Monday, March 1, 2021

Deception Well by Linda Nagata

Rating: WARTY!

I read this some considerable time ago and barely remember it, which is what is now coloring my rating, because if it had been more entertaining than it evidently was, I'd have finished out the series, but I have no interest in ever reading it again or getting back into these stories at all.

There is a series of four: Tech-Heaven, The Bohr Maker, Deception Well, and Vast and they're only loosely connected, although I believe a couple of them are more sequential and connected than the rest. I never did read the first one and cannot summon up any interest in doing so now.

This story, named after the planet where it takes place, is set in a community which lives on the side of a space elevator. Why, I do not recall, but they are trapped there. How they survive is sketchy. The planet below is supposedly infested with nanotech that is commonly believed harmful, so no one is allowed down there, but even though there are rebels who wish to be set loose down there, the authorities won't allow it. There's no reason at all given as to why they're not simply allowed to go. Naturally they do go down there eventually, but I can't for the life of me recall what happened, which should speak volumes about how uninteresting this was.

Nor is there any info as to why this high-tech society doesn't have robots - a common omission is far too many sci-fi stories. Those robots could have been sent down there to probe the surface and see if the problem was A, as bad as it was supposed and B, getting better or worse. It seems to me that nanotech has a lifespan and maybe all the tech is dead on the surface now. No one seems remotely curious to find out what the status is! That's not authentic and it's a common problem with this sort of dystopic novel because the author stupidly seems to treat everyone as though they all believe the same things and behave the same way - there never are any rebels or conspiracy theorists, or adventurers, or whatever. It's not realistic.

The novel must have seemed interesting enough at the time, but reflecting on it now, it seems silly. There is a main character named Lot who is the son of a guy named Jupiter Apolinario, which I'm sorry but is just plain stupid as names go, to say nothing of pretentious. Earlier, he led a group of followers down the planet and they were never heard from again. Just like his father, Lot is considered a potentially inspiring leader, but as a character, he never inspired me! After all of his suffering, maybe he should be consider a Job Lot?!

We're told in the book blurb that on Deception Well, "a razor-thin line divides bliss from damnation" but if they have no idea what's going on down on the surface, and have never investigated it, how can they possible know this? Again, stupid. Like I said, I did read this once, but I recall nothing of it and have zero interest in starting it again (I know 'cause I tried!), so in hindsight I cannot rate this a worthy read.

Tuesday, February 16, 2021

The ABCs of Global Warming by Charles Siegel

Rating: WORTHY!

From an advance review copy for which I thank the publisher.

This book about the dire effects of climate change - effects we have been seeing for some time and are seeing increasingly - does what it says, offering "What Everyone Should Know About the Science, the Dangers, and the Solutions." It keeps it succinct, laying out the facts, backed by copious (200+) references, explaining simply and quickly what the various problems are, dismissing the objections authoritatively, and laying out the do's and don't's of how to fix the problem, rooted in science, not in "I'm in my own reality" speak that a certain thankfully ex-president of the US chose to speak - no doubt for business reasons rather than for any benefit to our planet.

The book is short, easy to understand, and in my opinion, it ought to be essential reading for every student. I commend it as a worthy read.

Saturday, February 13, 2021

Gender Rebels by Anneka Harry

Rating: WORTHY!

Promoted as "50 Influential Cross-Dressers, Impersonators, Name-Changers, and Game-Changers", this audio book covered a surprising and sometimes disturbing variety of women who went outside the norm (as it was back then since most of these stories are historical, although some are contemporary) to get the life they wanted. The tongue-in-cheek mini-bio book is narrated by author Anneka Harry, along with Gemma Cairney, Maya Jama, and Suranne Jones, all of whom were eminently listenable. There is an interview section at the end which was hilarious and highly entertaining.

I've seen some negative criticism of this book which talks of it being disrespectful, or employing an inappropriate approach or humor, but I think the problem with those reviewers for the most part is that they simply did not understand the British sense of humor. For me this book could do no wrong. It was outstanding and not only respected the women described here, but also championed them. Many of them I had already heard of, but most I had not, and this is from someone who has gone out of his way to learn more about such women. Another criticism I saw was that some of these women were not nice people. No, they were not, but nowhere does this book promise only to report on angels and goody-two shoes women. It's merely talking about those who broke the mold, and it promises nothing about whether they were good people or bad.

The women featured are (in order of appearance!):

  • Hatshepsut
  • Hua Mulan
  • Saint Marina
  • Joanna of Flanders
  • Onorata Rodiani
  • Joan of Arc
  • Elena de Céspedes
  • Mary Frith
  • Catalina de Erauso
  • Queen Kristina of Sweden
  • Kit Cavanagh
  • Julie d'Aubigny
  • Ulrika Eleonora Stålhammar
  • Mary Read
  • Anne Bonny
  • Mary East
  • Catterina Vizzani
  • Margaret Woffington
  • Mary Hamilton
  • Hannah Snell
  • Margaret Ann Bulkley
  • Kaúxuma Núpika
  • Amantine Lucile Aurore Dupin aka George Sand
  • Charlotte Darkey Parkhurst
  • The Brontë Sisters
  • Mary Anne Evans aka George Eliot
  • Ellen Craft
  • Loreta Janeta Velázquez (note that this particular one is disputed)
  • Lillie Hitchcock Coit
  • Cathay Williams
  • Jeanne Bonnet
  • Violet Paget
  • Mary Anerson
  • Clara Mary Lambert
  • Qiu Jin
  • Isabelle Wilhelmine Marie Eberhardt
  • Dorothy Lawrence
  • Umm Kulthum
  • Florence Pancho Barnes
  • Dorothy Tipton
  • June Tarpé Mills
  • Saraswathi Rajamani
  • Dame Stephanie Shirley
  • Rena Rusty Kanokogi
  • Bobbi Gibb
  • Pili Hussein
  • Sisa Abauu Dauh El-Nemr
  • Tatiana Alvarez
  • Maria Toorpakai Wazir
  • Sahar Khodayari
Note that this list is from the audiobook, so I make no claims for accurate spelling, although I've tried to get 'em all right. It's the only complete list I know of outside of the book itself.

I really enjoyed this book and highly commend it - unless of course you don't get British humor and/or are not entertained by a playful narrative in which case you might want to opt for something staid - or stay-ed?

Wednesday, February 10, 2021

The Sorcery Trial by Claire Luana, JA Armitage

Rating: WARTY!

This was essentially another in a long line of Hunger Games rip-offs and was bizarre. I'm not sure what I was expecting. I guess I thought it might be funny, but it wasn't. It was first person, which is typically worst person to voice a story in, and that showed here. The main character who ridiculously goes by "Jacq" is a too-young gofer at a TV studio who gets zero respect and has no prospects which begs the question as to why she's working there in the first place. Clearly she has no self-respect. She wants to be a stunt woman for reasons unexplained, but this is entirely the wrong place for her to be working if she's serious about pursuing that sort of a career. Clearly shge;s not too sharp. I shall call her Jackass from this point on.

The story is set in a world where the world of the 'faerie' (another author - correction pair of authors - too chickenshit to call them fairies) which has just been exposed to the human world, yet there's zero interest in it! No documentary teams are covering it; it's not a news item, and the first time it comes to prominence is through a reality show that Jackass's boss is running? How did this happen? Why did this happen?

There is this huge leap to 'it's suddenly happening', with zero explanation as to why the fairy king would even agree to such a stupid stunt, and then suddenly it's full-on Hunger Games where contestants could die even when they're simply competing in qualifying heats, and not one person, not even Jackass, thinks there's anything wrong with this? Why would she? She's a frigging moron.

Jackass's boss, who is all about publicity, inexplicably fires Jacq rather than exploit it for the news-worthiness of it, when she saves the life of a wannabe contestant on the course - a contestant who was trapped in a bear trap and pretty much lost her foot, who was then in danger of being eaten by an actual crocodile, and who finally was also in danger of being burned alive in a forest fire. In reality she would have sued the asses off the TV company - and won - and the company would have been bankrupted.

Instead, in the story, Jacq is carrying this injured contestant, who was all but passed-out from blood loss, when I read the following, as Jacq surveyed the area with a view to escaping the fire: "A cliff - complete with waterfall - loomed before us. Climbing it while carrying this girl was going to be almost impossible, but what choice did I have?" Hello there's a fucking fire, go into the waterfall, you stupid bitch! That's when I quit reading this shit.

Jackass's supposed motivation is that her sister disappeared into the fairy world a year or so before, which begs the question as to why she's pursuing being a stunt woman and working for a TV company instead of pursuing a life of becoming a private dick and going after her sister if she truly cares so much!

But then not a single thing in this story makes any sense except the predictable YA non-romance horseshit, the flat uninteresting characters, the shitty story-telling, and the general dumbness of the plot. It's trash: utter, total, unmitigated and ridiculous trash. If it had been a parody it would have made more sense, but it wasn't, and it wasn't funny, and it made no sense. You'd have more fun slitting your own throat with a blunted razor than you would reading this pathetic shit.

Tuesday, February 9, 2021

Speechless by Madeline Freeman

Rating: WARTY!

This is based on the Little Mermaid, but it's more like a Disney-esque version than a Hans Christian Anderson version (which is nothing like Disney's take). I'm not a fan of Disney because they're not known for originality, and these days they're far too big and powerful. It looks like this novel isn't very original either - especially since it's based on a rip-off premise to begin with. And for the first in a series it's predictably padded.

This novel could have begun at chapter nine, which is a quarter of the way in, and lost nothing at all from deleting the first eight chapters. The ebook has all the chapters listed (Chapter 1, Chapter 2 etc., and if you can fit your finger on the right one (good luck with that!) it will take you to that chapter, but tapping on that chapter header will not return you to the content page. For the life of me I cannot see why the hell a content list is included in ebooks. It's stupid and pointless, and just one more indication of how clueless and robotic publishers tend to be, with sadly few exceptions.

The story is also a rip-off of another Disney property - Marvel's X-Men. It's set in a future where genetic mutation has given some people abilities that make zero sense. Main character Aria's special power is that she can breathe underwater using gills that appear when she's immersed and disappear when she's dry. There's nothing in the human genome that could do this. While we share some curious traits with fish, we haven't actually been fish in a very long time, but this author would have us believe we're just a mutation away from returning to the sea!

Fine; I'll play along. So what has this YA author got for us? Well, a lot of predictability for one thing, and sub-standard writing for another, but I shall get to that later. Predictably, and exactly like in Marvel's X-Men, Aria is an 'aberration' and aberrations are predictably pariahs. In real life they would actually be celebrities, so this rang hollow. Predictably Aria has a hot guy, Alonzo, who is her best friend, although naturally she never sees him that way because he's an adopted 'brother'. Predictably, Aria wants more than her present life and dreams of joining one of the Mars colonies which ridiculously has also become a reality TV show for those on Earth. She predictably defies her father and signs up for inductee testing where predictably she's roomed with three vicious, lying, back-stabbing bullies. Yawn.

Predictably she meets a hot guy named Declan who's a bit of a bad boy and who is predictably in a position of power. Predictably she starts falling for him despite his betrayal of her, thereby setting up the predictable YA 'love' triangle. The tests she has to go through are stupid and worthy of a badly-written middle-grade novel, but Aria is chosen as a special snowflake because the testers are wise to her aberration. She's chosen - for no good reason - to go on a special mission to retrieve some data for them, otherwise Alonzo will be hurt somehow.

Here I have to give a minor spoiler. There is no Mars colony. At least not on Mars. It's on Earth and everyone has been fooled. This is profoundly stupid because people would know. At the very least there would be conspiracy theories about it, but here everyone is completely fooled! What, no one who worked to actually build the colony ever figured out what they were building? If the colonists actually built the colony, no one ever noticed that Martian gravity - which in reality would be less than 40% what it is on Earth - is exactly like Earth gravity? People would notice! The author makes no mention of gravity, even as she talks about faking the different positions of the stars and the smaller relative size of the sun from Mars. She would have been better-off choosing Venus which is equally unlivable, but if you can terraform Mars, then why not Venus? It's much more like Earth in terms of size, gravity, and so on.

So Aria's job is to break into the Mars colony and steal data that would allow her boss to prove the colony is fake? Seriously? None of this makes any sense whatsoever. Since they know where the colony is, all they needed to do was expose the location to bring the whole stupid façade tumbling down! But apparently only Aria can break-in because the route is underwater. They claim no one can use SCUBA equipment because it would be found, despite there being countless places to hide it. So instead of a specially-trained agent breaking in, Aria does it and she's hobbled by being morphed into a lookalike of one of the colony residents, despite this change hampering her mobility and losing her the ability to speak. All of this is done to conform to the fairytale, but none of it makes any sense whatsoever in the context of this story!

And who does she run into twice while on the mission? Only the guy she moons over from watching the colony reality show. I'm sorry but this is horseshit. It's thoughtlessly written, badly-written, and makes no sense overall. Badly written? Yeah. I read at one point, "and she gritted her teeth and pushed through" and then less than one screen later, I read, "She gritted her teeth as she pushed herself to her feet." There must be a lot of grit on those teeth. Hopefully she won't have to smile too much....

Aria's break-in takes place during a solar flare when the Mars satellites have to be shielded and no show is transmitted, so it's a quiet time on the colony: there's no filming, and she can sneak around. Since she's going in at night, it makes no difference because there's no filming at night so we're told! But here's what Aria says: "I thought only satellites around Mars had to go into shielded mode." She has this confirmed, but the author seems not to realize that Earth is nearer to the sun than Mars and therefore more at risk from solar flare damage, not less! If Mars satellites need to be shielded then Earth's satellites sure as hell do!

In being transported to the colony for her mission, Aria, who has this huge affinity for water, somehow fails to notice she's on a boat! There's this tunnel she has to swim through to get to the colony and we're told, "There aren't any cameras in the tunnel - for obvious reasons." What reason are those? Would one of them be so someone could swim into the easiest ingress into the facility undetected?! This is really bad writing. Yeah, they wouldn't transmit a TV show from cameras in underwater tunnels, but for security they would need them. And if they're maintenance tunnels why are they flooded?!

At another point I read, "Aria nodded, but her minds spun with terrible possibilities" Um, how many minds does Aria have? Is this another of her mutations? Or just a typo that wasn't caught? My theory? She has only one mind, but she makes up the others! LOL! A common YA author faux pas - meaning literally, a false step - is to say something like "He wanted to explore the areas of Mars that people had yet to step foot on." The phrase is actually 'set foot', not 'step foot' unless of course you're an evidently ill-educated YA author, in which case by all means step your foot in your mouth.

The author writes that for the colony, they had "genetically engineered some of the heartiest trees on Earth to thrive in the Martian environment." Heartiest really? I think she meant 'hardiest'. This is right up there with 'step foot' and 'staunch' when 'stanch' is meant. These are common, annoying and utterly predictable YA author screw-ups. I see them all the time. It's almost a hallmark of YA authorship.

The author seems not to know what a schematic is. I read that Aria had seen a "holographic schematic of the chip Declan had sent to help her identify it", but a picture of the chip isn't the same as a schematic, which is a circuit diagram! A schematic shows the wiring of the chip and it's hardly something that would help her identify it unless she saw inside the chip and was an engineer who was familiar enough with the technology to identify it from the schematic. Trust me, that's not Aria.

Another problem is when authors try to be too clever for their own good. This isn't a YA issue per se (not 'per say', which is another YA faux pas), but it is a sci-fi issue. The author has her characters on Mars referring to a day as a 'sol': "I haven't seen you in years, and now I've seen you twice in less than a sol." No one talks like that. Even Mars colonists, if there ever are any, will not talk like that, They will say 'day' since the Martian day, as the author points out correctly for once, is only about 40 minutes longer than an Earth day - The Martian year, on the other hand, is twice that of Earth, which is another reason the colonists and the viewers would know they were not on Mars.

There's no reason to use sol, just like there's no reason to refer to humans as 'Terans' as is done in every freaking stupid space travel story ever told. No one uses that word. Why would it suddenly become universal in the future? The planet is Earth, not Tera. It never has been called Tera. It's Earth and we're humans, Why would that change? And why oh, why would aliens call us Terans? It makes zero sense!

This novel doesn't make that mistake - at least as far as I read - but it does have people routinely swearing, yet using completely ridiculous cuss words - namely the names of the moons of Mars: Phobos and Deimos. No one will ever do that! It's never been done. Why would it? People have been saying 'fuck' and 'shit' for centuries. It won't change! Why are YA authors so stupid, and pathetic and squeamish about cuss words? I guess that says a lot about who these tepid stories are aimed at, huh?

Needless to say at this point, I lost patience and DNF'd this pile of crap. The truly sad thing is that the author apparently taught high school English for ten years. Ten frigging years! That makes me truly sad and actually glad she's no longer teaching. I condemn this novel for being yet another exemplar of all that's bad with story-telling, with the English language, and with YA novels.

Thursday, February 4, 2021

The Classic Slave Narratives by Olaudah Equiano, Mary Prince, Frederick Douglass, Harriet Jacobs

Rating: WORTHY!

This book really is four books in one, beginning with Olaudah Equiano's story (told here as Gustavus Vassa and running to about 170 tightly-packed pages) and followed by Mary Prince (c60pps), Frederick Douglass (c90pps) and finally Harriet jacobs (c160pps) this book makes for a depressing and disturbing read - and should be required reading in schools so that those clueless assholes who've been chanting 'all lives matter' lately, will actually 'get it', and understand that yes, all lives do matter, but by blindly chanting that, you're missing the point, morons.

The list of inhuman actions in this book - in any one of these four books for that matter - is both predictable for anyone who knows human nature, and horrifying. Given that most people were 'good Christians' during the entire time these crimes against humanity were taking place serves only to starkly highlight how utterly useless religion is as a moral code.

It's also an eye opener for those who did not know that slavery was in place in Africa long before it was exported to the USA and other nations. Africans were helping in this evil trade. It wasn't just a white folks industry, although you can successfully argue that white folks were the ones who took it to new depths. In Africa, black lives did matter - even those of slaves.

I commend this as a worthy read.

Charlie Thorne and the Lost City by Stuart Gibbs

Rating: WARTY!

Not being a big fan of series, I don't normally ever get to volume two even if I started volume one. In this case, I skipped the first in the series because I was unaware of it until I saw this one and was attracted by the fact that it involved Charles Darwin. You don't usually see his name in this kind of a story. It would have been nice to have seen a little bit of education slipped in here and there regarding his scientific Theory of Evolution, which is the bedrock of modern biology, but there really was none of that, and worse, there was some seriously misleading science. So while I initially began reading this favorably, I can't commend it after finishing it and realizing there were far too many problems with it to overlook them.

I wasn't expecting much from this middle grade novel, but it proved to be an engaging read to begin with, if annoying at times. The story is very much of the Dan Brown category: someone who is speedily following a series of clues to solve a mystery, while being chased by evil-doers. I don't use that comparison as a compliment since I'm not a Dan Brown fan, but it will give you a broad idea of what's going on here.

After her adventures in Charlie Thorne and the Last Equation, Charlie has evidently been hiding out in the Galápagos islands seeking anonymity. She's surfing and otherwise generally doing nothing save read a book here and there. She has money, presumably somehow obtained during the first novel, so working isn't a necessity, and it's just as well since she's only twelve - but apparently looks older. That was the first slippery slope proposition in my view, since it's often used as a lousy non-excuse when a guy is charged with statutory rape ("Well she looked eighteen"), so while I let that slide for the sake of reading on, it's nevertheless a problem for me.

The main problem with Charlie though, is that she was much more of a Mary Sue than a Charlie. She never got into any real difficulties, and effortlessly effected escapes worthy of an animated series. On top of that, she was constantly reminding us, that is, when the author wasn't, that she was a genius - probably the smartest person on Earth. That was irritating as hell. For example at one point I read,

"Of course I’m right," Charlie told him. "I’m me."
Seriously? Even if it were true about her being so smart, it's a stupid mistake for an author to keep slapping his readers in the face with it, but the fact is that it's not true.

The confusion is a common one. The author conflates knowing a lot of trivia with being smart. The two aren't equivalent and the sad thing is that though we're reminded of how smart she supposedly is with metronomic tedium, the truth is that Charlie's actions prove her to be other than a genius. She wouldn't do dumb things that make little sense if she were indeed as smart as she's so often claimed to be.

Maybe she's hiding her light under a bushel, you think? Bushel is an archaic term for a bowl, hence its more modern use as a measure as opposed to the use back there as a shade. But knowing that trivial item doesn't make me super-smart. The thing is that we really don't get a lot of Charlie as an actual person. She's more like a place-holder for a real character, or more like an android (or given her gender, I guess a 'gynoid'!). We never see her around kids her own age in this story, so she's constantly dealing with adults who never seem to like her at best and at worst, want to kill or to capture her, so maybe this influences how she presents. Or maybe they just knew her better than we readers ever will?!

The thing is that if Charlie truly wanted to stay off the radar as we're told she did, she would have kept a much lower profile than she had been doing where she was hiding. Instead of being a star of the surfing circuit, she might have found a quiet cove to read or to snorkel? And making her brilliance known by volunteering at the tortoise rehab centers was a poor choice. This is what I mean about her not being as smart as she claims, because she ought to have known better, and she doesn't. Better yet, why not move her idle carcass to a large city where it would be a lot easier to hide? And where she could actually do some good helping other people instead of indulging her every whim? She doesn't seem like a nice or a thoughtful person to me.

But her dwelling on that island and volunteering is how she comes to the attention of Esmerelda, who seeks her out for help deciphering a code that was, we're told, etched onto the shell of a tortoise by Darwin himself, the better part of two centuries prior to Charlie finding out about it. In an era where we've discovered a certain ex-president's name scratched onto the back of a manatee, this sounds a bit inappropriate to say the least, but I'll let that slide. Tortoises in the Galápagos islands are very long-lived unless the animal has been hunted for meat or died from some other cause and rotted away prematurely. So Darwin etching the underside of the tortoise is problematic with a message for the ages. It seems like he would have been smarter than that.

Darwin was studying change both in the planet's crust, and in the lives of plants and animals and it seems very doubtful to me that knowing how impermanent things are, and how living things can also change so readily, he would have recorded the various clues he left in a form where such inevitable changes could easily erase or destroy them, and in only that one way given that he lived a long life after his voyage and had ample opportunities to record it elsewhere or share it with people he trusted. For the undiscerning middle-grader, these things might seem convincing, but if subject to any thought at all, they're so far-fetched.

That same rule applies across multiple clues, others of which I'm not about to reveal in any great detail here, but I have to say that in one case, a stone used to build something tends to be a rectangular block, and if something were etched on it and later that same stone was carved into a different shape to be used for another purpose, any original etching would be long gone! And if you're trying to hide a clue in a natural setting by using fire to mask it, you'd think a genius would make it look like a natural forest fire rather than a deliberate attempt burn off a clue! This is what I meant about Charlie's actions not really mirroring her billing as a genius.

There were some writing issues which I shall mention because there were so many of them. One or two here and there are not an issue, but so many do tend to distract from enjoyment of the story. At one point, for example, I read how a stick of dynamite behaved when kicked off a boat: "It sailed off the boat and exploded a second later, close enough to knock her and Dante off their feet. A piece of red-hot shrapnel nicked her arm, while others whistled past her head." Shrapnel is named after a British army general and initially referred to what in modern times might be a pipe bomb or something similar. Dynamite itself contains no shrapnel - typically metal fragments, or ball bearings or something like that. The way dynamite would hurt would be from a compression wave, especially if experienced underwater, and would result in a concussion and ear-bleeding, so this rang hollow, but again, maybe middle graders won't think twice about it.

After a certain person (name redacted) had literally tried to kill Charlie, and she makes this observation about that person's mood: "XXXXXXX sounded as though they really wanted to kill her." That's a bit much given that the person really was trying to kill her! At another point I read, "...it would swallow up any evidence of the cities within decades, if not sooner." Well, the 'within decades' covers 'if not sooner' so it seemed a bit superfluous. At another point in the story Charlie and another person were searching for some food in the jungle, and I read this: "They had tracked down a moriche palm full of aguaje fruit within only a few minutes-and then spent another two hours trying to retrace their steps." This suggests again that Charlie isn't so smart. Had she not thought of calling out to the person they'd left back at the boat, in order to follow their voice back? If they were only a couple of minutes' walk away they could surely have heard each other. It felt like it betrayed the girl's smarts.

At one point I read, “The most famous spot was Yellowstone National Park, which was located in the largest volcano caldera on earth,” which simply isn't true. The largest (as of this writing!) is the Apolaki Caldera in the Philippine Sea. If you're talking 'on dry land' and 'square area', then Yellowstone caldera gets it, but it's actually four overlapping calderas, and the park isn't in the caldera, it's the other way around. By the same token, the Amazon basin isn't quite the same size as the entire United States, but once you start seeing errors of fact, it's hard to stop! I don't agree with those people who claim it's just as easy to get it right as get it wrong. It's much easer to get it wrong, but I think we owe children a better education than this, so when they call out a 'fact' from your novel in an argument or worse, in school, they get it right, not wrong, and they trust you as a writer.

One of the annoying and anti-scientific facets of this novel, and which does Darwin a grave disservice is talk of 'proof' of evolution and of 'missing links'. First of all, science doesn't talk about proof, it talks about the preponderance of evidence and that's a bit stodgy for young children, but not asking too much for them to understand if a bit of foundation had been sown through the writing. But to talk of a definitive 'missing link' in hominid evolution is pure bullshit.

Human evolution is complex and it's replete with links, so there's nothing critical that's still missing. In Darwin's time there was, but he barely mentioned humans (in terms of evolution) in "On the Origin..." brushing it safely under the carpet with a "light will be thrown on the origin of man and his history." It wasn't until over a decade later in The Descent of Man that Darwin tied humans into the mix. If he'd found anything concrete he would have mentioned it there, and he would not have spent the time he did studying an orangutan named Jenny at the London zoo. The fact that he had the chance to mention this fictional 'discovery' without giving anything concrete away about it in 'Descent' yet did not undermines this whole story's premise. The fact is that finding a fossil, or for example, something like chimpanzees in South America wouldn't 'prove' anything. And there is no way he could find any such thing there because it South America never has had apes and no evidence of there ever being any such thing has turned up there.

One last problem was this animal that Charlie befriended. It had earlier been terrified of this helicopter, yet later it's depicted sleeping soundly onboard while the chopper is flying, and while you can argue it was sedated, when it awoke it showed no sign of fear or panic whatsoever. It wasn't realistic. Again most kids who read this might not think about these things, but that doesn't mean an author ought not to be aware of them and get them right - or re-write! We all screw up; there's no escaping it, but a little more attention can reduce these incidents to a negligible level.

The only other issues I ran into were the usual Kindle formatting ones. I detest Kindle because it slices, dices, and juliennes everything that's not plain vanilla and pure text, so I wasn't surprised to see a numbered list appear like this:

There were three reasons that might be true:
1) Darwin had traveled faster than she had calculated, so they had not reached the right spot yet.
2) She had misinterpreted what Darwin meant. 3) The river no longer turned to blood.
Note the third item is on the same line as the second instead of on a line of its own. This is one of many reasons why I will do not business with Amazon. But that's just me, and it doesn't reflect on the content of the novel itself - just on the editing and checking. Clearly this is another novel written as a print novel with little to no thought given to the ebook version.

Another such issue was where the page headers got tied right into the text because of the incompetence of the Kindle process, predictably turning everything into kindling, so I read:

“...archaeolog CHARLIE THORNE AND THE LOST CITY • 263 ical sites”
That happened in more than one place.

But I'm judging on content, not on kindling, and by that measure alone I can't commend this as a worthy read. The main character was at times obnoxious and her situation was just too Mary Sue and simultaneously too improbable. As a Saturday morning TV cartoon, this might have sufficed, but as a middle-grade novel it needed more. I can't see any promise in a series that pretends on the surface to honor great scientists, but in practice does them such a disservice by making up improbable stuff and treating real science so cavalierly.

Monday, February 1, 2021

Ava and Taco Cat by Carol Weston

Rating: WORTHY!

Okay, I read these out of order, so sue me! This is the second. I liked the first and did not like the third, but I can report that I liked this one which did not feel like your typical cloned-volume in a series, unlike volume 3 which was essentially a retread of volume 1 with a few details changed.

Since this is an audiobook, I actually listened (as opposed to read) to all three in this series, getting all of them on a discount deal from Chirp which was nice since I liked two of the three. The reading, by Kae Marie Denino, is consistent and enjoyable in all three. The books are also all very short! So, in this one Ava gets an apparently stray cat, which I knew from volume 3 she was both going to get and keep, so no mystery or suspense there. There's also a side story about friendship and fear of losing friends as they make other friends.

The palindrome and other types of word usage are not overdone here, I'm happy to report. The first volume bordered on annoying the reader by putting too much of that in the story, but this one has a lot of story and a lot of heart, so it was appreciated much more, and overall I rate this a worthy read.

Gopher Golf by Karl Beckstrand, Jordan C Brun

Rating: WARTY!

I was curious about this book which is the third in a series of picture-only books. I have not read either of the other two, but I suspect these will appeal more to very young children than to anyone older, because to me it made little sense and wasn't really as easy to follow as I'd expected it to be - in the sense of knowing exactly what was going on.

The illustrations were very cute, and I liked the frenetic tone to the images, but there really wasn't a story in the way I'm used to following one. It was more like a middle with no beginning or end. Maybe for little kids this doesn't matter so much, but then I'm forced to ask: if there's essentially no story - or certainly no written story, when why is there an 'author'?!

An illustrator, or artist or however you care to describe Brun, makes sense, but I'm at a lost to see exactly what Beckstrand contributed except in the vaguest of general ideas. And yet he gets first billing over Brun! But that's a pet peeve of mine: I always feel the artist in books - children's books, comic books, whatever, deserves top billing for the work they put in, but the writer always gets that. It just seems wrong to me!

But I digress. I can't commend this as a worthy read not because there is literally nothing to read, but because it was just a shotgun blast of confusion. I've followed and enjoyed word-free books before, so it's not the format or style that turned me off. This one seemed neither a story nor a book, and certainly not a story book.

Glory Roslyn and the Heart of Universe by Tushar

Rating: WARTY!

This is a middle-grade novel which I believe is a translation from an Indian dialect, and the language is very simplistic and unsophisticated. I don't know if that's because of how the original was written, or because of a poor translation, but what seemed charming to begin with soon turned into an annoyance and I was unable to finish the story because I lost interest in it. Because of the style and the awkward phrasing, the story very much reads like English as a second language and while that's a relatively minor problem as far as I'm concerned, when it comes coupled with the story itself being not an engaging one, it makes for a disenchanting read.

The beginning featured main character Glory, who was treated unnecessarily harshly to the point where the story was depressing. Before we had a chance to get to know her at all, the story then switched to a different world entirely and seemed to get stuck there. At first, this was a relief because I did not like Glory's story, all depression with no relief, but this new one featuring a gnome turned out to be worse.

I didn't like the gnome, and the tale became really rambling, and dissipated into extraneous detail that contributed nothing to moving the story along. It was like the author was so enamored of the world that had been created here that actually telling a story in it seemed irrelevant. Consequently, it felt like nothing was happening and I lost all interest in pursuing it. It didnlt helpt o fidn occasional confusing bits of writing like, "even their ancestors believed this pond would always be the heaven for families of big fatty frogs." Heaven? Or haven? And 'fatty frogs'? Really?

The story is supposedly about Glory, who is an eleven-year-old orphan. We're told she has a beautiful heart, but there's no real sign of that in the part I read that featured her. Glory's 'companion' - a tiny dragon that appears on her hand - made a couple of appearances, but Glory seemed like she had zero curiosity about what this was and why she had it. It in turn made the dragon uninteresting because it appeared to do nothing save lead her to an egg from which hatched a little elephant-headed creature.

It was at this point that I gave up because the story seemed completely random, going around in circles and leading nowhere. I wish the author all the best but I could not get interested in this story or in any of the characters.

Ava XOX by Carol Weston

Rating: WARTY!

This was a tired formulaic story that exemplified everything that's bad about series. I listened to the Ava and Pip original audiobook by this same author recently, and liked it, but this one, also an audiobook, was too much of a 'more of the same' story, which really had no story, and it was pretty much a cookie-cutter clone of the first volume in the series (this is volume 3 which I read out of order, but the order doesn't really matter). The reading by Kae Marie Denino was fine, but the story really wasn't.

In the first volume we had Ava making endless palindromes which was frankly a bit tedious because there were so many of them, but it wasn't awfully bad. There's more of that here, and it's really too much more in a second volume, and it becomes wearing rather than entertaining. Was there not another aspect of the English language the author could have explored here? Additionally, we have Ava once again doing something thoughtless, getting chewed out by other people, fixing it, and then becoming friends with the people who were extremely hostile to her just a short time before. This is exactly what happened in the first story. So what it transmits here is that Ava can't learn and is stupid, which is never a good thing to do to your main character, and it says, I'm making you, the reader/listener, pay a second time for what's essentially the same story with a few details changed, which suggests that the author thinks you're also stupid to fall for the same trick twice.

On top of that, there's the 'hey, I didn't know I loved my best friend' trope, which is tediously common in YA novels, and here it reared its ugly head in a middle-grade book. Again it says the main character is stupid to have failed to realize she has a special bond with her best friend. Even an eleven year old can tell that. It also says her friend Chuck is stupid for failing to realize this in return, and also that he's an insensitive jerk to hang around with Kelli, who is a jerk herself. When he quits seeing her (after too long) the book also says it's fine to lie to people since he doesn't tell her he's done hanging with her because she's a jerk, but because his mom said she didn't want him hanging with people in that way at his age. In short, he outright lied.

The text for the day here is also the same as the first volume, in that it relates to considering others' feelings, but the story actually undermines its own morality tale because, after having had people chew out Ava about her total cluelessness regarding body positivity, it still has her go ahead and put out a poster essentially saying, 'hey fatty, here's how to shed a few'. It's not that bad, obviously, but it might as well be.

So for me this book was a fail because it sent all the wrong messages and often contradictory ones at that. Ava's mother at times seems cruel and cold as well, which is frankly disturbing. Now I have the second book to get through, and I'm thinking it's probably also going to be a redux of volume one. We'll see. At least these books have the advantage of being short!

Seven Skeletons by Lydia Pyne

Rating: WORTHY!

Narrated very well by Randye Kaye, this book written by a woman who also has a Y in both first and last name, was an excellent study of how fossils become celebrities. It is not about human evolution or the human family tree, so you'll need to read elsewhere for that information. Nevertheless it can be argued that a bit more of the evolutionary side and the linkages (or lack of same) between these fossils would have served well, I feel.

That said I enjoyed it immensely. The book covers these seven fossils (listed here in order of discovery):

  • Homo neanderthalensis, specifically the Neanderthal known as La Chapelle-aux-Saints 1, which was discovered in 1908, although the first example of the Neanderthal was discovered in 1856 in the Neander Valley in Germany.
  • the Taung Child (Australopithecus africanus), discovered in a quarry in Taung, South Africa in 1924.
  • Peking Man (Homo erectus pekinensis) was discovered starting in 1929 at Zhoukoudian near Beijing.
  • Lucy (Australopithecus afarensis) was discovered in 1974 at Hadar in Africa. A team at the University of Texas-Austin where the author also has an affiliation, x-rayed Lucy's skeleton and came to the conclusion that she died probably from a fall from a tree, although this is disputed. The author doesn't mention this, so I assume this took place after the book was finalized, the book being published the same year the study was conducted (2016).
  • Homo floresiensis, discovered in 2003 at Liang Bua on the island of Flores in Indonesia.
  • Australopithecus sediba was discovered in the Malapa Cave in South Africa in 2008.
The seventh one covered is the Piltdown hoax - remember it's not about fossils per se but about fossil celebrity, which is why this hoax was included.

The story is about how and why these fossils became celebrities, and not necessarily about how important they are to science or how rare they are, or whatever. In that, the book does a good job detailing how they were found and what happened to them since then, including their path to stardom and the reasons for it. I commend this as a worthy read.

Dreadmarrow Thief by Marjory Kaptanoglu

Rating: WARTY!

This is the second of this author's books I've tried to read and now I'm quite satisfied that she's not an author for me. The first problem with this novel is the multiple PoVs, at least one of which is first person, which rarely works for me. I found neither of the first two main characters I met to be of any interest, and I gave up quickly on any plans to read further. If I'd known that Kirkus reviews praised it I wouldn't have even started reading this, because Kirkus never met a novel they didn't rave over - like every novel is brilliant? How can that be?! Negative reviews are a big negative with them and what that means is that their reviews are worthless because they'll praise anything.

As far as this novel is concerned, the main character is an idiot whose irresponsible stupidity gets her father killed. That's a big enough indictment, but no doubt she gets over it very quickly with a cheap and badly-written YA "romance". Barf. The main character's name doesn't help: Tessa Skye? Seriously - a girl who has an amulet that can transform her into a sparrow just happens to be named 'skye'? She's supposedly a locksmith's apprentice although she seems to do little in that regard, but no doubt her lock-picking skills will predictably avail her in the story - perhaps when she frees this loser guy from the stocks, but I couldn't stomach the idea of reading that far.

The author seems enamored of trying to think up pseudo-catchy names for objects and running two words together to get there. For example, the amulet isn't an amulet, it's a 'windrider' and the magic wand Tessa seeks to resurrect the father she got killed is the 'dreadmarrow' of the title, but it's not made of bone, it's made of wood, so go figure. It's just a lot of stupid and pointless, but the biggest problem for me was that the story was slow, boring, and predictable. It was going nowhere and offered nothing that endless poorly-written YA stories haven't offered before. Because of that, it's not worth reading.

Beautiful Demons by Sarra Cannon

Rating: WARTY!

This is a depressingly cookie-cutter YA series starter wherein the author seems to have made a bet with herself that she could get every single YA trope into the book in the first 100 screens and I think she succeeded, so I was quickly convinced that this novel would not be occupying my 'currently reading' list for long. The book blurb insists that "Harper Madison isn't like other girls" and then the author goes on to give the lie to that by making her exactly like every other YA girl. To whit: Harper is a troubled child, who is also an orphan child, and who is starting a new school. You could switch the main character's two names and still have a trope YA main character name. Harper Madison? Madison Harper? It doesn't make any difference.

Harper has the "I like the bad boy, but I also like the hot quarterback golden boy syndrome, aka a triangle. Despite the fact that Jackson smokes, and she detests smoking, she still has the hots for him and not a single word is spoken about him smelling like an ashtray. Sorry, but no. On top of this, she quickly runs afoul of the school queen bee, who is also a cheerleader and a bully. If Harper had had some backbone on their first encounter, I'd have had more respect for her, but no. There's also the trope obsession with boys in this novel to the extent that every other conversation these girls have is about boys and no other topics seem ever to enter their heads. Seriously, who reads this stuff? It's pure garbage that's almost exactly like nearly every other YA trilogy ever written. It's pathetic.

Harper apparently has the power of telekinesis, but she's never explored it. She's so stupid that she seems at a loss to even understand it. Never once has her curiosity prodded her to experiment with it, or to examine it, or try to control it. I'm sorry but this disqualifies her as a main character for me. It's not only unnatural, it makes for a bad story. If someone has a talent, it encourages them to employ it or take advantage of it and exploit it, but not this girl.

Now admittedly Harper has apparently ended-up killing her adoptive father because of this, so perhaps she's afraid, but this still doesn't explain why she's never played with the phenomenon prior to that. And if she felt bad about that accidental (or was it?!) death, then why hasn't she tried to control it since then? This death is also a problem: if she's guilty of manslaughter, then why hasn't she spent time in Juvie? They considered that she was guilty of starting a fire in which someone died - and she got away with it?

Given the title of the book, it was tempting to assume that those cheerleaders were all demons, or had sold their soul to a demon or something like, which might account for their extreme beauty and attitude, but I also wondered if the title was just misleading and these girls were not demons at all, but merely witches or magicians. Our lead girl, who is I assume going to come out in opposition to these people, hasn't yet figured this out. She's also lost her treasured pendant - the only thing she had left of her mom - which she obsesses upon in a deranged manner despite not even knowing this mom who gave away her daughter. I assume the pendant has been purloined by the demon girls in order to employ it to try to wreak havoc in Harper's life, but Harper isn't smart enough to figure that out. Her inexplicable focus on this, given that her mom ditched her, leads her to break out of the last chance girl's home she's been deposited in.

Her idiot idea is all about going her to find this pendant, when she hasn't even considered that she may have left it at home, or dropped it in the van on the journey to the game. So she steals a bike and rides to the stadium - which isn't in darkness, inexplicably, but is lit well enough for her to spy on one of the cheerleaders. The thing is that Harper is on her hands and knees under the bleachers and waiting for a chance to sneak out, when she loses her balance and falls over backwards with a whoop. What? How can you fall over backwards when you're on your hands and knees? And knowing she needs to be silent, she still lets out a whoop? This was ridiculous.

Harper nearly gets caught after the older guy who's with this cheerleader, Tori, upon whom she's spied, comes after her. Despite the fact that it's too dark for Harper to see him clearly, they can see her hidden under the bleachers! She miraculously gets away and of course, coincidence upon coincidence, Jackson is waiting in the barn when she returns the bike. She's all hot for him and his "rippling muscles." Barf. The next day, Tori turns up dead and Harper is the prime suspect for no apparent reason. She's hauled in for questioning from school in the middle of the day for no apparent reason and despite being able to move things with her mind, she ponders being trapped inescapably in the back of the police car. How dumb is Harper? This is seriously bad writing.

It gets worse. Without being read her rights and without being allowed to have an adult present, sixteen year old Harper is grilled by the sheriff who knows of her Jedi mind-tricks. You'd think with her history of multiple foster homes, Harper would have grown a pair, but instead of being badass and resisting the sheriff, she caves completely. Pathetic. It got worse though. I read this bit which finally decided me on giving up this trash. This is when the golden boy who's treated her like shit suddenly has a volte face and Harper isn't even really suspicious!

He put his palm on my cheek. I backed away, surprised, but he stepped forward and ran his fingertip along my chin line. "I was a real jerk to treat you like that," he said softly. "I understand if you want nothing to do with me, but I'm willing to do anything it takes to convince you that I'm sincere." I swallowed hard. Was I overreacting? "That first day we met in my sister's store, I thought you were beautiful," he said. He took my hand in his and caressed the side of my index finger...

So once again a guy thinks he can do whatever he wants to a girl he was downright mean to earlier, and what does this female author tell us? That it's okay. That the girl will let you - will accept your manhandling of her regardless of how you treated her in the past. That your only worth is your beauty. Nothing else matters. This is pure shit and any author, female or not, ought to be thoroughly ashamed of this kind of writing and reject it out of hand. Shame on you Sarra Cannon.

It's worse than that, though because this author evidently also thinks it's fine to have a weak female character who has no integrity, so self-respect, no spine, no moral core, and who, most despicably, instinctively thinks she's weaker than any male. I don't care about female characters like that. I have no interest in reading about them. I also think this turn the novel takes here proves how pathetic first person voice is, and what a seriously brain-dead choice it is for most novels, because in addition to the above, we also have Harper forgetting what happened - forgetting she was making out with Jackson not long before.

Now this is because, obviously, some sort of a spell has been put on her, but the fact is that Harper is the one relating this story word for word, conversation for conversation. How is it possible given that she's already recorded what happened, that she forgot it? Can she not go back and see what's she's written? If she's writing this later, then what accounts for her perfect memory of events - and if she has a perfect memory why is she forgetting stuff? If she forgot it, how could she have recorded the earlier part of the story? None of this makes a lick of sense! This is why first person is dumb as fuck. Once in a while it works, but usually no. Just no.

This story was too stupid to live and I ditched it at around 20% which was way more than it deserved. I ought to bill the author for wasting my valuable time!

Blood and Veil by Marjory Kaptanoglu

Rating: WARTY!

I wouldn't normally have read this because I did not like The Handmaid's Tale at all, but I was curious about the "secret society of wives." Worse than the Handmaid's comparison though was the book blurb which read, "Beautiful, cultured Gabrielle lives and works at a house of courtesans." Once again we have a female writer who is reducing her main character to skin depth, championing her beauty like that's the only thing a woman has to offer. Oh, and 'culture' as an afterthought. Given how truly lousy book descriptions are, I was hoping for better in the novel - a very short novella, as it happens - but I was disappointed. And it wasn't because of the amusing error in the text at one point where I read, "Eventually she doses off with the candle still burning." I assume the author meant 'dozes'.

The story seems not to have any overall plot and to be just an idea for a novel which was sketched out by the author and then without any further effort, was released as a novella. It's really the middle of a story - with the beginning and ending missing and that was part of the problem. The other part was that it really wasn't very interesting. The story jumps around between women, but it doesn't stay with any of them long enough to get to know them, and frankly I'm not sure I would have liked any of them even had I the chance to get to know them better, so that really was no big loss, I guess. The 'secret society' barely plays a part, so that was a bust, and overall, the story itself felt drab and not remotely engaging. I can't commend it.

Cauldron by Jack McDevitt

Rating: WARTY!

This is where I quit reading this series. At the time I didn't know I would be quitting it, but I sure wasn't anywhere near invested enough to actively seek the next one. In the end I read a prequel in which I was seriously disappointed. As is usual in this series, McDevitt spends way too much time on things which really don't drive the story. In this case it's ironically the new drive (which will power McDevitt's other series in this universe, but which is set a couple of centuries later, I believe).

Finally McDevitt gets serious about the biggest threat to the galaxy, which was discovered in the first book in this series, but then inexplicably neglected until this story, five novels later! It turns out that the omega 'clouds' are coming from near the center of the galaxy, and inexplicably after being rather retired from spaceflight, Hutch pilots this next trip to seek out the source, which turns out to be rather boring. Nothing much happens - it's all journey and little payoff, and I think this boredom is why I lost interest in the series - that, and the fact that with this discovery, it was largely over by then anyway.

Odyssey by Jack McDevitt

Rating: WARTY!

Priscilla Hutchins isn't even a pilot in this one - she's an administrator and the book focuses on a different pilot whose main qualification, it seems, is that she's 'beautiful'. Interest in space travel is waning (despite a deadly omega cloud with Earth's name on it?!) and so Hutch is fighting that, and a mission is launched to try and figure out what these 'UFOs' are that are being spotted out in space. They're named moonriders for no good reason, but why is the novel called Odyssey? In Omega, the clouds are called Omega clouds, so the novel is called Omega. Not here I guess. Anyway, this new pilot drops monitors to discover what these moonriders are, yet they apparently can't drop monitors to watch the omega clouds, one of which is barreling down on Earth?!!)

The story made little sense and is perhaps the most boring of the series that I read.

Omega by Jack McDevitt

Rating: WARTY!

This is the fourth novel in the Priscilla Hutchins series and like the previous one, it has nothing to do with the omega cloud threat per se, even though it is a threat from one of those 'clouds' which starts the story off.

Given that this threat was discovered in the first book in the series, you would think by now that humanity would have monitors on every known omega cloud out there, tracking it, but once again they're taken by surprise as an omega threatens a planet with a civilization on it. In true Star Trek mode (barf! I am not a fan of Star Trek), they've somehow convinced themselves that they must save the planet without revealing themselves to the aliens. This makes zero sense.

The idea in Star Trek is that civilizations must inevitably suffer after contact with a superior civilization, but this is bullshit based on a primitive and ignorant past. It makes no sense in an enlightened future (and Star Trek breaches the rule constantly!). It especially makes no sense here when an entire plant is threatened. Rather than try to tackle the Omega cloud, the focus inexplicably is on the planet and of course they end up making contact.

One again we have minor and uninteresting characters and a planetary threat - pretty much the same as in previous volumes, which is why I detest series for the most part - it's inevitably the same story over and over again with the same characters and that's precisely what happens here; same threat, same urgency. These novels could each have been written independently with new characters instead of being part of the same series and nothing would have been lost while there stood much to gain. Of course, then the cloning of the earlier volumes for re-use in later ones would have been far more stark. I guess maybe that's why it's a series? The more I reconsider these though, the more I wonder why I stayed with this series as long as I did. I must have viewed them differently when I was younger than I do now! Clearly my tastes and tolerance have changed!

Chindi by Jack McDevitt

Rating: WARTY!

The "Chindi" in the story is an asteroid that's been converted into a space ship to capture samples from across the galaxy. The story of Chindi is another example of McDevitt tossing a bunch of spoiled, uninteresting, flat and minor characters into a spaceship piloted by Priscilla Hutchins, the least commanding commander ever, and having them do stupid things repeatedly despite life-threatening scenarios on repeat. These "rich, amateur SETI enthusiasts" hire her to pilot them on a jaunt to try and track down where a mysterious signal is coming from, and their journey takes them on a sort of hare and hounds trip from one planet to another, each of which is orbited by an alien satellite. Why Hutch would go off on yet another trip populated by idiots is a mystery, and I forget what happened here. Maybe she lost her job or got fired or something, and was desperate for the gig?

Given that one of these secret satellites is around Earth, it's very strange that this group and Hutch are the only ones who are pursuing the signal, but here it is. Improbable is what McDevitt does, but he's well-off and old now so I guess she doesn't much care how he got there. The idiots abroad encounter evidence of a snake society which destroyed itself in nuclear war. How snakes would ever get that far is a mystery, but this is how McDevitt creates his aliens: they're just like Earth creatures with no consideration given to how or why. After snake world, they encounter beautiful aliens who fool the visitors into falling in love with them only to prove to be murderous and who take two victims from the passengers.

Finally they encounter the asteroid and discover it's a space-going zoo, so really, Star Trek 'The Menagerie'. It's been so long that I read this and I barely remember it, so I guess it really didn't leave much of an impression, but it certainly didn't turn me off the series otherwise I would never have moved on to the next one, which I did. Reflecting on it now though, several years later, I feel less benign toward it!

Deepsix by Jack McDevitt

Rating: WORTHY!

This is the immediate sequel to McDevitt's The Engines of God. Unlike that novel, which I read some time ago and then recently revisited via an audiobook, this one I read some time ago and haven't thought much about it since, so my recollection of it has dwindled somewhat and I had to refresh it a bit for this review. I do recall the basic story - just not a lot of the details.

It's set in 2204, and on the negative side, the second book in this series suffers from everything I despise about a series: that the subsequent volumes are really a warmed-over redux of the first volume, which is only a prologue to begin with. In this particular case, there's too much of the first book being repeated here, evidently in the hope that readers won't notice it's the same dinner with a different dressing: doomed planet (it was a moon in the last book) with people trapped on it (same), who do dumb things (same) such as wasting time on a formal burial on a planet that's going to be destroyed anyway, and finally, archaeology with a dramatic deadline looming.

That complaint aired, there was enough in here for me, having read the first volume, to continue with this series. I never did go back to re-read any of this series (apart from the aforementioned audiobook), so maybe that should tell you something! But here a rogue gas giant is threatening a planet with destruction and Priscilla Hutchins is once again the one who's on the spot. She takes a bewildering array of unimportant (to the story) characters there to study the wildlife and flora and also the remnants of a previous civilization. These minor characters get far too much airtime, and she really becomes a minor character in her own story. On top of that, the book is too long, but evidently I found it entertaining enough on my first read through to pursue this series into the next volume.

The Engines of God by Jack McDevitt

Rating: WORTHY!

This is the first in a series called "The Academy" - a series title that could have been a lot better! Why would anyone be excited by that title?! I'm not a fan of series, but I found this one, written in the mid-nineties, palatable when I read it some time ago in a print version. The rest of the series was written between 2000 and 2007, with one more novel coming out in 2018. The last one I read was Starhawk which was a prequel and which I did not like, so I haven't read the 2018 release. I recently listened to this first volume again as an audiobook and found it less thrilling than I originally had, but still a worthy read on balance. It has issues, but overall, I think if you like hard sci-fi this might be to your taste. There are times when it plods and the characters are a bit flat. They sometimes act stupidly, but after the last four years this should surprise no one.

I wasn't a huge fan of the reader of this audio book, which was Tom Weiner. He wasn’t a disaster, but his voice sounded a bit too hard-bitten for my taste. He'd be better of reading a noire private dick novel if you ask me - and one which I wouldn't have any interest in hearing! Given that the main character is female, I felt a female voice was required here, but that wasn't a story-killer.

The story is of a woman named Priscilla Hutchins, who of course predictably goes by 'Hutch' and who is a pilot for the Academy, an organization that fosters archaeological expeditions not on Earth, but on alien worlds where life once existed, but now no longer does. This is why this series appealed to me to begin with, because it’s different for your usual let’s kill evil aliens or evil space humans and which typically makes sci-fi stories so predictably tedious.

The story is slow-moving, and the pilot and the archaeologists she transports to several worlds do stupid things and get themselves into improbable scrapes, but the underlying story isn’t too bad, and it offers a mystery which threads through the series and is eventually resolved without making this volume feel like a prologue or a cliffhanger, and I appreciated that. Each story is self-contained while advancing the mystery through the sequence, although not all volumes address the mystery.

The underlying premise is that there was, perhaps several thousand years before, a race of advanced aliens of whom there is now no trace save for the monuments they left behind them: strange and often confusing monuments. One is a statue of an alien. This is where the story begins, and the archaeologists don't know if this is the people themselves - who have come to be known as the Monument Makers - or if it’s a representation of one of their gods or mythological figures. Other monuments they leave behind consist of very angular geometric shapes and which often seem to have been severely damaged by warfare or by some natural catastrophe. Some monuments look like cities from a distance, but close up are just solid 3D shapes with many right angles. Just enough to make them look unnatural. The story is one of the slow-dawning of knowledge among the archaeologists, as to what all of this actually means.

There are some problems with the story - of the nature of Star Trek-like stupidity or lack of inventiveness and foresight. Despite drones actually being in use since the mid-1960s and especially of late, and despite robots being in use since the mid-1950s, neither Star Trek nor this novel acknowledge that there are any such devices in use anywhere in the universe! Consequently we have these archaeologists and this pilot romping into unknown situations with no support or backup and every trip they make seems to have serious problems befall it.

There's clearly been no attempt whatsoever by this so called 'Academy' to send drones or robots to map newly-discovered worlds before humans go there to study them. It seems like their approach is to simply fly there on spec, using their FTL technology and then eyeball the place until they find something interesting to go down and look at close-up. In that regard, the writing is a bit primitive and amateur. It is from the mid-nineties, but I don't see that this is an excuse for equipping these people with pretty much the same technology and mindset we have today (minus the robots and drones!).

The premise at the start of this story makes little sense. The archaeologists are working on this one find, which is semi-submerged in the ocean. They've had almost three decades on this planet to dig and evidently they still haven't excavated this particular site. There's no word on why. There's a terra-forming corporation waiting to start making over this planet so humans can live there despite there being at least one other planet where humans could live without terraforming (more on that later). The thing is that the terraforming involves multiple nuclear weapons being detonated at the poles in order to melt the ice which somehow they figure will fix the biting-cold temperatures. To me that made no sense. The planet would be irradiated and unlivable, and if this project is looking like it will take a century to complete, as they say, it will have frozen over again before they can move there! Nuclear weapons? Maybe McDevitt's military past was overriding his common sense.

It’s been known since Eunice Foote demonstrated it in 1856, that carbon dioxide traps heat. A study in 1938 showed the greenhouse effect on Earth's atmosphere, and we’ve known Venus was such a runaway greenhouse planet since the late fifties and early sixties. The Intergovernmental Panel on Climate Change was founded in 1988, so it’s not like this idea of a greenhouse effect was unknown when McDevitt wrote his novel, yet he wants to use nuclear weapons instead of seeding the atmosphere with some CO2?

But here’s the thing: we're told that it’s going to be a century before the planet is livable anyway, so what difference does it make if the archaeologists take another day or two, to finish their dig? It doesn’t. Yet the corporation seems obsessed with a deadline, and in order to scare the scientists off, they let one of their comet snowballs fall early into the ocean, which ends up causing a tidal wave, and costs the life of one of the archaeologists.

In order to get even with them, Hutch the hero decides to send them a snowball, but this one is fake, made up of this expanding foam they use to package the artifacts they find. The problem with this is that even though it's low mass, it’s coming at their space station at over 4,000 mph, which means it would do some serious damage and Hutch ought to know this, but she claims it won't do more than bend a panel here or there. It ought to have got her fired, but no legal penalties come of either of these dangerous actions. Given the political scene of late I geuss this isn't so far-fetched after all.

The other problem I had with this scene is that they're planning on nuking this planet and there's no outcry or complaint anywhere about the indigenous life, some of which seems to be quite intelligent if rather apelike. That was shocking - that an author would write this - even in 1994, and not have any consideration for the ecology of the planet that they were destroying. It felt inauthentic. The other side of this coin is a planet they land on where the indigenous life ought to have been wiped out in my opinion, because it was too improbable or dangerous to live anyway, but no-one thinks of this then.

This is the planet I mentioned earlier which could support human life. These team goes down to explore it on foot without any weapons and with zero foreknowledge of local fauna. Nothing happens at all until they’ve been down there for a while and then suddenly there are literally hundreds and hundreds of crabs which have an appendage they can use to slice open their prey. The problem is not the existence of the crabs per se, it's the existence of endless hordes of them in one place and the fact that they're ravenous predators.

Nothing like this could realistically evolve and this is a problem writers frequently make - they know nothing about evolution and invent these threatening creatures which couldn't exist in reality or in isolation from their ecosystem. Anything as ravenous and endlessly predatory as these crabs would have quickly eaten their entire world's food supply. They would then have turned on each other and eaten themselves into extinction. It’s simply not possible to have such a deadly predator in such numbers.

The third improbable crisis is in their finding a possible solution to their question as to what was inflicting the damage on these artificial constructs they'd found - the ones left by the Monument Makers. They have a chance to study this but instead of staying far from it, they land on the very moon this thing is going to destroy and almost get killed. They're afraid to take off because they’re in a very boxy shuttle which they fear will attract something that appears to target angular constructs. It makes no sense. First it makes no sense that the shuttle would be so boxy, second it makes no sense that they would try to get so close to the thing, and thirdly it makes no sense that the thing would come after their angular shuttle when they'd visited a world earlier where a space station had not been attacked by this thing despite it being quite visibly artificial.

So yeah, there are problems with this story, but overall I felt it wasn't too bad of a tale and I commend it as a worthy read. That said, I have to add that I don't feel any urge to keep pursuing a re-read of this whole series. Maybe in future I may take it up in audiobook form if Chirp offers another volume at a discount, but right now I'm not moved to do it, having already been through it once!

Thursday, January 14, 2021

Dawn's Promise by AW Exley

Rating: WORTHY!

This novel is about Dawn Uxbridge who, it turns out, is an elemental and a protector of the environment. Yes, Dawn cleans up! Who knew?! She doesn't know this of course, having been raised in isolation because of her poor health. When her parents die in, she's told, an accident, she's required for the first time in her life to fend for herself. Her only skill is with plants in the small garden she tended at home, but now that she's losing the home because of her father's debts, she has to find employment elsewhere. In a desperate last bid, she applies for the post of gardener at the estate of Lord Jasper Seton. She gets the job. As the story grows like a well-tended garden, Dawn and Jasper slowly grow closer, and in a twist, Dawn also grows closer to the woman who's vile history is at the heart of the estate's problems.

The estate is in bad shape and seems to have a growth of poisonous vine enveloping much of it, but Dawn sets herself to revitalizing the garden as she learns much more about her nature and also the nature of Jasper. Yes, he's the inevitable muscular love interest, but in this case, despite his broad chest and strong arms, it wasn't actually so bad. This novel surprised me because I have tried twice and failed to find any redeeming values in Exley's writing. I normally would not have picked up a third work of hers, but the book description intrigued me, and this novel was actually very different from her other work that I've read, and much better-written, so maybe the third time really is a charm. The book drew me in from the start and occupied my attention, providing entertainment and fascination to the end. It was not without problems, though!

There were some issues with the writing. For an employer who has Dawn as his employee, Jasper takes far too many liberties with her, especially given the period the novel is set in, which is the late nineteenth century. Their behavior is at times scandalous for the era, but that's offset somewhat by the nature of their relationship, and who they are as elementals. One thing which jumped out at me though, was that shortly after Jasper has inappropriately kissed Dawn the following exchange takes place. He says, "It would appear we have much to discuss. Over dinner if you will join me. I will have the maids draw you a bath, and if I may be so bold, I will lay out a dress for you to wear." If I may be so bold?!! Really? That felt a bit much after he'd already kissed her without even asking.

A little later, Dawn was served what was described initially as 'broth' but was shortly after revealed to have meat and veg in it and was described as 'soup'. It was unnecessarily confusing. Broth typically means the liquid remnant after having boiled something solid, whereas soup is the whole thing. There was the usual YA-style ignorance over anatomy as this author used the term 'bicep' to describe the biceps brachii on the upper arm: "Her exploring hand continued up over a bicep" and later, "She revelled in the shape of muscles under skin and ran her nails along a bicep." Technically there is a 'bicep', but it's not the bulge in the arm that this author means. It's one of two attachments of that muscle to the bone on the shoulder end of the biceps. I doubt that's what Dawn was fondling. Later I read, "His teethed nipped her skin." This is definitely a case where two 'ed's are not better than one. Note the word 'reveled' above is the English spelling, and so is correct.

Those were relatively minor issues. The big problem is - and here's a spoiler - that at one point Jasper is raped by the villainess, and this isn't the first time. She does it on this specific occasion for Dawn to witness it and thereby try to break them up, and it almost works because for some reason, Dawn goes off on Jasper, victim blaming! Why she does this I do not know because she saw the whole thing and it makes zero sense that she would mistake his being deliberately snared and rendered helpless, and taken advantage of, for his participating willingly. This could have been much better written - like having Dawn encounter these two at the end of the rape when, if written properly, Dawn might have mistaken it for the conclusion of a consensual liaison.

When Dawn and Jasper finally consummate their relationship, Dawn behaves so unrealistically that it spoils the whole thing. Anyone who knows me or has read any of my work knows that I'm far from being any sort of a fan of shy, retiring females, but for me, for this particular character in these circumstances, this was written badly. She's nowhere near the reserved type she's been consistently portrayed as, and it reads like a betrayal of the character and cheapens her. Exley should perhaps avoid writing sex scenes and overly long romantic interludes, but aside from that, I enjoyed the story overall, and I'm not willing to condemn it for some mistakes like this. Maybe other readers will not find them as bad as I did, but overall, I thought the story was good, and I commend it as a worthy read.

Ava and Pip by Carol Weston

Rating: WORTHY!

I am not much of a fan of series, so I have to warn up front that this is the first in a series of (so far) three. All three apparently can be read as standalones, so there's that, but I've read only this one, so I can't comment on the series. This first one was actually well-written, funny, entertaining, and has some good life messages for young readers, perhaps the most important of which, in this Internet age, is that once you put something out there in writing, it's very hard to take it back.

Note that I listened to the audio book version of this which was read brilliantly by Kae Marie Denino. Just as the author evidently did with the writing, this woman really put her heart and soul into the novel in reading it, and it showed; so my favorable review isn't solely over the writing, it's also of this reader's contribution which I loved completely and highly recommend.

There's a lot of wordplay in this book, which may delight some and annoy others. I love wordplay, but even I found it a bit much at times, yet it was quite inventive and entertaining in general, so I had mixed feelings about it. Most of the palindromes I had heard before, but some I had not. There's also other types of wordplay and a smattering of English 101 peppered unobtrusively into the text which makes the book quite educational on that score alone.

Ava is the younger sister, Pip the older. Their parents, who have palindromic names (Bob and Anna) gave their children the same thing: Ava Elle, and Pip Hannah, since mom and dad (also palindromes!) are very much into language. Dad is a playwright, for example. Ava, who is ten and looking forward to her palindromic birthday (when she'll turn 11), thinks she wants to be a writer, but she has several unfinished diaries she's given up on.

She makes a fresh start in a new one and actually finishes it over the course of an eventful story in which she becomes her sister's champion over the queen bee (named Bea) at school, who schedules a party on the same day Pip was going to have one. Ava writes a short story for a competition and makes the Queen Bee the center of the story. She has some success with it, but when the real Bea calls her to complain about the story, things start souring for Ava. The thing is that Bea isn't as bad as Ava has painted her and over the course of the book, the two become friends.

I read some negative reviews of this novel which have labeled Ava with the over-used buzzword 'ableist' and torn her off a strip over her trying to get Pip out of her shell, as though Pip is autistic or a chronic shut-in or something, which is nonsensical because it's untrue. Pip is shy and that's all she is, and there's nothing at all wrong in Ava desiring to help her. What's wrong at times is Ava's approach to helping! None of these knee-jerk alarmists seemed to grasp that. Nor did they seem to have any compassion for poor Ava, who feels neglected because her parents focus a lot of attention on Pip.

So this book is a growth experience and a learning curve for Ava, who while admittedly being somewhat spastic and too full of energy at times, is only ten, yet she's learning and caring, and she deserves a better rep than the "nattering nabobs of negativism" are giving her. Yes, that was awful wasn't it? And William Safire ought to be ashamed of it. But the thing is that Ava is a feisty spirit and young kids can learn a lot from her even as she learns of her own shortcomings and works to fix them.

This is a book about bravery and determination, about friendship and sisterhood, about navigating relationships, and about learning and improving oneself, and it deserves to be read.