Captain's Fury by Jim Butcher

Rating: WORTHY!

This takes place two years on from what's come to be known as 'the Night of the Red Stars' which was seen during the great battle at the Elinarch bridge. Tavi has been fending-off attacks from the Canim throughout this time. At the instigation of Lady Invidia Aquitaine, Senator Arnos arrives to take over command. Lady Aquitaine's ultimate plan is to have Tavi removed from his command, so Tavi helps that along immensely by meeting with Nasaug, the Canim leader. Due to his spying activities, Tavi knows that Nasaug is trying to build ships so the Canim can return to their homeland, and he arranges with the Canim leader to help him by returning the Canim Ambassador Varg, who is currently imprisoned.

Tavi is arrested for conspiring with the enemy, but he escapes and boards a ship to Alkera Imperia, the capital. traveling with him are Isana, Kitai, Ehren, and Araris. They're pursued by Arnos’s men, but they use fury-crafting to kill the 'witchmen' whose sole value is keeping the violently intolerant leviathans unaware of their presence on the ocean. Once the witchmen are dead, the leviathans trash their pursuer's ship.

It's at this point that Tavi's aunt Isana comes back into the story with full force. She finds that her water-crafting has grown immensely. More importantly to her, she has been trying to tell Tavi who he really is. In the end, it was left to Fade, now know as Araris, to tell him that Isana is not his aunt - she's his mother. His father is the son of Lord Gaius, the First Lord and therefore, Tavi is next in line to the throne of Alera!

Meanwhile the First Lord himself enters the battle big time, and he arranges for Count Bernard and Lady Amara to travel with him, in total secrecy, to Kalare's lands. Until he gets to where he needs to be - a place where he can quiet the massive fury which Kalare has awoken, and which must be quieted before it kills thousands - he must not use his powers, so everything is on Bernard and Amara to take care of him, including the blister he gets on his feet.

When they arrive, the First Lord does the opposite of what he said - instead of quieting the fury, he awakens it, causing a massive volcanic eruption, which destroys the Kalarean capital and kills thousands. Amara is so pissed off with him that she throws his coin - the one which empowers her to be his cursor - in his face and quits on him on the spot.

Tavi frees Varg and returns him to his people. He choses that moment to declare that he is Gaius Octavian. grandson of the First Lord, and he challenges Senator Arnos to a 'Juris Macto' - a duel of honor. Unfortunately for Tavi, Arnos choses a representative to fight in his stead: Pharygiar Navaris, the deadliest man in Alera.

Fidelias, now known as Marcus, the man who betrayed Amara in vol one of this series, is tasked by the Lady Aquitaine to kill Tavi in the unlikely event that he wins. He does win, but Fidelius now betrays her. He fires the balest - a huge cross-bow like bolt, into Arnos and Aquitaine at once, as they are standing one behind the other. It looks like a Canim assasination, since this is their weapon of choice. Lady Aquitaine survives the wound, but since the bolt has been poisoned, she does not have long to live. Or does she?

Tavi manages to talk the First Lord into allowing the Canim safe passage back to their own land. They build ice ships to travel in, and Tavi and his usual crew go with them. Another worthy read!

Princeps' Fury by Jim Butcher

Rating: WORTHY!

Butcher mistakenly titles this with an apostrophe as though Princeps s a plural. It is not! If he were titling it correctly, it should be Princeps's Fury.

Princeps's Fury takes off right after the previous volume. Tavi crosses the ocean on the ice ships and learns of the tragedy which has unfolded in the Canim homeland. Cursor Ehren, Tavi's friend, and the First Lord of Alera take the battle to the Vord, which is now revealed to be the biggest threat to Alera, beyond anything else they've ever faced. On this same front, the Lady Amara and her husband Count Bernard, Tavi's uncle, must try to discover how it is that the Vord can now use fury-crafting! As if they were not an evil enough foe to begin with. Finally, Isana, who is Tavi's mom, is dispatched to the north, where an entire Aleran army is effectively trapped because they must ward off the ice giants from even further north.

Perhaps the most interesting thing in this novel (apart from the always enthralling Kitai, whose humor, devotion to Tavi and skills as a horsewoman, spy, and warrior just keep on growing and growing) is Isana issuing a Juris Macto of her own! She wins, and forges a truce with the Ice People, which frees up the entire army there to battle the Vord, who are now seriously threatening to overrun Alera as they did the Canim homeland.

We learn that the reason that the Vord have fury-crafting skills is that they've taken the Lady Aquitaine on board. She is effectively one of them and they now have access to her skills. In return, she gets not to die from the poisoned balest with which Fidelius shot her. The Vord queen also has learned skills from Kalarus Brencis, who died at the First lord's hand in Captain's Fury so that she can now turn anyone into a Vord zombie.

The First Lord comes out big time here. He is dying we learn, because of his age, his stressful life, and the fact that his second wife was slowly poisoning him, so when he makes the ultimate sacrifice, and massively degrades the Vord at the same time, it's not surprising. What is surprising is that he has contact with a power which no other Lord of Alera has: he has tapped into Alera herself - the fury of the entire nation. He asks that Alera devote herself to Tavi now - that whatever allegiance she had to the First Lord be transferred to his grandson.

Tavi travels with Kitai (and other Alerans) to the homeland of the Canem (which is not next door to Panem!). He's transporting the Canem home, but upon arrival they discover that Canea has been overrun by Vord. For a while, Tavi and his small traveling team, separated by design from their main party, are held captive (across country from the coast where they arrived) by the leader of last outpost of the Canem, which is on the verge of being wiped out. When he's finally asked for help by the local Cane leader, Tavi is granted access to the battle reports from all the Canem tribes, one of which held out much longer than the rest.

Tavi slowly comes to the realization that the Vord not only operate through direct instructions from a queen, but also that the queen does not operate alone. Each time she moves to a new location, the queen spawns two daughters. This triad then wages war on the local populace until victory is won. Each of the three queens then moves to a new area and re-spawns, making a new triad. Thus the geometric progression of the assault.

The cane leader who held out longest had apparently discerned this pattern and changed his battle plan to address it head on. Instead of standing still and steadfastly trying to repel wave after wave of almost overwhelming Vord attacks, he went after the queen each time they managed to pinpoint the location of one of them, stemming the tide and forcing the Vord to regroup. But even this plan was doomed to failure because he did not have enough troops to overcome the massive attrition rate and he did not know how to overcome the Vord queens' ability to sense and control the thoughts of those enemy who were within a certain close range. He tried to win by sheer force of large numbers applied surgically, but even this was a doomed strategy in the end.

Tavi hatches a plan to overcome the Vord queens' mind-reading abilities, and also convinces his followers and the Cane alike to follow the lead of the successful Cane strategy, modified with his new twists. If you have seen the movie Push, you will recognize Tavi's contribution to the plan, but Princeps Fury was released in December 2008, before the release of Push in 2009. Is it odd that two separate writers both came up with the same idea around the same time?!

Meanwhile, back in Alera, the Vord are also mounting a full scale assault, and slowly beating back the Aleran armies towards their capital, despite a massive battle led and fought by Alera's finest lords and citizens. After Gaius's overwhelmingly massive blast of the Vord ground forces, the defenders suddenly discover that they've been had by the Vord. The local queen never intended the ground forces to succeed, but instead sacrificed them in order to wear down the Alerans and give away the location of Alera's best defensive personnel before unleashing her hitherto unencountered and certainly unexpected airborne force to wipe them out.

Meanwhile, Isana is dispatched by Gaius north to the massive wall designed to hold back the fearsome Ice People. She is to make peace with them (even though after 300 years of war, no peace has ever been struck). She makes far more progress in two meetings than anyone else has made. She discovers that they have fury-crafting skills and because of these, the natural (and unconscious) reaction of Aleran soldiers to their proximity was fear and loathing on the campaign trail. This irrational reaction is why no peace could ever be struck. Unfortunately, just as she's making progress, Lord Antillus launches a sneak attack upon the senior Ice People leadership, and all but destroys Isana's hard work and the value of her astute insights. Through sheer force of will and expert use of her now more powerful grasp of fury-crafting, Isana defeats Antillus's plan and saves the lives of the Ice leaders.

Amara and Bernard act as spies in this volume, also picking up useful knowledge of Vord practices, but this couple is the least interesting to me of all the various people we follow in this series. I don’t know what it is, but maybe it’s that they are far too sickly sweet, sappy, and intense for my taste, although I respect Amara's skills.

My two heroes, Kitai and the Vord queen aren't that interesting in this volume, either. Kitai is always worth reading about but she has no stand-outs here. The Vord queen becomes really fascinating only in volume six, where she's a treat. This is still a worthy read though.

First Lord's Fury by Jim Butcher

Rating: WORTHY!

This final volume sees the retreat from the continent of Canea which has been overrun by the Vord. Gaius Octavian ("Tavi") along with the illustrious Kitai and the Canim leader Varg only to discover that Alera has been largely overrun as well. Having made landfall in the north, the group must strike east to link up with the remaining Aleran resistance in Riva.

The Vord queen, now an accomplished water crafter offers a surrender to any and every Aleran. They will be allowed to live out the remainder of their life in peace provided they vow to have no children. Tavi uses the same method to announce his return and his defiance of the Vord. In response, the Queen kidnaps Tavi's mom, Isana, as well as Fade, aka Araris Valerian, Isana's boyfriend.

With the help of the now friendly Ice People of the north, and a strong wind provided by Alera herself, Tavi sails over the ice, but Riva falls to the Vord, and led by acting First Lord Aquitainus the survivors retreat, of course, to the Calderon valley, much in the way the final showdown in the Potter stories was in Hogwarts. Tavi's uncle Bernard and his wife Amara meanwhile have been fortifying the Calderon. Aquitainus dies trying to beat the joined forces of his wife and the Vord queen.

Tavi launches an assault on Riva when he arrives there, bringing down the city walls like Joshua purportedly did, and his fire crafters torch all Vord food supplies. He then moves on to the Calderon where he hopes to pin the Vord between his forces and the rest who occupy the valley's defenders. The Vord queen raids Tavi's camp and wounds him.

It's at this point that Invidia switches sides again and betrays the troop positions of the Vord, but her betrayal was predicted by the Vord queen, so when all of the Aleran high nobles use their various crafting to attack the queen she slaughters many of the attackers. Invidia once again tries to switch sides, but Amara kills her. When the Vord queen retreats, she leaves behind Isana and Araris who are now free.

Tavi and Kitai pursue the escaping queen in an attempt to stop her from calling on the wild and powerful mountain furies. At the same time, the Vord launch an attack in the Calderon and begin to slowly overwhelm the defenders, but Tavi and Kitai actually beat the Vord queen and kill her. Since she is the hive leader, this results in the rest of the Vord becoming directionless and uncoordinated. In effect, they're beaten.

With Aquitainus conveniently out of the way now, Tavi rightfully becomes the First Lord and he and Kitai finally marry. Despite the possibility of a sequel, with other, though lesser Vord queens still at large on the Canea continent, Butcher never did revisit this series. I didn't expect him to, but for me these books would make a wonderful film series. For reasons which escape me, no one has ever seemed interested in making them. Maybe Netflix will try it? They did The Witcher, and this is in many ways a similar sort of fantasy. We can hope! Meanwhile I declare this a worthy read and commend the whole series - one of the very few series I've been able to stand to read.

Thornfruit by Felicia Davin

Rating: WARTY!

The cover if this book is misleading because it shows the title as two words whereas in the book itself it's a single word. Shame on the cover designer. I loved the title just like I loved the idea of the book - a fantasy LGBTQIA story. Not common, and the uncommon is what often attracts me even when it's a magical fantasy, which normally doesn't attract me. I have to say I was disappointed with it though, particularly with the non-ending. I knew going into this that it was the first of a series, and me and series do not get along. There have been very few series that have made sense to me or kept my interest, but I do live in hopes of finding another that I will enjoy.

Alas it was not this one. It's depressing to be so often disappointed. The main problem is that the story really went nowhere and took its sweet time doing it, so all we got was a prologue, not a real story in and of itself. It ended on a sort of a cliffhanger and I can't forgive an author for that. Not when they say, "Hey! Pay for another book and I'll tell you the story I promised to give you in this volume. Screw that! It's too mercenary for my taste and I despise authors who do that. There was also far too many characters popping in and out of the story to try and keep track of, and they began to run into one another and become indistinguishable after a while.

Although the series name, "The Gardener's Hand" did not register at all because it had zero whatsoever to do with this volume from what I could see, I liked the title because it perfectly encapsulated the story of these two girls who meet in the fantasy land. They were an interesting couple to begin with, and for a while I was falling in love with them, but the more the story dragged on with nothing really happening, and it seemingly going nowhere, the more disillusioned I became, and in the end I honestly didn't care any more what happened to these two girls.

Despite intriguing me and leading me to read this novel, the book blurb, I have to say, lied! It begins by claiming that main character Alizhan can't see faces, but that's not true. She sees perfectly well, but she can't make sense of people's emotions from their faces. There is a real medical condition similar to this, called Prosopagnosia, but Alizhan doesn't quite suffer that. Her problem is that a face is simply a blank arrangement of eyes, nose and mouth, and she can read nothing from it. She can read minds though, so the blurb did get that right. Evreyet Umarsad aka 'Ev', is the other main character. She has no special talent and no friends because she's part Adappi - meaning her father is from Adappyr, and her kind are not well-liked. She lives with mom and dad in her mother's homeland close to the large port city of Laalvur.

Alizhan works as a professional thief and mind-reader for a city leading "family" headed by Iriyat who seems to have a soft spot for Alizhan, who has no idea of friends either until she begins to connect with Ev, and the two are drawn to each other. I liked that their relationship was a slow burn to begin with, but the more I read of the story the more I realized that this burn was so slow that it was nothing more than a fizzle. It goes nowhere in this volume, and I was truly disappointed that they failed to make a better connection than they did. I expected more and resented that the reader was denied this. That, the slowness of the pace, and the non-ending, are why I cannot rate this as a worthy read.

This is a problem with series. What ought to be said in one volume is puffed and padded, and spread out over three volumes and it becomes a tedious read. That's exactly what has happened here. The whole plot is of Iriyat's experiments on kids who are just like Alizhan despite her apparent attachment to Alizhan herself. It should not have taken a whole novel to get there and it really dragged at times. Just when I thought something was going to happen, or change, or move, we got served more of the same, and the story went into the doldrums again, becalmed with no wind in the sails. It was annoying and was certainly a case where 'rock the boat' ought to have been the watchword. I can't commend this and I'm done with this series and this author.

Sovay by Celia Rees

Rating: WORTHY!

I enjoyed Celia Rees's Witch Child which was one of the earliest novels I blogged since I first began blogging reviews. I'm happy to report I enjoyed this one, as well.

It's set in renaissance Italy, and Sovay is the bastard daughter of a well-to-do Italian, who had an affair with a seamstress. He loved his daughter and left her a dowry, which her evil stepmother uses to buy not a husband, but a berth in a convent for her detested stepdaughter.

Sovay has other plans, however, and consults an astrologer who informs her she will find her true love despite events. As extra insurance, she buys a charm which is supposed to heat up(!) when her true love shows up. I have to say I felt that the charm was a bit of a waste of time. I admit a curiosity as to why the author put it in there, because for me, it really contributed nothing to the story which would have worked better without it.

Nevertheless, Sovay, something of an artist, attends the convent and starts learning the rules. There are mean rich girls there who bully her - again that's a trope that could have been omitted, but once Sovay's art is discovered, she's taken out of normal convent life and assigned as an initiate into the art department - which is run by a renowned female artist, inventor of the prized and secret 'Passion Blue' pigment, and who helps fill the convent coffers with commissions for her art. Sovay begins learning much, but is not willing to give up her pursuit of true love, and forms an attachment to a boy who is working on restoring a mural at the convent.

Needless to say, things do not pan out the way Sovay was hoping for or expecting, but they do pan out and the story reaches a satisfying conclusion. I enjoyed it very much and will probably seek other work by this author since she continues to bat a thousand with me. I commend this as a worthy read.

Gate of Air by Resa Nelson

Rating: WARTY!

Errata:
"...and her faith never waived." I think she meant 'wavered'.
"Like all Northlanders (other than Frayka), men and women alike had long blonde hair, pale skin, and blue eyes." Not really.
"No sense in getting all sentimental." That last word didn't exist in Viking times. It comes from Latin sentire - to feel, but the Vikings didn't know it as a word. I get that you can't write a novel like this in the original language, but you can try, as an author, to make it sound somewhat like it's from another era, and not middle-America mall-speak!
Another example is the old guy who said things like: "Njall ain't hating you." And "It be you and Njall!" Seriously?! This is an abject lesson in how to write Northlanders and make them sound American! LOL!
Again with the Aryan cult: "Although he had the height and pale features of all other Northlanders" The truth is that Vikings were no taller than other peoples, and shorter than today's average, women being about 5 feet, men about 5.5 feet. In today's world, the Danes are 4th in line in terms of average height, and Icelanders are 10th so...still not towering.

This novel irked me pretty much from the start and it soon became too nauseating to read. It didn't sound remotely authentic, and much of it was misleading, ill-conceived, or far too American to sound remotely like an ancient people from Scandinavia! One of the early sentences revolved around the fact that main character Frayka (really? Frayka?!), who had just returned from an extended voyage, wasn't wearing her Sunday best or pristine and clean. As if.

I read: "Didn't you hear me ask if she'd ever laundered them? Think of how long she's been wearing them!" Laundered? The Norse peoples were hygienic, but it's highly unlikely someone welcoming back people who had been on a long voyage would make a comment like this! This was nothing more than high-school bullying! It felt so inauthentic and was the first big problem with this novel - the young adult outside who becomes the heroic femme. It's been done to death. Please! Get a new shtick already!

The writing was so clunky and amateurish that I gave up on it quickly and ditched the novel. I can't commend it based on what I read.

Keara's Raven Escape by Mindy Klasky

Rating: WARTY!

Erratum: "for the entire three days that the titheman ad stayed on the green" 'Had stayed' was required there.

Previously published as Darkbeast, this novel evidently failed its first time out, and was renamed and re-released for a second try. For me it failed that time, too. There were several problems with it. The first was that it was worst-person voice, which I am actively now trying to avoid in novels having pro-actively weeded out my entire aging print book collection of first person voice titles and ditched them unread. I'm slowly doing the same with my larger ebook collection. This one didn't start out too badly, but it soon embarked upon road after road most traveled, and it was boring. The cliff-hanger ending was expected and not appreciated, and I have zero intention of reading any more of this series.

The novel is aimed at a younger audience than the one I (don't!) represent, so take my commentary as you will, but the story had issues. The author set up the girl as having no female friends. Even her sisters hated her, and the only female she meets turns out to be a traitor to her. Her only savior is of course the inevitable boy, because all women are useless unless they have some sort of male validation according to this kind of author. Why so many female authors seem so hell-bent upon denying female friendships to their characters is beyond me.

In this medieval world - where they have female actors strangely enough - every child grows up with a 'darkbeast', which is an animal (bird, amphibian, or reptile, it would seem) which can talk and which plays the role of Jesus, taking away their sins. They're supposed to unload their negative thoughts and emotions on the beast, and at the age of twelve, are required to visit the 'godhouse' and kill the animal, thereby freeing themselves of childhood sins so they can enter adulthood renewed. Keara cannot kill her darkbeast - her only friend - and is forced to flee her community, sought by inquisitors. She runs away and joins the circus - well, a company of traveling players at least, which earns a living by visiting villages and performs plays tied to one or other of the twelve gods

The story was a fast read and I followed it all the way, believe it or not, but by the end I was disappointed and resented the time I had blown reading this when I could have been doing something much more rewarding. This is why I typically do not even try to read a book to the end when it's doing little or nothing for me. With this one I kept hoping it would really have something to offer, but it never did, and I cannot commend it at all. It was full of trope and took forever to really have anything happen despite it being a relatively short read. It was as warty as one of the darkbeast toads - which aren't really warty, but this observation isn't meant to be any more realistic than was this novel, which turbned out to be a dark beast that definitely ought to have been slain.

The Blue Sword by Robin McKinney

Rating: WARTY!

Me and this novel did not get along. Despite misgivings (see below) I did start to read it but it did not draw me in, and I felt like I shouldn't have started it anyway for reasonsI discuss next.

This novel in print form uses less than sixty percent of the page for text, and only some forty percent on new chapter pages. Naturally no one wants a book that is so print heavy it's like reading in the dark, but publishers could very easily use much more of the page than they do, thereby reducing paper waste and saving trees, which are the only organized institution actually doing anything concrete to seriously fight climate change. They need all the help they can get.

Since this was a recycled read, I don't feel so bad about that, but I have to say that it's not acceptable to sell or buy new books that so foolishly waste trees. That said, the story itself wasn't worth all this waste of trees though, either! No story is. It was boring, slow-moving, uninteresting and tedious, and I started skimming quite quickly trying to find interesting parts, and failed. I gave up less than 25% in.

Girlwood by Claire Dean

Rating: WARTY!

Polly is twelve. Her older sister Bree has fallen into the wrong crowd - drugs and so on, and one day Bree disappears. Polly is convinced she has escaped to the woods, but no one believes her. Given how everyone pitches in when a child goes missing, I found it hard ot believe that there was so little interest in organizing a search for her. Yes, Bree was older, and there is the drugs angle, but it felt wrong.

There is talk of fantasy and fairies in the story, and it started out well enough, but then it just dragged. Instead of getting into the woods and going along with the story I felt I'd been promised, it became bogged down in Polly and her wolly doodles all day, and it became a tedious read. I'm not about to expend more of my time on this when there is too much to read and too much to be written. I can't commend this based on the part I read.

The Siren's Call by Jennifer Anne Kogler

Rating: WARTY!

This is book 2 of a series I began reading so long ago that it's not even one I blogged. Also I barely remember it. This is yet another problem with series ! LOL! I did recall it hazily, along with the author's name and the distinctive cover, and with a favorable if vague memory, but unfortunately I was turned off this particular volume right from the off, very nearly.

The story starts out with main character Fern, one of the 'Otherworldlies' having a bad dream while on an airplane flight with her schoolmates to Washington DC. Although she has a couple of friends at school, she is considered weird and is bullied by people who apparently go unchecked and unpunished at this school, as is the case with every high-school novel ever written for the YA crowd. Curious, that, isn't it? I guess YA authors just love to bully their characters for reasons which escape me.

At the airport, the students are divided into groups of four to share a room, and despite this bullying, Fern is assigned to share a room with the two biggest bullies. That's where I quit reading this. I am so tired of this school-bullying crap. I don't doubt that there is unfortunate and even dangerous school-bullying going on in real life, but for authors of these books to use it as their go-to conflict device is tiresome and unimaginative, and I will not reward it with a positive review. These authors need to get a new shtick.

In this case it wasn't even credible that this room assignment would be made especially since, on an occasion prior to this novel starting, these same two girls had duct-taped Fern's head to something while she slept. Who sleeps through getting her head duct-taped? Why are these two jerks still even students at the school after pulling a cruel stunt like that? Or is it one of those idiotic stories where the bullied don't snitch on the bullies? Again, tedious trope rejected. Find something intelligent to write if you want me to read your stories. This one is garbage.

The Water Crown by James Suriano

Rating: WARTY!

From an advance review copy for which I thank the publisher.

Initially I was drawn into this story because it was about the world's supply of fresh, clean water, which is, along with climate change, and pollution, one of the real crises in the world right now. I was by no means convinced that bringing in magical abilities or Middle East jinn would lend adequate gravity to a story about a serious problem like this, but I was willing to give it a chance. The problem was that story got lost somewhere along the way. Largely abandoned were the jinn, and the story devolved into one that was delving far more into the day-to-day minutiae of the lives of the two main characters. It seemed to lose track of the fact that it was supposed to be telling an important story about a serious real-world problem.

The two main characters are a Bedouin boy named Zyan, who is living in Morocco, and Jade St John who splits her time between South Africa and Israel. She has the ability to bypass normal space by latching onto a strange system which allows her to travel great distances - on a global level - in relatively short times. She can also push people's minds in the direction she wants them to go rather than where they might have gone otherwise, and she can communicate on some level with animals. She has an assistant, for example, which is a pangolin, but which works for her as a sort of housekeeper, which I thought was rather cute. Jade works for a mysterious organization and gets her instructions from 'Mother' rather like John Steed used to in the old British TV series called The Avengers.

Zyan lives - as befits his ethnicity - in the desert and has a pets like chickens and a goat which he foolishly ties to a post outside a library, only to have it stolen. He tracks it down, but fails to act before the boy who stole it slits its throat. This is important for my attitude toward this novel later, if you'll bear with me. He has the ability to see Jade on occasion, but he thinks she's some sort of jinn. He becomes involved with the Moroccan royal family because they think he can talk with jinn and thereby help them with their fresh water shortage. Therein lies a problem.

Morocco is on the coast. It has a long coastline. It also has oodles of sunlight. It wouldn't take much to set up a desalination plant - or a series of them - running on solar energy which could supply Morocco with all the freshwater it could ever want. If this had been addressed in the story, and some sort of 'reason' (however weak or invalid!) had been put in place to 'explain' why their water problem couldn't be solved by this means, that would have been something, but for the author to dismiss all that, and make this sound like it was a crisis in need of jinn magic when there are technological solutions seemed like cheating to me.

The people of Morocco don't call their nation Morocco. It's known in Arabic as 'The Western Kingdom', and while politics are discussed in the novel, we learn very little about how Morocco truly is. It is a very repressive kingdom where free speech is highly circumscribed and homosexuality is illegal. Lack of water isn't a problem; lack of sanitation and access to flowing water in every household is a problem, so it seemed to me like this was a poor choice of a country to set this water issue.

Worse than this, over half a million Moroccans are addicted to drugs. Eighty percent of cannabis in Europe comes from Moroccan plantations. For me, that's no worse that growing tobacco, but Morocco is also a shipping route for South American cocaine. Drug addiction is particularly prevalent among Moroccan youth. These are not things to be proud of. Why Hollywood is so intent upon favoring Morocco for so many movie shoots is beyond me.

Morocco is also an islamic nation, but you would not have guessed that from this novel. There is no talk of Islam and none of the people depicted are ever shown following any of the tenets of that religion, which lent the story an air of high fantasy and inauthenticity. Indeed, at one point the Moroccan queen is depicted as flouncing around in a bikini in front of a stranger! Even for a western nation that might seem a problem (recall the sensation in Britain when Princess Diana was photographed with the sun behind her shining through her skirts. For an Islamic nation it was positively ridiculous.

While Morocco is more enlightened than many Islamic countries with regard to dress code (westerners can wear a bikini on the beach, for example), Moroccan women are expected to dress conservatively to one degree or another depending on which part of the country they are in. Some areas are more conservative than others, and even western women would be frowned on or worse were they to try wearing a bikini or even a bikini top at any place other than the beach. Moroccan women do have some rights, but they are far from equal as compared with western women - who even now still bear a greater load of grief than ever men do with regard to dress and comportment. In 2015 two women were publicly abused and arrested for dressing 'indecently'. That same year, three teenagers were arrested because one of them, a boy, took a picture of his friend, another boy, kissing a girl and posted it on Facebook. So no, they're a long way from equality and freedom in Morocco and I'm sorry this author skated blithely over all that.

This brings me to another problem, which was that I couldn't tell if this story was supposed to be set in the near future or in some sort of alternate reality. Britain's queen for example, was given as Queen Agatha, which is nonsensical since that name isn't remotely close to the name of any of the queens Britain has actually had, so again this undermined suspension of disbelief. Maybe in an alternate reality there would be a Queen Agatha and the Moroccan royal family would not have an issue with the queen disporting herself in a bikini, but without having any guidance from the book blurb or from the novel, it was hard to tell what was supposed to be going on here.

That wasn't why I DNF'd the novel though. The problem for me was, as I mentioned earlier, the fact that the author seemed to forget that there was supposed to be a story going on here, and instead spent so much time in minutiae which didn't really do anything for the story at all. I began to grow bored, but didn't really lose my interest until Zyan started rambling on about his dead goat. If he'd mentioned it in passing, that would be one thing, but he told a story about it that went on, and on...and on! It was so tedious that I quit reading right there.

That rambling wasn't interesting. It revealed nothing we did not know already, and neither did it do a thing to move the story (or me for that matter given Zyan's complete lack of effort to save the goat in the first place, and his stupidity in leaving it tied up where he couldn't keep an eye on it to start with). This had already been covered earlier in the story so this revisit was annoying at best. My patience had been waning with Jade's mindless and pointless puttering around by this point, so the endless story of Zyan's tragic loss of his nanny really got my goat - and I'm not kidding. I can't commend this as a worthy read, not based on the fifty percent of it I did read.

The Return of Zita the Spacegirl by Ben Hatke

Rating: WORTHY!

This is a sequel to Zita the Spacegirl which I reviewed recently and loved. This one is equally loveable. Zita is irrepressible. I didn't know, when I read the first one, that Zita was actually invented by a fellow college student of the author's named Anna, who would go on to marry him. Paradoxically, Zita was older when she was first conceived than she is now, and the art was much more basic. She then transmogrified into an adventurer a bit like, I guess, a space-faring version of Jacques Tardi's Adèle Blanc-Sec. I'm not sure I would have liked her like that, because I much prefer Zita in the incarnation I first came to know her, which is this early middle-grade femme de feisty.

In this adventure, Zita, who we left thinking she had saved her friend and dispatched him home safely in the previous volume, is brought to trial in a kangaroo court which disappointingly isn't held by kangaroos, but by an alien villain and his hench-robots. His purpose is to recruit people by foul means (fair isn't an option with this guy) and set them to work in his mine in search of a crystal. He doesn't care that removing it will collapse the asteroid which bears the mine, and kill the indigenous life forms which look like lumps of coal with startling white eyes. Why a mined-out asteroid would collapse remains a bit of a mystery, but I didn't let that bother me! This is more sci-fantasy than sci-fi!

Zita meets her usual assortment of oddball alien friends - but even more-so in this outing, it seems - and she attempts to escape, but even when freedom is within her grasp, she can't help but go back and lend a hand to an alien she noted earlier who is being sorely-abused. Since this graphic novel was published just over four years after a Doctor Who episode titled The Beast Below, I have to wonder at the author purloining this idea from Stephen Moffat, but maybe the latter purloined it from elsewhere before that and so it goes. Writers can be a very derivative bunch can't they? Especially if they work for Disney. Remake much? But as long as suckers will pay, they'll be delighted to keep suckering them in won't they - innovation be damned?

But this story was amusing, entertaining, and made me want to read it to the end, so I commend it as a worthy read.

Swans in Space by Lun Lun Yamamoto

Rating: WARTY!

I suppose I should remind readers up front that I'm not a huge manga fan. Reading backwards isn't my choice, but I can do that if the story is worth it. the problem is that the stories all-too-often aren't worth the effort of reading unnaturally. This was one such.

The premise was amusing and entertaining enough, but in the end it's the story. I can read a story which has no plot if the author writes well enough. I can't read the perfect plot if the story is written badly, uninventively, or boringly. The premise here is that a young girl is chosen in school by a classmate for testing for what seems to be UPS in space, although it's also space police - or maybe something else? I dunno and that's part of the problem. The scope of their 'duties' is so vague as to be limitless.

What were these people supposed to be doing and why are girls taken out of school to do it? No explanation. Their travel results in time-dilation, so their return is only a minute or two after they left, but they have subjectively experienced the entire time - even if it's many hours - that they spent doing this job, which consists of flying spacecraft. These craft are designed to look like swans for reasons which are unexplained - assuming they even exist.

The girls come back already exhausted and still have the rest of their own school day to finish. It's beyond credibility that something wouldn't go wrong, and it's hardly surprising that this girl who recruits the main character into this life is totally shallow. Her brain is probably fried from the insane hours she's been forced to keep.

Even that might have been manageable if the story itself was worth the reading but it wasn't. It was so bad that just a couple of days later I've completely forgotten it. They didn't really do anything that a decent drone couldn't have done, so again: point? None! If there had been something - anything in the story to give it some oomph, then the rest of this ridiculous situation might have been overlooked. I can even get with whimsy if there's a compelling reason to, but there really was nothing to see here. I can't commend this garbage as a worthy read on any level.

Lord and Lady Bunny - Almost Royalty by Polly Horvath

Rating: WORTHY!

This audiobook was laugh-out-loud hilarious, and while there were some tame bits, for the most part it amused me highly. I'm not sure who it was aimed at. It seems a bit too mature for a middle-grade or earlier audience, and a bit too 'bunny' for older audiences, but none of that bothered someone like me who is completely insane.

It's read in fine style by the author, and she does a great job. She seems to take an unhealthy delight, it must be noted, in pronouncing bunny with an explosive beginning and a whimper of an ending. That word appears in almost every other sentence. 'Rabbit' not so much.

This is a sequel to Mr and Mrs Bunny - Detectives Extraordinaire! which I have neither read nor heard, but which deficit I intend to rectify at an early opportunity. Fortunately this one worked as a stand-alone so I didn't feel robbed at not having encountered the initial volume first. Once again it's a case of the publisher not having the decency to put something on the cover indicating it's a part of a series. This is why I self-publish. I do not trust Big Publishing™ one bit.

In this story the bunnies, Mr & Mrs, travel by ship to England to inherit a sweet shop, and hopefully a title - like Queen - along the way, and the story is about their travel across the ocean, their struggle to get to the shop, and get it up and running profitably, and endure assorted mishaps along the way including an unprovoked assault with acorns by squirrels along the way. I tell you, those squirrels. If I had an acorn for every time....never mind. I do.

I commend this as a funny bunny story and a worthy wabbit wead. Or wisten! Be advised: Do not let it get anywhere near marmots.

Cursed by Thomas Wheeler, Frank Miller

Rating: WARTY!

This is from an advance review copy for which I thank the publisher. The publisher requested that reviews not be released until a month before publication, which is in October 2019, but since Amazon-owned Goodreads already has nearly sixty reviews as of this posting, I don't see any harm in publishing mine and getting it off my lengthy to-do list!

This was written like a movie and it didn't work. A novel needs to be written like a novel, but I understand this was conceived as a multimedia project and I think that was the problem: we really got a sort of a movie script translated into a novel. I understand Netflix has plans to televise this next year, but I won't be watching. I can only hope they do a better job in the writing, because although I was intrigued by the plot and I tried to like this, I couldn't get with it and DNF'd it at just over 25%. Initially, when I'd seen Frank Miller's name attached to it, I'd thought it was a graphic novel, but it isn't. It's a really long book which goes nowhere fast, and Nimue is sadly-lacking in anything to appeal to me in a main character

Having grown up in Britain, I'm familiar with the Arthurian legends, but I'm far from expert in them and I didn't realize, initially, that Nimue is one of several names that are given to the Arthurian Lady of the Lake. The thing is that in this novel, she was such a non-entity that I wasn't impressed with her at all. She's a changeable, inconsistent, weepy little brat of a girl who is all over the place.

Her mother's dying wish is that Nimue take this magical sword to Merlin, who will know what to do with it, but at one point very shortly afterwards, Nimue is considering selling the sword for some cash so she can escape! This is after she supposedly feels really wretched that all of her people are dead, and despite the guilt that she carries over a fight with her mother before her mother died. Shortly after that, when a guy wants to take the sword from her, she suddenly decides she wants to keep it from him and cuts off his hand! Way to keep a low profile Nimue.

What really turned me off this novel though, is how this guy Arthur (yes, that Arthur, apparently), moves in on her, starts stalking her, and suddenly she's getting the wilts and the vapors whenever she's near him. He takes over and Nimue loses all agency, becoming totally dependent upon him in true YA fashion. Barf. That's when I call "Check please, I'm done here." Why even have a female lead if all you're going to do with her is make her subservient to a male? Why even call the male Arthur? Just call him Jack and be done with it. That's the most over-used name in literature for the alpha male, so go with it, and forget about making your story original.

The book - in the portion I read anyway - completely abandons all Arthurian legend, just FYI. I didn't worry too much about that, because it was supposed to be different, but a nod and a wink to it here and there would have been appropriate. And in the end it wasn't different from so many others I've read. It was an Indiana Jones from medieval times: Arthur Jones and the Very Lost Crusade. That said, the whole thing about Arthurian legend is that it's always presented wrongly - with knights in shining armor. The people who gave rise to these legends never were those knights. Arthur was at best a tribal leader, dressed not in chainmail but in a leather jerkin and leggings.

Most of the writing, while shallow, was serviceable, but some of it was downright bad. We got the trope of the flecks in the eyes, which is so rife in YA that it's nauseating. Usually, it's gold flecks so kudos to the writer for going with green, but it's still flecks! That wasn't even the worst part though. The worst part was when Nimue noticed these: she was, for reasons unexplained, practicing sword-fighting with Arthur. It was night. They were hiding in a copse off the road, to avoid being seen, and at best had a small fire so how, in the virtual pitch dark, is Nimue going to see green flecks - or any kind of flecks - in Arthur's eyes? It doesn't work! Let's quit it with the YA flecks.

Did you know that 'whicker' describes movement? Well that's not surprising - because it doesn't! A horse whickers when it makes soft whinnying noises. It has nothing to do with movement - except movement of the lungs and larynx! Yet this writer has this: "He whickered his horse down the road at a trot." What the hell does that even mean? Did the horse whicker as it trotted down the road? That's not what he's saying here. Maybe he means the horse moved down the lane like the late Alan Whicker, the globe-trotting and much imitated British television presenter? That could work, I guess: "As the Kaleidoscopic Knights ride reverently along the rocky road, we have wonder why the nefarious, nincompoop Nimue isn't with them...."

At one point - during her ever-changing attitude toward the sword - Nimue declares, "I have to bring the sword to Merlin." Actually she has to take the sword to Merlin. I know in modern usage, people say 'bring' and it's bad grammar, but it's what people do. The question is, would this modern parlance have been in use a thousand years ago? I doubt it, and this is emblematic of another problem with the story - the modern lingo. I don't expect the writer to write it in medieval English, but I do expect at least a nod and a wink to cadence and modes of expression back then, yet here, the language is completely modern in every regard. Disbelief is not only not suspended, it's hung, drawn, and quartered, and dead and buried.

This inattention to what was being written sometimes comes back to bite the author such as in, "She realized that whatever was inside her darkness had made her come, had somehow drawn her there," which made me laugh out loud the first time I read it. It was merely bathroom humor I'm afraid, but the real problem was that I had to read this sentence twice more before I properly understood what he was saying.

That's not a good thing, and it wasn't the only time, but fortunately it didn't happen often. The damage was done though and the problem was that the unintended humor in that sentence made me keep thinking of Monty Python and the Holy Grail and having lines like "...if I went around sayin' I was an emperor just because some moistened bint had lobbed a scimitar at me, they'd put me away!" running through my mind didn't help to take this seriously, especially since I was having trouble taking it seriously to begin with! So while I think the basic idea for this story was a good one, the execution of if left far too much to be desired for my taste. I can't commend it as a worthy read.

Princess Ugg by Ted Naifeh, Warren Wucinich

Rating: WARTY!

PU turns out to be apt initials for this graphic novel. I came to this via Naifeh's Courtney Crumrin books that I really enjoyed, but this one on a new subject, despite being in glorious color (from Wucinich), standard graphic novel page size, and well-illustrated, left me feeling deprived of a good story. This is a fish-out-of-water story, which is the kind of thing I don't normally go for because they can be tedious and predictable if not done right, and that's exactly what happened here.

So Princess Ülga is supposed to be some sort of Viking warlord's daughter used to living rough, buff body, not remotely afraid to tackle barbarians with a battle axe. Curiously she speaks with a Scots accent. For reason which were not exactly clear to me, she's sent to a school for princesses, and of course all of the current students there are finely-mannered and even more finely-dressed, and they take exception to Princess "Ugg" as they call her, to even being there, let alone wanting to better herself.

You know things are going to be resolved, but this isn't a stand-alone so while there is some sort of resolution, the story isn't really ever over in a series. I really didn't like Princess Ugg despite becoming rather fond of Ülga. You never see women like this in the movies because they're far from what Hollywood considers to be a female ideal - and don't think for a minute that "diversity" is going to improve that narrow, blinkered perspective. It's still Hollywood.

I can't commend this as a worthy read although I do commend the creators for offering up a different perspective on what a female main character can be. She just deserved a lot better story than to be plonked down in the middle of a bunch of boilerplate Disney princesses with a wish upon a star that something fun would come from it. I recommend reading Kurtis Weibe's Rat Queens instead - it has a much more diverse set of main characters, and is an fun and interesting story as well.

Courtney Crumrin Volume 4 Monstrous Holiday by Ted Naifeh

Rating: WORTHY!

Volume four wasn't quite as entertaining as the earlier volumes I think in part because Courtney seemed much more gullible in this one than she had in all of the three earlier volumes, which made little sense. Admittedly she was charmed by a boy, but having gone through what she'd been through previously, you'd think she'd be less inclined to fall for something instead of more so. And yes, she was feeling disgruntled (her gruntle had never been so dissed in fact), but it made her look limp and weak in comparison to how she'd appeared in earlier volumes. Ideally this would have been the first volume. That would certainly have made more sense in terms of her personal growth and would have explained a lot about her attitude in the other volumes.

That said it still made for an enjoyable read and I commend it as worthy. This story involves Courtney's visit, with her great uncle who is sometimes not so great it has to be remarked, to a family chateaux which of course is occupied by vampires, one of whom is mature and very old (although she looks in her thirties), and the other of whom is around Courtney's age, but also very old. So Yuk! The mature one is an old flame of Aloysius's evidently, and plays very little part in the story. It's the young one who charms Courtney and wins her confidence, and at first she wonders if he's a ghost, but when she realizes he's solid, she changes her view. Even when she suspects he's a vampire though, she trusts him and that trust is misplaced.

He bites her three times over the next few days, which is supposed to either be fatal or seal her fate as a vampire, but this is where the story let me down because the ending was a complete fizzle! I couldn't say if the vampires were destroyed because the panels where Great Uncle Aloysius did battle with them were not exactly categorical, and would a blood transfusion save Courtney at that stage? I dunno, but the book ended without giving any sort of an answer. It begs the question as to why her uncle even took her there is there were vampires and if he still insisted, why he didn't provide her with some magical protection against them.

So while the story was entertaining and I commend it, I have to say the ending was poorly done and a sad way to end such a sterling series.

Courtney Crumrin Volume 2 The Coven of Mystics by Ted Naifeh

Rating: WORTHY!

Volume two - meaning I finally caught up to the first volume I read in this series, which was three. I'm not a huge fan of series, not regular books, and not graphic novels, but this is one of those rare exceptions that manages to change up the story and keep it fresh and interesting even though we're following the same main character.

In this volume, Courtney learns new ways to circumvent and side-step the witch conventions that seem to hold everyone else in paralysis or in rigid regimentation. She's always ready to try something new, learn something extra, or make unexpected and unusual friends, and she has great instincts. She's not afraid to change her mind either, so this makes for a multi-faceted and engaging character.

So she starts out tackling Tommy Rawhead, the hobgoblin of the marl-pit, whom someone has unleashed. Fortunately, her enigmatic and mysterious uncle is just the match for Tommy, but just because Tommy's beheaded doesn't mean he can't be useful to Courtney later! Courtney gets an usual invitation to visit the cat council, but this involves her becoming a cat herself. Finally she befriends Skarrow of the under-world, and this brings trouble on her uncle's house.

The variety and inventiveness of these stories is remarkable and welcome and is what kept me reading on - that and the indefatigable Courtney. This is why I commend this volume and intend to go on to read volume four.

Scarlet Hood by Mark Evans, Isobel Lundie

Rating: WARTY!

No success with this graphic novel either. I don't have anything to say about Isobel Lundie's artwork except that it was gray-scale and scrappy. And the writing was simple, pedantic, and uninventive.

When I picked this up and glanced through it briefly, I thought maybe it was a retelling of Little Red Riding Hood, but it was not. It looked superficially interesting, but it was not. Greta the Cruel sounded like a fun villain, but she was not. It was just a story of school bullying and a magical remedy and it was very, very short.

Scarlet treks through the forest to grandma's house, doesn't get eaten by a wolf; grandma isn't impersonated by a wolf, and all grandma does is give to Scarlett a red hoodie which she claims will help her granddaughter. She says nothing about it delivering the poor girl to a dragon! Thanks grandma.

But Scarlet ends up befriending the dragon as she ends up befriending the school bully, who never pays for her previous acts, and no-one in the entire school seems to have any issue with the bullying. The best thing I can say about this, is that it's short. I can't commend it in any way.

Wildwood by Colin Meloy, Carson Ellis

Rating: WARTY!

Written by songwriter Meloy this ebook is very long and very slow-moving unfortunately. The 540-some page print version is illustrated by his wife, Ellis, but I saw none of that in the audio version, which was read by Amanda Plummer in such a sweet voice that I think I kept it going longer because of that. Had the voice been less pleasing, I would have ditched it a lot earlier than I did.

This book exemplifies one reason I don't like longer books: too many of them seem to take forever to get anywhere. When I was about a quarter the way through it, nothing had really happened other than that this girl saw her toddler brother carried away by crows into this wild wooded area, and she went into it to get the kid back and discovered that it was home to a bunch of weird characters including a regiment of military coyotes.

So it was a charming idea, but it was moving like a slug. It had moved along quite quickly to begin with, but once Prue, the main female character had got into the Wildwood area, everything seemed to have the brakes slammed on and it really started to drag. I kept going until about a third the way in and lost patience with it.

There was a battle described between the coyotes and the bandits in the forest, and it was so gory that I couldn't believe I was reading a book written for young children. While I get that children see this kind of thing more often in video games, movies, and on TV these days than their counterparts used to, this still struck me as a lot of unnecessary detail. It's possible in a children's book to describe death without going into into loving detail. Again this is a problem with an overly long book - too much time on the author's hands.

The only amusing thing, to me, about this is that it was at this point that I chose to skip to the last few tracks and despite the skip, I came back into it to discover equally gory detail! I couldn't believe it. We have enough violence in schools these days without needing to extoll it in literature. It was like I was still listening to the same part of the book. On top of this was a baby sacrifice, and I decided this book wasn't worth spending any more time on, and quit listening.

I can't commend something like this as a worthy read or a listen, not even with Amanda Plummer's voice.