Saturday, December 1, 2018

March of the Suffragettes by Zach Jack


Rating: WORTHY!

This marks my 2,800 book review! Yeay me!

A century ago this year, in Britain, Parliament granted the right to vote to women, but only if they were homeowners over the age of thirty! This purported enfranchisement still very effectively disenfranchised the majority of women. Thankfully that has changed now, inevitably for the better, but there was a fight on both sides of the Atlantic for a woman's right to have a say in the largely old white male government which dictated how she should live her day-to-day life.

While in Britain the fight got quite brutal, in the US it was rather more gentile, and a leading light in this 'fight' was a woman in her late twenties from a privileged background, who led a march from New York to Albany to present a request to the newly-elected governor in New York state.

Somewhat misleadingly subtitled "Rosalie Gardiner Jones and the March for Voting Rights" this library print book aimed at younger readers, began as a real disappointment because the male author seemed like he was far more interested in talking about press coverage of the march by the male reporters than ever he was about the women enduring the march. Since it seems like he took his entire story from newspaper reports I guess this isn't surprising, but it makes for a disappointingly thin story.

Thankfully this approach seemed to change about halfway through and the story became much more palatable. Even then though, we got to learn very little about the women involved. I am far from a Stephen King fan so I do not demand the entire life history of a character back through three generations. I can do very well without that, but a little bit of background in this case would have been nice.

This highlights the weakness of the author's approach because investigative reporting wasn't a thing back then. The old boys reporters club was more interested in pointing out the cute women marchers and the hiccups along the route than in actually doing any real stories on the marchers, and I'm guessing that's why the author offers no background. There was none in the newspaper sources he used and he was too lazy to do any digging of his own.

Another weakness at times was his style. At one point when he was talking about a rousing speech delivered by Jessie Stubbs, he said, "Here was a woman who would not be slowed by excessive baggage or supposed burdens of her sex," but this was right after he had, in two different successive paragraphs, loaded her with precisely that baggage by describing what she was wearing. This is a typical journalistic approach to describing women subjects of a news report, but not when describing men! So please, journalists do not burden your female subjects with this excessive baggage and burden of her sex! Good lord!

Rosalie Gardiner Jones was a remarkable young woman who was influenced by the Pankhursts in Britain (Emmeline nee Goulden, and her daughter Christabel), although the book won't tell you this. In late 1912 when this march took place - just months after the Titanic sank with 1500 people preserved in icepick. Rosalie was just 27 when she led her group of varying size (sometimes it was down to only the three core marchers) over a hundred-fifty miles due north. They walked all the way, blisters and all, through fog, rain, and snow.

Many towns along the way took the opportunity to hold fetes and welcome the visitors. The support they had was surprisingly diverse and commonly to be found. The coverage they got was international. The march really was a game-changer. Sometimes men would march with them. They were kindly treated by police it would seem. Some senior police officials would come out from their towns and walk or ride along with the march as they entered their domain. One factory owner apparently supported the march and allowed his female employees an afternoon off (without pay of course) to march with the group. This was interesting because at the same point in the journey, the marchers were joined by female students from Vassar college who, the author tells us refused to associate with the factory girls, so not all rights were being represented here.

The press coverage though was a part of the problem because in the first half of the book we learned very little about Rosalie and her marching partners Sibyl Wilbur, Ida Craft and the feisty Lavinia Dock who was in her fifties at the time of the march). The even more feisty Inez Craven, who seems to have been lost to history was also on and off the march, somewhat scandalously so at times. She was of the more proactive British origins. Jessie Stubbs was also there from time to time but she commuted back and forth delivering press reports. Jesse made an important speech along the route and was known for urging women to refuse to bear children until war was abolished. She died apparently by suicidal drowning less than a decade after the march and only a year after the nineteenth Amendment was ratified.

Later in the book, we did learn a little about Rosalie's mother. The young marcher spent a part of the trip fearing her wealthy upper-class helicopter mom would come down there and wrench her wayward daughter away from this folly! The author won't tell you this (at least I don't recall reading it), but her mother was a member of the anti-suffrage league! There were a couple of other issues with this author's habit of omitting or worse, inventing information. The first of these is that while the author does reference certain material (references are pretty much always to newspaper articles), he makes up an entire story about how Christmas was spent and offers no references at all.

There's a huge difference between telling a story based on historical fact, and fabricating one, and that latter is what would seem to be happening there. There's also an outright fabrication, when the author mentions suffragette Gretchen Langley rowing away from the sinking Titanic in rough seas! No, she did not. If there is one consistent agreement among all Titanic survivors, it's how mirror-calm the sea was that night. The ocean was like glass, and that's what Langley would have rowed in. The next day as dawn broke and rescue finally seemed a hope, the seas did kick up more roughly, but by then the Titanic was some two thousand fathoms down, and no one was rowing away from it. On the contrary. Through the night and as daylight dawned, they would have been rowing toward one another to secure the lifeboats to each other for safety.

How times have changed, and how times haven't. It was a sixty-year battle to get to the 19th amendment to the US constitution adopted and even then women were far, far from equality. This same battle goes on today albeit in different arenas. I commend this not because it's a great book, but because it does cover, albeit in amateur fashion, an important step on a too-long road to equality, but if you can find something better, then please read that instead.


Code of Honor by Alan Gratz


Rating: WARTY!

Kamran Smith is American-born, but his mother is from Iran. He gets into trouble when his older brother, in the US Army, is suspected of carrying out a terrorist attack. The plot sounded interesting, but the writing was juvenile, so this was another failed audiobook experiment. I knew this was likely to go south when it began with music, devolved into first person (aka worst-person) voice, and then the main character turned out to be a violent, self-centered whiny little bitch. So three strikes against it to begin with.

Seriously, what's with putting this pointless music on audiobooks? Did the original author write the music? No! Does the music have anything - anything at all - to do with the story? No! So what's the purpose of it other than to annoy people who want to get right to the story? You buy an ebook, or a print book, you don't get music and you can skip straight to chapter one. But audiobooks want to lard you up with music, all manner of spoken introductions and prologues that you can't easily skip, and on and on, it's annoying. Publishers, stop it! Stop it now! I'm looking at you, not-so Brilliance Audio, and you, too Audible, and you, Harpy Audio, and many others. Quit irritating your readers!

Anyway, the blurb tells us that this boy can't wait to enlist in the army like his big brother, Darius, and this is no surprise given how belligerent he is. I didn't like the guy. I didn't like the voice and I quickly lost interest in what happened to him. I further lost interest when the story absurdly went into a raid on this kid's home because his brother was suspected of terrorism - his brother who'd been accepted into the US military and been away from home for some time. What? They don't even come and question the family or put them under surveillance, but launch straight into a raid their home and tip them off that they're suspects? I can see that happening under this administration which is the most racist administration we've ever had, but even given that, it was too absurd to take seriously. Based on the portion I could stand to listen to, I cannot commend this at all.


Dear Fahrenheit 451 by Annie Spence


Rating: WARTY!

Subtitled Love and Heartbreak in the Stacks, this audiobook sounded like fun, and I love librarians, so I felt I owed the profession a review of this or something like it, but in the end, I didn't love this book for several reasons. I had hoped for something much better.

The first and foremost of the problems I had with it was that despite being published only a year or so ago (as of this review) the book seemed obsessed with antiques and classics rather than addressing any of the newer material that's out there. I don't have a lot of reverence for the classics - certainly no more than for modern works and certainly not simply because they're so-called classics! Yes, it did cover some more recent material but very, very, little.

Another issue I had with it was that, for having been written by a librarian, it wasn't very good. There were some interesting 'letters' and some outright laugh-out-loud moments in it, but those were few and far between and the more I listened to this, the more I found myself skipping sections either because they were boring or because I had zero interest in the book being addressed. It felt like anyone could have written this, no librarianship required.

Worse than this was the vulgar language. I have no problem with that in a novel. People use foul language in real life so there's no reason at all it should not be depicted in a novel, but it felt completely out of place in this work, and it really grated when she used it.

For these reasons I cannot commend this as a worthy read. My apologies to librarians everywhere; I can;t speak for them, but I doubt this author speaks for very many of them!


Godshaper by Simon Spurrier, Jonas Goonface


Rating: WORTHY!

Written well by Spurrier and illustrated well by Jonas Goonface (is that really his name?!), this graphic novel impressed me as an original work that refused to take the same old rutted path that far too many writers and artists take. The premise, for which the author offers no explanation or rationale, is that in 1958, the laws of physics stopped working - at least that's what the blurb tells us, but that's patently a lie, because most of the laws of physics seem to be perfectly functional - gravity and electromagnetic energy, for example seem to be sterling working order. How it is that mechanical and electrical machines fail to work is a bit of a mystery and it remains so throughout this novel.

The blurb "explains" that an alternative was provided in the form of a personal god (which look like animals and mythical creatures and are slightly transparent and come in a rainbow variety of colors). How this is an alternative is also a mystery because while some of these gods can haul transportation, very few of them seem to actually be engaged in that task, so while some are "the new fuel" I don't see how they are the "currency of the world." The whole idea of economics is a bit murky here as is the bigger picture of what happened to the country and the rest of the world. It's very much just a local, personal story of a guy named NA - or Ennay as it's rendered.

He's a skinny, black, bisexual musician which questionable friends, and equally suspect morality. He has no god. Such people are rare and shunned by society except when their help is needed because they have the power to 'shape gods' - although what exactly that means is a bit of a mystery too. It seems to mean more than just literally changing the god's shape. It seems to mean changing the god's abilities or powers, which means these people ought to be the most respected and highly paid in the land, but they're not - again, no explanation is offered for this paradox.

But Ennay has an advantage that most "nogodies" do not: he has a god who has no human (gods typically die when their human does, so we're told). This god is named Bud, and he hangs around with Ennay like they're best friends. His god looks like a traditional white-sheet-covered ghost, but he has legs, and a penchant for wearing hats. We learn later that his hats cover a curious disk-like object which sits atop his head, but what that is isn't explained - or not well enough that it registered with me.

Naturally this ghost is way more important than Ennay realizes and this later drives the story into something other than Ennay's simple wish to make his way to California to play a gig. I agree with some other reviewers that the ending is a bit confusing, but I liked the way people were portrayed both art-wise and character-wise in this and despite the unnatural world, they behaved a lot more naturally than too many graphic novels would have it. Overall, an despite its flaws, I really enjoyed this story and consider it a worthy read.


Anderson Psi Division by Matt Smith, Carl Critchlow


Rating: WARTY!

I picked this up at the library and I'm glad I did that rather than pay for it, because it would not have been worth the money. The art by Critchlow wasn't bad at all actually, and it was mercifully restrained in terms of sexualizing the character, but the story was just boring. I'm assuming the writer was not the Matt Smith who played Doctor Who in the years between Peter Capaldi's captaincy and David Tennant's tenancy, because I think it would have been more entertaining if it had been!

The story is about the Psi Division of the Judge Dredd world. I've never been a fan of this world; nothing is more ridiculous than the absurdly ornate uniforms these people wear, which must weigh a ton, and which provide no practical benefit. Just the opposite in fact. No wonder they need such sturdy bikes to ride around on!

Anyway, this story is about a psychic officer whose name, in retrospect, isn't important, and who gets a sharp premonition that something bad will happen at the museum, but no one seems to believe her. Why would they not believe an officer of the law who is known for her psychic abilities? Well, maybe because she's a woman? But in the context of the story's world it made little sense, and frankly I am so tired of these psychic stories where the psychic clues are so very irritatingly vague.

Subsequently there came a romp which made even less sense and in which she ended up, for reasons I couldn't figure out - maybe I missed something? - in a jungle where she happened to make a highly conveniently, coincidentally, fortuitous discovery. By this time I was very much done with this, but I read on to the end and the story neither improved nor was resolved, so it was a prologue. I don't do prologs and I refuse to commend this. There was nothing to it to commend.


Polaris by Michael Northrop


Rating: WARTY!

This sounds like a sci-fi novel from the title, but it isn't. It's a middle-grade scare novel a la Goosebumps, but not. I picked it up because I thought it was sci-fi, but even when I realized it wasn't, it still sounded like an interesting premise when I first looked at it at the library: "The proud sailing ship Polaris is on a mission to explore new lands, and its crew is eager to bring their discoveries back home. But when half the landing party fails to return from the Amazon jungle, the tensions lead to a bloody mutiny. The remaining adults abandon ship, leaving behind a cabin boy, a botanist's assistant, and a handful of deckhands -- none of them older than twelve."

I think as a writer you need to bring your reader in pretty quickly (of course this rule doesn't apply to established writers how seem to think they can ramble on endlessly and still keep all their readers entranced. Stephen King I'm looking at you...). The problem is that for different readers this type of entrance means different things. It's hard to write a generic opening that will draw everyone in, and in this case, the writing just did not welcome me at all. Right from when I first started listening to it, I couldn't get into it at all and I DNF'd it pretty quickly.

I think the problem was the mesmerizingly rapid, if not rabid switch of viewpoints as the story opened so I wasn't ever quite sure where the hell I was. Maybe if I'd been sitting in a room listening to this it would have been different, but I listen to audiobooks pretty much exclusively when I'm driving, and when I am driving, I'm all about driving, and will ditch attention to a novel rapidly if something demands extra attention on the other side of the windshield. That's not to say I ignore traffic if a story is really engrossing, by any means, but I know that if my mind is wandering onto other matters - such as my own writing, then the audiobook just ain't cutting it. So, other than that, I don't have anything to add about this except that based on my experience I can't commend it.


Faces From the Past by James M Deem


Rating: WORTHY!

There are few places where science and art intersect more masterfully than in forensic face reconstruction. Most people who have heard of this might associate it with a modern murder investigation, but it is often used to see how someone looked who lived long ago. This book describes some North American cases, which seem disproportionately to favor the Albany, New York area, for some reason, but which cover other skeletal remains, too.

The reconstructions cover a long time period, from the ten thousand year old man from Spirit Cave, to much more recent skeletal remains, such as 'Buffalo' soldiers of the "Indian wars" (which were really white folk wars, let's face it!). The first chapter is about Spirit Cave, and other chapters cover a sailor who died apparently of dehydration during the disastrous La Salle exploration of America's gulf coast during the late seventeenth century, the forgotten slave burials at Schuyler Flatts, a Mexican soldier from San Jacinto, and six Chinese miners from Wyoming, among others. Each chapter gives background history of events and habits and customs, and provides copious photographs and illustrations, while discussing the discovery of the remains, the decision to create a likeness, and the process, and the artist who did the job.

Reconstructions literally put a face on our past, and examining remains can inform us about the lifestyle of the person whose body has been found - including how brutal it was for slaves. This book is one of a number which cover this kind of work, and it is particularly good in how it tells these stories. It's also eminently suitable for younger readers, some of whom may well end-up making a career in this line of work. I commend it as a worthy read.


Prophecy by SJ Parris


Rating: WARTY!

This is one of those bloated historical novels which place important people at the author's beck and call, and which consists of name-dropping and the most sluggish pace imaginable. I was hoping for better. Once again it's a series - the Giordano Bruno mysteries, in which this Catholic monk becomes a detective. Seriously? He's also helping the Elizabethan government stave off encroachment by the Catholic church? No! He was a devout Catholic himself. Why would he help a fight against it? All that crap alone should have warned me off it. Mea culpa. Mea maxima culpa.

So, he's in England - which he was at the time this story is set - and a ritualistic murder is committed inside the palace grounds. Sir Francis Walsingham is seeking to solve it and calls on Bruno to help him. No! Someone of Walsingham's ability needs outside help? Not going to happen.

I don't hold authors responsible for book blurbs, which they typically have nothing to do with unless they self-publish, but this one claims "It is the year of the Great Conjunction, when the two most powerful planets, Jupiter and Saturn, align an astrological phenomenon that occurs once every thousand years and heralds the death of one age and the dawn of another." This is patent horseshit. The last such conjunction was in May, 2000, and the next will be around Christmas or New Year's of 2020. My math sucks, but even I can distinguish between 5x22 and 5x200! Elizabeth was queen for some forty years so her lifetime would have seen at least two of these conjunctions.

So it really didn't get me interested which is the first mistake a book can make, but worse than that, it didn't evoke Elizabethan times at all. The author made the common mistake of putting it into first person voice from Bruno's perspective. I typically do not like 1PoV, and in this case it was glaring because Bruno's thought processes were entirely modern. It kept kicking me out of suspension of disbelief pretty much every time he thought something.

When Bruno was in England, he was writing a bunch of stuff that he couldn't get done in Europe for persecution by the idiot church. All he was trying to do was tell the truth, but brain-dead church dogma wouldn't let him. This is why we must never let blind faith control our lives again; it is universally disastrous. But the point here is that given how busy he was, he would hardly have had the time to swan around solving murders and spying for the protestants, so the very basis of this novel is nonsensical prima facie, and the author never gave me writing of sufficient quality to make me willing to overlook these shortcomings for the sake of the story. For these reasons, I can't commend it.


The Ark by Patrick S Tomlinson


Rating: WARTY!

This is purportedly a sci-fi novel, but it’s really just a detective story which takes place on a generation ship carrying the last fifty thousand humans to some planet out Tau Ceti way. Why there in particular goes unexplained. How they even knew there were habitable planets there is a mystery, but maybe they figured it out from the extra-solar planetary search. Tau Ceti is the closest single G class star to our own sun (which is G class), and it does have two planets in the 'habitable zone', but there's nothing known yet to indicate they might be anything like Earth or habitable at all. The bigger problem though is that the system is young and is awash with debris, so impacts of meteors on those planets would be huge. It would be an extremely dangerous place to live.

Two weeks out from the planet, a research lab operative goes missing, which is highly unusual since everyone has an implant which allows them to be tracked. There is a 'cop' on board who is assigned to investigate the disappearance, but the guy isn’t actually a police officer. He used to be a zero gravity sports star. How this remotely qualifies him to investigate crime in his retirement years is a mystery. Was he the only applicant when the position became vacant? Why did he even retire? The game was played in zero G so there's no major physical requirement like there would be on Earth for a sport. You need to be agile of body and mind, but how can you get too old for a sport like that when you’re still young isn’t explained here.

That I could live with, but when the guy ends up being a complete moron, I can’t read about him. The obvious place to get rid of a body in space is to flush it out the airlock, but that's the last place this brilliant detective thinks to look. The fact that they discover the body out there is complete luck. No alarm sounded when someone opened an airlock in space? Instead of sending a robot out to get the body, the detective, who has zero experience in space, demands to go get it himself. The spacecraft is inexplicably a single-seater, so he's literally by himself. He fouls up completely (turning off the com is his first arrogant and stupid mistake). He almost loses the body and he almost dies. Despite being in trouble, the crew explicably did not send out another spacecraft to rescue him despite having many of them on hand.

The thing is that when you flush something out of an airlock, the object is catapulted with some force because of the escaping air. It’s rather like firing a BB gun. The body would move away from the spacecraft with some significant speed, and if it were gone for a couple of days, it would be so far out and so dark, that it wouldn't be visible. Given how dirty space was this close to the planet, it would more than likely be undetectable by any means from the spacecraft, being yet one more cold, dark object among many. Yet they find it close to the craft and largely undamaged.

In the hospital, his female doctor is inappropriate with him, but that's just fine because he's being inappropriate with a subordinate colleague so everything balances out, right? No. When he wants to leave, he asks the doctor where his clothes were and she says, “We had to cut them off.” Why? If he'd been injured in a serious accident, then yeah - swelling and the need to get to him quickly and fix wounds would necessitate cutting off clothes, but all he did was pass out. What, they had to remove his clothes to put an oxygen mask on his face? No! They didn't have to strip him at all, yet this doctor did. I assume because the author is male. And that wasn't the only way she was inappropriate. Who knows, maybe his doctor used to be a car mechanic before her current gig. For them it’s routine to strip things down so they can charge you more for labor....

It was after the incident with the doctor that I quit reading this garbage. The story was poor and amateurish before then, but this was nonsense, and I had no intention of reading on at that point, much less of reading any more volumes in the lame series that this was intended to become. I can’t commend it at all.


Unhappy Medium by Elizabeth Cody Kimmel


Rating: WARTY!

Evidently part of a "Suddenly Supernatural" series, this audiobook was a disaster from my perspective. First of all it's number three in an ongoing series, which I couldn't tell from the book cover because Big Publishing™ seems to be in an orchestrated campaign to consistently deny this knowledge to readers. Why they would want this, I do not know, but it's yet another reason I have no time for Big Publishing™. Consequently it was a story in progress before I ever got there. This might have been manageable if other things hadn't tripped it up.

Worse than joining it in the middle as it were, it's worst-person voice, aka first-person voice. Worse than that even, the main character Kat Roberts appears to be a complete moron. Why female authors make their female main characters idiots so often remains a mystery to me. I don't mind if they start out somewhat dumb and wise up during the course of the story but to portray your female as an idiot doesn't do anyone any good. Women have enough to contend with from men without their own gender turning on them like this.

On top of that, the reader, Allyson Ryan, seemed like she wanted to make Kat's best friend as irritating as possible. Typically I find I like the side-kick better than I like the main character in far too many novels of this nature, but here the reader makes "Jac's" voice nauseatingly scratchy (she sounded like that clown from the Simpsons cartoons). She was so bad she almost made the main character seem worth my time. Almost. But I honestly couldn't stand to listen to it. This and the fact that the story was written so badly it was uninteresting to me, made me ditch this DNF. I can't commend it.


Swimming With Horses by Oakland Ross


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

I was disappointed in this story. From the misleading blurb I'd assumed it was about a mysterious black woman named Hilary Anson from apartheid-riven South Africa who moved to Canada and later disappeared, leaving a murder behind her. Sam Mitchell, who Hilary helped with his learning to ride a horse, later sets out for South Africa to solve the 'mystery' of her disappearance like it's any of his business.

I went into this under the impression that this would all take place when Sam was an adult, but after reading a third of the story and seeing it go literally nowhere, I DNF'd it. It was boring. The characters are uninteresting, and literally nothing was happening. Even by a third the way through, it had not even remotely progressed to the point where, as an older man, he decided to investigate her disappearance. I have better things to do with my time than read ponderous, pedantic, and sluggish novels like this which seem to promise one thing and deliver quite another.

Hilary wasn't black, she was white, which for this particular story framework reduced my interest significantly. The entire first third of the story switch-backed between her time in South Africa - the easily-manipulated, spineless and wayward daughter of a wealthy rancher, and her time teaching Sam how to ride his horse during her 'exile' in Canada. Throughout this entire time there was no mystery to solve and nothing whatsoever that was new, original, engaging, or even appealing. We never actually got to know Hilary at all. Everything we read about her was vague allusion, with nothing really happening and no information as to why Canada had been her destination; Canada being nothing like South Africa.

From what little I learned of her, I developed no interest at all in getting to know this foolish and clueless girl better, so it was of no consequence to me that she later disappeared. I honestly didn't care. Sam was a complete non-entity, and what I read of him in that first third offered no reason at all why he should go off to South Africa looking for her or why I should care if he did. Maybe things happened later, but an entire third of a novel to read through without anything of interest occurring was way too much of my time wasted and I frankly did not care what came next. In short, there was nothing about either of these characters that appealed to me or invited me to continue reading and I had no idea what the title had to do with the novel! I normally avoid books with this kind of a pretentious John Green-style title, so I guess I learned my lesson!

Frankly I had wanted to quit this long before I did, but I kept reading on in the hope it might improve. In the end it was a classic example of the sunk cost fallacy where people believe that if they have invested a certain amount in something, they need to stick with it. Well, I don't subscribe to that delusion and while I was willing to go a little further since this is an ARC, I didn't sign up to be bored to death. This just goes to show that you should go with your first instinct. If a novel starts out unappealingly, it's highly unlikely to turn around no matter how much more you read. I wish the author all the best, but I cannot recommend this based on what I read.


Saturday, November 24, 2018

Soar, Adam, Soar by Rick Prashaw


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

This is a very personal account of a family event that has much wider implications. I'd like to say it was told well, but I can't, because it was disjointed and disorganized and sometimes hard to keep track of where we were at, but even so I consider it a worthy read because it's an important story. It's also a very tragic story, and while all deaths like this are heart-breaking, it's hard to become emotionally involved when it's not someone with whom I am personally familiar. I can become emotionally moved by the greater story though, of endless people who are persecuted and brutalized for their perceived 'non-conformance' to so-called 'norms' of one sort or another, in this case, gender.

Adam Prashaw was not brutalized, as some have been, with violence and rejection by peers or parents, but he was knocked around by two things: the system, which does not make it easy for a person born in the wrong body to correct that situation, and by the fact that Adam also suffered from epilepsy, and it was this which killed him at an appallingly young age by dint of the fact that he drowned in a hot tub in the few minutes while his friends were absent, succumbing to a seizure which everyone thought and hoped had been cured by brain surgery only a few months before.

Obviously there are lessons to be learned here, such as that epilepsy, like alcoholism, is never really cured and we must be vigilant over those who have it to prevent accidents like this one from happening, but the lesson that's taught here is that of making the most of your life, even if that life is destined to be short - something none of us can know except in the hindsight of those we leave behind.

There are teaching opportunities which I felt were missed in this book, and this was one issue I had with it. One of them was the tragic accident at the hot tub. Another, for example was where at one point we were introduced to two women who would help Adam through this transition: "Pivotal this year are his first meetings with his counsellor, Nichelle Bradley, and his doctor, Jennifer Douek." These are both females and I felt it would have been nice to know more about how such people become attached to these cases, and whether gender plays any part, and if so, why?

If Adam were transitioning from male to female (the opposite of what he was actually doing) would these have been men, or is the gender simply random - this is just how the counsellor and doctor happened to be? Does it matter? A little talk about that would have been interesting to me, because I think it could matter if these particular two professions are overwhelmingly populated with gender-bias. On the other hand, if it makes no difference, it would have been nice to hear that.

I have to note again that this is a very personal account, so perhaps it's expecting too much, but to me such things are interesting and I felt that a little more commentary would have enriched the reading, but this wasn't the only thing which caught my attention. The book is far more about feelings and relationships, and a father's experiences than ever it is about the practical trials and experiences of a person going through gender reassignment, so perhaps we shouldn't expect a tutorial. It's also about how little time Adam got to enjoy the new him. Being a parent myself, I don't ever want to know what it's like to lose a child, so I can appreciate what this parent/author went through. I just wish it had been easier to follow and that Amazon's crappy Kindle conversion process had not mangled the text as it reliably does.

The book was available for review in PDF format which was not mangled at all, but which was too small to read on my phone, which is where I read most of my ebook material. I don't fault an author for that except in that it cannot be repeated often enough that if you're going to publish a Kindle ebook, you cannot have anything fancy in the text at all - not even italics, because sure as the sun will rise tomorrow, Amazon will frag your text. Italics generally do fine except that the last character, if it's something like a lowercase 'd' or an exclamation point, will be beheaded by the non-italic text following it. Guaranteed every time. An author needs to check for how much Amazon has screwed-up their text in the ebook version, because I have seen this repeatedly in Amazon books, and not just in advance review copies. Errors are rife in Kindle format, which is one reason I refuse to publish through Amazon.

In this particular case, text inserts/boxes were rendered part of the text, cutting into the middle of sentences in the main body of the book, so those are a complete non-no, as are drop-caps and other fancy additions. Images can be problematical. Amazon made a jigsaw out of the front cover image in this book and I've seen that before, but the images inside the book were generally fine except that they did not always merge into the text properly, leaving a largely blank screen here and there, either preceding the picture or in its wake.

Here's a quote that illustrates this text julienne à la Amazon: "The doctors wanted to completely remove the piece, which Bekkaa October 22, 2012 "The purpose of life is to live it, to taste experience to the utmost, to reach out eagerly and without fear for newer and richer experience." -Eleanor Roosevelt appeared to be triggering..." Good luck making sense of that. It incorporates the page header and a text box (I believe) all in one. Never use page headers or page numbering for an Amazon ebook. I've never seen this kind of mangling in any reading app other than Amazon's crappy Kindle app.

Here's a footnote in the middle of a sentence: "There were mood 1. Now known as a 'focal impaired awareness seizures,' these start in one area of the brain and negatively affect sensory perception. Other symptoms may include automatic behaviour. Such seizures generally last between one and two minutes. swings, too..." Here's another example of the garbling: "a work colleague, and her partner, David White, a United ChurchAdam minister; they happened to be visiting at the time.July 25, 2015 The chaplain prays for Adam with us. He touchThunderstorm!!! es my son." It's character coleslaw, and Amazon does it best.

The author is quite religious and it's commendable he had such an open attitude towards Adam's predicament. Far too many believers are entirely reprehensible in their position, but not this one. I didn't find his references to religion annoying though, being an unbeliever myself. At one point I read, "Adam is surrounded by love, God's and ours. This is all good." This was shortly before he was declared dead without ever recovering consciousness after his drowning. Clearly, as Al Pacino's character declares in Devil's Advocate 'God is an absentee landlord'.

Later there was another quote along these lines: "Everything that led to the day that Adam died and the day that John received his heart were destined to be, whether I like that or not ... It was meant to be." And the author adds, "I agree. A divine plan." I don't see anything divine in killing a young man so others can have his body parts. If God really wanted to do his job, he would not have let Adam drown, and he would have miraculously cured the heart and kidneys of those whose lives were improved through Adam's premature death and commendable organ donation. Otherwise what's the point of having a god if he does nothing to help, prayers are not answered, and evil all-too-often prevails? I personally have no time for a worthless god like that.

The authors comments were at times hard to understand. I read at one point, "AS ADAM'S GENDER transition and epilepsy collide full force toward the end of 2015, there is a remarkable change in him. An adult is emerging, a guy with a stronger voice." Well, he's 22 years old at this point, so I am not sure what was going through the author's mind. I know there's that old sawhorse that a child is always a child to a parent no matter how old the 'child' actually is, but I have never felt that way with regard to my own offspring. I see nor reason for that attitude. At some point they grow up and it's insulting to keep reducing them to kids when they're teenagers or young adults. The author wrote later, that he did "hug a few kids whom I recognize. They are all 'kids' to me, although most, like Adam, are now adults." This was after fussing over getting Adam's name right - the male name not the female name he was assigned at birth along with the wrong body. It felt hypocritical to me.

But in context of the overall story, these felt like relatively minor beefs, and not that important in the grand scheme of the story the author was trying to convey, so I was willing to let that slide, and all in all I commend this as a worthy read and an important book even though I have to add that I've read clearer and more educational accounts of a gender transition than this one.


Sunday, November 18, 2018

Paint Alchemy by Eva Marie Magill-Oliver


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

Be warned that this is not a complete beginner's how to. It is a how to, but it covers a specific topic and assumes you know a little bit about what you're doing. It's much more of a guide to improved technique than a beginner's guide. For me, a beginners word here and there would have been useful.

For example, the author will mention using a specific brush by name, without explaining what that brush is, and although the illustrations are copious these are more of the finished work and of an assortment of painting tools than they are illustrative of the particular tools mentioned in the text at that point. An image of the brush just mentioned in the text would have been more useful to me, but that said, the book description does make it clear that this is aimed at "Exploring Process-Driven Techniques through Design, Pattern, Color, Abstraction, Acrylic and Mixed Media." It's not aimed at baby-sitting the reader!

From that perspective it does well - talking knowledgeably and from experience about techniques and materials and explaining how to work with them to achieve certain effects. It goes way beyond simple brush technique digressing into unusual topics such as blowing through a straw to move paint on a surface, and spraying the brushed-on paint with liquid to achieve a different effect than what the brush alone can offer. There's also an interesting mention of using thread soaked in bleach to achieve certain effects, so if you're looking for inspiration of a slightly different sort - in moving beyond simple brushwork, then this book is ideal. I commend it as a worthy read for budding artists looking for the next phase in their arsenal.


Friday, November 16, 2018

Kiss My Math by Danica McKellar


Rating: WORTHY!

This is book two in an evident series and I was curious about it since it has a distinctly female bent to it. I know nothing about Danica McKellar, so it was interesting to discover she has some math cred. She certainly knows what she's talking about (as far as I could tell, although be warned, my math sucks). I didn't agree with all of her teaching methods (calling integers mintegers because they taste good?!), but often her approach helped make sense of what she was teaching, so this was on balance a good thing. I mean, who knew that y was such a square? My money was on X which has a distinctly square shape to it, but minus X, it leaves only y. Why? Read the book to find out.

I recommend this as a fresh and young approach to math for anyone who is interested (and all of us should be). Math underlies everything. It really is the language of the universe, but closer to home, it helped the author avoid overpaying for something the clerk had rung up wrongly - something she might not have noticed had she not been idly doing math in her head while waiting in line - so there are real practical benefits to it, as she points out often.

McKellar lays it all out in short sections covering different topics from fraction calculations to variable values and exponentials, beginning with an easy walk-through examples, explanations, and hints and tips, followed by some 'homework' (the answers are included, don't worry!). In fact, the page was often a bit too busy for my taste, but today's generation of sound-biters, snap chatters and other twits might appreciate that approach. I commend this as a great effort to get young women interested in math, We need female mathematicians, scientists, and engineers. They're criminally underrepresented and anything which can lure more into those professions is to be welcomed.


More Than Bones by Craig David Singer


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

Emily is a med school graduate embarking on her internship. She was lured into working at a Catholic hospital in Baltimore to be near her fiancée, and manages to find a room in a nicely-appointed house run by a usually sweet, but very temperamental guy whose first name, Norton, is the same as Emily's last name. On day one Emily is given a gift by an old man named Frank who lives next door to Norton. Emily tries to refuse it, but he's so insistent that she accepts just to be nice, and she hangs it on this skeleton - a real skeleton that Norton put in her room as a weird sort of housewarming gift for the surgeon intern.

The amulet is supposed to bring her good luck, and Frank is insistent that she wear it, but she doesn't and sure enough, a host of bad luck comes her way. She's late on her first day because of car trouble; later, her fiancée dumps her; Norton becomes seriously pissed-off with her over a remark she makes about him being gay - which he either isn't or is in serious denial of; a fellow female doctor, Mondra, with whom Emily was bonding also becomes angry with her, and an important guy from the local community files a formal complaint against her over her medical conduct when she treated his son - a patient she was tricked into taking by two other senior doctors who didn't want to deal with this kid's abusive dick of a father! After Frank dies unexpectedly and fails to impart some last words to Emily, a private detective shows up asking about his will, which seems to be missing.

The author has an interesting style, repeatedly tricking the reader into thinking one thing while revealing later how wrong you were to think as you did, but that grew rather old after a while as did the story-telling. Emily is neither an interesting nor a likable character and reading this story from her PoV was neither pleasant not engaging. First person voice is rarely the best one for telling a story, especially one like this, and did the main character no fav ors.

I made it only two-thirds the way through this novel before I quit because I could not stand to read about this whiny little self-absorbed ditz any more. At one point, for example, Mondra approaches Emily in the parking lot asking for help, and Emily just leaves her there and coldly drives away. I already didn't like Emily prior to this point, but that killed-off any hope of me growing to like her. At that point I was thinking Mondra's story would have been far more interesting than Emily's was - but not if it was written the same way this one was!

In the end I could not stand to read any more about her, so I DNF'd this. The mystery was boring and taking far too long to go anywhere for my taste. I cannot commend this as a worthy read.


Blamed and Broken by Curt Petrovich


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

As the subtitle "The Mounties and the Death of Robert Dziekanski" might suggest, this was a curiously-biased report of a fatal Taser™ incident which took place in October 2007 at the Vancouver International Airport in Canada, where four Royal Canadian Mounted Police confronted a Polish immigrant named Robert Dziekański, who spoke no English, and who was obviously frustrated and angry, but who had not hurt anyone and was threatening no one.

According to Goodreads (and this may be in error since Goodreads librarians are listed under 'useless' in the dictionary) the book is also titled Twenty-Six Seconds: A Fateful Decision. A Dead Man. A Decade of Cover-Up, so that ought to tell you something about how sensationalist the book is. Talking of Goodreads librarians, the book is listed as" Blamaed and Broken" so Goodreads' crappy search engine will never find this. You have to search by author name to get to it. This is one good reason why I quit posting reviews to Goodreads. It's about what I expect from something that has been stained by Amazon.

Let me say up front that it's far easier to make judgments on the sidelines and after the fact than it is when you're directly involved and in the middle of something as it happens, but from all I've read and seen, including the poorly-shot and misinformed video available on You Tube, Dziekański was far more defensively postured than ever he was aggressively so. He didn't offer anything like aggression until he was tasered, and even then he was not trying to harm anyone. He was clearly reacting in pain. The trigger for the tasering was after he turned around on the mounties with a stapler in his hand, and it all went sideways.

At this point he was repeatedly tasered, and when handcuffed and on the ground Dziekanski became increasingly physiologically distressed. He was denied airport medical treatment and got none until external medical services arrived. The RCMP officers initially refused to remove handcuffs when requested to do so by the EMTs, and when the cuffs were removed and the EMTs began working on the guy, he was found to be already dead. The video is misleading because there is a male voice on it repeatedly offering misinformation - such as declaring that the guy speaks Russian when he was speaking Polish. Clearly the commentator did not know this, but that's my point: don't declare something to be so out of ignorance. The voice asks, "How is he still fighting them off" when the guy is clearly lying subdued on the floor, and barely moving.

After Dziekański's death, the entire RCMP organization retreated behind a wall of 'we followed procedures' and 'we were just doing our job,' but it seemed obvious that they mishandled this situation and over-reacted, and presented a very poor face to the public afterwards, despite a phenomenal outcry that demanded contrition and an explanation.

No one in their right mind can deny that any law-enforcement officer has a difficult job to do and it's rarely in ideal conditions, but in these circumstances where the guy was not armed (unless you class a small stapler as a weapon, which they did), and was not attacking anyone, and with whom they could not communicate effectively, and given there were four trained RCMP officers present who had the guy confined if not restrained, the mismanagement was appalling in my opinion. They had time, for example, to call in an EMT to be on standby if they had already considered use of a taser - which they had, yet they delayed calling EMT help despite obvious signs of distress from the subdued Dziekański and initially denied them clear access to the guy even after they showed up.

Despite all of this, the author is writing from the outset as though he has already decided to come down on the side of the police regardless of the facts, and everything he's doing is biasing the story that way. Instead of reporting dispassionately, he uses loaded language repeatedly, for example, at one point he wrote of the pressure on the four officers in the aftermath, "Each moment is a separate car in a freight train bearing down on them." Seriously? I about barfed when I read that line. Yes, they were under stress and doubtlessly felt bad about what happened, but let's not get carried away. Not one of them felt as bad as Dziekanski's mother did, who was initially told that her son was nowhere to be found in the airport, and then was called back later to be told he was dead?

The endless and rather repetitive details quickly became tedious, removing any sort of satisfaction in the reading, but I also found some interesting omissions. It's an oddity for example, that the incident with Robert Dziekanski which took place in October, 2007 was kept in complete isolation by the author. In November that year there were two more deaths in Canada from Taser incidents with police, and there was yet another one in December. Halfway through the book, when he was well into the inquest on these events several months after the fact, the author hadn't mentioned even one of these other incidents. Out of curiosity, I searched the entire book for the three names of the people involved, and not one of them is mentioned. I wonder why? For the record they are: Howard Hyde, who was hit with a Taser up to five times about 30 hours before he died, Robert Knipstrom, and the exotically-named Quilem Registre; all tasered by law-enforcement, all dead.

One of the officers in the Dziekański case was later involved in a drunk-driving incident in which he deliberately tried to hide the fact of his drinking. He turned left in front of an oncoming motorcycle which he apparently did not see. The author describes the collision as occurring at "as much as ninety-six kilometres (sixty miles) an hour," but it may also have been as low as 66 KPH (40 miles per hour) which is still a deadly speed, especially on a motorcycle. Robinson was neither charged with drunk driving, nor with causing a fatal accident, and got away with barely more than a slap on the wrist. The news reports of this incident say that the officer took his two children away from the scene to his mother's house nearby, before returning to the scene having apparently had one or two shots of vodka, but this book seems to suggest he left the twelve-year-old girl and the nine-year-old boy home alone after they had been traumatized by being in the vehicle at the time of the accident. I don't know which version is more accurate.

At one point the author writes, "Dziekanski's actual habits when it came to alcohol and cigarettes are relevant." but earlier he had reported on the autopsy: "no drugs or alcohol were found in Dziekanski's blood." Case closed! Oh, you can argue that if he was addicted to tobacco and/or alcohol and could not get any, then he might experience some sort of withdrawal, and react badly to that, but these things could be established from his autopsy (did his body show signs of alcohol or tobacco abuse?) and from his behavior at the time which was documented on a video shot by a bystander. I saw nothing written about that. The impression I got was that this author was simply knee-jerk reacting to news reports and going off on one tangent after another like a ball ricocheting off bumpers in a pinball game. By some fifty percent of the way through, he is so all-over-the-place that I completely lost interest in the book and couldn't stand to read any more.

I can't commend this as a worthy read. In my opinion it needs some real editing and trimming. It also needs better organizing, the book is back and forth so much. At one point I read, "Underneath his deliberately cool exterior he is one part angry, one part nervous, and ninety-nine parts certain his time in the witness chair is not going to end well." That adds up to 101 parts. That's one part too many to make rational sense, and is emblematic of this book.


Hand Lettering A to Z Workbook by Abbey Sy


Rating: WORTHY!

This is from an advance review copy for which I thank the publisher.

Note that this is a companion to Hand Lettering A to Z. I didn't realize it fully at the time I requested this for review, so this is a very short review for a very short book aimed at the print book market, because though it had some 195 pages, only about 23 of these are the book. The rest is largely-blank exercise sheets where you can practice the character sets the author lays out for you. I haven't read the original volume, so I cannot comment on that.

Those twenty-three pages lay out in brief the rules and arts required to create your own hand-lettered whatever-you-want-to create! The tips and hints start before you even write the letters, beginning with information on the kinds of paper and tools you might want to lay your hands on first, and then progressing into different styles of writing and different effects that can be achieved using those tools. I commend this as a worthy companion book, but as I said, I can't comment on the book it's a companion to!


Monday, November 5, 2018

The Gilded Wolves by Roshani Chokshi


Rating: WARTY!

Errata:
"The guard held open the door. Enrique walks inside. Tristan was waiting for him" - seems to be a mix of verb tenses.
"clove of tins" - that's the round way wrong!
"A man from the Italian faction raised his fan. "500,000 to Monsieur Monserro." The Italian faction has a Monsieur?! Not a Signor?
"Enrique pulled a Forged spherical detection device -one of her own inventions -from his pocket. His or hers? Whose invention?
"...there are ways for the Sia formulation to act like a honing mechanism." Homing?
"a triplicate bee goddesses" wrong article.
"Am I pronouncing that correctly, Laila?" "It's Bruh-mah-ree" - these two lines are run together without a carriage return.

This is from an advance review copy for which I thank the publisher.

There was nothing on Net Galley from whence this came, nor appended to the novel itself to indicate this was volume one in a series. Had there been, I wouldn't have request it. I'm not a series person because I don't buy into the popular idea that the only thing better than one novel is three novels all telling the same bloated story. Publishers buy into it because it makes them money and it's getting to the point these days where it seems that you can't sell a novel - particularly if it's a young adult novel - to a publisher unless you can promise them a tree-slaughtering trilogy. This is why I personally have no truck with Big Publishing™ in terms of selling my own work.

I read this authors A Crown of Wishes over a year ago and had the same problem with that that I ended up having with this - a strong start followed by a slow decline into boredom as the story rambled on too long instead of staying on topic and getting to the point. If I'd known that Kirkus had reviewed this positively, it would have saved me some time. They never met a book they didn't like so their reviews are meaningless. Any time I see them gush about a book, I avoid that book like the plague on principle.

Set in 1889 Paris in an alternative universe where magic exists, and only two of the original four powerful magical houses of France remain, the novel follows the story of wannabe house leader Séverin Montagnet-Alarie and his ragtag band consisting of renowned stage performer Laila, artificer and socially-inept Sofia, botanist Tristan, and pretty boy, the Latin Enrique.

The group are thieves, and Séverin seems to think this will lead him back to greatness, especially when he's approached by Hypnos, an alienated childhood friend, and the enigmatic leader of one of the two remaining houses, who offers Séverin a way back to heading his own house for his help in acquiring something for Hypnos. This kind of story has been done before, but here it was given a glaze of bright paint that was fresh enough to initially render it quite appealing, but the more I read, the more translucent that glaze became, and the underlying mess bled through.

I was truly disappointed, but not altogether surprised, therefore by the ending which wasn't an ending. It was dissipated and rambling all over the place when it should have long before come to a satisfactory conclusion. It never did because this wasn't a novel - it was a book-length prologue and I don't do prologues. It never explained the title, either - or if it did, it went by so fast that I missed it. Yes, the crew wore wolf masks on occasion, but why? I have no idea!

I was truly disappointed in the author, and felt robbed of a good story by her. What we got in place of an ending was a cliffhanger, so this and the rambling story-telling turned the whole book around for me in a very negative way. While I'd liked the beginning, the book was way too wordy and draggy and started losing me in the second half, and that ending was the last straw. This is why I don't like to invest my time I reading long novels! This was nearly four hundred pages and only about half of it was worth the reading. The only thing it was missing was a good editor. I cannot commend it as a worthy read.


Friday, November 2, 2018

My Brigadista Year by Katherine Paterson


Rating: WORTHY!

Read charmingly and beautifully by Frankie Corzo, this was a very short audiobook (written by the author of Bridge to Terabithia) that I picked up on a whim at the local library. It turned out to be an inspired whim because I really enjoyed it. It tells an interesting story based on actual Cuban history.

Evidently at Ernesto Guevara's suggestion, Fidel Castro launched the Campaña Nacional de Alfabetización en Cuba, known as a year of education, which occupied almost the entire length of 1961. Literacy brigades (the Brigadistas of the title) were trained and then sent out into the countryside to build schools, train new teachers, and teach the illiterate to read and write. The campaign taught almost three-quarters of a million farmers and their families, and succeeded in raising the national literacy rate from around seventy percent to almost one hundred. There's a short documentary titled Maestra about the campaign, but I have not yet seen that.

This novel tells a fictional story of one such teacher named Lora, a girl in her mid-teens, who lived on a small farm while teaching the family and nearby families the alphabet and reading and writing skills. It was at no small risk to her life, since there was an orchestrated campaign against the literacy project because it was viewed as a political effort to indoctrinate those people, and there were attacks on the Brigadistas, including murders.

The story is told very actively, always moving forward, with little time for reflection, but which is nonetheless included in appropriately brief and organic moments. There is tragedy and joy and humor and moving times, and there were times I laughed out loud at the Brigadista's observations particularly towards the end about her friend's poetry (how many times can you write in the same poem that your heart was broken into a million tiny pieces?!). I commend this novel as a worthy, educational, and fun read.


I Don't Want to Eat Bugs by Rachel Branton


Rating: WARTY!

Illustrated rather oddly by Tim Peterson, this book for young children didn't impress me. The story is supposed to be about a young girl curiously-named Lisbon. Maybe she should have been named Lisbon-bon since she's so hungry! Reporting to her mother, the poor child finds no solace there.

Her mother informs her that dinner is almost finished (by which I assume she means it's almost ready), but instead of offering her a small snack though, or advising her to wash her hands and take a seat at the table, and having her maybe eat a little salad or fruit, mom sends Lisbon out to play?

The oddity about this image is that Lisbon looks pregnant, despite being little more than a toddler. I found that a curious illustrative style. Maybe it's part of the eccentricity of the depictions, because Lisbon also looks like she shares a condition of macrocephaly with Joseph Merrick.

When she goes outdoors, Lisbon is offered a bug by a bird and she declines. The illustration of the bird makes it look like it has a trunk. it took me a minute to see that the bird is extending a wing to offer the bug. Next her cat offers her a mouse it has caught. The dog recommends catching a hedgehog, but failing that, offers her some of its dry food. Finally she decides on ice cream which her mom promises her after she eats dinner, which is now, of course, ready. Lisbon doesn't wash her hands.

This book could have been a great opportunity to educate readers. It offers no reason for Lisbon to reject the food other than the mouse is cute, for example, but neither does it explain that there are cultures which do eat bugs, and hedgehogs, and mice, but it was wasted. It didn't really tell a story, and certainly it wasn't educational, to say nothing of unhygienic, so I can't commend this at all.


Agent Colt Classified Pride by A Lynn Wright


Rating: WARTY!

This was an awful, awful, awful CIA operative novel. Latesse Colt (because she's a closet lesbian filly, get it?) is a super-agent for no apparent reason. She blabs secrets to a stranger on a plane only to discover the woman, 'Vaneesa' is to be a partner, replacing sexist pig Isaiah, who is openly inappropriate to Latesse (sounds like latex, doesn't it?), but never once called on it not by Latesse herself, and not even by Latesse's supposedly no-nonsense female boss when he does this stuff right in front of said boss!

That was when I quit this asinine and amateur story. Even the writing was amateur as attested to by this run-on sentence I encountered very early in the novel: "Texas wasn't a bad place to be everyone was just so nice." The author needs to change her name to B Lynn Wright because she's not going to be A list writing like this.

Talking of inappropriate, it doesn't extend just to the absurdly caricatured male partner. It also extends to female characters. Latesse's female boss is described thus: "She had given everything for her career. No marriage, no kids, just work." So this female author is evidently convinced that a woman is missing something if she doesn't marry or have kids. Excuse me? How is this author any better than jackass dick Isaiah-the-pig-partner? Far from being apologetic, she doubles down on it soon after by having this character say, "Don't end up like me, close to retirement and no kids or grandkids to spend it with."

So clearly, a woman is useless when she has no kids. Forget about satisfaction with her career; forget about speaking engagements or writing a biography; forget about friends; forget about leading a life of solitude after all she's done, if she so chooses; forget about outside interests she might have, forget about even developing a satisfying romance later in life. Forget all that and a score of other reasons. Just focus on this one thing: if a woman doesn't have kids she's a complete failure. Screw you A Lynn Wright, who evidently doesn't get it right. I'm done with this author permanently.


The Losers Club by Andrew Clements


Rating: WARTY!

Read quite well by Christopher Gebauer, this audiobook was a story about these young kids who are in an after-school book-reading club. The guy who started the club deliberately called it the Loser's Club because he figured few people would want to join such a club, and it would give him the opportunity to sit and read uninterrupted by others, which is all he ever wanted to do. In fact, he'd been getting into trouble for reading and day-dreaming in class, and this was his last chance to show he could apply himself and not screw-up.

This sounds like it ought to be a good idea - a novel about reading, but for me it fell short. Admittedly it's not aimed at me, but not being a twelve-year-old I can't judge it from that perspective. I can reference my own youth, but that's a while ago and probably had little to do with youth today who have so many more distractions than I had. Plus I didn't get into reading seriously until I was around fourteen. This leaves me with my current perspective and I have no problem with that!

I gave up on this because of three things. The first of these was the bullying. The kid - whose name is Alec - has to recruit at least one more person to his club, so his first choice is old friend Dave, who is talked out of it by bully Kent, who used to be a close friend of Alec's way back. Now he's a complete jerk. Here's the thing. This novel was published in 2017. That year, the author was in his late sixties and I am by no means convinced he understands the school system any more, nor did he seem interested in doing any research, apparently. I mean, did bullies in 2017 really call a kid who likes to read 'a bookworm'? I doubt it.

Since this author was in middle school at the beginning of the sixties, there have been great strides taken to eject bullying from schools by means of zero tolerance policies. Schools are not the same as they were when he was in school! This doesn't mean that the policies always work, or that bullying is totally absent by any means, but the type of unrestrained, uncontrolled, rife and overt bullying going on here is completely ridiculous and made the story unbelievable. It was like everything that Bully Kent did was unconstrained and went without notice, much less censure, but everything Alec did, though it wasn't remotely connected with bullying, the teachers came down on him like a ton of mortar. It was too absurd.

The second thing was about the books. Alec is passionately into reading, but the only books he's ever heard of are what are considered (for reasons which all-too-often escape me) as classics. There was nary a truly modern novel mentioned in the entire book. It's like the author considered only his own preferences - either that or he blindly pulled up a list of classics and used that. The name-dropping of the same tired-old titles in novels like this is nauseating - even for a book which is about reading. It's worth noting that none of these books was read on any electronic device - it's like those hadn't been invented in this author's world.

Connected with this was another nauseating habit: that of referencing Star Wars - and not the new garbage, but the old garbage! I grew out of Star Wars a long time ago, and I look upon those tediously uninventive and repetitive movies with distaste these days. I can understand others' enjoyment of it, yet for all the references to it here, Alec had read not a single Star Wars novel (at least as measured by a complete lack of reference to them in this book). Instead Alec was all classics all the time. It made no sense and was entirely unrealistic.

This leads me to the third issue with this so-called reading passion of his: he actually had no reading passion. At least not as would be determined from his devouring of books. Instead, it seemed he re-read the same limited selection over and over and over again. This rather convinced me that he was not a book lover. He merely had a fixation on certain books and he showed no interest in moving on to other stories or in advancing to more mature material. Instead he was stuck inside a reading time-loop of juvenile 'classics'.

Now if Kent had taunted Alec on that, it would have made sense. It would still have been bullying, but not anything a teacher could have really called him on. He would have got away with it and called out Alec realistically. Why the author never thought of that is a mystery to me. I guess his imagination is lacking.

That's not the worst part. Alec can't start his club until he has at least one other person signed on, and he manages to get a girl by the name of Nina. Later another younger girl by the name of Layla joins, but despite his supposed passion for books, Alec quickly abandons all interest in books and begins focusing solely on Nina. What she's thinking, is she attracted to Kent, what's she doing, and on and on. It felt like a complete betrayal of everything the book had supposedly been about up to that point, and there was no lead-in to this at all; it just happened out of the blue.

So overall I consider this book a very amateur attempt to tell a story which could have been written in much better way. I can't commend it for these reasons.


The Magic Misfits by Neil Patrick Harris


Rating: WARTY!

Neil Patrick Harris is an actor known for Doogie Howser, MD and How I Met Your Mother neither of which show I ever watched. He's also supposedly a magician, but I've never seen him perform. Maybe that latter interest is what made him write this novel aimed at middle-graders, but for me it wasn't very good. Read by the author, it was full of clichéd stereotypes and average writing as well as nonsensical events - that is, they made no sense even within the context of the novel.

The basic plot is about the adventures of a group of misfit kids who have various talents - like one girl is an escape artist and lock picker, and the main kid is a magician. So while I must give kudos to having a handicapped kid as a main character and having prominent, self-motivated female characters (I particularly liked Ridley), the story never rose above its poor to average roots. The villains, for example, including the main kid's uncle (I forget the names of these characters, but make no apology for that - they were very forgettable) were made villainous not through any real villainy, but by having 'greasy hair' or bad breath, or by being overweight. No. I'm sorry, but no.

The story was unrealistic in that there were opportunities for the kids to get the police involved, yet they never did. Obviously in a story like this you want the kids to resolve things without calling in the adult cavalry to the rescue, but if you're going to do that, you need to do the work to make it happen. You can't just lazily have it happen contrary to all logic and sense. For example, the main scheme in this story was this one guy's attempt to steal this huge diamond which for inexplicable reasons was going to be exhibited at this villain's funfair. There he would replace it with a well-crafted fake and Robert's your aunt's husband.

These kids had two golden opportunities to derail this scheme and they ignored both of them. The first came when they broke into the villain's hotel room and discovered the fake diamond. If they had stolen that, right then and there, his scheme would have been thwarted, but they don't even consider it. This tells me they're profoundly stupid.

The guy's bathtub was full of stolen property - wallets and jewelry, etc. They could have called the police on him there, got him arrested, and thereby saved the diamond, but they failed to do so. This tells me they're profoundly stupid. Later, at the show where the switch is to take place, they were all in attendance and could have called out that the guy had surreptitiously switched the diamond since, as budding magicians, they knew exactly how he'd done it. There were police right there, but never once did they utter a word. This tells me they're profoundly stupid.

The main character is an orphan who runs away from his evil uncle, and he knows hardship and hunger, yet later in the story, these misfits douse the main villain in breakfasts - lots of eggs, syrup and pancakes, I don't know where they got this from, (I guess I tuned-out on that part), but the fact that not one of these kids thought of what a waste this was when there were hungry kids who could have eaten it, turned me off the whole story. If they'd used food that was spoiled and tossed out by some restaurant, that would have fixed this issue, but the author was too thoughtless or careless to make that happen, evidently thinking solely of slapstick instead of how real kids in this situation would have thought or felt.

In short it was really poor, amateur writing, and because of this, I can't commend this one. It's also, I have to say, really annoying that celebrities get a free pass with Big Publishing™ for no other reason than that they're celebrities, even though as writers, they suck. Meanwhile there are perfectly good, well-written, original, inventive, novels from unknowns which are routinely rejected by these same publishers. Clearly they aren't interested in good books, only in fast bucks. That's why I will have no truck with Big Publishing™.


Phase Two by Chris Wyatt


Rating: WORTHY!

This is an audio retelling of the wildly successful movie Guardians of the Galaxy that came out in 2014. Read pretty decently by Chris Patton, it was pretty much a word-for word copy of the script, with some minimal description tossed in, but unlike the movie, it isn't even PG-13 rating - it's more like a Disney animated film rating, so all questionable comments and references are omitted or re-worded. Other than that it's a pleasant listen for anyone interested in the Marvel universe.

I'm not sure there's anyone out there who is even moderately media-aware who doesn't have an idea what this movie was about, but if there is, then briefly, the story is an origin story of the formation of the Guardians, from a rag-tag band of misfits, disaffected revenge seekers, con-artists and thieves, into a genuine family of caring team-mates who don't actually save the galaxy (that comes in volume two!) but who do save a planet and defeat a brutal psychopath known as Ronan the Accuser.

The story starts with the young Peter Quill, so terrified by his mother's impending death that he won't hold her hand. Instead he runs out of the hospital only to be 'beamed up' into a space craft. The story then resumes twenty years later with that same Peter, now a mature (or maybe not) man who calls himself Star Lord, and who is on a mission to recover an artifact, which he tries to sell outside of the outlaw group who captured him all those years ago. His mission fails.

Oh, he gets the artifact, but he's captured when he tries to offload it, and he's tossed into a brutal space prison with three other villains, two of whom are the bounty-hunting team of Rocket and Groot. Groot is an alien species superficially resembling a tree, but who has legs and arms and the ability to speak and regenerate, although all he ever says is "I am Groot" in various tones which represent what he really means. Rocket, created by Marvel writers based on an old Beatles song (Rocky Raccoon) is a genetically-modified talking raccoon, whose experimental test designation was 'Subject: 89P13'. Now he's highly inventive, agile, scheming, and dangerous.

The third party is Gamora, another alien who was adopted by super villain (or is he?!) Thanos, whose self-appointed mission is to wipe out a random half of the universe in order to provide better living conditions for the other half. He adopted Gamora after killing her parents, and she became his trained assassin, but she's now decided to betray him to bring his murderous scheme to a halt.

These four meet the final member of their team in the prison. He's Drax 'the destroyer' (although he looks nothing like a navy ship...) who has a personal vendetta against Thanos and Ronan because they killed his family and he wants to kill Gamora, but Peter talks him out of it and the five of them join up to sell this artifact that Peter recovered, which turns out to be one of the six Infinity Stones which have been in existence from the start of the universe. Thanos wants them to complete his mission, Ronan steals it to pursue his own mission, and the Guardians are the only people who can stop him!

No one ever explained, neither in the movie nor in this novelization, why it is that Thanos isn't smart enough to know that with all six Infinity Stones, he can remake the universe however he wants without killing anyone! I guess he doesn't have the stones.... It's a pity one of these stones wasn't called the Smart Stone - with the ability to make people think critically and rationally.

So, fun stuff and a lot of laughs. The audio doesn't have the same magnetism and charisma of the movie, but it's a decent substitute and I commend it.


The Circle by Dave Eggers


Rating: WARTY!

This was an audiobook I picked up after seeing the movie of the same name based on this book, and which starred Emma Watson and Tom Hanks. The movie was rather improbable, but close enough to reality to be entertaining. The book, read by Dion Graham, was less than thrilling. It was far too wordy. People often claim the movie isn't as good as the novel for a given story, but I frequently find the opposite: that the novel is sometimes too rambling and the movie script writers have seen this and cut through the author's self-indulgent crap to create a much better story that flows and moves, and doesn't get lost in itself.

This getting lost was the problem here as the author went rambling on and on about things which contributed nothing to the story and which failed to move it, which in turn failed to move me. I DNF'd this in short order. You might argue that if I'd picked this up before the movie, I might have enjoyed it better and disliked the movie, but I really don't think so. A boring novel is objectively a boring novel, and the proof of that pudding lies in the fact that even though I listened this quite recently, I can barely remember any of it now. It made that little of an impression on me. Consequently my advice is to skip this novel and watch the movie instead.

It's not a great movie and I doubt I'll want to watch it again, but watching it once graphically illustrates the dangers of putting too much personal information out there. The Circle is both the book title and the name of the social media organization that this young woman, Mae Holland, believes is a career high. It's quite clearly F-book - a forum that lets members put out endless personal crap for the world to see, whether it wants to see it or not.

This business of publicizing oneself, which I've never bought into, is taken to extremes here, with The Circle being more of a cult than anything else, and with the advent of this miniature camera system, called See-Change, which can be stuck anywhere, and which transmits sound and picture by some unspecified means (using an unspecified energy source!) in real time to your device would have some positive benefits, but it's also rife for abuse and no one seems to call that out.

The movie diverts from the novel in some places while following it in others, and I think it's to the good that it diverts. I liked the representation of the Annie character in the movie better than the novel, and Mae was a jerk in the novel from what I could tell - not so in the movie, but since I DNF'd this I can't comment more on it than what's here. That said, I didn't like what I heard and cannot commend this based on my experience of it.