Thursday, May 14, 2015

Powerpuff Girls Super Smash Up


Title: Powerpuff Girls Super Smash Up
Publisher: Idea & Design Works
Rating: WORTHY!

Illustrated by:
Derek Charm
Jorge Monlongo
Paulina Ganucheau
Christine Larsen
Nneka Myers.

It's just an ordinary day in the cty of Townsville. Traffic jams, escaped predators from the zoo, that hairy hillbilly of hate Fuzzy Lumpkins running amok looking for a date. Fortunately, Blossom, Bubbles, and Buttercup manage to get everything in order in good time to visit Dexter's laboratory! Unfortunately, Dexter's sister is loose and once again she trashes up everything demo-ing her latest dance, and ends-up not only transformed by subtance X, but in a parallel universe too!

But surely this is the kind of thing which terrifies Courage the Cowardly Dog, not the Powerpuff girls? Well, no. Courage is dealing with some rather strange cows which may(or may not) be aliens, and which also may (or may not) be dangerous.

It's just as well we have just us friends - or is it Justice Friends? - to deal with just these fiends. I have to say that even if I hadn't been won over by the amusing - if not insane - stories, I would have been won over by the art work which was beautifully rendered and intensely colorful. I mean intense. I have a couple of images on my blog if you want to take a look, but you can probably find some anywhere on the Internet.

I have to confess I was never really a fan of these shows, but my kids enjoyed them, and I got a contact low just from being around, They are quite addictive even as you flatly deny that you have any interest in them at all. I recommend this charming and charmed outing. If you want a sneak preview, there are examples of the shows on You Tube for Powerpuff Girls, Dexter's laboratory, and Courage the Cowardly Dog.


Wednesday, May 13, 2015

The Prince by Niccolò Machiavelli


Title: The Prince
Author: Niccolò Machiavelli and Morim Kang
Publisher: Netcomics
Rating: WORTHY!

This is rather an oddball comic book. It takes the text of The Prince, written by Niccolò Machiavelli, a "textbook" designed for no other purpose, really, than to ingratiate himself with the powers that be after a fall from grace. The book purportedly advises royalty how to get power and hold onto it regardless of what it costs the people under rule. This work is really at the root of world politics, but it has nothing to offer modern politicians and dictators who have far surpassed Machiavelli in Machiavellianism, which has degenerated from being a byword of power plays in the past, to being a dirty word today.

There was a problem with the iPad version on Bluefire Reader, which I have been experiencing in several comics, not just this one. In other comics, speech was missing from speech balloons. In this one, the text in the space (see image on my blog) where the original text from Machiavelli's work is printed at the start of each chapter, is missing. Where this text was supposed to appear on the bottom half of the opening page to each chapter, it was missing. if it continued to a second page, then there was text on the second page, but it continued from the missing text on the first page, which of course was invisible! Something is screwy here!

The original work from Machiavelli is interspersed with comic book style art work illustrating his antiquated and brain-dead precepts, which is to say that, in the big picture, Machiavelli was clueless. He was a product of his life and times, of course, which is a good excuse to have! Hereditary rule is, let's face it, nothing more than a dictatorship, and has no place in a modern enlightened world - or any world for that matter. Indeed, it's nothing more than the fruit of unearned privilege rooted in might makes right, and fertilized with the lives of the monarch's subjects. The problem is that all too often in our world even today, we still have "royal" hereditary, as the Kennedy and Bush families have demonstrated, or we have capital heredity where money stands in for royal privilege and provides a monetary line of descent.

It does offer insight into how people thought of their world back in Machiavelli's day, so it is of historical interest, but other than that, The Prince has nothing of value to offer us, and it certainly doesn't make for a rollicking read. However, if you have to read it, you could do worse than this volume. It's crisply done and well laid out. It offers clean, simple images, which are, at least for me, drawn amusingly, so that lightens the road of Machiavelli's dense and pedantic text. Despite the fact that for me it did nothing, I am recommending this as an alternative to even drier versions!


MPH by Mark Millar


Title:
Author: Mark Millar
Publisher: Image
Rating: WORTHY!

Illustrated by Duncan Fegredo.

This is a sharp and entertaining comic which borrows heavily from pop culture icons like the Matrix movie trilogy, lesser-known movies such as Clockstoppers, as well as the DC Comics character 'The Flash', and so on, but manages to tell its own story, and offer some original twists and turns, including a fun ending.

The story begins when Roscoe needs some cash and is caught delivering drugs in a police sting. He thinks he can do the time, especially if he takes rehab courses (even though he's not an addict), behaves well, and shows an interest in reforming to get his sentence knocked down. The problem begins when he learns from a friend on the outside that he was deliberately sent into a trap to get him out of the way, so his drug pusher boss can have free access to Roscoe's girlfriend.

Roscoe reacts badly to this and digs a hole for himself by fighting with another prisoner. After he gets out of solitary, his cell mate once again tries to interest him in a new drug, MPH. Roscoe had turned this down before, but now he decides to give it a try and he discovers that this drug actually speeds up his mobility so much that it looks like everyone else is frozen - just like in one of those "bullet time' scenes from The Matrix and Clockstoppers. If you haven't seen either of those, but you've seen X-Men: Days of Future Past, think of the scene where Quicksilver helps to spring Magneto from the pentagon prison, and you;ll know the kind of thing to expect here.

Of course, no one actually is frozen, it merely appears that way because this guy is moving so blindingly fast. In fact he moves with such velocity that after Roscoe has left the building, he still has time to turn right around and go back to grab the bottle of MPH his cell mate is holding, which he shares with three of his closest friends. He discovers that traveling at super speed is the perfect cover for robbing banks. The downside, of course is that it does tend to attract the attention of law enforcement.

If it had gone all Reservoirs Dogs and ended-up in a bloody shoot-out, it would still have made a readable story, but it wouldn't have been that interesting to me. Fortunately, Millar takes it away from that into all kinds of explorations of the characters and their power, which is what really made this a worthy read for me. I liked the dialog, the plotting, the story, the art work and the coloring. All-in-all it's a great little book. Given the neat resolution to this story, it's hard to believe there's a second volume, but there is. I have not yet read that one so I can't comment knowledgeably on whether it's a worthy successor to this, but I suspect it features new characters who get their hands on a new supply of this drug which really puts a whole new perspective on the drug term, 'speed'!


Tuesday, May 12, 2015

Flash Gordon: The Man from Earth by multiple writers


Title: Flash Gordon: The Man from Earth
Author: multiple writers
Publisher: Dynamite
Rating: WORTHY!

Illustrated by multiple artists.

This is a fun graphic novel based on the antique newspaper comic strip which began in the early 1930s, and continued in serial films and a movie as relatively recently as 1980, which was rather a bust. I have to confess that I have never been a fan of this original "Flash", but I always liked the idea of him and his name. Note that I'm being confusing here. This Flash has nothing whatsoever to do with the DC comics super hero, and precedes that one by six years or so.

This graphic novel reboots the story, setting up Alex Gordon as a bit of a dare-devil character who likes extreme sports and who somehow (we're not immediately told) becomes a pilot in a spacecraft, dodging the minions of Ming The Merciless, and managing only to escape through repeated use of his spaceship's 'jump' ability to move as if through a portal, from one planet to another. Finally, they're forced down on a forest planet not too dissimilar to the forest moon of Endor, featured in Star Wars episode six.

Normally I don't comment on covers since the author of a work has nothing whatsoever to do with the cover unless they self publish. This is different in the graphic novel world, however, where the artist also does the cover, so here I will just say that I found the cover disappointing and unappealing. The artwork inside, however, was very good.

Note to the letterers: your blue text doesn't work. In some panels, the text is rendered in light blue to signify speech from another source. This simply didn't work because the light blue text was pretty much illegible! This wasn't the only lettering problem. In the Bluefire Reader on the iPad, on page seven, all the speech balloons were blank. I checked this on the Adobe Digital Editions version, and all those same balloons had speech in them, so there's a huge problem there. I don't know what happened there, but it was only one that one page; the rest of the pages were fine (light blue text aside, that is!).

That said, I really liked this story and adventure. It was fun, light, interesting, with good art work and some fine classic chase scenes and 1950's style adventuring even though it's set (at least in the Dale Arden scene in the beginning) in contemporary times


House of the Last Man on Earth by Robert B Marcus Jr and Ryan B Marcus


Title: House of the Last Man on Earth
Author: Robert B Marcus Jr and Ryan B Marcus
Publisher: Mockingbird Lane Press
Rating: WARTY!

Erratum:
"Not only does he steal my bike but he flaunts me with it." Doesn't make sense. Should either be "Not only does he steal my bike but he taunts me with it." Or, "Not only does he steal my bike but he flaunts it right in front of me." Or words to that effect.

This novel was a bit of an oddity. The blurb looked interesting, so it suckered me in and I started in on it hoping the story would be up to the promise, but in the end the promise was squandered and I grew bored. The first thing which struck me was the huge amount of white space on the page at the start of chapter one, and on every page afterwards - 318 pages, with roughly 65% of the page as white space! I noted this in both the Adobe Digital Editions version and on the iPad in the Bluefire Reader version (that latter you can see a sample of on my blog). I sincerely hope it doesn't go to print form in this manner - it would be a shameful slaughter of trees is it ever sold in volume. And here I thought that a physician's commitment was to first "do no harm". I guess that dictum doesn't include trees!

The novel is also first person PoV, the most detestable of voices, but as it happened, that wasn't so bad. The real problem here was the tedious repetitiveness of the events, with the story going nowhere. I had to put it down to attend to another commitment, but when it came to pick it back up just a few days later, I could not bring myself to do it. I really couldn't. I had no interest in pursuing it when there are other, exciting possibilities between the covers with another author - so to speak!

The story is that main character Richard is an ex-Marine (he played in the band) and is now in college pursing something - he has no idea what. So despite the fact that being inducted into the Marines speaks well of him, overall, he's pretty much a loser, and he doesn't make any effort to improve himself. His main problem, other than his girlfriend dumping him and his hots for his math teacher, Mrs Lynch, is a chronic lack of cash - or a chronic inability to budget the cash he has. Why he's so short of cash I do not know. As ex-military, he should be able to get assistance to attend school, but maybe that doesn't cover living expenses.

The thing is that I really didn't like him at all. He was not a likable person. He lied for no good reason. He abused his ex girlfriend's good will for no good reason. He was really just a jerk. I saw no reason to root for him at all.

One of his tasks in his lodging house is to walk the landlady's dog, I think to skim a little off his rent. I found myself skimming some of the huge info dump we get as this novel gets into gear. The dog has a habit of going into the room of a rather odd lodger known as the ghoul. Chasing the dog up there one day, Richard ends up passing through some sort of portal in this room, and suddenly he's still in Boulder, Colorado, but there is no city there, only grass, trees, a sheer mountain range, and oddly, a house on a ledge, some five hundred feet up the rock face, with a taxing switchback stone staircase to get up there. There's no one in the house and no people visible anywhere. I find it impossible to believe that the aging dog he was walking would take off hell for leather for the stone stairs carved into the cliff face, and run all the way up to the house, but this is what we're expected to believe.

When Richard finally manages to find his way back home, he uses this as an excuse to talk to the young and disapproving math teaching assistant (Mrs lynch) about time travel - without, of course telling her that he's apparently undertaken just such an adventure. He has no evidence and would sound like a madman, but the problem with that is that later he gets physical evidence that something warped is going on here, and yet he fails to avail himself of it. I guess Richard ain't too smart, which begs the question: why would someone like Mrs Lynch be even remotely interested in him - because that's painfully obviously where this was headed? A tedious trope "love" interest did not help my interest. Quite the contrary.

The problem for me was that this magical portal only led downhill - at least that's how the story went: back and forth, back and forth. Richard goes through the portal. He comes back. He's attacked by something. He goes through the portal. He comes back. He's attacked by something. Wash, lather, rinse, and repeat. All this travel, yet the story is really going nowhere. I had no interest in that and I cannot recommend this novel.


Monday, May 11, 2015

Eden Volume 1 by Bash


Title: Eden Volume 1
Author: Bash (no website found)
Publisher: Gen Manga
Rating: WARTY!

Well, Eden qualifies as the most incoherent comic I've ever read without any question, which is sad, because it actually succeeds where far too many comics fail by actually having the text large enough to be legible on an iPad without destroying the quality of the image.

It begins with a young girl getting a ride on a wagon, and the wagon-driver rambling on about proposing to his girlfriend for no apparent reason, and suddenly there's this bird-person coming out of nowhere and wanting to kill the wagon-driver, also for no apparent reason. The passenger fights to save him, and then is suddenly on trial for fighting to save him.

Meanwhile, there are these obscure symbols drawn in almost every frame which I at first took to be some sort draft scribblings (since this was an ARC copy). For example, on page six, it looks like measurements were written down, and then changed: 11" is apparently written in the first frame, and then crossed out and changed to 17, and in the third frame it looks like 19 is changed to one.

These seemed to make some kind of sense until I finally realized that they were not notes to be removed before the final copy was released, but actually were intended to be a part of the image. I could only conclude that this comic was originally written in some Asian language which was changed in the speech bubbles to English, while the original image outside the speech bubble was left unchanged. Kudos at least for having the comic read the regular way for the western world.

On page nineteen this girl - or maybe it's a guy, I can't really tell- actually says this: "He used a deadlier poison than I thought". I am not kidding. I'm sorry, but deadly is kind of an absolute. It means it will kill you. So in effect, this character is saying, "It looks like he killed me more than I thought". I'm sorry but that's just plain stupid. The writer could have said something like - "He used more of that poison than I thought" or, "He used a stronger dose than I thought", or something along those lines.

Suddenly this guy (or girl) named Tehra is hanging out with a wolf who appeared from nowhere (and the expression on its face suggests it was just as confused as I was!). Page thirty-one is nothing but name-calling - no I mean literally - what appears to be two names are called back and forth for the whole page which does nothing to move the story or even to tell a story.

On page fifty eight, the character says, "I'm not moving forward," which is exactly how it felt for me, and that's when I gave up - at just over a quarter the way through. He used a more deadening story than I thought! I cannot recommend this, especially not some two hundred pages of it. Although the artwork isn't bad at all, the story is non-existent. Either that or it moves so slowly that life is not detectable.


Family Pets by Pat Shand


Title: Family Pets (no vendor found)
Author: Pat Shand
Publisher: Silver Dragon Books (no website found)
Rating: WORTHY!

Illustrated by Sarah Dill.

Thomasina lost her parents at a young age and went to live with her grandmother, but soon, for financial reasons, they had to move in with Thomasina's aunt and uncle and her uncommunicative cousin. Here life is pretty average, ordinary, normal and slightly annoying to her.

One morning, Thomasina wakes up to find her pet snake missing from its tank, and when she goes upstairs from her basement room which she shares with Abuela, she discovers that her whole family, apart from grandma, has been turned into household pets such as a dog, a cat, a parakeet, and a lizard.

Meanwhile, her snake is now a rather attractive young man. Somehow the snake knows how this happened and leads Thomasina to the culprit whom she actually, kinda, knows. He confesses that it was all a magic spell gone wrong, and he takes her with him to his native magic land where they hope to get things resolved.

The gray scale art work and the story were both excellent, and I fully recommend this story for how entertaining and unique it is. The main female character, Thomasina, can certainly show a heck of a lot of young adult female leads a thing or two about being a fearless, kickass, strong female.

The only issue I had with it was the poor performance on the iPad in Bluefire reader. This is a new iPad with a lot of memory and yet sometimes a page would take six seconds to load, or the page would fail to swipe until I had swiped or tapped it two or three times. To be fair, this isn't the only comic I've had this problem with, but it is irritating.


Sunday, May 10, 2015

Sharee by Daria Aran


Title: Sharee
Author: Daria Aran (no website found)
Publisher: Amazon
Rating: WORTHY!

Today is evidently children's self-help day on my blog and this is the second young children's story aimed at getting them motivated and giving them ideas. Sharee is an alien who not only lives on a sun, but who lives on a sun which has a skateboard track running around it like the rings of Saturn, but not like the rings of Neptune, which are frankly just weird, or of Uranus, which are hardly any better. This gas giants, I tell you! What jokers they are, full of gas and fury, signifying weirdness.

So, Sharee decides to organize a party and knows exactly what has to be done. The problem is, no one shows up! What went wrong? Yes folks, this is a mystery story and Sharee isn't going to give up until he figures it all out. He sits up all night wondering where in the sun everyone is, and then first thing in the morning, it dawns on him! Actually I may have made up that last bit, but he does figure it out and finally he gets to party down and make new friends.

I recommend this as a good idea to get kids thinking about how to make friends, and more importantly, how to keep them. This is a discussion which you can have with your children long after you've read through the book with them.


The Penguin Way by Scott Gordon


Title: The Penguin Way
Author: Scott Gordon
Publisher: Amazon
Rating: WORTHY!

Illustrated by Robert Rizzo.

Not to be confused with Penguin's Way by Johanna Johnston (which I haven't read), this is another wild and crazy romp with Scott Gordon. This time it's penguins. There's never any way to tell what it's going to be next - the only thing you can actually predict with these stories is that they will be something you can't predict.

Penguins are cool - especially since they live on the south pole - the opposite end of the planet from the polar bears, which just goes to show how smart penguins really are. It's pretty darned cool in Antarctica. The thing about living there, though is that a person learns self-reliance. You can't hang out in a frozen wasteland unless you're confident and resourceful, and this is exactly the message we get here, which is a great one for children to be given.

The penguin featured here is brimming with confidence and good motivational advice. It doesn't matter who you are or what you can or cannot do, all that is required of you is that you show up and deliver 100%. Forget about that over-achieving 110% crap. That's for losers. 100% is perfectly fine, as long as you bring it to whatever you're doing every day.

I liked the positive bouncy message and the streamlined artwork which helped focus on the message. Penguins put the pen in dependability, and the guin into, er, guintilate. Yeah! It's like scintillate, but without the sin. I recommend this.


Saturday, May 9, 2015

MASH by Richard Hooker


Title: MASH
Author: Richard Hooker
Publisher: Harper Collins
Rating: WORTHY!

Audio Book read excellently by Johnny Heller.

According to wikipedia, Richard Hooker's real name was Richard Hornberger. He died in 1997. I'm not sure why a guy by the last name of Hornberger would change it to Hooker! That's hardly an improvement in my opinion, but I guess it's his choice! It was his experience working in the 8055th M.A.S.H (Mobile Army Surgical Hospital) during the Korean war that gave him the background for the story. Here again is a case where a novel that turned out to be successful was rejected repeatedly by Big Publishing&Trade; despite the runaway success of its spiritual predecessor, which was Joseph Heller's renowned Catch-22 which I reviewed in February 2014. The two novels are very different though.

Hooker worked on this novel for eleven years, we're told and then had a sports writer polish it before William Morrow had the smarts to pick it up and publish it in 1968. It was pretty much immediately turned into a movie starring Donald Sutherland as the main character Benjamin Franklin "Hawkeye" Pierce, which I also review on my blog. It led, two years later, to the long-running TV show. I was never a fan of the TV show. It kinda sucked. The movie, which I enjoyed, is closest to the novel, but it excludes a lot perforce. You have to actually read the novel, which is quite short, to get the full flavor of the joy and humor of this excellent story, or listen to the audio book narrated by Johnny Heller, as I did.

The novel (as does the movie) begins with Duke Forrest and Hawkeye Pierce arriving at unit 4077 (the double natural). They have traveled there by jeep over a long day and have bonded on the journey. Colonel Henry Blake, their CO, puts then on night shift and they billet with Major Jonathan Hobson, a highly religious guy who spends a lot of time praying. In the movie, they conflate this guy with Major Frank Burns, and in the TV show they conflate Burns with Charles Emerson Winchester III.

Life in the camp is a series of days with literally nothing to do, punctuated harshly and violently with endless hours in surgery as soldiers are brought in from the latest offensive or defensive. The hi-jinks and trouble-making naturally occur during the surgical downtimes, but the two new surgeons prove themselves highly competent, and are soon liked by pretty much everyone despite their lax attitude outside of the OR. Friction soon erupts with Hobson, and eventually the other two talk Blake into sending him home. Blake in the novel is nothing like either of the Blakes on the screen.

As their experience of the types of injury grows, Pierce and Forrest decide they're getting too many chest injuries that neither feels very expert at tackling, so they prevail upon Blake to get a "chest cutter" and he shows up in the form of "Trapper" John McIntyre, who is cold and distant to begin with, but eventually warms to his situation and the two men with whom he shares a tent. Their domain is known as the Swamp (after Hooker's own billet in Korea) and the three together are frequently referred to in the narrative as "The Swamp Men".

The chaplain had quite a role in the TV series, but in the movie and the novel he's very much a minor character. Since he's Catholic, Forrest, a protestant, demands a like-minded chaplain, but the one they get is completely clueless and likes to write peppy letters to families about their wounded sons. This idiotic misrepresentation finally goes too far, and the Swamp men threaten to burn him on a cross at one point. This is omitted from both the movie and the TV show. The movie does retain the funeral of Captain Waldowski, the camp dentist, which is never actually a funeral. He is depressed however, so they hold a service and drop him from a helicopter. After he sobers up the next day he's fine.

The Swamp men also take a dislike to Major Frank Burns because he's a jerk whose only real skill seems to be his facility with open heart massage. Both Duke and trapper deck him at one time or another, and Blake is furious. It's at this point that Major Margaret Houlihan, a stickler-for-rule-rules chief nurse shows up. She sides with burns and detests the Swamp men as an unruly, disrespectful rabble. This culminates in a fight which Pierce provokes and Burns falls right into. The fight is witnessed by Blake, who sends Burns home, and bitches out the swamp men for now depriving him of two surgeons.

Another incident missed from the movie is the Ho-Jon affair. The Swamp Men pretty much adopt their Korean houseboy, and when he's drafted into the Korean army, they try to keep him out of it. He comes back to them wounded and after saving his life, decide to sponsor him to attend Pierce's own college. They raise money for this by selling signed photographs of Trapper John dolled up to look like Jesus Christ. People actually buy these and before long they have several thousand dollars and off goes ho-Jon.

In a sequence very similar to that depicted in the movie, Trapper and Hawkeye are tapped to fly to Japan to perform surgery on the son of a US congressman, and they take advantage of this to tighten up their golf technique. They also fix up a child who is being taken care of in the local pediatric hospital-cum-whorehouse.

One of the most amusing sections, for me, was when Blake is ordered to Tokyo and is expected to be gone for several weeks, so a temporary CO is drafted in and although he isn't too bad, the Swamp men want to avoid him. In a sequence reminiscent of the man who saw everything twice form Catch-22, the three of them come up with a plan to convince the temporary CO that Pierce is in need of psychiatric treatment. The three of them get to go for evaluation, talking of mermaids and epileptic whores. The way this is written is hilarious, but it's entirely omitted from the movie, which by-passes this and jumps straight to the football game.

The movie portrays it slightly differently, but in the novel, Radar is calling plays based on his supernatural senses, and with twenty-twenty-twenty-four points on the board, the opposition's sedated (or at least their leading player is), and because Pierce got Blake to bring a in professional football player who is also a surgeon, the 4077th squeaks by with a 28-24 win and makes a mint out of it.

The story winds down a bit flatly, with nothing going on, and the original two, Forrest and Pierce pretending to have battle fatigue and presenting themselves as chaplains, so they have an easy ride and no work to do. I had one major issue throughout this novel which was Hooker's addiction to adding "he said" after very nearly every speech. It became annoying in short order in the audio version; maybe reading it yourself would make it feel less glaring. I don't know. I could have done without that, but on balance I recommend this novel. It's not the classic which Catch-22 is, but it is a decent second-best. It parallels Catch-22 in some regards, but it is its own novel, just as goofy, although rather less crazy. I recommend it for anyone who is interested in war stories with a humorous angle.


Do Androids Dream of Electric Sheep? (graphic novel) by Philip K Dick


Title: Do Androids Dream of Electric Sheep?
Author: Philip K Dick
Publisher: BOOM! Studios
Rating: WORTHY!

Art work by Tony Parker
Colors by Blond
Letters by Richard Starkings

Back in August of 2014 I blogged a review of Do Androids Dream of Electric Sheep: Dust to Dust which, when I first picked it up, I had thought was the graphic novel version of the Philip K Dick novel. It wasn't! Finally, though, I can rectify that. This actually is the GN version of the original novel. It's also book one is a series of at least half-a-dozen.

That other book I reviewed was by Chris Roberson, he of the iZombie series, and I do recommend it. The review of the actual novel which I did in 2013 is here. My review of the movie is here. I liked this graphic novel.

The story here is pretty much the same thing, of course, as the original novel, with San Francisco, where this is set, and the rest of the world is smothered under radioactivity after an appalling world war. Those who can afford it have moved off planet. The ones who are stuck behind are a sorry lot, buying expensive robotic pets because animal life, both wild and domesticated has been all but destroyed. But it's the robot humans, built ever more lifelike, which are the problem.

This novel concerns itself with six in particular, advanced versions which have escaped the colonies and arrived on earth. Rick Deckard, a well regarded android terminator is assigned the task of tracking them down, but things are not going to go as smoothly as they might, especially when he discovers problems beyond the one of merely finding and shooting them.

The creators of this took every word from the original and crammed it into this effort. It was an interesting decision, but not a wise one. The original book was not that good. I recommend the movie over the original, but if graphic is your métier, then you can do worse than this one. The art work was certainly up to the task, but sometimes it fought with the words. However, overall, I think it's a worthy read.


Friday, May 8, 2015

Nikki Powergloves: A Hero is Born by David Estes


Title: Nikki Powergloves a Hero is Born
Author: David Estes
Publisher: Amazon
Rating: WARTY!

Nikki Nickerson is a nine-year old who is at a loss this summer holiday because her best friend Spencer is out of town, she doesn't like doing "girl stuff", and the boys won't let her do "boy stuff" with them. I found this author's going out of his way to establish the young girl's tomboy cred a bit overdone. Plus I really didn't like how dependent this girl was made to be on her best friend, especially since her best friend sounded like a jerk. He inveigles himself into becoming her side-kick and when he acknowledges her supremacy it's with the words "Big-Boss-Man", not "Big Boss Woman" which was annoying. He likes to use pet names which he ad-libs for Nikki, and I'm sorry but these were tedious in the extreme, and just plain stupid. They became really irritating, really fast, and were not remotely funny.

Spencer is actually a complete disaster and I think it was an awful plotting decision to make Nikki so dependent upon him. It was unnecessary and abusive of women when you get right down to it. even a nine-year-old needs a guy to validate her? Shame on the author. Can this young girl not stand on her own feet and have her own adventure without having to have this kid act pretty much like a father figure to her? It was weird and uncalled for, especially when we were repeatedly told how smart he was, yet were shown that he really didn't behave like he was. Masculinity does not equal smarts and femininity does not equal dumb, yet it seems like this is the lesson that's being foisted onto middle-graders here.

That gripe aside, the story wasn't too bad in parts, although I all-too-often had mixed feelings about Nikki. There were times when she could be endearing and other times when she was a little jerk herself. For example, when they were testing out the powers of her gloves, she more than once did bad things to Spencer, like turning herself into a lion and scaring him, and like tying his shoelaces together so he falls over. You can have a girl being a tomboy without actually turning her into a boy - especially one who is a troublemaker.

The story begins with Nikki walking out in the woods, and her little dog, too. She discovers a weird creature which she later learns is a Weeble. It looks like a cross between a porcupine and a beaver, but other than this introduction, this creature plays very little part in the story. It made me wonder why it was ever included, especially since Weeble is a proprietary name (they wobble but they don't fall down, you know!).

But anyway, the "Weeble" runs off down this weird path in the woods which Nikki has never seen before. It leads her to a chest containing several pairs of differently colored and designed gloves. She learns that these are magical gloves and if she wears them, they give her super powers indicated by the particular design on the gloves. One pair might allow her to fly, another to become invisible, another to impersonate someone, another to turn herself into an animal, another to manufacture ice, another for fire, or lightning, and so on.

Nikki evidently can't cope with this by herself and has to put her life into the wise hands of Spencer, who luckily is coming back early from his trip out of town. He immediately takes charge of this lost girl and tells her what to do. They test and catalog all the gloves and then hurry home to design a super hero costume for her. Meanwhile, her nemesis shows up in the shape of Jimmy, who has magical boots which do for him the same kind of things which the gloves do for Nikki. We quickly learn he can fly and teleport, and he can make himself very strong.

To her credit, Nikki sets herself to putting right the things she screwed-up when she accidentally called up a really damaging thunderstorm, and then sets about developing a costume, and is once again completely overrun by Spencer Quick, who pretty much designs it for her. Finally she gets the chance to show her super hero skills, in her new costume.

A lot of the references in this book seemed more aimed at people the author's own age rather than at nine-year-olds. And Spider-Man isn't "Spiderman" - if you're going to write book about a super hero, at least get the comic book references right!

“…he saw a flying shape appear on the horizon. It was moving so fast it was only a blur. Good girl, he thought, Nikki was giving the cameras plenty of time to capture her on film…”

How does this make any sense at all?! I'm sorry but the domination of a nine-year old girl by a jerk of a nine-year old boy for me destroyed anything this writer might have been trying to do. I cannot recommend it.

Alexandra Fry, Private Eye by Angella Graff


Title: Alexandra Fry, Private Eye
Author: Angella Graff
Publisher: Amazon
Rating: WARTY!

Errata:
"...had similar Coat of Arms" should be "Coats of Arms"
"...buku bucks"?! She means "beaucoup bucks", beaucoup being French for very many.

This is a middle-grade leading into young-adult story about a girl who can see ghosts and has suffered for it by being labeled Loopy Lexi as her old school. Now she's moving up to middle school and has the chance to hide her past and start over. She can do this because the move coincides with her mom moving to a new home across town which happens to be in a different school district. Her dad is not living with her mom, and her older sister is in college already, so it's just Alexandra and her mom. And her new friend Penelope, who quickly spots that something is going on with Alexandra, and finally gets her to spill the beans as to her behavior.

Alexandra's ghosts are not your regular everyday characters. They seem, for reasons unexplained, to be the cream of ghostly society. For example, her last visitor in her old school was Ferdinand Magellan - yes, he of the straits. In her new school, she is once again accosted in the middle of a class by a new ghost - this time it's Elizabeth the first - of England, not of Britain as this author has her state. While there were Britons, there was no Britain during Elizabeth's reign, so she never would have introduced herself with "My name is Elizabeth, Queen of Britain." I know this is a kids book but that doesn't mean they deserve less respect than do adults in their reading material.

This is a problem with having old ghosts (or with time-travel novels). Do you have them speak in Elizabethan English and risk sounding pretentious or worse, being misunderstood, or do you say the hell with it and have them speak modern English and hope your middle-grade audience isn't as sophisticated as an adult audience? It's the author's choice of course, but it needs to be made very carefully, and Elizabeth was a bit too modern and sounded fake. What bothered me here though is that Alexandra simply took it at face value that this was Elizabeth without any questioning or any attempt to verify it. I don't like dumb lead characters, and it sets a poor example for kids.

Here's something which bothered me more. In the middle of chapter six, Alexandra goes to visit her father. Elizabeth 1.0 had told her that a locket had been stolen and if it wasn't recovered, then disaster would befall the town. How Liz knew it was gone, but didn't know who took it goes unexplained. Alexandra decides to visit her dad after school, in the museum where he works. She declares:

Even when it was his weekend, he mostly just ordered me pizza and handed over the TV remote while he was shut up in his study doing stuff for the museum. I mean he was a great dad...

I'm sorry but the last sentence definitely doesn't follow what's gone immediately before it. In what way, exactly, was he a great dad? I really do not like this kind of writing. He sounds like a deadbeat to me. Here's more evidence:

The good news was my dad was good friends with the guy who owned the coffee shop, so knowing him, he’d get into some half-hour conversation and totally forget I was still out here.

Here's another such quote:

I'd always liked staying my dad's place, even though he was usually too busy to spend time with me.

The hilarious thing is that after all these statements of clear neglect on the part of her dad, we then get the absurdity of him going on about her wanting to go over to a friend's house on a Saturday afternoon, with a girlfriend. The other friend is male, but seriously? If you don't know your daughter well enough to trust her, or worse, you failed your daughter by not putting in the time it takes to raise her properly (which is clearly the case here given how frequently Alexandra tells us he leaves her to her own devices while he goes off to do something he evidently prefers over spending time with his daughter), he has no business raising issues here.

Elizabeth claims that one of the Ainsworth family stole her sister's jewels (presumably she's talking about Queen Mary) "and burned for it," but they never actually burned people for theft. They had lots of other horrible things they could do back then, trust me. Again with the historical inaccuracy. Fiction is entitled to be fiction, but there's no reason at all why real historical people cannot be made as authentic as is reasonably possible. This writer struck me as simply lazy or uncaring and it showed in her writing. Kids deserve better.

Alexandra continually sets bad examples by running around late at night and breaking into places. This is a really poor role model for children of this age.

This last one was what decided it for me: I was rating this negatively:

"I promise," I said, but that was probably a lie.

'This isn't a good thing to have young kids even thinking, let alone asserting. There wasn't even a moment's hesitation or any attempt at hedging here. She knowingly and with no good reason, outright lied to her parent. I know all kids fib here and there, especially if they think the truth will get them into trouble, and sometimes there are good reasons given for lies in stories like this, but this was not one of those cases. Alexandra's behavior does not set any kid of good example, shows her lack of integrity and honestly, and certainly doesn't make me respect this kid or want to read about her. I can't rate a book positively when it fails on as many levels as this one did.


Thursday, May 7, 2015

Off and Running by Philip Reed


Title: Off and Running
Author: Philip Reed
Publisher: Brash books
Rating: WORTHY!
Erratum:
"...heart trouble run in the family." should be "...heart trouble runs in the family."

Set towards the end of 1999 (for reasons unclear to me), this novel began with a very short prologue which I skipped as I always do. The first problem I ran into was that there was a character named Jack - the most clichéd of all character names. I took a vow a while back never to read another novel which has a main character named Jack (in this case, Jack Dillon, can you believe?!) and that vow is the most pathetic one I ever made, because I have somehow managed to saddle myself with several such novels since then. This one looked interesting from the blurb, so once again I swallowed my pride, integrity, and commitment, and decided to try it out. I sincerely hoped that this author wouldn't make me regret it! He didn't.

Jack is undertaking (I may be employing that term advisedly given Walt's age!) to write a bio for a renowned comedian of yester-year, Walt Stuckey. Nobody does this kind of show any more, but Walt had a well-regarded TV comedy and variety show running from 1967 to 1973, when it was abruptly and mysteriously canceled.

Jack begins meeting with Walt regularly, and the two of them get along like pants on fire until Walt is stricken by a stroke and his eldest son Garrett (which in this story is evidently an acronym for Gloating, Arrogant, Ridiculously Retarded, Expletive-Terminated Twat), muscles in and takes over. He's a officious little jerk who happens to be the executor of Walt's will, and who rapidly pisses everyone off, including Walt's girlfriend, Mary, who has no power in this situation because Walt never married her, so she would inherit nothing if Walt dies. He also fires Walt's nurse.

It's at this point that Jack starts drawing close to Mary, which is rather a surprise, because up to this point we've been given no idea whatsoever that anything is wrong with Jack's marriage, and now it seems like there are issues galore with it. That seemed way too jarring because no hint had been given of this to begin with.

What this felt like to me was that Mary was manipulating Jack somehow for some purpose of her own, or perhaps in collaboration with Garret. I certainly didn't trust her, but jack throws his lot in with Mary after Garret fires him from the book-writing project and they end up kidnapping Walt! That's all the story I'm going to give you.

One thing which seemed a bit anachronistic, even for 1999, was the use of tapes by Jack to record his interviews with Walt. Maybe he was old fashioned, but even in 1999 it was becoming hard to find recording tape, which was antiquated by then, even in digital form! There were several issues of this nature which others may or may not notice let alone find irksome, but fortunately, the overall story was compelling enough that I decided to overlook them as reasons to reject he story.

It was a bit of a kick in the pants to see Garret muscling in on Jack's turf as soon as Walt was disabled, but Jack's agent evidently screwed him. This is why we self publish, folks! It would have been nice to have had a few more details earlier so we understood this when it happened, but when Jack fully grasps how poor of a grasp on this biography he really has, and that he doesn't even have ownership of his own tapes, this certainly gives him (he believes) a good reason to kidnap Walt so they can finish the book, although given that Walt is largely incoherent at that point, I don't see what advantage this gives him.

So Jack, Mary, and Walt head off to Mount Whitney. Let's hope Whitney's up for it.. That was a Walt Stuckey style joke. One thing the local police do not understand is the California Penal Code section 207(a)! The police chief claims it depends on how far the victim is taken, but it really doesn't:

Every person who forcibly, or by any other means of instilling fear, steals or takes, or holds, detains, or arrests any person in this state, and carries the person into another country, state, or county, or into another part of the same county, is guilty of kidnapping.

You'd think a police chief would be more up on the codes than that, but this is a small town. That said, the chief actually doesn't know whether Walt consented to go or not, so he's a bit limited in what he can do without more information, and he is a lot sharper than that idiot Garret credits him for.

The story dragged a bit - it ought to have been shorter I felt, and for a while I went back and forth on whether this was a worthy read, because some of it made little sense (for example, where did Slade manage to find himself a camper trailer on the mountain - in a national park?! He didn't have one earlier), and some of the motivation seemed off, but overall I liked the story and the characters. It made me want to read to the end even as I skipped a bit here and there, so it was really that which made me decide this was indeed a worthy read, and I'd recommend it with the above-mentioned caveats in mind.


The Field Trip by RA Andrade


Title: The Field Trip
Author: RA Andrade
Publisher: Selladore Press (no website found)
Rating: WARTY!

Ross is a young man who is taking flying lessons from Ernie - flying helicopters. Ernie is an odd, older guy who hints to Ross that he should as ask out his daughter, Penny! Ross shies away from that, not being very good with girls - so he says. He's not going to be around anyway because he has a summer trip to Vermont planned.

The book is 250 pages overall, but it starts on page five, ends on 246, and the lines are widely-spaced, so the effective length is less than the 240 or so pages it would seem to be at first glance. It's titled The Field Trip but evidently isn't friendly to trees! Not in the print version, anyway! Maybe that's why Ross keeps on insisting that it's a research trip. Ernie has mentioned to him that a war buddy of his who lives up there has been reporting odd goings on: lights in the sky (LITS - a staple of UFO folklore) at night and military activity in the air during the day.

I didn't get Ross. At first I thought he was in his late teens or at best, early twenties, but he turned out to be thirty five, which was a big surprise. He's a teacher evidently in some sort of a community college (the novel is unclear), and he's still living with his mom. He has, effectively, a non-existent dating history, but this seems to be changing when Marsha, one of this students asks to meet with him on the evening of the last day of classes, to discuss his views on virtual evolution.

Writing issues! Even in the best written novel there are writing issues to discuss, and this is in part what this blog is all about. One problem I've noticed with some authors is that they think "biceps" is a plural and it's okay to refer to a "bicep". This author isn't one of those, but in one part of the text, we read, "right arm biceps". This is superfluous, since the biceps is found only in the arm. "Right biceps would have served just as well and actually sounds better. Every little bit helps!

The major who appears in chapter three is a bit of a cliché. He's chewing on an unlit cigar? Is that even allowed in the US army these days? He felt like something out of a comic book. The writing that introduced him needed some work, too. For example, this sentence: "Clenching the cigar between his bared teeth, the major grimaced." If you have a cigar between your bared teeth you're pretty much grimacing to begin with.

After the disastrous dinner where Marsha gets both wine and chocolate mousse on her, she nevertheless invites Ross back to her apartment to continue the discussion. As he arrives, bringing pizza, she greets him wearing literally nothing but a sheet robe. I'm sorry but this is nonsensical. Yes, he's been her teacher, but she doesn't know him, and she greets him dressed (or more inappropriately, undressed) like that?

The reason she does this is to seduce him, and it works because he has zero self control and even less self-respect. After a rather odd and somewhat inaccurate conversation about evolution, she retires to the bedroom, calls him down there and he enters her room to find her naked on the bed. This moron doesn't even question her motive, much less her physical health, and immediately has unprotected sex with her.

I'm sorry, but at this point I could not stand to read this novel any more. I'm not a fan of juvenile sex romps; I like intelligent stories about intelligent characters, and this clearly wasn't one. I can't recommend it based on the small portion I read.


Wednesday, May 6, 2015

Neverwhere by Neil Gaiman

Rating: WARTY!

This was what Neil Gaiman created for a TV show in Britain. I've seen the show, but it was not very memorable. It was inventive enough to intrigue me, so I was interested in reading this graphic novel when I saw it on the library shelf.

I should say up front that I'm not a big fan of Gaiman's work. I tried reading one of his novels a while ago and gave up on it, but I did really enjoy the episode he wrote for Doctor Who during Matt Smith's tenure.

In true comic book tradition, women are exploited. All the male characters are almost uniformly completely dressed, whereas the bulk of the females are depicted in various states of undress or skimpy dress at best. The main character, the one we meet first, is Door. She's of the portico family, and as the names suggest, they have the ability to find portals where you wouldn't expect them.

Door's family has been wiped out, and she is on the run from Messrs Croup and Vandemar, who are trying to complete their extermination of her family by killing her. Door is also trying to learn who ordered her family's extermination, so she can get some payback. I don't recall how she was dressed in the TV show and I haven't read the novel, so I can only go by what the graphic artist has drawn and here, she's depicted inexplicably wearing combat boots, stockings, and a short skirt with an overcoat. Barf.

The graphics are good, and the coloring is perfect for the mood, but the lettering I had issues with. At one point, where Croup and Vandemar are depicted approaching the reader in a long tunnel, the speech is written so tiny as to be illegible. It was a gimmick to indicate their distance, which was already patent from the image, so it failed. More than this, the letterer evidently felt a need to embolden at least one word in every single speech balloon, and the chosen words were evidently random. It was annoying and distracting. I can't recommend this approach at all.

You really have to know a bit about London to get the most out of this. Without that geographical knowledge and an appreciation of how long London's history truly is, you won't get the most out of Gaiman's playfulness with the names of various London places and landmarks.

That was, I'm sorry to say, really the best thing about it. Watch the made for TV move instead - that's where it all started. Everything else is just - how did Mel Brooks put it in Spaceballs? The Search for More Money!

Trillium by Jeff Lemire


Title: Trillium
Author: Jeff Lemire
Publisher: DC Comics
Rating: WARTY!
Art Jeff Lemire
Colors José Villarrubia
Letters Carlos M Mangual

I can see why DC wouldn't want me getting my hands on a review copy of this comic book! This story is set in 3797 (or is it 1921?) and it felt like a story someone might write after they've imbibed some LSD. It also borrows heavily from the movie Stargate which features pyramids as portals between one planet and another, except in this case the pyramids are South American, not Egyptian. So it's completely different and original, of course. It borrows heavily from other movies and stories, too - such as the blue aliens similar to those in the movie Avatar, and the heroically self-sacrificing pain-in-the-astronaut who crashes his ship to save the world, taken from any number of war/sci-fi movies.

There's a plague called the Caul - rather like the Vord/croach from Jim Butcher's Codex Alera hexalogy, but different, of course, which in this case is somehow managing to jump planets and is killing-off everything in its path. How something like that could ever evolve is conveniently left completely unexplained.

The two main characters are Nika Tensmith who is supposedly a botanist who does zero botany, and lives in 3797 where humans are no more evolved than they were in 1950s B-grade sci-fi movies - they even have rocket ships reminiscent of those portrayed in fifties comics and movies. The one thing which has changed is speech, such that language in mutually unintelligible between the two dates we visit here. In a plot taken directly from Avatar, Nika is a representative of humans who are desperate for something the blue natives have, and we're willing to take it by force as usual.

It's the Trillium flower which can cure this plague, but it's unobtanium - er unobtainable, and it's Nika's job to talk the aliens into sharing some, but time is running out and so is the military's patience. Finally Nika gets to sample a flower and finds herself (having gone through the pyramid portal) in 1921 on Earth - an Earth which in her time has been destroyed for reasons unexplained.

Why the aliens would have a portal there is unexplained too, but this is where she meets William Pike, and they immediately fall in love, so you know it's deep and true. Lemire tries to get around this by explaining (later) that they're both broken, so together they are whole. No, Jeff, this never works in reality. You can't get into a decent relationship thinking you can fix the other person, You both need to be whole going in, or it's not going to work.

William 's broken back (so to speak!) story is that he has PTSD from World War One. That's reasonable enough. Nika's is completely nonsensical. She was taking a stroll on the outside of a space station with her mom (for no reason). The two were tethered to the surface of the ship, but apparently the space station's meteor warning system failed (or was non-existent - I told you humans were no smarter), and Mom's tether is severed. The odds against that are, er, astronomical, but here, it happens. The ridiculous thing here was that the meteors were leaving a fire tail even though this was in space away from any atmosphere! (Note, Jeff - no oxygen, no fire trail)

Le Stupide gets worse. The next nonsensical thing is that Mom immediately begins to float away. No. This is a common and stupid trope in sci-fi: that as soon as gravity disappears, everything, including people begins uniformly floating upwards. No. Things don't move of their own accord. If mom's last action had been to press down with her foot, then she would float upwards, but that's not what happened here. The two of them were standing still, so she wouldn't have automatically floated anywhere.

The next stupid thing is that they are holding hands, but Mom tells Nika that her tether isn't strong enough to hold them both, and Nika must let her Mom float away to her doom. Bullshit. Unless of course humans really are still completely stupid in the future and make tethers especially cheaply. There's nothing pulling Mom, so even if the tether were weak, it would still be strong enough to held both of them in the reduced gravity. Plus mom could have allowed Nika to pull her down so she could grip the groove into which the tether was fastened, and either wait for help or work her way along the groove back to the airlock, which wasn't far away.

One really big annoyance was the way this comic was presented. One example is where Nika requests that her suit data source "Essie" (think Amazon's Alexa) lowers its volume so no one overhears them. What was Essie shouting? Wouldn't that deafen Nika? But the way this is depicted in the panel is that the text becomes very tiny - too tiny to actually read. Not smart.

This wasn't the biggest presentational problem, either. In order to be cool and hip and trippy, Lemire deliberately inverts some panels. This began with the bottom half of the panels being upside-down, but if you turn the comic one-eighty to read them, it was unclear whether you should read the right page first, or the left. Later, it was random panels which were rotated. This was nothing more than a juvenile and cheap gimmick, and it was really annoying. I skipped all of these pages because I'm not a child who wants to play silly buggers just so the comic writer can be ultra-kewl. If you have an engaging story, the last thing you need is gimmicks.

Some of the writing was mondo bizzarro, too, such as where I read phrases like "...approximately less than three minutes." What does that even mean?! On another occasion I learned that "...we are venting power"?! Venting power? Not fuel - not even energy, but power!

The love story failed and was as laughable as it was unnecessary. It's not a requirement that you have to have a male and a female fall in love in every story. That and the fact that this story failed to engage me or to be at least part way original means I cannot recommend this graphic novel.


Tuesday, May 5, 2015

Monster Ruzz has to go to the dentist by Sarah Holmlund


Title: Monster Ruzz has to go to the dentist
Author: Sarah Holmlund
Publisher:
Rating: WORTHY!

Erratum:
Page 11 uses "lot's" instead of "lots".

This was an interesting, if slightly uninspired, story about a monster who neglects his teeth, despite warnings from friends and parents alike, and despite complaints about his bad breath. Aren’t monsters supposed to have bad breath?! Children are all about the here and now, and it’s a rare one who looks to the future, so I don’t doubt that many parents will see something of their own little monsters in this guy.

He gets away with it, too – or thinks he does – for a while, until one morning he wakes up with an awful pain in his jaw – and it’s not from eating the local villagers. Yep, he has cavities, so he now has to go sit in the dentist’s chair and take his lumps – of amalgam – or composite – or whatever they’re using now to plug the gaps!

It’s this which finally teaches him the error of his ways. It’s no fun having someone poke around in your mouth and ending up with an aching jaw from endless commands to “open wide”. The monster resolves from this point on to follow good advice.


I loved the art work in this story, and the story itself was concise and to the point. Combined, these two factors make it easy to absorb the important advice, and retain it. I like children’s stories to have an educational component and good health advice is definitely an education worth having. Teeth aren’t only important for eating and cosmetically; tooth and gum diseases have a way of going beyond the merely disfiguring. They can affect your heart and shorten your life. Good brushing habits will last a lifetime and make your lifetime last. I recommend this story. Buy it for your kid and take home a little Holmlund security.


Puppy Come Home by Laura Yirak


Title: Puppy Come Home
Author: Laura Yirak
Publisher: Amazon
Rating: WORTHY!

Illustrated by Daren Challman.

I am not a fan of pugs - or any little dogs, let it be said, not even poetic ones. Let it be also said that the one featured here has much cuter facial expressions than the real thing, thanks to Daren Challman's art work. And, on reflection, I did find the pug in Men in Black to be highly entertaining, as indeed I did the cover of this book with the unfortunate juxtaposition of dog and the duck. Or is it ducks-ta-position? I usually duck taking a position on the matter.

But that, as they say, is neither here nor there. The real issue is, what's wrong with this dog? It's out playing in the park on a bright sunny day, chasing a toy the boy has thrown, and then suddenly it's among the bees - only the coolest bees, understand - they can be recognized by the fact that they're wearing purple shades. What was that old Prince song, now? Oh yes, Purple shades, purple shades, I only want to see you wearing gorgeous purple shades. I remember it well. But the puppy has to move out of the undergrowth away from those bees; he doesn't want hives after all, only this bone he's chasing.

The poor boy is out and about looking for this lost puppy which is desperately trying to wag that tiny tail. Will he find this tiny dog? Only attentive reading can reveal the truth. And if he dies find that dog, what's with the roaring fire and that duck again? Are they going to roast it for clues? This mystery can only be solved by readers of this book. It's short, it's sweet, it'll make you want to tweet.

The story is short and entertaining for young children, who no doubt will adore the puppy and demand you buy them one immediately, so they, too, can lose it in the park. How to find little lost puppies? I'm afraid I can't help you there. It's something you'll have to bone-up on in your own time, before you end up barking up the wrong tree, Dog!