Friday, May 18, 2018

Rosie Revere, Engineer by Andrea Beaty, David Roberts


Rating: WORTHY!

Written poetically by Andrea Beaty and illustrated artfully by David Roberts, this book shamelessly promotes a girl as an engineer. We need far more female engineers than ever we get, so anything that puts the idea into young children's fertile minds that this is something they can do, beats the heck out of far too many books, TV shows, and movies which depict women as not engineers, not even close. It's nowhere near often enough we are shown professional women in this kind of a career, so this book is a welcome addition to children's literature in showing what a smart, capable, and self-motivated child Rosie Revere is. "The engineers are coming! The engineers are coming! And they're girls!" Let the cry ring out! I recommend this because it is a welcome and refreshing variation from the usual book-in-a-rut for children.


Ada Twist, Scientist by Andrea Beaty, David Roberts


Rating: WORTHY!

Written not drearly but sweetly by Andrea Beaty and illustrated lucid and not inert by David Roberts, this book put forward the amazing proposal that even a girl can be a scientist! You would not know that from reading a lot of other materials, watching TV, or seeing movies. It's nowhere near often enough we are shown professional women, especially women of color, in jobs like this, so this book is a welcome addition to young children's literature, demonstrating what a dedicated, competent, and able (if slightly troublesome!) child Ada Twist is. I recommend this because it is so different form the usual book-in-a-rut.


Illuminae by Amie Kaufman, Jay Kristoff


Rating: WARTY!

This was another audiobook which I did not like. It looked superficially interesting, but when I began listening to it, it turned out to be nonsensical, poorly thought-out, badly-written, and not entertaining at all, so I DNF'd it. There's no point in plowing on gamely through a novel which doesn't do it for you. if I were being paid for reviews that would be one thing, but this is entirely another, and I quit whenever I want! Being a writer myself, my own writing takes priority over reviewing, so I don't see the point in trying to force myself to read on through someone else's material that isn't entertaining me at all, when I can write my own which I typically find much more engrossing and fulfilling.

My biggest problem was the epistolary nature of this story which is told as a series of asinine interviews and purportedly official records. Typically whenever a novel is written like this - using diaries, journal entries, documents, or whatever, the entries are entirely unrealistic and therefore keep kicking me out of the story for lack of credibility. Most writers don't think about what they're doing when they adopt this method and make these 'documents' far too detailed, like a novel (duhh!), quoting verbatim conversation and so on. No one keeps written records like that. Very few audio or video records are of that nature either.

Worse than this, the story is supposed to be gripping, but when you remove it from the reader like this by making it sound like the proceedings of an official enquiry, all immediacy and therefore any hope for excitement, is gone. The stupid attempt at having a boy-girl love-hate relationship (at least I assume that's where it would end up) is not only tediously overdone, it was in this case ridiculous and turned me off. I cannot recommend this because of how poorly thought out it was (assuming thought entered into it), and how scrappily thrown together it was based on the portion I listened to, which was not very much.


Black Panther Doomwar by Jonathan Maberry


Rating: WARTY!

Drawn and colored by an assortment of evidently uninspired and certainly unimaginative artists, this was several volumes in one compendium and I wasn't impressed. I picked it up at the library because I'd loved the Black Panther movie and the wealth of strong female characters. When I saw that this book was about Shuri - the Black Panther's kid sister, who was now filling the role of the Panther after her brother had been injured, I thought it would be well-worth reading, but written and drawn by largely, if perhaps not exclusively male writers and artists, it turned out to be yet another disturbing and lackluster venture into boring objectification of female super heroes.

The villain is Doctor Doom. How utterly tedious! Can they not find a new villain? If not, then could they not at least find a villain from Black Panther's own history to resurrect? One of the biggest problems with comic books and a good reason why we see them tailing off is the total inability of their creators to bring something truly new to the table. They keep resurrecting - often literally - vanquished villains from ancient history, and it would be laughable were it not so tiresome.

Worse than this (and don't even get me started on the kitchen sink cameos from other 'heroes' of the Marvel stable), Shuri's form-fitting black costume makes her - a black woman - look like she's naked, and her unnatural postures in far too many frames seemed drawn by adolescent boys for no other purpose than to titillate rather than inform or impress.

It is truly and honestly tiresome to see this kind of unhip-dysplasic and scoliosis-ridden posing from female characters affecting stances that would be downright painful to strike were a real person to attempt them, with hips and asses thrust out unnaturally, and deliberately provocatively. When we see nothing remotely like those poses from the male super heroes, you know this is pure objectification. It's outright genderist and it's to be shunned and boycotted in my opinion. I dis-recommend this entire series.


Annihilation by Jeff Vandermeer


Rating: WARTY!

This was a short audiobook that I did not enjoy at all because it made no sense, and the narrator, Carolyn McCormick, reading in a first person voice which I typically do not like anyway, did not help the book's case, because her reading felt false, stilted, and ultimately unrealistic.

The premise is that four women are entering 'area X' (great imagination used in the description there huh?! I'm surprised it wasn't designated Unobtania'...) to investigate a bizarre locale in which humans do not seem to have fared well and nature seems 'off'. A dozen previous teams have disappeared or gone insane, or had other negative outcomes, yet these four female volunteers are sent in alone, with small arms, but with no armed escort, to try to find out what's going on in there, and not a one of them is allowed to carry any communications or electronics? There are no drones or robots to help out? This made zero sense and wasn't explained in the 30% or so of this story I could stand to listen to. How the hell are they going to learn anything on the outside if those on the inside cannot pass word out as to what is happening? It's stupid from the outset.

The girls find what the narrator stubbornly insists upon calling a tower even though it's buried in the ground just like an underground silo. It has the weird fungus growing on the wall which spells words, and the narrator naturally gets 'infected' with spores while examining it. That's as far as I listened because the narration was annoying, the story nonsensical, and my reasons for pursuing it beyond this point non-existent.

None of these women had a name, merely a profession, so one was the biologist, one the psychologist, one the linguist, and so on. This was asinine! Even if they'd been issued some sort of instruction not to use names they inevitably would have, because who on the outside would even know? This felt completely inauthentic and felt like what it was: a guy writing about women without really understanding how they think or work together. It was merely one more reason not to take this seriously. Based on what I heard, I cannot recommend this at all.


Beyond the Green by Sharlee Glenn


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

Not to be confused with Beyond the Glenn by Sharlee Green (I'm kidding!), this book was pretty darned good. It addresses a controversial issue of which the author has had some direct experience judged from her note at the end. I rarely read author's notes, and never read introductions, prefaces, prologues, and so on, but this note was interesting.

In 1978 a law was passed regarding how American Indian children in need of foster care should be treated. As usual, white folk had in the past assumed that they knew best, and simply taken Native American children into white Christian foster care giving no consideration even as to whether there were any native American relatives who could do the job, let alone others, and no consideration at all was given to Indian tradition or culture. It concerns me that this law applied only to Native Americans and gave no consideration to other cultures or even races, such as black or Asian. It seems to me that what's good for the cultural goose is also good for the ethnic gander, but that's outside the scope of this novel so I won't get into that here.

The middle-grade novel, set in 1979, evidently in some way mirrors what happened in the author's life, and is told from the perspective of a young Mormon girl, Britta Twitchell, whose family fosters a native American child from the Uintah-Ouray Indian Reservation in Utah for about four years. Rather than use the child's native American Ute name, they inappropriately named her Dorinda, and then shortened that to Dori. The child's actual name is the much more beautiful Chipeta. Her mother, Irene Uncarow, is an alcoholic, but she has recovered now and wants her daughter back. This causes Britta, the main character, to react very negatively, and start scheming to prevent her 'sister' from being abducted by this alien woman - at least that's the kind of viewpoint Britta has.

Her reaction is rather extreme, beginning with kidnaping Chipeta herself and running away, and later scheming to ruin Irene's sobriety so she can't reclaim her daughter. But Britta isn't dumb, she's just young and naïve, and she grows and learns lessons from her ill-conceived plans. The book isn't dumb either: it tells a real and moving story with interesting and complex characters and it does not shy away from talking about prejudice and alcoholism. There is always something happening, and it's not predictable - except in that you know that Britta's mind is very active and she will for certain cook-up another wild-ass plan before long.

The only issue I had with it was that it was a bit heavy on religion, but then this was a Mormon family. There was a minor instance of fat-shaming by Britta, but again, young kids are not known for their diplomacy. It's a different thing for a character to say something than it is for an author to say the same thing. Some people don't get that about novels! What a character says isn't necessarily what an author thinks!

For example, at one point Britta describes a loved aunt thus; "I pretty much idolized Aunt Mariah. She was pretty and spunky and smart." Normally I'd be all over something like that - placing prettiness above all else when it comes to describing women, as though that's the most important thing a woman has to offer, way before smarts, courage, integrity, independence, or whatever. I've seen far too many authors do that - including female authors, and it's shameful, but in this case it's the character, Britta, who is saying that. That's a different thing altogether, although having said that, it wouldn't have harmed this story to have had Britta rank 'spunky and smart' before 'pretty'!

But overall I really liked this story a lot. It's a great introduction for middle-grade children to the potential problems inherent in a family of one culture taking charge of a child from another. Anything that serves to open minds and enlighten children that different doesn't equate with bad or scary is to be recommended, and I recommend this as a worthy read.


American Sniper by Chris Kyle, Scott McEwen, Jim DeFelice, with uncredited contributions by Taya Kyle


Rating: WARTY!

Note that this is a review of the author's attitudes as expressed in this autobiography and the story itself. It is not a review of the military in general. Far from it: I listened to a different audiobook a short while ago, and also written by a Navy Seal, and I thoroughly enjoyed that. It was a whole different perspective from this one, and a much wiser, smarter, and mainstream one. And it was read by the author, not by a guy who sounds like his last gig was on Hee-Haw.

Having listened to this audiobook until I could no longer stand the jingoism, racism, self-promotion, utterly braindead patriotism, and rabid bloodlust any longer, I recommend the movie. Neither the book nor the movie is anything to write home about (which is why I'm posting it on my blog instead!), but if you must do one of these options, then my advice is to avoid the book like insurgents typically avoid a pitched battle. When I went looking for the movie, having given up on the book, Netflix predictably did not have it as usual. Great business model, Netflix! As usual Amazon predictably did have it for purchase at the usual $14.99. I wasn't buy-curious and the library had it for free, so take that, Net-azon!

I'd had the audiobook from the library also, but hadn't been interested in the movie until I'd listened to some of the book; then I became intrigued as to what a blinkered right-winger had done with a fascist document like this, and I confess I was surprised it wasn't worse. It starred Bradley Cooper as Chris Kyle, the Navy Seal sniper billed as the deadliest in US history with over 160 confirmed kills. Bradley Cooper does the voice of Rocket in Guardians of the Galaxy, so I was curious to see what he did when not impersonating a genetically-modified raccoon. He was pretty good. The movie was a right-wing redneck wet-dream, but even so, I'd recommend it way over this autobiography.

The dishonest blurb (all Big Publishing™ book blurbs are dishonest to one extent or another) claims that "Iraqi insurgents feared Kyle so much they named him al-Shaitan ('the devil') and placed a bounty on his head," but my guess is that it was not fear, merely hatred. It's what terrorists do. That in fact is the definition of terrorism: if it's not like us, subjugate it and if that isn't easy, kill it. The really ironic thing is that the author never held that sadly battle-bloodied mirror up to himself, probably because had he done so, he would have seen a reflection that was far too disturbingly familiar.

The author claims to be a Christian and repeatedly talks about religion and prayer. He puts the order as: his god, his country, his family, which really makes him no different than any other adherent of one of the big three monotheistic religions including the one he hates. The truth is that he - as in the case of most 'Christians' - doesn't actually follow Christ (who was a Judaist not a Christian). Instead, they follow Paul, who very effectively sabotaged and undermined everything Christ purportedly taught.

Very few of these believers embrace the portions of Christianity dealing with turning the other cheek, of going the extra mile, of giving your coat. Those things are very conveniently forgotten by "warriors" (a term this author liked to over-employ), who are praying even as they get amped-up when going into battle. The author is very much an Old Testament believer: all savage justice, shunning the New like most of his fellow right-wing believers, none of whom have any more faith than does a Pope who drives around in a bullet-proof vehicle.

There is asininity in this book. At one point the author says of his kills, "The Number is not important to me. I only wish I had killed more." Contradiction anyone? If it's not important, why wish anything about it? He consistently refers to all Iraqis as savages, and at one point in the narrative, he expressed a desire to kill anyone carrying a Koran, but fortunately for the reputation of the US military, he heroically restrained himself. No one can argue that he did not save American lives by what he did. Given that he was there, in that situation, I certainly have no problem with that.

The problem is that never once does he question the validity of being there in the first place. Did Iraq have anything to do with 9/11? No! Were there weapons of mass destruction in Iraq? No! I could see a rationale - rightly or wrongly - for going into Afghanistan, but there was none for Iraq at all. Anyone who idiotically chants 'my country, right or wrong' is a moron, period. It's not patriotic to follow your government mindlessly and unquestioningly, especially when the result is almost seven thousand US soldiers dead, and over a million injured. And an estimated half-million dead Iraqis, not all of whom were insurgents by any means.

Most people who've served, particularly if they've been in the thick of it, do not favor talking about it over-much. They're stoic and reserved, and understand better than anyone how savage and indiscriminate war is. When they leave service, they want to put it behind them and move on. Assuming PTSD and/or injury allows them to do so. This author is certainly not one of those people, and while I can see this book appealing to a certain element, I can see no value in it as it stands, especially since it's been cheapened by the author himself.

It's not only tragic, but criminal that he died the way he did after surviving so much in Iraq, but when he tells stories that cannot be verified, perhaps tall stories about things he has done in the US - such as murdering 'troublemakers' in New Orleans after Katrina, or killing two guys who tried to rob him at a gas station, or punching out Jessie Ventura, or getting into a bar fight with a guy because that guy's girlfriend has apparently insulted a fellow Navy Seal. Seriously?

That's not heroic. It's juvenile, stupid, and completely unnecessary, since presumably any Navy Seal is trained more than adequately to handle any situation, including defusing one where he's being merely insulted. Does he really need a fellow Seal to go after the woman's boyfriend who presumably wasn't involved in the insulting? Was the girl offering the insult because she'd been hit on? Did the story even happen outside of the author's imagination? Who knows? What is a fact is that we can't trust anything this author wrote because it's tarnished and corroded by this kind of thing, and it devalues the entire book.

Navy Seals, or anyone in any branch of service from coastguard to marines to police, fire and EMTs don't have to prove anything to anyone, nor should they ever feel like they ought to. If the Seals made it through BUDS and hell week, that alone is an achievement which deserves respect. It doesn't matter whatever else they may or may not do. Anyone who went through Iraq or Afghanistan or any other conflict, regardless of the wisdom of our government sending soldiers there in the first place, is valiant and heroic enough. Someone like that does not need something like this to be respected and held in some kind of reverence. Not in my book, which is why I won't recommend this book.


Saturday, May 12, 2018

To Siri With Love by Judith Newman


Rating: WARTY!

I was unaware of how controversial a book this had been in the autistic spectrum community when I saw it in a bookstore and learned that it was also at my local library. I am glad I didn't buy it not because of what the spectrum community is railing against, but because the book is bait and switch and I do not appreciate book blurbs which outright lie to draw-in potential readers. I know that's a blurb's job, but usually a blurb bears some vague relationship to the book it represents. This one didn't.

The blurb begins with the following two paragraphs:

It began when Judith Newman's thirteen-year-old autistic son noticed that there was someone who not only would find information on his various obsessions (trains, planes, escalators, and anything related to the weather) but also would actually semi-discuss them with him tirelessly. Her name was Siri and she lived in his mother's iPhone.
Newman's story of her son and his bond with Siri is an unusual tribute to technology. While many worry that our electronic gadgets are dumbing us down, she reveals how they can give voice to others, including children with autism...

This is an outright lie. I came at this hoping to learn more about a fascinating technology, particularly if it's one that can really help people who most need that help. The problem is that there is one chapter and one chapter only on the relationship with Siri. This chapter begins on page 131 of a book which, not counting the introduction (I never read introductions), runs to 216 pages, and it ends ten pages later. That's it. I quit reading the book when I realized that the next chapter was on a different topic and those scant ten pages appeared to be the entirety of the Siri/"electronic gadgets" discussion.

I'm sorry, but if you're going to try to sell (in the broad sense) a book that not only features this topic prominently but also titles the book after that topic, I actually expect to find that topic throughout the book, fool that I am. You lie about it like this book did, you get a 'warty' rating on my blog. The problem for me was that as I went through chapter after chapter with nary a word about the Siri and Gus 'relationship' I began to tire of the endless rambling and I began to skip and skim, dipping into a section here and there that was of interest, until when I actually did reach the section that discussed what the whole book was supposed to be about, it was far too little, and far too late.

While I cannot for the life of me understand why any parent would want to name a child 'Gus', I can understand why a mom would want to ramble on and on about her child. I think some of the harshest criticism was as rambling as this book though, with the authors of it continuing to shoot arrow after angry arrow into a threadbare target. They simply didn't get the author's sense of humor, but that's not to say their criticism was unfounded.

I think reasonable people can agree to disagree on those details so I'm not going to get into that here except to comment briefly that I think that some readers, in particular those who think the author doesn't think Gus has emotions or thinks Gus doesn't think, have flown off the handle at a throw-away comment the author made without realizing it was a 'first impression' kind of a comment that she later actually did throw-away as she and Gus matured together in their relationship and in her education.

Those critics seem to be forgetting that the author began telling this story chronologically when she was completely in the dark about Gus's status for some time after he was born, and got no help in understanding what was going on from anyone, least of all from the very community, some members of which are so virulently criticizing her now! And yes, criticizing her, not the book!

That said, I have to allow that if the very person the book's author praises highly in this book mounts a campaign against the book, then clearly something is fundamentally wrong somewhere, but the way to fix that is to reach out, not to punch out. I think what disturbed me most of all is that autism is a spectrum and not a narrow rut, yet all of the negative reviews were talking as though there is only one kind of autistic person who has only one kind of perception and feeling, which is nonsense, so I think some of the negative perspectives were a little blinkered to say the least.

Regardless of what other failings it may or may not have, this book failed for me because it quite simply did not remotely deliver on what it promised, period, and so I cannot recommend it. There are books which the autism spectrum community recommends. I recommend reading one of those instead.


Hoodoo by Ronald L Smith


Rating: WARTY!

This was another failed audiobook experiment. It's aimed at middle-grade readers, so I am not the intended audience, but two things really bothered me about it and constitute my main reasons for rejecting it. I would not recommend this at all for young, easily scared, or overly sensitive children.

The story is about 12-year-old "Hoodoo" Hatcher who grows up in a very superstitious 1930s Alabama. A stranger comes to town who is evidently Satan himself, coming to collect a debt apparently owed by Hoodoo because it was incurred by his deceased father, but I don't know for sure because I didn't listen to all of it.

You know, I am really tired of reading stories about black kids growing up with their grandparents or other relatives. Less than ten percent of African American kids are raised this way, and while it is unfortunate, even tragic, and while it is over twice that of white kids, it's still less than ten percent. If you were to judge by how often it's portrayed in novels, movies, and on TV, you'd think it was all black kids.

It's inaccurate and it's particularly appalling in novels which children read and can be misled by; novels which often win idiotic Neuteredbery awards and such nonsensical crap. In fact I think that's a rule: that if your novel isn't about a dysfunctional family, you can't be nominated for a Newbery - but I may be wrong about that.... My point is that it's time for authors to tell it like it is, not tall tale it like it isn't.

The endlessly-repeated sleeping (and later, waking) dreams/nightmares in which this unintentionally comical Satannic figure threatens Hoodoo in his basso profundo voice were ridiculous, and were what turned me completely off it. It became tedious to listen to. The "Yes, Massah!" voice of reader Ron Butler was inappropriate and a turn-off to boot.

The other thing which bothered me were the many extended scary sequences which are going to be too much for young readers - and especially listeners. You do not want your child listening to this as a bedtime story! For me they were boring. The story seemed to be going round in circles instead of going somewhere interesting, and Hoodoo's obsessive-compulsion of doing this himself was laughable when there were others who could have helped him if the author hadn't been so rigidly dead-set against it.

It was an uninteresting and unimaginative story told badly and I do not recommend it.


Thursday, May 10, 2018

The Devil Wears Prada by Lauren Weisberger


Rating: WARTY!

I had to give up on this one. The story is of a newbie at a fashion magazine which has a spoiled bitch as a chief editor. The author actually is a Cornell graduate who for reasons which escape me actually did work at a fashion magazine, so I guess she knows of what she speaketh, but it was first person voice which is not my favorite by a long skirt, and it was fashion-obsessed (of course - I knew this going in!), and I have absolutely zero respect for models, fashion designers, and let's face it, the whole self-absorbed, mis-focused, self-obsessed, tragically shallow and utterly pointless fashion industry.

I've actually managed to enjoy some novels like this, and I don't recall being nauseated by the movie which I saw many fashion seasons ago (times four, one for each actual season here in the north), but this was simply too much, and when the insulting, trope, clichéd, gay fashion guy showed up at the end of chapter four, I said, "Check please, I'm outta here!"

It was way the hell too much, and this author should be ashamed of herself. I'm sorry to learn that she isn't, because she's written a sequel, I'm guessing because nothing else she's written is selling. I'm guessing the sequel won't cut it either, because she's just not fashionable any more, but I don't care if it does or it doesn't because I'm done with this author.


The Harlem Charade by Natasha Tarpley


Rating: WORTHY!

Read sweetly by Bahni Turpin, this was another successful audiobook! See? it does happen! To be perfectly honest, it was a bit lacking in credibility: the usual middle-grade story where adults never help, and kids never go to them for help, which frankly annoys me, but that aside, it was an interesting and credible story (for the most part!), decently plotted and which involved adventuring and detective work as three kids-of-color from disparate backgrounds strove to track down some historic paintings by a black artist from Harlem, and overcome the machinations of an unscrupulous property developer. I recommend it.


Romeo and Juliet by William Shakespeare - Audiobook


Rating: WORTHY!

This was one I picked up from the library at the same time as The Winter's Tale which I recently reviewed. I'm happy to report that this was much better than the other one. The cast was better for a start, and included David Tennant of Doctor Who, Jessica Jones, and Broadchurch fame) and (if you like him) Joseph Fiennes (of Shakespeare in Love fame in which he starred with Gwyneth Paltrow).

Frankly it would be nice to see a production of R&J which featured actors the actual ages of the principals in the play (Romeo's age remains unspecified, but Juliet, curiously, was thirteen!). I guess modern day sensibilities are far too squeamish for that, and in any case women - even those form wealthy families, did not marry at so tender an age in Elizabethan times, which is why her dad suggests she wait two more years. Childbirth at a later age was safer, but even marriage was unsafe for Juliet given what happened!

The question is though: are there not fine young actors aching for a chance to strut their stuff in this play? So why choose actors in their thirties? Joseph Fiennes who was 33 when this was published, and Maria Miles (who played Elfine Starkadder in 1995's Cold Comfort Farm) was probably around that same age, although little is known about her!

That said, and apart from some sorry over-acting on Fiennes part, this was not a bad full cast production and I enjoyed it.


Tuesday, May 8, 2018

The Interview by Manuele Fior, Anne-Lise Vernejoul


Rating: WORTHY!

Translated from the original Italian (L'intervista) by Jamie Richards, this graphic novel tells a strange story of an alien invasion - or maybe it doesn't? Maybe it's just a collective breakdown of society.

Set in the near future, it had a feel to it like Stephen Speilberg's Close Encounters of the third Kind but without the embarrassingly juvenile effects. This was especially highlighted by a a parallel encounter with oddity at a railroad crossing at the start of the story, but rest assured this is much more subtle and a much deeper story than that ever could have hoped to be.

I loved the artwork. The book was gorgeously and richly illustrated in a soft, dark, gray scale palette, and I adored the main female character Dora. Both she and the main male character Raniero were not your usual comic book icons of masculinity and femininity and yet both achieved that end.

In an acknowledgement at the back, the author gives thanks to Anne-Lise Vernejoul for conceiving and creating special effects, but it makes no specification as to what they were or on which pages they appeared. I wondered if it was some of the night scenes, particularly the encounter between Raniero and Dora between pages 86 and 115. I don't know.

I can say this made for a wonderfully illustrated and entertaining story, if slightly confusing over the ending! I enjoyed reading it though and in the end, that's all that matters! Do note that it is a quite graphic graphic novel so be prepared!


Red As Blue by Ji Strangeway, Juan Fleites


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

I was very disappointed in this. I knew it was experimental going into it, but I did not realize it would be more mental than experi-. I don't know if the contributor's names are real or made up, but Strangeway definitely describes how this story is told, and the illustrations are minimal, so do not go into this thinking it's a graphic novel in any way; it isn't.

It has some some illustrated pages sprinkled through it, but they don't really tell a story in the way a graphic novel does, and they appear only about every half-dozen pages or so. That said they were, for me, the best part, since they were well done - black and white line drawings though they were. They were full page illustrations, some with panels in them, but the downside of these was that on my iPad in Bluefire Reader, they sometimes took seemingly forever to open up. Worse: they simply retell the story in pictures and tend to precede the text which tells us the same thing the illustration just did. It seemed superfluous if not also pretentious to include them.

As far as the writing went, it was literally like reading a play. No, not like, was - it was a play. I DNF'd this, but I also skimmed through a goodly portion of what I did not read, and the format was the same all the way through as far as I could see. On nearly every page there was a conversation which consisted of a character's name in block caps in the center of the page, their speech centered below it, then the next character's name the same way, rinse and repeat except the rinse was more like a gargle.

The descriptive prose was minimal, which isn't a bad thing necessarily, but here it ran into jargon issues. So much of this is used that there's a glossary at the start of the novel to clue people in to what's obviously an unnatural system. This kind of thing doesn't work for me.

Even that might have been readable if the main character wasn't so unlikeable. She came across as a complete halfwit, constantly having to be told what relatively common, and fairly simple words mean. I can stand to read a good novel about someone who might uncharitably be described as a halfwit, but I can't read about someone who seems to have an unacknowledged learning impairment with which the author has saddled her for no apparent reason.

So for an experimental novel there was precious little experimentation, since it was pretty much a play with some pictures. It didn't strike me as being inventive or imaginative, but as lazy and pandering to a seriously niche audience rather than to a much larger audience of people who would genuinely like to enjoy a well-written LGBTQIA novel based on the author's own experiences.

Writing this my have been cathartic for an author who has grown up in a conservative small town with no role models and prejudice galore, but 270 pages is much to long of a novel to experiment with in this fashion. When I see a book like this, I have to wonder whether the author really just doesn't like trees.


Catalina and the King's Wall by Patty Costello, Diana Cojocaru


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

A dear friend recommended this to me and I was glad she did. She has a knack for finding cute children's books, and this is one of the cutest. Illustrated colorfully and prettily by Diana Cojocaru, and written wittily and with a great delight in making choice puns by Patty Costello, it tells the story of a young woman's quiet determination to undermine the isolationist policy of the king.

Catalina is cookie-maker to the king and when she learns of his plan to build a wall between his nation and the nation next door (because they're 'different'), she cannot bear the thought of being separated from her family and concocts a series of seditious subterfuges to sabotage the king's plan - and she succeeds!

I loved the story, and adored the art. The book is short and very telling, and is most enjoyable. I fully recommend it.


Fire Making by Daniel Hume


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

I don’t imagine a specialist work like this will have a hugely broad appeal, but it is very informative and well-written, and covers everything you need to know about starting a flame (from a wide assortment of sources) and building and maintaining a fire, doing it wisely, and safely, and taking charge of your situation when in the wild with regard to providing a fire for safety and cooking, for warmth, and of course that general feel-good attitude when you've accomplished something!

I can see it being of value to people who are scouts, and anyone who goes camping or spends time in wilderness areas, or anyone who fears they may be at risk - perhaps because they travel a lot or maybe pilot small planes - of ending up stranded in the wild for whatever reason! It's also a valuable tool for novelists who might like to write an adventure story!

I was impressed by how much this author knows. He's the kind of person who doesn't just talk about it, he lives it (and teaches it!). The fact is that he's been there and done that, and has the ashes of a T-shirt to prove it. I'm kidding about that last bit! Seriously, though, he knows what he's talking about and he not only tells an interesting story of his adventures, but also shares endless practical tips and suggestions every step of the way. I mean, would it occur to you that fungi can burn and even be used as tinder for starting fire? Or would you be stuck looking for damp logs on the ground, an exercise that wouldn't get you started on anything but frustration?

If I wanted more, I would have like to have learned a little bit more about the cultures he's visited and learned from, but he does give a lot, and he's been to places so far off the beaten track that there's no track - other than a game trail. Personally, I'd be leery about following game trails - the operative word being game; that's where the predators are looking for lunch! But bush is bush and unless you want to hack through it, you have to go where the path is easier.

On this score, it was interesting to read of one encounter with a lion - fortunately not a close encounter - where the author and a bush guide were on their way back from observing wildlife at a watering hole - another high risk area for predation! It must have been even more scary to wake up the next morning and find lion paw prints close by your tent. The book contains many illustrative pictures. It would have been interesting to see a picture of that, but there wasn't one; however there are very many illustrating the topics throughout the book.

Talking of pictures, I should say a word about reading this in electronic format. I have my devices set to night mode so the screen is black and the text is white. In this way it saves significantly on battery life. The problem with doing this in a book like this one - with images - is that the image is then rendered negative - and interestingly enough, not even a color negative but a black and white negative!

So when I wanted to really see an image, I had to reverse the setting and change it back to daytime to see the photos as intended. That was annoying, but it's not on the author or the publisher, I don't believe. I don’t know if it’s on the makers of these devices (in my case a phone and a tablet computer) not making it possible, or on the designers of the app (in my case, Bluefire Reader, which is normally excellent), who may well take the lazy route to setting 'night' mode, by simply reversing colors and sliding into gray scale. They don’t care if images are also reversed, I guess!

Despite this being an ARC, I found very few errors in it. In two instances the term 4x4 to describe an off-road vehicle was rendered as 4?4. Why that is I have no idea, but the 'x' didn't translate! In another case I read, "The flames given off by a single flame" which quite literally makes no sense. Other than that it was fine. Very fine! I enjoyed reading this and I recommend it.


Sunday, May 6, 2018

I Have the Right To by Chessy Prout, Jenn Abelson


Rating: WARTY!

On May 30, 2014, at the venerable St. Paul’s School in Concord, New Hampshire, eighteen-year-old athlete Owen Labrie went with fifteen year old Chessy Prout - who had been previously warned by her older sister about this very same boy and advised to steer clear of him - to the mechanical room in the attic of the math and science building on campus. The consequence of this excursion was three misdemeanor convictions: statutory rape penetration of his under-age victim with hands, tongue, and penis, and also of a felony: using a computer to lure a minor for sex. He was was acquitted on three counts of felony sexual assault, apparently because their age difference was less than four years, but on his conviction on the other offenses, he was sentenced to a year in jail, five years of probation, and he was required to register as a sex offender for life.

These are the legally established facts since that night. The accounts of each party in the events naturally differ, but that night and its aftermath is the subject of this book. Note that my review here is not of that night or of what happened, or of either party, although I do believe the author's account, not the defendant's except in where it coincides with the author's.

There are a paltry and pitiful handful of women who have concocted stories of assault, but they are negligible, especially when compared with the massive number of women who are assaulted in one way or another, but who fail to step forward for whatever reasons of their own. So this review is only of the book which describes these events. Not the events themselves.

The Goodreads blurb of the book begins, unsurprisingly, by saying, "A young survivor tells her searing, visceral story of sexual assault, justice, and healing in this gutwrenching [sic] memoir." but I beg to disagree. There is no searing. There is no gut hyphen wrenching. There are over 360 pages of which the first eighty-some is pure fluff and irrelevant to what happened except in that it reveals what a sheltered and privileged existence the author led prior to returning to the US from Japan where she grew up.

In those 360+ pages I am not counting the prologue or the introduction; I never read those things. I assume the fluff is due to the publisher-assigned co-writer, Jenn Abelson of whom I've never heard. She's a newspaper reporter. From my reading of this, I was forced to conclude that those who can, write, while those who can't, co-write, and by co-writing, I mean add upholstery wherever they can. In my opinion, this was a serious mistake in this book.

The blurb repeatedly mentions sexual assault, but from the description given post page ninety, this was not assault; it was out-and-out rape. Why did the publisher's blurb writer not have the guts to describe it as it is? Perhaps because there was no conviction on the charge of rape? The victim (or survivor, but I do not play with words when it comes to something as serious as this) uses the word rape and that's what I will use. The problem is that the book itself is larded with so much fluff and stuffing that it diminishes what was a horrible attack on a naïve and culturally defenseless girl who quite simply did not know how to handle what happened to her and got precious little help.

I get that this was a series of confusing events and that she had nothing by which to get a handle on them, but in hindsight which was how this book was written, I think a little more hard-writing and a lot less "purdying-up" would have served the author - the real author - far better than what we got. She should not have been playing second-violin in her own story, and I find it as surprising as it is inexcusable that a professional journalist pussy-footed around so much.

The victim's worst enemy after the rape was herself, because she maintained a pleasant, jokey, even flirtatious relationship with her rapist for several days, exchanging humorous and polite texts before wising-up and ceasing contact with him. This is how thoroughly confused she was. An assault like this will do that and worse to a person, and sometimes juries simply don't get that, especially if they've never had anything like this happen to them - and the defense team, rest assured, will try to have dismissed any potential juror who has.

The author's sister was about the only one who seemed to treat the rape as what it was, and literally punched the guy. I'd like to read her story! As far as the author was concerned, her writing (or Jenn not-so-Abelson's writing) made it feel like this whole thing was just one more relatively minor event between finals and a pep rally.

Contrary to what the blurb implied, it was virtually robbed of any real impact because of the way it was written. And contradictory elements in it did not help. At one point, in the same paragraph, the author (one of them) bemoans being an anonymous victim (which given that she's a minor is required by law) and then a sentence or two later, rails at being outed on an Internet message board! She cannot have it both ways. As it was, she outed herself later to commendably speak up about sexual assault.

In another similar contradiction, she makes a big deal about praying to her god at one point, something which is a proven waste of time since this god did nothing whatsoever to help her, and then later rails at a rabbi for forgiving her attacker! Excuse me, isn't the author purportedly a Christian: an adherent of a teaching that explicitly instructs that we turn the other cheek, go the extra mile, and give our shirt? No Christians actually do that in reality because they're hypocrites, but this means that strictly speaking, according to her religion she should have forgiven her attacker too, and let this go. Let me make it clear that I do NOT advocate that at all. She did the right thing - eventually - by pursuing it through legal channels, but she cannot then rail at the rabbi or claim to be a true Christian.

The decision to let her go back to the school after these events was in my opinion ill-advised, and although I did not read on (I quit this book after chapter fourteen, around page 155), I do know it was doomed to failure because in that kind of culture, all that happens is that she becomes victimized even more. People were already dissing her, calling her foul names, and trying to trivialize what had happened. People whine about an athlete's life being ruined without stopping to think for a minute how much more the girl's life has been taken apart at the seams and more.

In this age of #MeToo, I live in hopes that this cluelessness about rape and sexual assault is changing, but the tendency in the past has been to favor the male version of the story rather than the female. This is par for the course in these situations, especially if the male in question has some sort of celebratory status, such as in the case where he is on a sports team, and especially if it's a successful sports team. And it's not just guys. I've seen cases where women have come down in support of the guy rather than the victim of an assault. More young girls need to be educated on this topic - seriously educated and quickly educated, and they need to be encouraged to come forward, because every time a guy gets away with this behavior, he's thereby encouraged to repeat it.

But the end of this attitude is the hope. The reality in this case is that I cannot recommend this book not because of the story it tells, but because of the ill-advised way in which it's told. It's so poorly-written and it constantly highlights what a privileged existence Chessy Prout led, which contrasts sharply with her convicted attacker who was far less privileged so I understand. Instead, it should have focused tightly on what happened, and investigated a real possibility, if this is to be judged by other such tragedies, that there might be a sorry litany of similar assaults when the truth comes out.

The book should have begun with the assault and then went on to discussing how often these thing happen on campuses like this one, and what could be done to prevent them. The New York Times has an article (or did at the time I posted this) about serious sexual misconduct at this same school. Maybe the second half of the book did investigate, but I lost all faith in it. After plowing gamely through the rich upholstery of the first half, I had zero interest in reading on and for that I apologize to the author. None of this was her fault.


Saturday, May 5, 2018

In Clothes Called Fat by Myoko Anno


Rating: WORTHY!

Author Myoko Anno is married to director Hideaki Anno of Neon Genesis Evangelion fame. This story was first published as a serial in Shukan Josei (主観 女性 women's matters), Japan's first magazine aimed at mature women. The story was published as a manga in 1997. I don't normally go for books that depict weak women, but this one was compelling because it was so very real in its story.

Society, it does not matter whether it is western or eastern, is quite obviously intent upon treating women like cars. If the vehicle is not new and sexy, it's really not worth anything, so women are raised by society to understand that they really are worthless if they are not young, beautiful, slim, readily available, willing, and compliant. A woman can't be too willing otherwise she's a slut. She can't behave like a man otherwise she's a lesbian slut. On the other hand, men can never be sluts no matter how willing they are. Those are the rules society has imposed upon women from birth, and one consequence of that is women like Noko.

Noko Hanazawa is like every other middle class Japanese woman: she wants a respectable job, she wants to perform well in the job, she wants a happy love life (and note this is a very graphic novel!). Noko seems to have all of this, but her success hides a diseased mind which constantly struggles with her body image. She binge-eats to cover emotional stress, and constantly berates herself for being fat, despite having an apparently loving boyfriend who has dated her for many years.

As depicted in the illustrations, Noko isn't really fat. Maybe she has a few extra pounds but she doesn't look bad except in the tightly-focused and highly-critical lens of societal pressure. The biggest problem with this novel I feel, is that Noko's 1mage isn't helped by the rather inconsistent artwork, and by some portions of the story feeling more fantasy than reality, so paradoxically, it's quite hard to get a good idea of what Noko looks like despite this being a graphic novel! Or more accurately, despite it being a manga, since it reads backwards, which I found rather less than usually irritating in this case for reasons I cannot define! It occurred to me more than once that perhaps Noko is not a reliable narrator and perhaps she isn't being honest about everything that happens to her.

As each chapter rolls by, we realize that we are reading an onion, with each new layer peeling back to reveal underneath it a glistening, slightly sticky, white vein that seems to pulse with scarcely understood animation, and which may well bring tears to your eyes. Noko's best friend at work secretly conspires to undermine her both professionally and socially, even while promoting their friendship. She's secretly seeing Noko's boyfriend, but not because she wants him. Instead she seems to want to punish him for choosing Noko over her, and consequently takes the role of Dom to his submissive.

Noko lives only for Saito, the boyfriend, and at first the relationship seems loyal, loving and healthy, but as we continue to read about it and more layers are peeled back for us, it reveals itself to be as diseased as everything else in Noko's life. Saito wants only sex, it seems, and it also seems that he seeks to punish himself for wanting Noko.

The novel feels claustrophobic and repetitive, and I think this does an admirable job of depicting Noko's state of mind as she binges and purges, and pays for expensive diet plans which in real life almost never work, and neither does it here. The only diet plan that works is eat healthily and exercise, and hold a realistic and accepting view of your body. Not everyone can be a runway model and I am personally glad of it because runways models are ridiculous. They are broken toys; dolls for men to dress up. The problem is that giving good advice doesn't work in cases like Noko's because it's not a matter of lack of willpower or laziness. It's not stupidity or simply not caring; it's a medical problem and can only be properly aided with competent and qualified medical care.

And that's the problem in a nutshell. No one seems to want to help Noko, not even Noko herself, and so the story comes to an unsatisfactory, if realistic close. There's no Disney ending here; it's more like an Infinity Wars ending. In this it is perhaps most realistic of all because people with eating disorders are like those with a drug problem: they're never really cured and it's a long, hard climb back from those depths. It's a constant and ongoing fight, and the battleground is the cold light of each new day and every long. lonely night. I recommend this book for a great story, if a slightly depressing one!


Friday, May 4, 2018

The Castoffs Vol3 Rise of the Machines by MK Reed, Brian Smith, Wyeth Yates, Kendra Wells


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

The machines march relentlessly onwards in vol 3, but I must confess up front that I have not read volumes one or two. I asked to review this one because I thought it sounded interesting, and though it was rather hard to get into because I'd missed two-thirds of this story so far, I have to say overall I liked it even though some of it made little sense to me.

'Rise of the Machines' sounds suspiciously like an entry in the Terminator movie series, doesn't it? Wait! It is and entry in the terminator series! Couldn't we have 'Onslaught of the Machines' or 'March of the Machines' here, since they're already quite risen it would seem?! A little more originality never goes amiss.

The story itself was a bit slow-moving and it was rather side-tracked from the main issue which was, believe it or not, the march of the machines. I found it hard to believe that if this were a real life adventure, the main characters would be so distracted by relatively petty village problems that they would forget that an army of robots led by an evil woman were bearing closer with each passing minute.

Instead of going out to harass and attack the machines, or prepare traps for them, they spent their time fixing village issues which would be rendered completely irrelevant if the village was razed by the oncoming machines! They evidently didn't take the threat seriously until it was almost upon them.

I'm sure we've all been there, but sometimes people become so desperate to tell a certain story in a certain way that that they forget the reality of the characters in the story they're telling. They forget that they are people with strengths and weaknesses, and with hopes, dreams, and desperation, and with problems and pains, and so end-up with a story in which characters exhibit unrealistic behaviors. I always let the characters tell the story once they've been fully-created, because it makes for a much more realistic story-telling for me, and it often takes me (and the characters) in interesting and quite unexpected directions.

That said, this story was interesting and the relationships quite engrossing. The art work was decent, but initially, it was hard for me to tell the gender of the characters from the illustrations. That's not necessarily a bad thing and normally I would approve of it, but having missed the first two parts of this story, I felt a bit lost, and a little more cluing-in would have been appreciated since the names were not a good guide! I spent most of this story thinking Rosaiba was a female! It wasn't until close to the end that I realized he was not!

So in conclusion, while I do not personally feel compelled to pursue this story any further after this volume, I did enjoy what was offered to a certain extent, and so I recommend it with the caveat that you start with volume one! These are not stand-alone volumes!


My Pretty Vampire by Katie Skelly


Rating: WARTY!

This was a waste of my time. There is no story here, just female nudity and random bloodletting. The inexplicably named Clover isn't in such. She's a vampire who demands blood. Her brother kept her confined for several years in order to protect her and humanity both, but Clover is hardly the sharpest canine in the dentition.

She breaks out and seeks fresh human blood. No excuse is given for why she simply doesn't drink her brother dry. She clearly has no morals, yet for reasons unknown, she leaves the man who has imprisoned her for years, untouched, and picks-off assorted, random innocent people she encounters. She's too stupid to know she must get out of the sunlight until she starts broiling herself. She's not remotely likable, and the ending makes no sense at all mostly because it's not really an ending in any meaningful sense. Story? What story? Art? What art? At least it was short.

Comic book writer Jaime Hernandez recommends this. I have no idea who he is so you'll have to remind me never to read anything by him if he thinks this is so great. He either hasn't read it and therefore is completely clueless, or he's just completely clueless. I don't get why idiot publishers think a recommendation by a writer most people have never heard of somehow carries any weight. I honestly do not give a damn what other writers think, even if they're writers I like. I want to make up my own mind, and I did. I certainly cannot recommend this waste of time.


The Winter's Tale by William Shakespeare


Rating: WARTY!

This was probably written around 1611, and first published in 1623 in a folio which grouped it with the comedies! It's not a comedy, unless a comedy of error. Some have labeled it a romance, but it's not a romance. To me it's a tragedy in more ways than one because it's not well-written and it's an awful story in the sense of being completely unrealistic. In that regard, it's a typical Shakespeare play where he asks us to remove our brains before entering the theater, but then he does call it The Winter's tale - like it's the mother of all tall stories, told in this audiobook by a very average full cast.

It's also another one of Shakespeare's thefts. He was a monstrous plagiarist. This story is essentially the same as Pandosto by Robert Greene, published some two decades earlier, a story in which the King of Bohemia, Pandosto, accuses his wife of adultery with his childhood friend, the King of Sicilia. Greene in turn may have taken his version from The Canterbury Tales which may have in turn been lifted from earlier stories such as The Decameron And so it goes!

In Shakespeare's rip-off, we're supposed to believe that Polixenes, the King of Bohemia, has so little to do in his own country that he can waste nine months (a curious amount of time) swanning around in Sicilia with King Leontes, whom he hath known since childhood. When Polixenes refuseth, citing pressing business back home, Leontes unreasonably tries to require him to stay, and when he fails in that, he sends his wife to try to talk him into staying. Why he would send his wife who knows this guy less well than does her husband is a mystery, but she persuades him so quickly that Leontes immediately decides she's had sex with him in order to convince him not to go!

Note that Bohemia is part of the present-day Czech Republic, so there is no way in hell a name like Polixenes would be in play there, nor a name like Leontes in Sicilia for that matter, but that's Shakespeare for you. Nor is there any way these two were childhood friends when their countries of origin were so far apart given the vicissitudes of travel back then, but again, Shakespeare expects us to buy this old mystery meat pie. He also expects us to believe the king took his wife to court (not the same as courting his wife) in a complete farce of a trial rather than simply behead her as was the fashion at the time. The reason for the trial is that it's far more an exercise in linguistic strutting and puffery than ever it was a realistic trial.

The wife, of course, dieth after the trial, but isn't really dead, just like the unheroic Hero wasn't really dead in Much Ado About Noting. Shakespeare wasn't original by any means. He even plagiarized himself! In the end, the child he thought had been burned alive on his own orders was in fact raised away from his sight for sixteen years, and the wife he thought was dead was living with a neighbor and lo an behold, all is forgiven at the end.

Horseshit! This king is so clueless that he has no idea what's going on in his own court, let alone his own country! He's so selfish that he won't let his supposed friend go home, and he's so stupid and paranoid that he thinks his best friend and his wife had sex. The guy's an asshole and simply isn't worth reading about. I do not recommend this! If you must indulge in Shakespeare, he has better material to read or listen to than this.


Thursday, May 3, 2018

A Wrinkle in Time by Madeleine L'Engle, Hope Larson


Rating: WARTY!

This is my third attempt at getting into Madeleine L'Engle's work and I finally realized the problem: it's a Newbery award winner which more than adequately explains why I can't stand it. Why I even imagined continuing after I tried the actual novel in May of 2015 and did not like it, is a mystery, but I saw the movie recently and did not like that, and now even a graphic novel gets the thumbs down.

Hope Larson's adaptation I suppose is not bad, but her artwork leaves a heck of a lot to be desired. The real problem though, is the original story which tries so hard to be cute and ends up being a nonsensical pile of centaur crap. Or is it flying horseshit? I'm not sure there's any real difference. There's no point in going on about this because I already covered it in the original review, so I'll say this did not work for me but at least I made it all the way through! I cannot recommend it though. Just the opposite. It's a great pity that this didn't end with Tesseract One.


Wednesday, May 2, 2018

Hexed by Michael Alan Nelson, Emma Ríos, Cris Peter


Rating: WORTHY!

This was an awesome graphic novel written beautifully by Nelson, drawn gorgeously by Ríos, and colored richly by Peter.

Luci Jennifer Inacio das Neves, or Lucifer for short(?!), is no ordinary thief. She steals magical artifacts which often have dangerous magical protections. Unfortunately, the job she turned before immediately leaving town is coming back to bite her in the form of Dietrich, who insists that since she skipped out on him, she owes him and will steal something for him as well as introduce him to The Harlot. Or else.

Dietrich aims to become number one in the magical underworld, which makes him number two right now, and he behaves like it towards Luci. After he threatens her employer Val Brisendine, a vulnerable art dealer, she feels like she has no choice but to go along with his plan even as she plots to get out permanently from under his thumb.

The stakes grow higher and Luci dives deeper, and it's starting to look like maybe she can't fight her way through this. Or can she? I ain't tellin'! But I do promise you this is an awesome novel and well worth the time to read it if you're into magical fantasy work at all.

I knew as I was reading this that I would welcome a sequel and it looks like I'm in luck, because the author appears to have written such a thing in at least two parts: Hexed: The Harlot & The Thief! Unfortunately that has a different illustrator: Dan Mora. I'm not a big fan of male illustrators' habit of hypersexualizing characters, but I may still take a look at this in the hope that Dan Mora is not focused on physical. Don't go searching for this series on Boom! Studios's site though: their sad search engine can't find it even though I know for a fact that it's on there! Look elsewhere for information about it or do a site search from outside of the actual website.


She Persisted by Chelsea Clinton, Alexandra Boiger


Rating: WARTY!

This is a short and essentially meaningless book aimed at young children. It purportedly champions women who were sold short, but persisted and became famous for something other than overcoming obstacles. Written by Chelsea Clinton (yes, that Chelsea Clinton!) and illustrated by Alexandra Boiger since Clinton can only draw a crowd and big bucks, it features a scant paragraph about each of the following: Virginia Apgar, Nellie Bly, Ruby Bridges, Margaret Chase Smith, Claudette Colvin, Florence Griffith Joyner, Helen Keller, Clara Lemlich, Sally Ride, Sonia Sotomayor, Maria Tallchief, Harriet Tubman, and Oprah Winfrey.

Chelsea Clinton and Penguin Random House were sued by Christopher Kimberley for copyright infringement. His assertion is that they 'cashed in on his hard work'. Last I heard Clinton's team of lawyers filed to dismiss the suit. I'm no lawyer and even if I were, my opinion would be irrelevant, but it seems to me that a suit like this particular one has little standing especially when launched against a millionaire celebrity.

As for the book, it became yet another celebrity best-seller, pushing out lesser-known writers once again. Big Publishing™ lavishes big bucks on big celebrities whilst turning down good books by unknowns. This is why I will never publish with Big Publishing. Every time one of us sells out to them, we walk all over others like us.

I hate for books to do well not because of their content, but because of their author, and in this case this is exactly what's happened because there really is very little content. The author is earning a six-figure sum on the backs of those who have gone before her, and if she had made an effort to put some content into the book, that would be one thing, but for someone who has grown up in a very privileged existence to then climb on the backs of those who were far less privileged and milk their hard work for tens of thousands of dollars is a bit much.

Actually, it's a lot much, and I cannot recommend this one or its sequel, wherein the author recognizes that while the USA isn't the only country in the world, it is the most important (by granting it the first publishing), and also on par with all other nations put together (they merit only one book of equivalent size). This book is far more about illustration than it is about illumination, so despite its superifcial good intentions, I really can't recommend it, and I have to wonder where all that money is going from the sales of the book. It's not like the author is exactly short of cash, but maybe it'll help pay-off that five million dollar mortgage, huh?


Tuesday, May 1, 2018

Bonfire by Krysten Ritter


Rating: WARTY!

If this novel had been written by an unknown and submitted as is, it would never have got published. The only reason it did get published is because it was written by a celebrity. The author is an actor who currently plays Jessica Jones in the Marvel TV series of the same name, and in that show I adore her, but a writer she's not. Not yet. She may become one if she can quit writing YA trope and cliché and find a topic that's not been done to death. And have an editor who's not afraid to say no to a celebrity.

This follows the done-to-death trope of the prodigal son (or in this case, daughter with the unimaginatively bland name of Abby Williams) returning home to confront "demons". Barf. Yawn. Barf some more. Yawn a bit. Ho-hum. So anyway, the main character returns to her even more unimaginatively named small town of Barrens, Indiana where she grew up (or maybe not) and where a conglomerate named Optimal Plastics appears to be responsible for polluting the water and causing people to get sick. We're told the town is now booming, but we're never told why a huge corporation would put its roots down in a lifeless hick town nowhere near major artery roads or airports in the first place. At least not in the part I listened to.

Abby is an environmental lawyer living in Chicago and apparently lives a life of drunkenness and debauchery there. You would think someone with that portfolio would be able to confront the girl who bullied her in high-school and now acts like they were old friends, but this character is such a limp rag that she doesn't say squat. Let me just make it clear that I would never want Abby Williams to represent me in court!

It was when Abby discovers that the house she's renting has a neigh-bore who is a single dad with a precocious young daughter that my nausea rose far too high to continue. It didn't help that Abby had lost all interest in pursuing the chemical company even by this point, and had become instead obsessed with tracking down this girl, Kaycee Mitchell, she knew in high-school who had since gone off the grid. Abby was not a likable character, and I honestly didn't give a damn about her or anything else in this story. I could not care less what happened to the missing girl, because I've been given no reason to care more.

From reading other reviews out there I understand that the author knows nothing about Indiana, thinking it a football state when it's a basketball state (even I, who has almost zero interest in fatuous and ultimately pointless sporting events, knew that!), and she misnames the state university and invents a toll road where none exists. It's so easy these days to research a place on the Internet, in Wikipedia, and even go look at it on Google maps, that there's no excuse for getting things like this wrong. It's sloppy and lazy.

The asinine blurb (for which I don't blame the author) promised "tantalizing twists, slow-burning suspense," but the only word in that whole phrase which applies here is 'slow'. I pulled this off the library shelf solely because it was written by Krysten Ritter. I thought it would be well worth reading, or rather listening to but it wasn't, even though reader Karissa Vacker did a decent job.

The best thing that can be said about this novel is that it's short, but apparently, according to some reviews I read, it could have been shorter still if the endless repetition had been cut out, and I believe them far more than ever I'd believe a blurb writer! I cannot recommend this based on the part I could stand to listen to. A bonfire is a great place for a novel like this.