Showing posts with label adult historical. Show all posts
Showing posts with label adult historical. Show all posts

Saturday, December 1, 2018

Swimming With Horses by Oakland Ross


Rating: WARTY!

This is from an advance review copy for which I thank the publisher.

I was disappointed in this story. From the misleading blurb I'd assumed it was about a mysterious black woman named Hilary Anson from apartheid-riven South Africa who moved to Canada and later disappeared, leaving a murder behind her. Sam Mitchell, who Hilary helped with his learning to ride a horse, later sets out for South Africa to solve the 'mystery' of her disappearance like it's any of his business.

I went into this under the impression that this would all take place when Sam was an adult, but after reading a third of the story and seeing it go literally nowhere, I DNF'd it. It was boring. The characters are uninteresting, and literally nothing was happening. Even by a third the way through, it had not even remotely progressed to the point where, as an older man, he decided to investigate her disappearance. I have better things to do with my time than read ponderous, pedantic, and sluggish novels like this which seem to promise one thing and deliver quite another.

Hilary wasn't black, she was white, which for this particular story framework reduced my interest significantly. The entire first third of the story switch-backed between her time in South Africa - the easily-manipulated, spineless and wayward daughter of a wealthy rancher, and her time teaching Sam how to ride his horse during her 'exile' in Canada. Throughout this entire time there was no mystery to solve and nothing whatsoever that was new, original, engaging, or even appealing. We never actually got to know Hilary at all. Everything we read about her was vague allusion, with nothing really happening and no information as to why Canada had been her destination; Canada being nothing like South Africa.

From what little I learned of her, I developed no interest at all in getting to know this foolish and clueless girl better, so it was of no consequence to me that she later disappeared. I honestly didn't care. Sam was a complete non-entity, and what I read of him in that first third offered no reason at all why he should go off to South Africa looking for her or why I should care if he did. Maybe things happened later, but an entire third of a novel to read through without anything of interest occurring was way too much of my time wasted and I frankly did not care what came next. In short, there was nothing about either of these characters that appealed to me or invited me to continue reading and I had no idea what the title had to do with the novel! I normally avoid books with this kind of a pretentious John Green-style title, so I guess I learned my lesson!

Frankly I had wanted to quit this long before I did, but I kept reading on in the hope it might improve. In the end it was a classic example of the sunk cost fallacy where people believe that if they have invested a certain amount in something, they need to stick with it. Well, I don't subscribe to that delusion and while I was willing to go a little further since this is an ARC, I didn't sign up to be bored to death. This just goes to show that you should go with your first instinct. If a novel starts out unappealingly, it's highly unlikely to turn around no matter how much more you read. I wish the author all the best, but I cannot recommend this based on what I read.


Sunday, October 14, 2018

The Woman Who Smashed Codes by Jason Fagone


Rating: WORTHY!

For a book offering a sort of biography of a woman who was both an outstanding and unassuming code-breaker, Elizebeth Smith, and who was such an important part of solving codes both in wartime and peace time policing operations (such as breaking rum runner's codes for example), I was a little disappointed that the story seemed to defer regularly to the men in her life, as represented by her husband and another man named Fabyan who was a patriarchal and hyper-controlling figure, but who nevertheless saw her potential and first invited her into his group before she ever met her husband-to-be.

Naturally you can't tell her story without including those people, but it seems that in trying to be so many things, the book failed at being the thing it claimed to be: a story of a woman who smashed codes. In view of this, I often found myself wondering, as I read it, if the author had initially written it about the married couple as a team, which they very much were, both professionally and personally, but later tried to change this by purveying it as a story about this one woman. I don't know if he did or not, but looking at it that way seemed to be the only way to make sense of the way it was written. The only other explanation is that he simply didn't get it. If that's the case, at least he can take comfort in the knowledge that our misogynistic jackass of a president would be proud of him.

There are bits in this book which seem irrelevant or hypocritical. The book often goes off at tangents and rambles on as much about those many other things as it does about its 'star'. It's supposed to be championing Elizebeth Smith, as judged by the title, but when this little code-breaking lab run by Fabyan brought in army officers to teach them about these techniques, it mentioned that four of the officers wives also took the course and did well in it. It also highlighted that even while praising them, this guy Fabyan made no mention of them by name, only as the wives of the officers, yet the book commits the very same sin by not telling us who these women were! This was another thing which made me wonder if the subject of the book originally had not been Elizebeth, but 'Mr and Mrs Friedman'.

That said it does tell a strong story about her and I learned a lot from it, so on that basis I am willing to rate this as a worthy read. You can always skips the bits that don't concern her, but I recommend getting this book from the library as I did or buying it used.


Girl Waits With Gun by Amy Stewart


Rating: WARTY!

I picked up this audiobook because it was based on a true story which I found fascinating. The title comes straight from a newspaper headline about the very character this novel is based on. I didn't realize it was the start of a series since there was absolutely nothing on the audiobook cover to indicate any such thing. Thanks Big Publishing™! We do understand that you don't give a shit about readers, but could you at least show a modicum of kindness by not making your disdain quite so painfully obvious?

The novel interested me to begin with, but the story took so drearily long to go anywhere at all that I became bored and ended up DNF-ing it about halfway through. I honestly couldn't believe that such a fascinating true story could be rendered so horribly boring. Way to go Amy Stewart.

It was read by Christina Moore and I still can't make up my mind whether I found her reading acceptable or not; it was right on the cusp of okay and annoying! What bothered me most though was that the main character, with the highly amusing - but real - name of Constance Kopp, seemed so lackadaisical and retiring. I am guessing she was not at all like that in real life, so it felt like an insult. I don't mind so much if a characters starts out less than prepossessing, but when they show little or no sign of improving, growing, or changing in any way, it irritates me.

The Kopp sisters lived together in an old farmhouse and in this story are constantly quibbling with each other. Sometimes this was annoying, other times amusing, so that was a mixed bag. Just how realistic this was is anyone's guess, but there really were three sisters.

The author encountered their story when researching a different novel. She discovered an article from 1915 which talked about a man named Henry Kaufman who ran his automobile into a buggy being driven by these sisters: Constance, Norma and Fleurette Kopp. He refused to pay and when they pursued him for damages, he began a concerted campaign of harassment against them. Kaufman's family was wealthy and he was privileged and thought he could get away with intimidating them. He couldn't.

A local sheriff armed the three sisters and eventually Kaufman was fined $1,000 (about $24,000 today) and warned-off interfering with the sisters ever again. Constance, who was six feet tall - very tall for 1915, even for a man - then worked as an undersheriff for two years and afterwards disappeared into obscurity. It seems to me the real story of this woman would be far more engrossing than this rather bloated fictionalized version, which I cannot commend.


Monday, October 8, 2018

Cuba My Revolution by Inverna Lockpez, Dean Hapiel, José Villarrubia


Rating: WORTHY!

Told in stark red and black, this is a story based on the writer's own life. In the story, 17-year-old Sonya has ambitions to be an artist in Habana, Cuba, but ends up joining the Castro revolution and becoming a doctor where she encounters the horrors of war during the Bay of Pigs debacle, and ends up being imprisoned as a CIA spy by her own fellow soldiers. She's tortured brutally, but eventually is released. Despite all of this and the now constant feeling of stress and insecurity, and despite what she sees happening to her country on a daily basis, she continues to believe in the revolution, but as six years slip by and nothing improves - in fact things only progressively become worse - she finally reconciles herself to leaving, and finds the opportunity to move to the USA.

This is what the real life artist and medical trainee did, and she says that the events depicted here were real, but some changes were made to the story. The story serves to show that any radical ideology on a national level like this necessarily becomes a brutal dictatorship and a series of pogroms no matter how idealistic it maybe have been in embryonic form, and no matter how well-intentioned its supporters were. The story is a depressing read, but essentially a true story and I commend it because there are lessons to be learned here.


Sunday, July 1, 2018

冬には動物園 (Fuyu ni wa dōbu-tsuen - A Zoo in Winter) by Jirō Taniguchi


Rating: WORTHY!

Chevalier Jiro Taniguchi (he's a knight in France!) died last year at the age of 69. I understand that this book, published in 2008, but set in 1966, is autobiographical and tells the story of how he got into manga in the first place - on the production side, not the reading side. That distinction is important, because this work almost never shows him reading a comic! When we meet him, that's all we get: someone on a voyage, or more accurately adrift, apparently never having departed a port. There's no history here excepting in what we learn tangentially as he floats along, carried by life's currents rather than rowing his own passage. As an autobiography it also drifts from reality in that he's a character with a different name in the story.

He is working in a small textile business and hoping to get a shot at design when, on a trip to visit a friend, he finds himself hijacked into working for a major mangaka - a creator of manga. I'm far from convinced that exchanging the life he had in what I understand is a beautiful Kyoto was worth moving to megacity Tokyo for (the population there was ten million even in 1966!), but never having been to either place, knowing only what I read, I have to take his word for it! I do find it intriguing that Kyoto becomes Tokyo by simply moving the first three letters to the end of the word! This works equally in Japanese or English, but whether it means the same thing when switched in Japanese, I can’t say.

But I digress, as usual. His lowly job is filling in the blanks in the artist's work - painting backgrounds and so on. This seems highly suitable since he is himself a background to the lives of others as told in this story. Eventually he gets his own work published and the rest is history. The story is a bit weird at times and slow moving, but overall I liked it and I recommend it.


Thursday, March 1, 2018

Hattie Ever After by Kirby Larson


Rating: WARTY!

This was another audiobook experiment. The blurb sounded wonderful, but the story, not so much. Read pretty decently by Kirsten Porter, the story was supposed to be a sequel to Hattie Big Sky about little orphan Hattie who inherits a homestead. I never read the original, but in this sequel, we learn of Hattie Inez Brooks that "Nothing can squash her desire to write for a big city newspaper." Except the author, who never lets her near a story. Hattie never reports on anything (at least not in the portions that I listened to). She claims she wants to report; she moves to San Francisco purportedly to pursue her desire; she reads newspapers, but nowhere did she ever pursue a story. It was pathetic.

This is one good reason why I rarely like series! The story falls apart! I can't speak for the first volume, but I understand it told the story of sixteen-year-old Hattie taking over a homestead that was bequeathed to her, and making a go of it. It sounds like a Mary Sue prequel, but given that opening story, how she changed from fighting for that, to completely abandoning both it and her love so easily is a complete mystery.

I didn't even realize this was a sequel at first, and if I had known there was a volume one and it had won a Newbery, I would have avoided it and this one like the plague. This second volume was pretty pathetic and exactly what I would expect from a Newbery author. Newbery is a stamp of approval for bland and tedious. I would feel insulted if I were ever offered one and I would turn it down.

So, I listened to two of the five disks, skimmed the third, and then listened to portions of the last one, so I think I got a pretty fair sampling of it, and nothing changed. The story should have been titled 'Flaccid Ever After', or 'Mary Sue Goes to Washington...er San Francisco' since everything she dreams of seems to fall into her lap without her having to strive for a single thing. And this is after she callously ditches her love for her career. Kirby Larson is known for her children's books. I positively reviewed one of these, titled Dash in September of 2017, but listening to this, it was easy to see why she's known for writing for children and not for adults.

I got the impression that the author had done a lot of research, but instead of using that as background for her story, she was so thrilled with herself over how much she knew about the era that she wanted to lecture the reader about it, and so instead of actually telling Hattie's story, the author spent almost the entire time showing off her research. Instead of a story, we got a series of info dumps, and the whole thing was a sorry mess. I cannot recommend this based on my experience of it.


Friday, June 5, 2015

À la Recherche Du Temps Perdu par Marcel Proust


Title: Remembrance Of Things Past
Author: Marcel Proust
Publisher:
Rating: WARTY!

Adapted and illustrated by Stéphane Heuet
Coloring by Véronique Dorey

Remembrance Of Things Past (French: À la Recherche du Temps Perdu) begins wiht a guy who can't even remember where he is when he wakes up in his own bed. What's his problem? He's obviously been complete mesmerized by the magic lantern showing of the opéra Geneviève de Brabant is an bouffe, or operetta, by Jacques Offenbach whose last name is "Beforeyouexpecthimtobe".

Alas, the little whiny-assed brat's problem is that he's a little whiney-assed brat and his parents are deadbeats. À la recherche du temps perdu technically means "seeking lost time" but is typically rendered as "a remembrance of things past", but having read this, a better rendition, it seems to me, is "a remembrance of things passed" - from the bowels. And there was evidently an obstructive mass of it, because the original ran to seven volumes and over three thousand pages.

This was written over a century ago, and I promise you if the same thing had been written today it would be rightfully trashed, but since it's old, and French, it's now looked upon as romantic and classical. The author seems to have had a very resentful memory of his childhood which he allows to flood his adult thoughts tainting them with the smell of a swamp. His past is the only present he will gift himself with for the future.

One really odd thing about this graphic novel is that many of the image panels were fully occupied by text such that it was only barely possible even to see what the image was. Some entire pages consisted almost entirely if text and the art work was of the most simplistic kind, so sparse it promises to start a post-minimalist movement evidently to be named scarcism.



Friday, May 1, 2015

The Six Wives of Henry VIII by Alison Weir


Title: The Six Wives of Henry VIII
Author: Alison Weir
Publisher: Grove/Atlantic
Rating: WORTHY!

This is one of a dozen books with the same or a similar title. I've read only this one and I can recommend it for its great detail and thorough coverage. Indeed, it may be a bit too detailed and too dense for some readers, but it worked for me. The only issue I had with it was with the Kindle ebook version, which I read on a smart phone. The formatting was questionable at times. Words which would normally be hyphenated were often missing the hyphen, but instead of sporting a space in its place, they were run together to make one word. A spell-checker would catch this, but what I suspect happened here was that the original typescript was fine - it was the conversion to kindle format which screwed it up. This is just my guess.

The other Kindle issue I had was that the location tracker, which monitors how much reading you have left to do and displays it as a percentage, was totally screwed-up. When it shows page 396 of 571 at the bottom of the screen on the left, it should then show 69% completed at bottom right. Instead, as you can see in the image on my blog, it shows only 50% completed! That's quite a discrepancy. Now there were end notes and a bibliography, but if this is included in the page count, then the percentage is still wrong. If it's not, then the percentage is reflecting the entire book, not what's left to read. It's misleading at best.

On top of that, sometimes I would start a chapter and the screen would tell me I had a minute left to the end of the chapter, then I swipe to the next screen, and it would adjust to show five minutes or fifteen or whatever. A couple of times I started a new chapter and it would tell me I had an hour's worth of reading, which was never the case, and the estimate would drop precipitously as I swiped the screens as I read. Clearly something was not working properly here!

There were a couple of other minor errors, too, such as misspelling 'curtsies' as "curtsys", and telling us (of Anne Boleyn watching workmen build her death scaffold): "On the green outside her window she could see workmen erecting a high scaffold, for which they would be paid £23. 65. 8d." Given that there were only twenty shillings to the pound, you can't have 65s in the middle like that! The most you could have is 19, and I'm wondering if it should have been either just the 6 or just the 5, but I can't find any on-line account which records this sum. Google doesn't help. It just ignores the pound symbol and returns any result containing 23, for instance, if I run a search for £23 connected with Anne Boleyn.

That said, I enjoyed the book immensely. It was very readable and painted a clear picture of these poor women who had to put up with this ruthless dick-head of a king. That said, a couple of the women were quite as ruthless as Henry himself was, and these were the ones he tended to behead. Katherine of Aragon, or to give her her much more beautiful Spanish name, Catalina de Aragón y Castilla was first in line, and her marriage was needed to cement a relationship with what we now call Spain, as a bulwark against the French. Of course at other times Henry would seek to marry into the French royal family to cement an alliance against Spain.

Katherine was rather aged (by fertile bride standards of the time), being in her mid twenties, and she failed to produce Henry a male heir (at least none that survived more than two months after birth), which of course, back then, was the only heir worth having. This made it quite ironic that Henry's sole male heir from all his marriages died young, and thereby brought two successive queens to the throne (three if you count Jane Grey), one of whom, Elizabeth, presided over what has come to be called England's golden age.

Since Katherine was initially married to Henry's older bother Arthur (until Arthur died young), Henry used this as an excuse to ditch her, claiming the marriage was not legal because the Bible says you can't marry your brother's wife. Throughout her life, Katherine resolutely maintained that the marriage to Arthur had never been consummated, but Henry was hypocritically religious (as far too many people seem to be even today), and though he dissolved the monasteries, this was for no other reason than to fill the royal coffers. He never abandoned the Catholic church and was dead-set against the protestants (although nowhere near as set against them as was his daughter by Katherine, who became known as Bloody Mary when she came to the throne). He had no qualms about using religious excuses to change wives. Katherine was lucky and got off lightly, although she felt robbed and was indeed badly treated both before and after the marriage.

Henry had become enamored of a scheming little vixen, one of the ladies-in-waiting, by the name of Anne Boleyn - who I used to feel sorry for, before I read this. Henry had already bedded Anne's sister Mary, but Anne was not about to be as free with her body as Mary evidently was. She schemed her way onto the throne very expertly, holding her virginity, if indeed she retained it, as a prize, but ironically, she didn't know when to be satisfied, and she continued scheming and running merciless vendettas even as queen. That and her failure to produce a male heir (like Katherine before her, she produced only one daughter, this one named Elizabeth) was what brought her down and meant that there was no one to speak in her favor. Anne was even more 'antique' than Catherine had been when she married Henry, but Henry was so blinded by her charm and enticement, and his own unbridled lust that he really didn't consider whether she could actually produce him an heir.

What I still feel sorry for is how Anne was rail-roaded by Henry before there even were rail-roads. She was sent to the chopping block with trumped-up charges of adultery (which was probably not true and certainly not a capital offense, even then) and treason, which was indeed a capital offense, and probably not true either in this case. Her ladies-in-waiting had to pick up her severed head and drop it and her lifeless body into a basket so it could be carted off like offal.

Henry had of course already set his eyes on his third bride before Anne ever climbed those stairs, and Jane Seymour, only a few years younger than Anne, actually did provide him with a male heir, who was named Edward before going on to have a great acting career (I might have made-up that last bit). The truth was that she died within a week or two of Edward's birth.

Henry perhaps actually loved Jane, and pined for her, but nevertheless he felt compelled to marry again because he had only one male heir and the attrition rate for children (and indeed adults) back then was stupendous. Every year in the summer, Henry and his court absconded from London because of plague outbreaks. They also moved almost continually from one residence to another because each palace became so filthy and stinking after a while, that it had to be aired out and thoroughly cleaned before it was fit to occupy again.

Enter Anna von Kleve, better known as Anne of Cleves. She came from what is now Germany and was once again chosen to cement an alliance, but Henry, having received her sight unseen (apart from an evidently over-flattering portrait), rejected her from the off, although he could not be seen to openly reject her because of the alliance. He claimed she smelled funny, which is hypocritical at best, because by this time Henry was suffering a weeping wound in his leg which plagued him for the rest of his life, gave him a nasty temper at times, and smelled something awful by all accounts. Anna went easiest of all, the marriage being annulled and she being treated and addressed as the King's sister, and living in comfort the rest of her life. She was not the longest lived of Henry's wives (that being Catalina), but she was the last to die.

Catherine Howard and Anne Boleyn were first cousins, which makes it darkly interesting that these were the two he accused of of adultery and treason, and beheaded. Catherine failed to produce an heir, and really was (more than likely) guilty of adultery. The treason charge was simple trumped-up so they could behead her. An act of parliament made it a treasonable offense for a new queen to fail to disclose to the king, within twenty days of the marriage, a previous affair, and evidently this was retroactive. Catherine was nineteen when she was beheaded.

Finally there arrived a queen who out-lived Henry while she was still queen. Catherine Parr was almost twice her predecessor's age and Henry was, at this point, perhaps marrying for comfort having given up on everything else. Catherine also married almost as many times as Henry did - four in all, including her last one in secret, just six months after Henry died. Divorced, beheaded, died, divorced, beheaded, survived.

After Henry's death, Edward 6th, his son by Jane Seymour, came to the throne at the age of nine, but he died in his mid-teens, the very kind of thing of which Henry had been afraid, having had only one male heir. Edward nominated Lady Jane Grey - the well known actor (just kidding again) as his heir. She was Henry 7th's granddaughter and was "queen" for nine days, but was overthrown by Mary, Henry 8th's daughter, and beheaded at the Tower of London. Mary became queen and slaughtered a protestant a week until she died, whereupon Elizabeth came to the throne, the third of Henry's children to rule England legitimately.

I recommend this book. it;s full of fascinating detail about Tudor life and court intrigue, and disturbing detail about how cheaply life was held five hundred years ago.


Sunday, April 12, 2015

From Hell by Alan Moore


Title: From Hell
Author: Alan Moore
Publisher: Top Shelf
Rating: WARTY!

Art work: Eddie Campbell and Pete Mullins

This is the graphic novel from which the Johnny Depp movie of the same title was derived. I'd recommend the movie as an entertaining bit of nonsense, but I cannot recommend this rambling miasma of absurdity and boredom, which is really no more than a graphic realization of a Jack the Ripper Masonic conspiracy pulled directly from the 1976 book Jack the Ripper: The Final Solution.

The conceit here is that Jack the Ripper was really a doctor to Queen Victoria's royal family, William Gull, who was charged with covering up an indiscretion by an immediate member of the royal family. This is a nonsensical conspiracy theory hasn't a grain of truth to it and is in effect a scandalous libel of Doctor Gull.

The story pretends that Prince Albert Victor one of Victoria's children, secretly married "a commoner" named Annie Crook, with whom he had a child. Annie supposedly had no idea who he really was. When Queen Vic learns of it, she locks up Annie in an institution for the insane, and when she learns that a handful of prostitutes know the truth, she tasks William Gull with covering it up. Gull is supposedly a Mason, and ritually kills the girls for purposes of his own.

The daughter sired by the prince and damned by all is inexplicably not slaughtered, but left with a painter by the name of Walter Sickert (a real person who has also been named as the Ripper by a assortment of writers!).

The story lacks life and luster, and it became so boring when Moore decided to spend page after page after endless page taking us on a tour of London and trying to tie everything into a Massive Masonic Mystery Tour. I felt bad for Eddie Campbell and Pete Mullins having to draw all that crap. I expected Beatles music, which I didn't even get to offset the pictorial disaster. I noticed, also, that Moore is yet another writer who doesn't understand that there's a difference between stanch and staunch (page seven). I can't recommend this one at all.


Monday, March 23, 2015

Dr Jekyll and Mr Hyde Adapted by Jerry Kramsky


Title: Dr Jekyll and Mr Hyde
Author: Jerry Kramsky (no website found)
Publisher: NBM Publishing
Rating: WORTHY!

Art work by Lorenzo Mattotti.

I have no idea what the heck Barnes and Noble thinks they're doing with this novel, but they have author Jerry Kramsky listed as himself and as the fictitious Jerry Kransky, and they have no artist listed! I wonder if the entry was written by the same guy who wrote the script for the movie My Cousin Vinny. Maybe we should call Jerry Callo and ask! or is it Gallo?

This is a large format graphic novel, about the size of two regular comic books laid side-by-side and rotated 90 degrees. There's nothing wrong with that, of course. Authors are entitled to present their titles (now that's how those two words should be used!) in whatever form they wish - especially in this age of ebooks, web comics, and self-publishing, so that wasn't a problem. It does explain why my blog doesn't have any full page samples like I normally include. The few panels I show are all that would fit the scanner window!

My problem with this work is that it simply wasn't appealing to me. The artwork is interesting in how it's done, but I didn't like it. I don't know what it was about it in particular. It was very colorful, but the style just turned me right off.

The story-telling wasn't very inspired, either. I mean it was the Strange Case of Dr. Jekyll and Mr. Hyde as told in the 1886 novella written by Robert Louis Stevenson, but here it was uninspiring and the images often seemed at odds with the text.

I can't recommend this graphic novel. I feel I did a better take on it in the short story included in my own Poem y Granite.


Thursday, March 19, 2015

All Clear by Connie Willis


Title: All Clear
Author: Connie Willis
Publisher: Brilliance Audio
Rating: WARTY!

Read shrilly by Katherine Kellgren.

This was awful! I can't believe how bad this was. I think it's very possibly the most irritating and boring novel I've ever not read - I listened to it. Or to as much of it as I could stand anyway. I got only 10% of the way through it before I threw it away. Not literally, I dutifully and promptly returned it to the library.

It’s book 2 in what’s at least a dilogy, something which I didn’t know, going in. Not that it really matters that much. Connie Willis herself warns at the beginning that you really ought to read book one before you start on this, but what’s the point, honestly, of issuing that warning when you’re sitting there driving down the highway (or even up the low-way) listening to it already? What I’m saying is that it’s a bit late at that point!

I got this from the library and there was nothing in the description on the library's website to warn me that I should read book one first – or even to say this was book two! Here’s the library’s blurb:

Nebula and Hugo Award-winning author Connie Willis returns with a stunning, enormously entertaining novel of time travel, war, and the deeds, great and small, of ordinary people who shape history.

“Connie Willis returns” tells me this isn’t her debut novel. It doesn’t tell me this is book two of a series! Shame on you librarians who evidently just lifted a blurb from somewhere and thought no more about it! (I love them really!) The reader was Katherine Kellgren, and her voice was appropriate to the era, but this merely meant that it was high pitched and shrill, which was really, and I mean really, off-putting. If you must read this, I recommend that you actually read it, and avoid the audio book version.

As for the story itself, I didn’t see the point. This is supposed to be sci-fi time-travel. To me there’s nothing more exciting, which makes me wonder why so many writers use that frame as nothing more than a bait-and-switch tactic to lure their readers into what is, in the end, merely an historical fiction, or worse, an historical romance. Seriously?

If all you’re going to do with your time-travel story is trap your main character in some historical setting, then I’m sorry but you’re really nothing more than a con-artist mis-representing your story! I will resent your tactics and read no more of your oeuvre. For me, there actually has to be some real sci-fi in a sci-fi story!

In this case, a team of time-travelers, who were evidently studying history (you’d have to have read book one to really understand what they were doing or why it even - supposedly - made sense), were somehow trapped in World War two London in 1940 during the blitz, of course, and were in complete disarray. For the first two disks they were obsessed with a store by the name of Padgett's and with whether three people or five people had died there. It went on and on - for two disks. God it was boring!

They're from the future, but were evidently and inexplicably completely bereft of any kind communication devices, and the entirety of the first two disks consisted of some time-traveler woman whining shrilly about her own personal circumstances amidst the destruction, death, and din of London. That was two disks too much ‘whining and dinning’ for me. I can’t recommend this.


Wednesday, March 18, 2015

The Complete Raffles Volume One by EW Hornung

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Title: The Complete Raffles Volume One
Author: EW Hornung
Publisher: Leonaur
Rating: WARTY!

I have to say that the title of this amused me – I mean how is it in any way complete it if it’s only volume one? And yes, I do know what they mean, but it’s still amusing to me.

I ended up with this from the library having failed to get my hands any Sexton Blake – which I had decided I wanted to read after having heard it mentioned several times in a Phryne Fisher story. I found that I liked this, but only in small parts. A lot of it was uninspired and uninspiring. The thefts weren't really very thrilling, and nothing like as complex as the misdeeds in your average Sherlock Holmes story - from which era these stories also hale, so be warned it’s not everyone’s taste. If you’re into this kind of story (adult historical which was actually adult contemporary when it was written), then you might like this.

EW Hornung was rather a prolific writer, and Arthur J Raffles, described as a gentleman cracksman – that is a thief - was perhaps his best known creation. How gentlemanly a thief could ever actually be is a matter for debate, but I guess Raffles fills the bill for some definitions at least. We meet him, as we meet Sherlock Holmes (to whom raffles came second in popularity in his own time), through the agency of his chronicler – a public school friend of his, who goes by the highly unlikely name of Bunny – which was no doubt quite likely in those days. His real name is Harry Manders.

Note that in Britain, a public school is actually a private school such as Eton or Winchester, which is where Bunny “fagged” for him. Note that a fag in this context represents a sort of servant (or more accurately, a slave!) who would run errands and perform other chores for this superior, such as cleaning his shoes and even doing his homework for him. It has nothing to do with homosexuality, although in some cases it could have, I suppose!

Raffles has other things in common with Holmes. At one point, he and Bunny are caught red-handed whilst committing a theft aboard a ship. That story is included in this volume. Raffles dives overboard to escape apprehension, and is presumed lost at sea, but after Bunny finishes his prison sentence, he discovers that Raffles is alive and well, and the second, and somewhat modified phase of their joint career is launched. That takes place almost literally half-way through this volume. At the end of this volume, Raffles is killed in the Boer war in South Africa, so god only knows what's included in volume two! raffles ghost stories?!

The best stories for me were Nine Points of the Law, which was very much in the mold of a Sherlock Holmes story, although from the PoV of the thief of course, and the one which followed it, The Return Match. Both of these were rather different from the stories which came before, which all seemed to be centered on jewel thievery. In both of these stories, Raffles was acting to help someone, although what he was doing wasn’t really legal in each case! In the latter case, he wasn’t even getting paid for his actions, although he did feel he was repaying a debt, if not being blackmailed.

One very much appreciated aspect of the stories is that Raffles doesn’t always get the job done, but despite that and some other bits and pieces I liked, overall these stories were tame and boring. They included very little atmosphere setting,and very little descriptive prose in terms of setting the scene. Most of it was simple conversations, in which Raffles is usually unnecessarily and tediously mysterious, and in describing, but in nowhere near enough detail, his exploits, so it was rather unsatisfactory all around for me. I can't recommend it.

Roughly half the book takes us to where Raffles literally jumps ship. The second half takes up form where raffles disappears until he's killed in the Boer wars. What's in volume 2 I have no idea!

One thing which both amazed and horrified me was how profligate these two villains were with their money. They have stolen jewels that they sold on for literally hundreds if not thousands of pounds. They stole other things too, and they retrieved a painting which netted them two thousand pounds each, yet they're always on their uppers, looking for the next opportunity to steal money? Where did it all go?!

Two thousand pounds is a significant amount (for most of us!) in 2015. In 1915, one pound was worth roughly five dollars, so we're talking about ten thousand dollars, but that fails to address the buying power of money then as compared with now. According to Measuring Worth two thousand pounds in 1915 would be worth somewhere between 140,000 and a million today depending upon how it's calculated. Even if we take the lower of those two, it's still an inconceivable amount of money to wade through, especially back then - maybe five million dollars?!

According to US News, In 1915, you could buy a house for three thousand dollars (=six hundred pounds). A car cost almost as much as a house! A decently-paid (by 1915 standards) woman would earn sixty pounds a year. A loaf of bread cost 7 cents, a dozen eggs 34 cents, a gallon of milk about the same as the eggs, and a pound of steak 26 cents (using the US News values) . What the heck were these guys doing with all their money?! And why should we feel any kinship with people who are so appalling wasteful and who actually help no one, especially not the common people. These guys were no Robin Hoods, let's face it!


Tuesday, March 17, 2015

Murder and Mendelssohn by Kerry Greenwood


Title: Murder and Mendelssohn
Author: Kerry Greenwood
Publisher: Bolinda Audio
Rating: WARTY!

Read impeccably by Stephanie Daniel.

'
I first met Phryne Fisher on Netflix where two seasons can be found as of this writing, both of which I've seen. There will be a third series and perhaps more, since this is a real money-spinner for ABC (that's the Australian ABC, not the US ABC!) and deservedly so. I fell in love with Phryne from the first episode. Essie Davis is magical in the title rôle, and the whole show is smart, fast-paced, daring, socially conscious, and majorly fun. Note that the name is pronounced Fry-Knee - which is why the TV series came to be titled "The Miss Fisher Murder Mysteries" - no one wanted to have to teach everyone how to pronounce the name!

The problem is that when you're hit like that and become so on-board (with a movie or a show), it's a tough decision as to whether to go to the book, just as it is in moving the other way. Books and movies/shows are very different entities, and the trick when you wish to migrate one to the other is to capture the essence if not the letter. In this case, it worked, because now having read the first in the series of books which kicked-off the shows, I can come down very favorably for both outlets, although be warned, the two are quite different in many respects.

It pains me therefore to have to rate this, the latest volume negatively, but I have to! While I happily admit that there were parts of this novel which were the Phryne Fisher quality I’ve come to expect – blasts of sweet humor, highly amusing observations, delightful turns of phrase, amusing character foibles - the story was, unfortunately, also padded way beyond passing interest-level with endless rambling digressions into the activities of the choristers, which was – ultimately – irrelevant to the mystery, and quite frankly boring the pants off me (not literally, I’m happy to report, which would have been decidedly awkward at 65 mph down the highway). There were endless quotes of the lines they were singing, endless digressions into the politics of the group, endless descriptions of their activities, and it was, frankly, tedious and boring after the first one or two.

I don’t know if Kerry Greenwood was involved in, or has taken up, choral singing herself, but to paraphrase Sherlock Holmes (from A Study in Scarlet), and no matter how much you love your hobby, it is a capital mistake to theorize that everyone else will share your deep joy of your personal interests. It biases the judgment. This novel could have been lighter by many pages and the healthier for it had all this been omitted.

Another example of padding was the affair between Phryne and John and Rupert. Phryne’s purpose is, of course to achieve what she did indeed achieve in the end: the conjoining of the two men in a far more romantic and physical manner than they’d enjoyed hitherto. Admirable as that might have been, it had nothing whatsoever to do with the mystery and it annoyed me because I really didn’t like either character to begin with. If it had been dealt with peripherally and briefly, it would have been great, but it wasn’t. There was more than excessive meandering into this relationship which should have been in some other genre of novel the way it was written, and the supposed pinnacle of this story arc was more like a sinking pinnace.

From reading reviews others have written, the Wilson-Sheffield relationship was evidently Greenwood’s interpretation of the Watson-Holmes relationship, which is bullshit. This was not apparent in the audio book which lacked end notes and author commentary, but of which I have to say that the reader, Stephanie Daniel, was awesome, and way better than the material she had to read. Another thing some reviewers have commented on is the, in their evident view, impossibility of a homosexual guy having any sexual interest in a female. This is completely wrong-headed.

Greenwood wasn’t asserting the inverse of that clueless macho trope (as featured in Ian Fleming’s GoldFinger for example) that all a lesbian needs is a masculine guy to “cure” her. Greenwood was merely revealing a fact: that sexuality isn’t a binary thing. It’s not yes or no, on or off, plus or minus. It’s a sliding scale, and not only from female to male, but also within any individual. Just because a guy is preferentially homosexual (and I use preferentially not to indicate a choice, but an orientation) doesn’t preclude that in certain circumstances he might be attracted to a female. To say otherwise is to deny the existence of bisexuals – many if not most of whom doubtlessly have a preferential leaning towards one gender or the other, but this doesn’t preclude them from finding their ‘less-favored’ gender appealing!

What made this novel worse for me is that all of the three main characters in this story: Phryne, John, and Rupert, were complete Mary Sues (in the original sense). Admittedly, Rupert was endowed with a rudeness which gave him a token flaw, but it was such a caricature that it failed for me (and failed to evoke Sherlock Holmes, to boot!). This undiverting diversion was only exacerbated by Phryne and John’s endless perfection and rectitude, and by their endlessly unimpeachable character referencing, and so on. For goodness sakes! I could have done without that. I love Phryne, but the more I’m told how comprehensively wonderful, heroically selfless, unutterably perfect, and endlessly skilled she is, the less attraction I feel to her.

So in the end, I couldn’t finish this story. I got to within two or three disks of the end of the audio book and gave up on it. I honestly couldn’t stand to hear one more choral line quoted! I cannot recommend this, and I think I may have to take a break from the written Phryne for a while and succor myself on the small-screen version again to get over this particular novel.


Saturday, March 7, 2015

The Fade Out by Ed Brubaker


Title: The Fade Out
Author: Ed Brubaker
Publisher: Image Comics
Rating: WORTHY!

Illustrated by Sean Phillips.
Colored by Elizabeth Breitweiser.


DISCLOSURE: Unlike the majority of reviews in this blog, I've neither bought this book nor borrowed it from the library. This is a "galley" copy ebook, supplied by Net Galley. I'm not receiving (nor will I expect to receive or accept) remuneration for this review. The chance to read a new book is often enough reward aplenty!

I favorably reviewed Fatale Book 4 by Ed Brubaker, Sean Phillips, and Elizabeth Breitweiser a year ago, and so I was pleased to have the chance to review this one, which I also found to be a worthy read. This one is a very different story from that earlier volume. Set in 1948, with World War Two a very fresh memory, and phobia related to the rise of communism turning the powers-that-be completely paranoid, this novel revolves around the people working at with a Hollywood studio. The studio is struggling and is in the middle of making a film with a very bankable female lead, Valeria Sommers, when she's found dead by one of the writers on the movie.

Not wanting to get involved, especially since he was drunk as a skunk and remembers nothing of the night before, the cowardly writer, Charlie Parish, cleans up all evidence of his presence in Valeria's house and sneaks off to the nearby studio as though nothing has happened. Later, he discovers that the studio has "spun" a completely false story around events. Now, instead of being found on the floor strangled to death, there's a picture in the local rag showing that she hung herself!

Conveniently, the actor who lost the role to the dead star, Maya Silver, is still around and ready to take over her dead rival's part in the movie. Curiously enough, she wants to befriend Charlie, who initially found the body. His fleeing a crime scene isn't his only transgression, as it happens, although his other one is much more noble. Because of the communist pogrom, he's actually only taking dictation from the real writer, Gil Mason, who's been blackballed as a communist. Why they never called that "red-balled' I don't know!

Charlie's doing this because he needs the work, and also because he's a good friend of the other writer's wife, Melba. He wants to help her and the children, since the man of the house is pretty much a no-good drunk at this point. The problem is that he happens to let slip that he knows that Valeria's death has been covered up. Gil is infuriated by the cover-up. And that's just the set-up!

I recommend this story - the beginning of a series, because it's so very well done. The writing is high quality - as I've come to expect from Brubaker from my admittedly limited acquaintanceship with his work. Breitweiser's coloring and Phillips's artwork are excellent - again, as I've come to expect. If you like film noir, you'll like this, as indeed you will if you like a comic well done.


Friday, February 6, 2015

Tulku by Peter Dickinson


Title: Tulku
Author: Peter Dickinson
Publisher: Open Road Media
Rating: WARTY!


DISCLOSURE: Unlike the majority of reviews in this blog, I've neither bought this book nor borrowed it from the library. This is a "galley" copy ebook, supplied by Net Galley. I'm not receiving (nor will I expect to receive or accept) remuneration for this review. The chance to read a new book is often enough reward aplenty!

Set amidst the so-called "Boxer Rebellion" in China, over a century ago (around the turn of the nineteenth century), this is a story of Theodore, Lung, and Mrs. Jones, which starts out really well, but fades into rambling incoherence in the second half. Theo is a young man whose father is killed by the Boxers. These insurgents are trying to throw out the Imperialist occupiers of China who were milking money from the nation, and telling the Chinese their religions were useless and they really ought to migrate to Christianity!

Many nations formed a coalition against this rebellion and really stuck it to the Chinese, sending in an eight-nation army of some fifty thousand troops, occupying Peking, arranging the whole-sale slaughter of those involved, and fining the Chinese government millions of taels of silver in reparations (which was an astronomical fine even by modern standards).

The coalition was remarkable to modern eyes, rather reminiscent of the one which formed against Iraq after its invasion of Kuwait in the nineties. In this case it consisted of: Austria-Hungary, the Empire of Japan, the French Third Republic, the German Empire, the Kingdom of Italy, the Russian Empire, the United Kingdom, and the United States. This story discusses none of that. Instead, it wanders away into the hills and honestly? It gets lost.

I'm not a fan of organized religion, so I had no skin in this pissing contest between the Chinese religions, the Tibetan, and the Christian. I think all of them are silly, and in this case especially this nonsensical business of thinking that the Tulku reincarnates and can be found as a child. In some ways the story is very reminiscent of the 1993 Bertolucci movie Little_Buddha which was eminently forgettable despite its rather stellar cast - but it was better than this story!

The day after his father is killed by the Boxers, and his mission village is destroyed, Theo runs into Mrs Jones, her right-hand man (and lover) who is named Lung, and some pack horses. Jones insists he accompany them to the next mission. In the end, they give up on that plan and head for Tibet, where Jones, who is on voluntary exile from England for ten years - financed by a wealthy family to keep her away from their son - hopes to find flowers which have never been described before by science. In the end, they give up on that and retire to a monastery.

This novel, as I indicated, started out strongly and drew me in, but as soon as the three travelers meet the monks, it dissolves with disturbing rapidity into a vague and rambling tale of ceremony, sitting around, more ceremony, more sitting around and a fizzle of an 'ending. It creates expectations which are never met and became truly tiresome. I can't recommend this.


Thursday, January 8, 2015

Ruined Abbey by Anne Emery


Title: Ruined Abbey
Author: Anne Emery
Publisher: ECW Press
Rating: WARTY!


DISCLOSURE: Unlike the majority of reviews in this blog, I've neither bought this book nor borrowed it from the library. This is a "galley" copy ebook, supplied by Net Galley. I'm not receiving (nor will I expect to receive or accept) remuneration for this review. The chance to read a new book is often enough reward aplenty!

This is a prequel to the Collins-Burke mystery series. I don't do series unless they're especially enticing and they rarely are, so this was a good one for me to review since it's not in the middle of anything and can be viewed as a kind of stand-alone. My conclusion having read 33% of it is that I'm definitely not interested in following this series. It's a bit frustrating, because I've had good success with at least one other volume from Entertainment Culture Writing Press.

The story is set in 1989, and starts out rather dramatically with father Brennan Burke, in New York City, receiving a call from his sister Molly, who's in jail in London. She's accused of being a member of a terrorist organization. He gets onto the first flight he can, and miraculously (he is a priest!) manages to get into the prison to see her first thing the next morning. She's soon sprung from jail. Her crime, evidently, was her obsessive-compulsive disorder vis-à-vis Oliver Cromwell. I kid you not. In short, this was all a stinking huge red herring which I actually didn't appreciate.

So right from the off, this novel made little sense. There's no reason a woman would be connected to terrorist organization just because she delivered a lecture complaining about Cromwell's behavior half a millennium before, in Eire. A police detective was also shot in his car that day, too, but although this is mentioned several times, the author never makes any attempt to show how this could possibly be connected with what happened to Molly (not in the portion of this book I read, at any rate. In short, it’s another red herring, and I have no idea why the author chose to juxtapose these two events.

The impression I got from the first few chapters of the novel, in fact, was that of some heavy-duty Brit-bashing going on, although this seemed to assuage after a while. It was weird to read it, especially since those events - the era of IRA terrorism in Ireland, and in cities like Birmingham and London in England - are now history. Maybe in some people's minds, they're still current?

I didn't get all this obsession with Cromwell. There is no doubt that he was a brutal man, but no more so than your average military commander in similar circumstances in what was a brutal era. The invasion led by Cromwell was preceded by the Irish rebellion of 1641, where the Catholics did the same things which Cromwell did, but to English and Scots protestants. The Irish Catholics and royalists also launched another attack right before Cromwell arrived. It's not like Cromwell & co just randomly decided to wander over there and Kilkenny.

Wexford was a different matter. Against Cromwell's wishes (he was trying to negotiate a surrender), his troops let loose of their own accord. Even then, the majority of those who died were military troops. Prior to these events there was, no doubt, something done to the Protestants by the Catholics, and prior to that, something done vice-versa, and so on ad infinitum.

Ultimately, this has nothing whatsoever to do with Cromwell or the English, or the Irish per se, as history has shown. I don't know why those who continue their pointless feud with Cromwell's dead body don't have the same antagonism towards Charles the Second, who betrayed his Irish Catholic allies by discarding the alliance in favor of a new one with the Scots Covenanters. It wasn't royalism, it was business!

The truth is that it was an ongoing religious war and even though, thankfully, the bloody violence is over for now, the religious war has not gone away nor will it, as long as there are religion-blinded factions which ignore their own Bible's injunction to turn the other cheek. In the end it had far less to do with Cromwell and royalists than it did with the Catholicism which Henry the Eighth rejected, and the Protestantism which was sucked into the vacuum that was left, because religion abhors a vacuum.

That said, the biggest issue I had in the first few chapters was in the chronic stereotyping of the Irish characters, making it look like all they were interested in was guzzling alcohol. It was like a page wouldn't pass by without one or other of them referencing alcohol, or planning on going to a pub, or drinking something alcoholic, even if it was only communion wine. Of course, that wasn't alcohol, it was blood. Seriously, this made me pity the characters, and view them with some disdain rather than identify with them. Is this what the author wanted?

The story was really rambling, too, like the author was so proud of the notes she'd compiled on character, plot, and location that she was really loathe to leave anything out. Based on the part I read, this novel could, without losing a single thing, have been edited down from almost four-hundred pages to two or three hundred and lost nothing in the process. In the end, what it did lose was my interest because of the tediously slow pace. I made it to the end of chapter 11, about one third the way through, and decided it was not for me. I'd started skimming paragraphs here and there even before that, because the ironically sober detail was leaving my glass more than half empty. Quite literally nothing was happening other than repeated visits to bars.

The main thrust of the story wasn't Molly's arrest, but her cousin Conn's arrest, and that didn't happen until almost a third of the way in. The novel could have actually begun there, but even when that event happened, nothing changed! I'd hoped at that point that things would finally start moving, but the pace did not pick up! The writing did not become more taut or exciting, and nothing significant transpired! A aged family member expired, but that was it. The entire story continued to plod on in the same old way, but I refused to plod with it. Life is too short, especially when there are huddled masses of potentially exciting novels invading my shore, clamoring to be heard.


Wednesday, October 1, 2014

Lady Chatterley's Lover by DH Lawrence


Title: Lady Chatterley's Lover
Author: DH Lawrence
Publisher: Tipografia Giuntina
Rating: WORTHY!

Read impeccably by Margaret Hilton.

This novel was surprising. Coming into it knowing nothing more about it than what gossip, reputation, and rumor would have you believe, it was quite an eye-opener, but not in the way you might think! The setting is pretty much where I grew up, in Derbyshire and Nottinghamshire, so in some ways it felt very familiar to me (my home town, Matlock, is mentioned!). Of course, I wasn't around when this novel was written - not even as a twinkle in someone's eye!

Lady Chatterley's Lover is a study in duality: upper class versus lower, human society vs. nature, healthy v. sick, decency v. vulgarity, mind v. body, male v. female, Clifford's wealth v. his impotence, Lady Chatterley's in-two-minds view of life, the gamekeeper's apparent inability to decide which language dialect he wants to speak, but it’s also about similarity. Both of the main protagonists, Connie Chatterley and Oliver Mellors, are married unhappily, although it takes Connie a lot longer to figure this out, and both want the same thing.

While being mindful that it was written and published in the 1920's, in a different era, the story is very ordinary and conventional, particularly by modern standards. It’s about a real love affair between a woman and a man who is of what was then considered a markedly lower social class, but it’s not rife with debauchery and carnality. Far from it. Most of it is ordinary social interaction - which is of course the problem for Lady Constance Chatterley.

And most of it has not seen the sight of four-letter words. On the contrary: it's beautifully written, even in the parts which do contain such words. I honestly don’t care if bad language is used in a novel, if it fits with the story and the characters. Bad things, bad language, bad events, and bad people occur in real life so there's no reason at all why they cannot be realistically depicted in fiction if you have a good story to tell about them.

My biggest problem with this novel was that parts of it were downright boring! It was too long. A good editor would have seriously cropped the sections where Lawrence rambles pointlessly on about social mores and philosophical issues. They don't move the story nor do they contribute to it. The sexual parts of the novel were few and far between, and very tame, especially by modern standards. The philosophical parts were at best mildly interesting, at worse, tedious. On the other hand, there was a lot of humor in the novel, which quite surprised me.

The story itself is about Constance Reid who marries Clifford Chatterley, a man who is a rung or two above her on the social ladder. He is soon called to war (1914-18) and comes back paralyzed from the waist down, having to move himself around in a motorized wheelchair, and needing his wife's assistance with dressing and some other activities.

Connie frequently has contradictory views of her life: feeling that she's in the right place and the wrong place, feeling that things are comfortable and that they're ridiculous, feeling at ease and on edge, feeling that she's happy with her husband, and that she's not. She takes a lover but is ultimately dissatisfied with him. At one point, Clifford suggests that it would be fine with him if she became pregnant by another man, and then the two of them would raise the child as their own, giving Clifford an heir, but Connie cannot think of anyone in their social circle with whom she would wish to make a baby.

The last thing Mrs Chatterley expects is to fall in love with the gamekeeper, Oliver Mellors. He's also a war veteran, having risen above his own class status to the rank of lieutenant. Separated from his wayward wife, he's hired as a gamekeeper for Clifford's estate - one through which Connie is in the habit of walking daily. It’s many months before she first encounters him, and a while longer before they end up in bed together. When it does happen it’s almost like a rape. There is no violence or force involved, and Connie does not refuse or struggle, but neither does she enter into it with any animation at all - she simply lies there, almost in a state of catatonia letting it happen to her. Later though, she determines that she wants more, and becomes a very willing, even proactive participant.

Connie comes to fully realize that there are two sides to her life - the mental and the physical, and the latter has withered, bringing down the mental along with it. She realizes that she needs the physical even as she acknowledges the ridiculousness of the act of physical love. Indeed, her observations on it, both as it happens and in retrospect, are quite entertaining.

It’s the physical which she gets from Mellors, becoming slowly appreciative and then addicted to it after starting out indifferently. Eventually, when she's on vacation with her close and supportive older sister, Hilda, and her father, she realizes two things: that she is in love with Oliver, and that she is pregnant by him. It’s their attempts to find out how they can be together and how they can navigate society's hypocritical and contradictory perspectives on their situation which drives the closing act.

This novel is far from perfect (then which novel is?!), but overall I enjoyed it a lot, found it entertaining and rewarding, and was glad (for once!) that I chose to add this to my reviews of classics. It helped significantly that Margaret Hilton the reader of the audio book version, seemed perfectly suited to reading this. I recommend it.


Friday, August 29, 2014

The Pleasure Dial by Jeremy Edwards


Title: The Pleasure Dial
Author: Jeremy Edwards
Publisher: 1001 Nights Press
Rating: WORTHY!


DISCLOSURE: Unlike the majority of reviews in this blog, I've neither bought this book nor borrowed it from the library. This is a "galley" copy ebook, supplied by Net Galley. I'm not receiving (nor will I expect to receive or accept) remuneration for this review.

Erratum:
p118 "bicep" - it's biceps. And triceps.

I'm not a big fan of erotic literature per se. I'd much rather indulge in it than sit and read about it, but done the right way, in the right context - that of a real story rather than inauthentic titillation for mere titillation's sake - I'm perfectly happy with it. What I find truly sad is that we live in a very effective theocracy under the dictates of which, children are at liberty to read or to watch endless scenes of people being mean and brutal towards one another, but must be "protected" fiercely from anything which depicts people enjoying and loving one another in physical ways.

How sad is it that the church, an 'authority' which is itself rooted in the absurdest of fictions, insists that intimacy is so evil, even in fiction, that not even adults ought to be exposed to it no matter how educationally, fleetingly, cursorily, or tangentially. The United States of America is one of the most fundamentalist societies on the planet, giving feared places like Iran a run for its mullah. Is it any surprise that in such a closeted society, people end-up hobbled by the worst sex-education it's possible to get?

Is it any surprise that in such a society people who 'deviate' from "the norm" however slightly, however naturally, however much in the privacy of their own homes still run a grave risk of being (metaphorically if not literally) pilloried? Is it any surprise that as a direct result of allowing such a blinkered society to propagate and fester, that same society then pays a hefty price in unwanted pregnancy and sexual inappropriateness which runs the huge gamut from annoying, through abusive, to outright criminal? Not to me it isn't.

I do enjoy a well-written comedy, which explains why I was actually interested in this novel: it's a humorous story which neither flinches nor baulks at following people into the bedroom (or wherever!) rather than shyly panning over to a roaring fire which ineffectually seeks to simulate sexual passion whilst stimulating nothing but laughter.

This story is set in the 1930's when radio listener-ship more than doubled to almost 30 million people in the US. Radio shows were for several decades directly sponsored - indeed, effectively owned - by corporations which advertised freely throughout the show, and for which the show's stars became spokes-people. This comedy of erogenous follows the machinations and lubrications of various characters as they duel and fool with each other to reach their assorted and diverse goals.

Artie Plask is a comedy writer, newly arrived in LA to join the team for Sydney Heffernan's radio show. Under the name Syd Heffy, this guy acts himself: a buffoon who barely has a competent grasp of the nuances of the English language, but who is nonetheless considered to be one of the best and biggest comedians in the country. Artie's immediate problem is that after one day on the job he discovers that the entire writing team has been fired as 'Syd Heffy' decides to abandon comedy, and relaunch himself in serious drama show.

This writing team is exclusively white of course, because writers nearly always were back then, and it's almost exclusively male for the same reason, but it's actually headed by a woman, Mariel Fenton, who also writes for the show. Here's where I first became honestly impressed. Jeremy Edwards knows how to write strong female characters, and this one saves the show - literally.

Mariel is a self-possessed, self-made woman, who holds her own (in whatever way she feels like) quite effortlessly in a man's world, and who is not only a genuinely funny person, which makes her perfect for this gig, but who is also extremely smart and astute. And of course, as required by the novel's very tone, gorgeous. Indeed, she's the real mover and shaker here, with Artie really just along for the ride (whether the ride be sexual or not!).

I have no idea who the girl on the cover of this novel is, either in real life or as representative of a character. She could be generic or she could be intended as Elyse Heffernan, Syd Heffy's pan-sexual and nympho-maniacal daughter. She certainly isn't Mariel, and she really doesn't appear to be Elyse, either, but the photograph is undeniably erotic. The feet seem a little bit large for the image to be perfect, but that may just be a perspective distortion (or my bias towards smaller feet!).

That said, I have to admit that this near-perfect picture is what initially caught my eye with this novel. I would never have launched into reading it on that cover image though, no matter how exciting it may be. The novel could have actually had any cover, because it was the novel's premise which sold it to me, recalling screwball comedies of the forties, and madcap comedies of the fifties. But kudos to the cover designer and photographer(s). For once in a blue moon, they really, er, nailed it.

If you think the cover model is Elyse, then you really need to read the novel, because you simply don't get her at all. Elyse is the second powerful female character in this novel. Her liberal sexuality is misleading, for there's a strength to this young woman which far-too-many young-adult writers, for example - even female ones - fail to understand, much less employ in a world where the main female lead, after being sold to us as strong, independent, and capable, is all-too-often immediately subjugated to an even stronger male.

Neither of these women is subject to anyone. Artie's first introduction to Elyse is when he sees her naked at the swimming pool at her father's house (what daddy doesn't know...well, she can get away with, including having sex with every one of the writers except the gay one). The patio is where all the writing gets done, and Elyse gets wet from just being around these creative, smart, and funny people before she ever enters the pool. His second introduction to her is in bed shortly afterwards, but it's just that one time, because once Artie and Mariel start becoming better acquainted, they become much better acquainted and indeed, inseparable - often quite literally.

The thing which really turns Artie on most about Mariel is, quite appropriately, a woman's most overwhelming sex organ: her mind. He gets off on her thoughts, and she returns the appreciation in equal measure. This is what makes this organ of entertainment, as the rabbi said after the circumcision, a cut above the rest. I just wish more female writers - especially writers of so-called romance novels and YA novels - would get this fact as well as Jeremy Edwards does in his own genre.

This novel follows a host of amusing twists, turns, and delectable diversions. The dialog is snappy, entertaining, and more often than not, rib-ticklingly funny. I'd love to meet someone like Mariel just to have that kind of mind to interact with, or better yet to co-write with - and the hell with the sex! It wasn't all smooth surfing for me, but the only real issue I had with this is the author's descriptions of the many supposedly erotic encounters. To me there's a marked difference between eroticism and crudity, and this novel strayed over the line once in a while.

Note that the language is ribald at best and in the gutter at worst when it comes to depicting the intimate encounters here, so please do not venture into this if you're readily offended. Personally I don't care what language is used as long as it's appropriate to the story or to the character, and there's the, er, rub! Edwards was a bit too fond of using a certain four-letter word to describe a certain defining part of the feminine anatomy, but in this context - one of eroticism - it seemed too abusive to me to find a home here.

I can see it showing up in a novel about abuse or in one relating a story of BDSM even, but in erotica? To me erotica tells a different and very special story, and this jarred too much. Usually, the erotic scenes were deliciously erotic, but unfortunately often they kicked me out of suspension of disbelief because it felt like the author was trying much too hard to use every word he could conjure up to describe events and anatomy. You may have a different crudity scale from me, of course, and consequently your denier may differ.

That aside, I loved this novel and I recommend it erotically! Personally I'm going ot be looking for more by this author.