his older brother, who is also gay of course because gods forbid there should be any straight guys or cis women in a LGBTQIA story! Naturally, his sabbatical is where he meets Noah Clark, the love of his life, so there's some telegraphing going on here and once in a while, the author appears to forget she wrote something, so she repeats it or contradicts it a few screens later.

For example, at one point early in the story when Cameron is hospitalized after fainting on the ice, his brother Jackson messages him saying "On my way, should be there tonight." Shortly after this, when Jackson shows up, I read, "The mix of expressions on Cameron's face made Jackson smile: confusion, then surprise and joy." So did Cameron not recall reading the message announcing his brothers intended arrival? Or did the author simply forget she'd written that earlier part?

In another example, early in the novel, Cameron's boyfriend, Nathan, a complete asshole and not in a good way, texts Cameron to dump him saying he's had enough of his drama and he's moving out. The extreme cruelty of this message makes a reader wonder what the hell shit Cameron has been pulling to piss off a guy like that, so it's not a good idea to have your character become free in such a manner. This cliché was no surprise though, since in stories like these, you evidently have to have the wounded gay guy looking for love (yawn). In fact that's the worst time to get into another relationship, but not long after that point, I read of Cameron wondering to himself about Nathan, "Would they become ugly roommates now?" How are they remotely to be roommates of any hue, if Nathan is summarily moving out? Again, the author quite evidently forgot what she'd written.

The misleading book blurb - typically written by some dipshit who never read the book and has no real clue about it (or anything else for that matter, hence my series of Non-Reviews that I post periodically!) - claims that Cameron is the bad boy, but there's nothing to support this in the story at all. In short, and as usual, the blurb lies. I was so relieved this wasn't first person PoV because it would have been a real nightmare. As it was switching unnecessarily between three perspectives when the main character's PoV was more than sufficient was just dumb writing and made for an unpleasant read.

I finally quit reading when three houses came onto the market and all three brohers each liked a different one, and decided there and then to jump up and buy them so they could all hang out together like a frigging bunch of bananas. Barf. I know this is intended as a series, but WTF? I honestly could not stand to read another sentence in this jackass story.

Home on Folly Farm by Jane Lovering

Rating: WARTY!

This was an audiobook read very nicely by Rose Robinson, about this woman who inherited her grandfather's sheep farm in Yorkshire and has her snotty sister come to stay. It started out great, with some nice snarky humor, but then the tone seemed to change, and it seemed like it lost a lot of its charm, becoming far less amusing and much more irritating.

There seemed to be two reasons for this. The first issue was that the romance part started to become a bit much, with this woman having tingles and spasms whenever this guy was around, and she was not even a teenager. It would still have been annoying even were she in her teens, but she was a mature woman. That's not to say she can't get excited about a potential man in her life, but must it be so pathetic and juvenile a reaction? The other issue was that her sister was so thoroughly and irredeemably obnoxious that I can't believe the farming sister didn't punch her right in the mouth already.

The spoiled-rotten city sister is named Cassandra, and the famer - or more technically the rancher (although they don't call them that in Britain) - is named Pandora. Those names were problematical. They didn't seem to apply, because Pandora was more like the Greek Cassandra in mythology, and conversely, Cassandra was more like a Pandora. Maybe the author intended it this way as irony, or she got the mythology mixed up? I don't know. I really didn't like either of them that much, but Cassandra not at all. Had she been simply irritating, but had a saving grace here and there, that would be one thing, but the author has made her such an extreme, outright selfish bitch, and she had Pandora barely even reacting to her insults and passive aggression, and her privileged behavior and downright abuse. It was far too much.

Pandora "farms" this rare breed of sheep for their fleece which she sells to crafts people. She's been warned by the local police that there's a gang of smugglers operating in the area, kidnapping sheep, yet when she hears a truck (in Britain, a 'lorry') go by, she's not even remotely triggered by it. Now this is a woman who's living on the thin edge of profitability, and who depends entirely on her sheep since her 'farm' does nothing else, and there's not even a mild suspicion in her mind; not even of wondering if that truck might be the smugglers? It made her look stupid and incompetent.

When the smugglers do actually show up, Pandora is slow to react. She doesn't own a gun because this is Britain, and while licensed firearms are permitted, and people on farms are more likely to own one than anyone, I guess, Pandora doesn't. That's fine, but she is armed with a phone to call the cops and she doesn't do that immediately. She does do it, but then she heads down to where the truck is, and without any plan as to what to do. Presumably it's a camera phone since all of them are these days, but she doesn't seem to think of trying to get a picture of the truck, or of the license plate or the men!

This is in northern Britain where there are drystone walls galore and Pandora doesn't even arm herself with some rocks! I hate maidens in distress stories, but in the context of that kind of story, which this really is in many ways, this would have been the perfect time to have the guy step up and do a little bit of heroics, yet he's as clueless as she is. If it were me, I'd have her throwing rocks at the truck to smash windows, or at the guys to chase them off, or I'd have the guy sneaking in the darkness and slashing a tire or two on the truck, but they don't even manage to get the license plate number between them! It was a disaster which made them both look useless. I know not everyone can step up and be heroic, but this is fiction, and I expected a bit more from the tough and seasoned woman that we're led to believe Pandora is supposed to be. It was sad.

When Cassandra arrives at the farm, with her son Hawthorn (I kid you not) who goes by Thaw for short, which in Britain sounds like Thor, she also brings along her son's tutor, who Pandora believes is Leo - the man she had a bad relationship with many years before. She believes Leo doesn't recognize her and then discovers this is Nat, Leo's brother, and learns that Leo died from a drug overdose, but it soon became clear that there is no Nat. This is Leo who is trying to redeem himself. Yawn. At least that's how it seemed to me. I may be wrong and I didn't care by then anyway. This whole thing was tedious and far too drawn-out with ominous and very soon irritating references back to Pandora's 'bad relationship'. It became annoying because it just dragged on and on and on.

So anyway, when the cop arrives, he sits drinking tea and eating cookies instead of getting out in his vehicle to see if he can track down these guys, and the last thing he thinks of doing is putting out an APB on the truck. I know this is a romance and a family problems story, not some sort of heroic action adventure, but seriously? It's not a Miss Marple story either, so a little more realism and depicting the police in a bit less of a lethargic light wouldn't hurt! It was at this point that I decided enough was way too much and I ditched it right there and then. God! I resented wasting my time on this story when I could have been listening to something worthwhile.