Showing posts with label dumb-assery. Show all posts
Showing posts with label dumb-assery. Show all posts

Monday, March 1, 2021

To the Center of the Earth by Greig Beck

Rating: WARTY!

"After learning of a centuries-old manuscript that contains the passage to the center of the Earth, caving expert Mike Monroe risks it all to follow the path. But what he finds there will alter everything he knows about the world…" I’m guessing author Grieg paid little to no attention in his Earth sciences classes.

The only thing at the center of the Earth is a giant ball of searing hot iron, surrounded by molten iron, surround by molten rock, surrounded by hotter-than-hell rock. If the blurb had described this novel as a scorching read it would have been more accurate, but just as boring a prospect.

All at Once by Brill Harper

Rating: WARTY!

Bliss can’t restrain her fantasies about Levi and Wylder, her new bosses at the Wylder Colt Ranch. Can the two sexy, dominant cowboys unleash their quiet housekeeper’s wild side?" Is that really a serious question? Bliss? Honestly? And really, 'Wylder'? Why not just name the brothers ‘goat’? Horny Goat and Randy Goat? Seriously? Way to reduce a woman to a warm wet hole, not-so-Brill. She probably has another series of novels under the name Harper Brill. Why not? Everything is interchangeable. I have to honestly wodner if this author isn't secretly laughing at her readership all the way to her bank. Not my cup of ass.

Sweet Lake by Christine Nolfi

Rating: WARTY!

Christine Nolfi is a good name for an author. I just wish it were associated with something better than retreaded romance. "Under pressure to revitalize the family inn and reconcile with her good-for-nothing brother, Linnie has a lot on her shoulders. But a surprise that upends her life may just be a blessing in disguise!" I wonder what the surprise is? Could it be a studly manly man’s man who sweeps this fake 'strong woman' off her feet? Yawn. Nothing new here.

The very fact that this quotes Kirkus Reviews saying the novel is "Uplifting and charming" is enough to put me off it for life. Kirkus never met a novel they didn't like, so their recommendation is meaningless to me. Apparently they like their women weak and in need of male validaiton. I don't. Never will.

Zone One by Colson Whitehead

Rating: WARTY!

"From a Pulitzer Prize–winning author! Mark Spitz fights to survive and adapt in the aftermath of global devastation." This guy has a pulitzer prize and the best he can do for a character name is Mark Spitz? Seriously? This is why I avoid like the plague novels that have won awards because they are inevitably, inescapably, irremediably putrid, bland, vacuous and pretentious.

Post apocalyptic is overdone, and if this guy is a prize-winner and this book has well over 2,000 positive reviews, why is he (or his publisher) forced to flog it at a steep discount (the ebook is one-eighth the paperback price) on Bookbub? Thinking people want to know.

Gargoyle Guardian Chronicles: Books 1–3 by Rebecca Chastain

Rating: WARTY!

Rebecca Chastain is actually quite a cool name for a novelist, but the book description? Not so cool! "When Mika sets out to rescue a baby gargoyle, she’s plunged into a surprising new life of adventure…" How is it surprising? She's chasing a baby gargoyle for godsakes! How is anything surprising in her world?

Here's the thing though: I make it a point, unless there are really extenuating circumstances, to avoid like the plague books with ‘chronicles’ or ‘saga’ or ‘codex’ or ‘cycle’ in the title. I've seen too many of them be boring, rambling, tedious, vacuous, pretentious bullshit stories to make that mistake again. Those words are the kiss of death for a novel, so it's warty based on that one word alone. Plus, gargoykes? No thanks. And I'm pretty much ready to start skipping novels entirely where the book description begins with the word "when"! I'm so tired of it!

Forbidden Friend by R Cayden

Rating: WARTY!

"Leo’s world is turned upside down when his best friend’s identical twin brother moves into their shared condo! Leo is a playboy, River is a hopeless romantic, and a relationship between them is strictly off-limits — but they might not be able to resist temptation…" Why is it off limits? Who made that rule? And we know for a fact that they're not able to resist temptation because otherwise what would the novel be about? Is it the novelist who thinks we readers are morons, or simply the book blurb writer?

They won't resist temptation, but I'll bet they’re able to resist condoms. They always are in these stories and there are never consequences. Safe sex has no place in this kind of a garbage novel because it's yet another cookie-cutter gay novel written by a woman. Talked about owned voices! This is genital warty.

Aurora Sky: Vampire Hunter by Nikki Jefford

Rating: WARTY!

"First in an action-packed series: Thanks to her rare blood type, Aurora finds herself battling the undead in Alaska for the government. All that’s keeping her warm is gorgeous Fane — but he might be a vampire, too…" Of course it's first in a series. Of course Buffy, er Aurora, has to hand-fight the vamps. There's no way in hell that a scientific method could ever be found to poison them. And of course her lover Spike...er Fane...(Fane? Seriously? Jesus!) is a good vamp.

My only question here is: Does this author have an original bone in her body? Because it seems to me I've seen this exact same story told scores and scores of times already.

Night Broken by Patricia Briggs

Rating: WARTY!

If this novel has "over 29,000 five-star Goodreads ratings" why is it being flogged at a discount in a book flyer? The blurb claims that, "When her werewolf husband’s ex comes back into the picture, Mercy must protect herself — while trying to solve a murder case" Why? I mean by all means protect yourself, but why is it necessary? Is her husband's ex evil? Dangerous? If so why can't she rely on her husband or the police?

And why is she trying to solve a murder case? Is it because the local cops are once again morons as they always are in these private dick novels? If I were a cop I'd resent insulting novels like this one. And if this is a supernatural world, are there not supernatural means to solve it? Or is it insoluable since it's supernatural? LOL!

Oh look! Charlaine Harris apparently said, "I love these books" - well, maybe she did, and maybe she didn't. I don't know and I sure don't trust a book description to get it right. My question is: did she love this particular one? We don't know!

Did she actually read "these books" or does she just like the covers? Is anyone going to ask her? I doubt it. And why the hell should I read something that some author I don't know personally recommends? I may well have read a book of hers, but I don't know her or her tastes. Her recommendation tells me nothing about "these books" if I've never heard of her! If I've read her books and didn't like them, I'm sure as hell not going to buy this one!

The Witching Place by Sophie Love

Rating: WARTY!

Here's a classic - a tediously-tired, over-done, boringly trope plot: "After being fired and breaking up with her boyfriend on the same day, Alexis makes a change and takes a job at an occult bookstore in a small seaside town. Caught up in the shop’s strange secrets, she finds herself smack-dab in the middle of a murder mystery…"

Of course she does, and the local cops are so stupid that she's the only one who can solve the murder, right? Is this a series starter? It must be! Yawn. So many tropes, so few pages to fit them all in. 'Weak woman runs away' is a genre all by itself. Why do so many female authors seem so determined to make their characters such little crying cowards?

The bookshop is another trope - obviously the woman must be smart if she works at a bookstore, right? Nope! Not if she works at a dumb-ass occult bookstore that palms-off garbage on suckers. What does that say about Alexis's integrity? Volumes! And why is it always a small seaside town? And the start of a series where this seaside town will be shown to have a higher murder rate than Chicago at the height of prohibition! Ridiculous.

It's a 'Cozy Mystery' but you know the best cozy mysteries? They're the ones you can toss onto the fire during a Texas winter, and enjoy the warmth as the pages burn. That's where books like this belong. On warmer days of course we can recycle them into pulp paper. That's what they were and what they will become. Trash is to ashes, pulp to pulp.

Too Close by R Phoenix

Rating: WARTY!

"After their mother abandons them, Skylar and his sister Evie are taken in by wealthy Tate, who at first seems to be a knight in shining armor. But when Tate's sinister side slowly reveals itself, Skylar seeks refuge in math teacher Dexter - and he's soon forced to decide whether their love is worth the risk." Is this LGBT, or pedophilia? I can't tell! And the author's name is really R Phoenix? Really?

Oh, and look at the artful juxtapositioning of 'sinister' for the bad guy (Latin for left-handed) and 'Dexter' as a name for the good guy - Latin for right-handed. Never trust those left-handers! How did wealthy Tate get to take in the orphans? Was there no background check? He just took them? Where is child services? This story has sucky written all over it. And not in a good way.

The Dream by Whitney Dineen

Rating: WARTY!

"Ashley has been crushing on Davis since high school - though she's always known he's out of her league. But when she becomes a caretaker for his terminally ill grandmother, they'll find their worlds colliding in ways they never expected." Never expected by anyone except the readers who are terminally addicted to this garbage. If Ashley's been this obsessed then she needs to get a life, or she needs to get arrested for harboring dangerous stalker tendencies. This shit isn't romantic.

Looking for Leon by Shirley Benton Non-Review Number 1!

Rating: WARTY!

Okay, here's a new thing I'm going to be doing for 2021. There are some 'non-reviews' that I'm going to be posting. They're called non-reviews because the assessment of the novel in question is based on the book description and cover, and I can tell you up front that they'll more than likely all be negative because the only ones I'm going to cover are the ones that I think are quite simply idiotic - too moronic to ever want to read the novel the blurb describes. They'll be indentified in the labels by the 'Non-Review' marker.

Maybe once in a while I'll post a positive one - if I find a description that's particularly good, or intriguing, or elegant, but for the most part, these blurbs (at least the ones I typically see in a couple of trade flyers I receive regularly) are stupid and evidently quite often written by someone who's never even read the novel they're dishonestly describing. It's like Donald Trump wrote the review. I used to gripe privately about these to friends, but now's the time to go public!

So this first one is a somewhat bizarre story titled Looking for Leon by Shirley Benton, and in this case, I avoid it purely because of the title. I never want to read a story titled "looking for" especially if it's looking for a person. It's so Greene that it's in the John. Barf.

As it happens, the description is sort of creepy, too: "After making a passionate connection in Las Vegas, strangers Andie and Leon are accidentally separated. Determined to find him again, Andie uses her skills as a journalist to launch a publicized, nationwide search for the man she knows is the one. But does Leon want to be found?" In reality the answer would be 'no', but in this novel, my guess is that he does.

Personally, I sure wouldn't want to be embarrassed by having my privacy invaded, uninvited like that. You fail to get a number, then you graciously let it go. You don't hound this person, stalker-style! You sure as hell don't put out an APB on their ass! And what does it say that these two dickheads apparently leapt into bed together knowing so little about each other? Yuk! Warty from the get-go.

Wednesday, February 10, 2021

The Sorcery Trial by Claire Luana, JA Armitage

Rating: WARTY!

This was essentially another in a long line of Hunger Games rip-offs and was bizarre. I'm not sure what I was expecting. I guess I thought it might be funny, but it wasn't. It was first person, which is typically worst person to voice a story in, and that showed here. The main character who ridiculously goes by "Jacq" is a too-young gofer at a TV studio who gets zero respect and has no prospects which begs the question as to why she's working there in the first place. Clearly she has no self-respect. She wants to be a stunt woman for reasons unexplained, but this is entirely the wrong place for her to be working if she's serious about pursuing that sort of a career. Clearly shge;s not too sharp. I shall call her Jackass from this point on.

The story is set in a world where the world of the 'faerie' (another author - correction pair of authors - too chickenshit to call them fairies) which has just been exposed to the human world, yet there's zero interest in it! No documentary teams are covering it; it's not a news item, and the first time it comes to prominence is through a reality show that Jackass's boss is running? How did this happen? Why did this happen?

There is this huge leap to 'it's suddenly happening', with zero explanation as to why the fairy king would even agree to such a stupid stunt, and then suddenly it's full-on Hunger Games where contestants could die even when they're simply competing in qualifying heats, and not one person, not even Jackass, thinks there's anything wrong with this? Why would she? She's a frigging moron.

Jackass's boss, who is all about publicity, inexplicably fires Jacq rather than exploit it for the news-worthiness of it, when she saves the life of a wannabe contestant on the course - a contestant who was trapped in a bear trap and pretty much lost her foot, who was then in danger of being eaten by an actual crocodile, and who finally was also in danger of being burned alive in a forest fire. In reality she would have sued the asses off the TV company - and won - and the company would have been bankrupted.

Instead, in the story, Jacq is carrying this injured contestant, who was all but passed-out from blood loss, when I read the following, as Jacq surveyed the area with a view to escaping the fire: "A cliff - complete with waterfall - loomed before us. Climbing it while carrying this girl was going to be almost impossible, but what choice did I have?" Hello there's a fucking fire, go into the waterfall, you stupid bitch! That's when I quit reading this shit.

Jackass's supposed motivation is that her sister disappeared into the fairy world a year or so before, which begs the question as to why she's pursuing being a stunt woman and working for a TV company instead of pursuing a life of becoming a private dick and going after her sister if she truly cares so much!

But then not a single thing in this story makes any sense except the predictable YA non-romance horseshit, the flat uninteresting characters, the shitty story-telling, and the general dumbness of the plot. It's trash: utter, total, unmitigated and ridiculous trash. If it had been a parody it would have made more sense, but it wasn't, and it wasn't funny, and it made no sense. You'd have more fun slitting your own throat with a blunted razor than you would reading this pathetic shit.

Tuesday, February 9, 2021

Speechless by Madeline Freeman

Rating: WARTY!

This is based on the Little Mermaid, but it's more like a Disney-esque version than a Hans Christian Anderson version (which is nothing like Disney's take). I'm not a fan of Disney because they're not known for originality, and these days they're far too big and powerful. It looks like this novel isn't very original either - especially since it's based on a rip-off premise to begin with. And for the first in a series it's predictably padded.

This novel could have begun at chapter nine, which is a quarter of the way in, and lost nothing at all from deleting the first eight chapters. The ebook has all the chapters listed (Chapter 1, Chapter 2 etc., and if you can fit your finger on the right one (good luck with that!) it will take you to that chapter, but tapping on that chapter header will not return you to the content page. For the life of me I cannot see why the hell a content list is included in ebooks. It's stupid and pointless, and just one more indication of how clueless and robotic publishers tend to be, with sadly few exceptions.

The story is also a rip-off of another Disney property - Marvel's X-Men. It's set in a future where genetic mutation has given some people abilities that make zero sense. Main character Aria's special power is that she can breathe underwater using gills that appear when she's immersed and disappear when she's dry. There's nothing in the human genome that could do this. While we share some curious traits with fish, we haven't actually been fish in a very long time, but this author would have us believe we're just a mutation away from returning to the sea!

Fine; I'll play along. So what has this YA author got for us? Well, a lot of predictability for one thing, and sub-standard writing for another, but I shall get to that later. Predictably, and exactly like in Marvel's X-Men, Aria is an 'aberration' and aberrations are predictably pariahs. In real life they would actually be celebrities, so this rang hollow. Predictably Aria has a hot guy, Alonzo, who is her best friend, although naturally she never sees him that way because he's an adopted 'brother'. Predictably, Aria wants more than her present life and dreams of joining one of the Mars colonies which ridiculously has also become a reality TV show for those on Earth. She predictably defies her father and signs up for inductee testing where predictably she's roomed with three vicious, lying, back-stabbing bullies. Yawn.

Predictably she meets a hot guy named Declan who's a bit of a bad boy and who is predictably in a position of power. Predictably she starts falling for him despite his betrayal of her, thereby setting up the predictable YA 'love' triangle. The tests she has to go through are stupid and worthy of a badly-written middle-grade novel, but Aria is chosen as a special snowflake because the testers are wise to her aberration. She's chosen - for no good reason - to go on a special mission to retrieve some data for them, otherwise Alonzo will be hurt somehow.

Here I have to give a minor spoiler. There is no Mars colony. At least not on Mars. It's on Earth and everyone has been fooled. This is profoundly stupid because people would know. At the very least there would be conspiracy theories about it, but here everyone is completely fooled! What, no one who worked to actually build the colony ever figured out what they were building? If the colonists actually built the colony, no one ever noticed that Martian gravity - which in reality would be less than 40% what it is on Earth - is exactly like Earth gravity? People would notice! The author makes no mention of gravity, even as she talks about faking the different positions of the stars and the smaller relative size of the sun from Mars. She would have been better-off choosing Venus which is equally unlivable, but if you can terraform Mars, then why not Venus? It's much more like Earth in terms of size, gravity, and so on.

So Aria's job is to break into the Mars colony and steal data that would allow her boss to prove the colony is fake? Seriously? None of this makes any sense whatsoever. Since they know where the colony is, all they needed to do was expose the location to bring the whole stupid façade tumbling down! But apparently only Aria can break-in because the route is underwater. They claim no one can use SCUBA equipment because it would be found, despite there being countless places to hide it. So instead of a specially-trained agent breaking in, Aria does it and she's hobbled by being morphed into a lookalike of one of the colony residents, despite this change hampering her mobility and losing her the ability to speak. All of this is done to conform to the fairytale, but none of it makes any sense whatsoever in the context of this story!

And who does she run into twice while on the mission? Only the guy she moons over from watching the colony reality show. I'm sorry but this is horseshit. It's thoughtlessly written, badly-written, and makes no sense overall. Badly written? Yeah. I read at one point, "and she gritted her teeth and pushed through" and then less than one screen later, I read, "She gritted her teeth as she pushed herself to her feet." There must be a lot of grit on those teeth. Hopefully she won't have to smile too much....

Aria's break-in takes place during a solar flare when the Mars satellites have to be shielded and no show is transmitted, so it's a quiet time on the colony: there's no filming, and she can sneak around. Since she's going in at night, it makes no difference because there's no filming at night so we're told! But here's what Aria says: "I thought only satellites around Mars had to go into shielded mode." She has this confirmed, but the author seems not to realize that Earth is nearer to the sun than Mars and therefore more at risk from solar flare damage, not less! If Mars satellites need to be shielded then Earth's satellites sure as hell do!

In being transported to the colony for her mission, Aria, who has this huge affinity for water, somehow fails to notice she's on a boat! There's this tunnel she has to swim through to get to the colony and we're told, "There aren't any cameras in the tunnel - for obvious reasons." What reason are those? Would one of them be so someone could swim into the easiest ingress into the facility undetected?! This is really bad writing. Yeah, they wouldn't transmit a TV show from cameras in underwater tunnels, but for security they would need them. And if they're maintenance tunnels why are they flooded?!

At another point I read, "Aria nodded, but her minds spun with terrible possibilities" Um, how many minds does Aria have? Is this another of her mutations? Or just a typo that wasn't caught? My theory? She has only one mind, but she makes up the others! LOL! A common YA author faux pas - meaning literally, a false step - is to say something like "He wanted to explore the areas of Mars that people had yet to step foot on." The phrase is actually 'set foot', not 'step foot' unless of course you're an evidently ill-educated YA author, in which case by all means step your foot in your mouth.

The author writes that for the colony, they had "genetically engineered some of the heartiest trees on Earth to thrive in the Martian environment." Heartiest really? I think she meant 'hardiest'. This is right up there with 'step foot' and 'staunch' when 'stanch' is meant. These are common, annoying and utterly predictable YA author screw-ups. I see them all the time. It's almost a hallmark of YA authorship.

The author seems not to know what a schematic is. I read that Aria had seen a "holographic schematic of the chip Declan had sent to help her identify it", but a picture of the chip isn't the same as a schematic, which is a circuit diagram! A schematic shows the wiring of the chip and it's hardly something that would help her identify it unless she saw inside the chip and was an engineer who was familiar enough with the technology to identify it from the schematic. Trust me, that's not Aria.

Another problem is when authors try to be too clever for their own good. This isn't a YA issue per se (not 'per say', which is another YA faux pas), but it is a sci-fi issue. The author has her characters on Mars referring to a day as a 'sol': "I haven't seen you in years, and now I've seen you twice in less than a sol." No one talks like that. Even Mars colonists, if there ever are any, will not talk like that, They will say 'day' since the Martian day, as the author points out correctly for once, is only about 40 minutes longer than an Earth day - The Martian year, on the other hand, is twice that of Earth, which is another reason the colonists and the viewers would know they were not on Mars.

There's no reason to use sol, just like there's no reason to refer to humans as 'Terans' as is done in every freaking stupid space travel story ever told. No one uses that word. Why would it suddenly become universal in the future? The planet is Earth, not Tera. It never has been called Tera. It's Earth and we're humans, Why would that change? And why oh, why would aliens call us Terans? It makes zero sense!

This novel doesn't make that mistake - at least as far as I read - but it does have people routinely swearing, yet using completely ridiculous cuss words - namely the names of the moons of Mars: Phobos and Deimos. No one will ever do that! It's never been done. Why would it? People have been saying 'fuck' and 'shit' for centuries. It won't change! Why are YA authors so stupid, and pathetic and squeamish about cuss words? I guess that says a lot about who these tepid stories are aimed at, huh?

Needless to say at this point, I lost patience and DNF'd this pile of crap. The truly sad thing is that the author apparently taught high school English for ten years. Ten frigging years! That makes me truly sad and actually glad she's no longer teaching. I condemn this novel for being yet another exemplar of all that's bad with story-telling, with the English language, and with YA novels.

Monday, February 1, 2021

Dreadmarrow Thief by Marjory Kaptanoglu

Rating: WARTY!

This is the second of this author's books I've tried to read and now I'm quite satisfied that she's not an author for me. The first problem with this novel is the multiple PoVs, at least one of which is first person, which rarely works for me. I found neither of the first two main characters I met to be of any interest, and I gave up quickly on any plans to read further. If I'd known that Kirkus reviews praised it I wouldn't have even started reading this, because Kirkus never met a novel they didn't rave over - like every novel is brilliant? How can that be?! Negative reviews are a big negative with them and what that means is that their reviews are worthless because they'll praise anything.

As far as this novel is concerned, the main character is an idiot whose irresponsible stupidity gets her father killed. That's a big enough indictment, but no doubt she gets over it very quickly with a cheap and badly-written YA "romance". Barf. The main character's name doesn't help: Tessa Skye? Seriously - a girl who has an amulet that can transform her into a sparrow just happens to be named 'skye'? She's supposedly a locksmith's apprentice although she seems to do little in that regard, but no doubt her lock-picking skills will predictably avail her in the story - perhaps when she frees this loser guy from the stocks, but I couldn't stomach the idea of reading that far.

The author seems enamored of trying to think up pseudo-catchy names for objects and running two words together to get there. For example, the amulet isn't an amulet, it's a 'windrider' and the magic wand Tessa seeks to resurrect the father she got killed is the 'dreadmarrow' of the title, but it's not made of bone, it's made of wood, so go figure. It's just a lot of stupid and pointless, but the biggest problem for me was that the story was slow, boring, and predictable. It was going nowhere and offered nothing that endless poorly-written YA stories haven't offered before. Because of that, it's not worth reading.

Beautiful Demons by Sarra Cannon

Rating: WARTY!

This is a depressingly cookie-cutter YA series starter wherein the author seems to have made a bet with herself that she could get every single YA trope into the book in the first 100 screens and I think she succeeded, so I was quickly convinced that this novel would not be occupying my 'currently reading' list for long. The book blurb insists that "Harper Madison isn't like other girls" and then the author goes on to give the lie to that by making her exactly like every other YA girl. To whit: Harper is a troubled child, who is also an orphan child, and who is starting a new school. You could switch the main character's two names and still have a trope YA main character name. Harper Madison? Madison Harper? It doesn't make any difference.

Harper has the "I like the bad boy, but I also like the hot quarterback golden boy syndrome, aka a triangle. Despite the fact that Jackson smokes, and she detests smoking, she still has the hots for him and not a single word is spoken about him smelling like an ashtray. Sorry, but no. On top of this, she quickly runs afoul of the school queen bee, who is also a cheerleader and a bully. If Harper had had some backbone on their first encounter, I'd have had more respect for her, but no. There's also the trope obsession with boys in this novel to the extent that every other conversation these girls have is about boys and no other topics seem ever to enter their heads. Seriously, who reads this stuff? It's pure garbage that's almost exactly like nearly every other YA trilogy ever written. It's pathetic.

Harper apparently has the power of telekinesis, but she's never explored it. She's so stupid that she seems at a loss to even understand it. Never once has her curiosity prodded her to experiment with it, or to examine it, or try to control it. I'm sorry but this disqualifies her as a main character for me. It's not only unnatural, it makes for a bad story. If someone has a talent, it encourages them to employ it or take advantage of it and exploit it, but not this girl.

Now admittedly Harper has apparently ended-up killing her adoptive father because of this, so perhaps she's afraid, but this still doesn't explain why she's never played with the phenomenon prior to that. And if she felt bad about that accidental (or was it?!) death, then why hasn't she tried to control it since then? This death is also a problem: if she's guilty of manslaughter, then why hasn't she spent time in Juvie? They considered that she was guilty of starting a fire in which someone died - and she got away with it?

Given the title of the book, it was tempting to assume that those cheerleaders were all demons, or had sold their soul to a demon or something like, which might account for their extreme beauty and attitude, but I also wondered if the title was just misleading and these girls were not demons at all, but merely witches or magicians. Our lead girl, who is I assume going to come out in opposition to these people, hasn't yet figured this out. She's also lost her treasured pendant - the only thing she had left of her mom - which she obsesses upon in a deranged manner despite not even knowing this mom who gave away her daughter. I assume the pendant has been purloined by the demon girls in order to employ it to try to wreak havoc in Harper's life, but Harper isn't smart enough to figure that out. Her inexplicable focus on this, given that her mom ditched her, leads her to break out of the last chance girl's home she's been deposited in.

Her idiot idea is all about going her to find this pendant, when she hasn't even considered that she may have left it at home, or dropped it in the van on the journey to the game. So she steals a bike and rides to the stadium - which isn't in darkness, inexplicably, but is lit well enough for her to spy on one of the cheerleaders. The thing is that Harper is on her hands and knees under the bleachers and waiting for a chance to sneak out, when she loses her balance and falls over backwards with a whoop. What? How can you fall over backwards when you're on your hands and knees? And knowing she needs to be silent, she still lets out a whoop? This was ridiculous.

Harper nearly gets caught after the older guy who's with this cheerleader, Tori, upon whom she's spied, comes after her. Despite the fact that it's too dark for Harper to see him clearly, they can see her hidden under the bleachers! She miraculously gets away and of course, coincidence upon coincidence, Jackson is waiting in the barn when she returns the bike. She's all hot for him and his "rippling muscles." Barf. The next day, Tori turns up dead and Harper is the prime suspect for no apparent reason. She's hauled in for questioning from school in the middle of the day for no apparent reason and despite being able to move things with her mind, she ponders being trapped inescapably in the back of the police car. How dumb is Harper? This is seriously bad writing.

It gets worse. Without being read her rights and without being allowed to have an adult present, sixteen year old Harper is grilled by the sheriff who knows of her Jedi mind-tricks. You'd think with her history of multiple foster homes, Harper would have grown a pair, but instead of being badass and resisting the sheriff, she caves completely. Pathetic. It got worse though. I read this bit which finally decided me on giving up this trash. This is when the golden boy who's treated her like shit suddenly has a volte face and Harper isn't even really suspicious!

He put his palm on my cheek. I backed away, surprised, but he stepped forward and ran his fingertip along my chin line. "I was a real jerk to treat you like that," he said softly. "I understand if you want nothing to do with me, but I'm willing to do anything it takes to convince you that I'm sincere." I swallowed hard. Was I overreacting? "That first day we met in my sister's store, I thought you were beautiful," he said. He took my hand in his and caressed the side of my index finger...

So once again a guy thinks he can do whatever he wants to a girl he was downright mean to earlier, and what does this female author tell us? That it's okay. That the girl will let you - will accept your manhandling of her regardless of how you treated her in the past. That your only worth is your beauty. Nothing else matters. This is pure shit and any author, female or not, ought to be thoroughly ashamed of this kind of writing and reject it out of hand. Shame on you Sarra Cannon.

It's worse than that, though because this author evidently also thinks it's fine to have a weak female character who has no integrity, so self-respect, no spine, no moral core, and who, most despicably, instinctively thinks she's weaker than any male. I don't care about female characters like that. I have no interest in reading about them. I also think this turn the novel takes here proves how pathetic first person voice is, and what a seriously brain-dead choice it is for most novels, because in addition to the above, we also have Harper forgetting what happened - forgetting she was making out with Jackson not long before.

Now this is because, obviously, some sort of a spell has been put on her, but the fact is that Harper is the one relating this story word for word, conversation for conversation. How is it possible given that she's already recorded what happened, that she forgot it? Can she not go back and see what's she's written? If she's writing this later, then what accounts for her perfect memory of events - and if she has a perfect memory why is she forgetting stuff? If she forgot it, how could she have recorded the earlier part of the story? None of this makes a lick of sense! This is why first person is dumb as fuck. Once in a while it works, but usually no. Just no.

This story was too stupid to live and I ditched it at around 20% which was way more than it deserved. I ought to bill the author for wasting my valuable time!

Wednesday, December 16, 2020

Never Say Spy by Diane Henders

Rating: WARTY!

This is the first in a series. It’s one of those annoying series where every single title has a keyword in it. Often the keyword is the improbable name of the main character, but in this case it’s 'spy'. Tedious. What's the fear here - that readers are so shallow or so stupid, or both, that they can't recognize this book is by the same author as that book? Personally, I don't write for people that stupid. Even my children's books aren't aimed at adults who are so lacking in basic mental wherewithal. You don't have to be particularly smart or highly literate to read my books, but you do have to have a functional cortex.

The plot is that "middle-aged Aydan Kelly" is mistaken for a spy and then evidently becomes one since this series runs to another dozen novels at least. It's one of those wishful thinking deals, especially when the main character is pretty much (give or take a few) the same age as the author. But note that age: the main character is 46. There's nothing wrong with that until something happens in the first chapter which I shall shortly get to.

I actually applaud the desire for an author to promote an older woman as a main character in something that's not a pure romance story or one of those tedious multi-generational stories, or the even more tedious 'old friends reunion' stories where a tragic or dangerous secret is unleashed! The problem is that this is a series starter and a first person novel, which sets it up to fail in my long and bitter experience with these things, because a series is essentially the same story told over and over again with a few tweaks. I know it's beloved by authors, because they can lazily recycle the same characters and plots, and by publishers who can vacuum up the profits from their hopefully addicted 'users', but first person is worst person for me, and I have a problem with series unless they're really well done.

Case in point: the story begins with Aydan waking up from some sort of unconscious state to find herself with a paramedic standing over her. Yet her first person voice description is perfectly fluent and natural with no memory gaps or confusion. This is why first person truly sucks as a descriptive voice for a novel. It’s completely unrealistic and nauseatingly self-centered. I began skipping sections of this from almost the first page because of the tedious predictability, although kudos to the author for having a doctor introduce himself with "I'm Doctor Ross" rather than the absurd, "My name is Doctor Roth." No, dipshit, your name is Roth. Your title is Doctor. No, I don't cut slack for crappy writing, especially when I'm already annoyed by the first person voice. Recently I went through my unread print book collection and summarily tossed out everything that was in first person even though I hadn't read it because I was so profoundly sick of this voice!

The book description isn't typically written by the author, but it's often written, it would seem, by some moron who hasn't even read the novel. That has to be why this one claims that Aydan is a bad-ass, yet she's still wearing her wedding ring despite her husband having gone two years before. That doesn't translate to 'bad-ass' to me. Where I quit reading this was in the first chapter when - seeing a guy who is described insultingly as 'beefcake' come out of her trunk and into the car, bearing a gun - Aydan slams on the brakes and dives out of the car, which has already begun moving again, and rolls away as the car continues on downhill. No. Just no. This woman is 46, remember? She's not an athlete. She's a bookkeeper. This is not to say that no bookkeeper is fit, but this one 'flung' herself out of the car as it was 'picking up speed'? Was she on some of that speed I wonder? It was far too improbable. No. A bad ass would have disarmed the guy and demanded an explanation from him. This woman is not a badass. She's an idiot.

The stupid book description also has it that this woman has a penchant for profanity, but a search of the book, out of curiosity, revealed no use of any four-letter words other than 'shit'. So profanity is a lie. Maybe the text claimed she used profanity such as where it read, 'after a few moments of heartfelt profanity", but there isn't actually any, other than that one word which is used many times. So again, book description misleading. Which I resent. I gave up on this because it’s not up to my standards for a good read, and I will not commend it based on my introduction to it. I'm done with this author.

Tuesday, December 15, 2020

Shades of Treason by Sandy Williams

Rating: WARTY!

The most memorable thing in this novel was the short sentence, “You burn, I burn, Ash.” Ash is the abbreviated last name of the main female character. I don't think the author realized there was unintended humor in writing that. Or maybe she did. But it seemed emblematic of this novel: one I had begun to like, but which by fifty percent of the way through had devolved into such a dumb-ass romance that I couldn't stand to read it anymore.

Thoughtless phrases like the one mentioned above littered this novel, so even as I started to like the main character and started to get into the story, these still brought me up with a short sharp stop every now and then. At one point, I read, "The second grabbed her arm, the arm connected to her dislocated shoulder." If it’s dislocated, it’s not connected, and vice-versa. I know what she's trying to say, but there are much better ways of saying it that evidently went unexplored there.

Another laughable line was: "She kept navigation on manual, took the controls, and banked away from the Obsidian." Spacecraft don't bank. Aircraft bank because they have to. Spacecraft don’t. Again, thoughtless writing. Another was a Star-Trek-ism: "She was as still as a Caruthian deer." On Star Trek (I don't even watch it any more, but unfortunately the memory refuses to fade) they were always talking about 'planet of origin-Item' as an indivisible pair. It was laughable. Same here. Why a Caruthian deer? Why not just a deer? Do Caruthian deer turn to stone when they become still - à la a weeping angels from Doctor Who? I doubt it. Just 'a deer' would have been fine. You don't need to specify the planet it came from because such a reference is both pretentious and meaningless. And poor writing. One last one: "You’re anomaly is unresponsive, Commander." She doesn't mean 'you are anomaly'; she means 'your anomaly'. Again, inattentive writing. As writers, we’ve all been there, and one of these once in a while is forgivable, but so many of them were too many.

In terms of the story itself, the anomaly is Lieutenant Ramie Ashdyn, or Ash for short. Nowhere in the 50% I read is an anomaly actually explained. It references a certain type of person, but how or why they're considered anomalies I cannot tell you because the author couldn't tell me. This genetic condition (or whatever it's supposed to be) appears to render them into a super soldier or spy or whatever is it they choose to do. Why does this happen? I don't know.

So anyway, Ashdyn is an anomaly and of course even more anomalous than others because of her attitude. I enjoyed this to begin with because it made her badass - that is until fifty percent into this story, when the romantic bullshit between her and her commanding officer became far too big a part of the story and entirely inappropriate for three major reasons. The first of these was that he was her commanding officer - her superior, her authority figure, and therefore this was entirely wrong. The second is worse, believe it or not. This superior officer - who she referred to as 'Rip' - were given unnatural mental control over their subordinates through the use of some sort of compulsion brainwashing, which meant these subordinates were unable to refuse a special type of command the officer could issue. The command could be anything, but when issued in the right way, they had no choice but to obey it. In short, they were slaves. Again, having sex with someone under that kind of control is entirely inappropriate.

The third reason was simply ridiculous, and I guess I should have paid more attention to the 'Shades of' portion of the title here. While it's a gray area, I do take full responsibility for my lack of focus here. Ashdyn has been off these special meds she takes and so is extraordinarily weakened (because she's an anomaly). On top of that, she'd been tortured for an hour, including having too-tight manacles on her limbs, and having at least one finger deliberately broken as well as having some device that causes extreme pain, but not damage, applied to her head several times. She'd been in a fight - both physical and using weapons - had stolen a space transport and crash-landed on the nearby planet, hiked in her increasingly weakening state through a forest, and then been forced to roll down the side of a canyon in order to escape being shot. In other words, she wasn't beaten, but she was battered and bruised, cut and damaged, with lord knows how many broken ribs and pulled muscles, and at the end of her string.

After all of this, and while washing off in a river - during which of course she has to get naked in order to get 'properly clean', as does her finely-chiseled and muscular superior officer - she's entertaining sexual thoughts about him - all her injuries and pain completely forgotten. This is the woman whose fiancé betrayed her, yet she has zero thoughts about that guy: not a sliver of a longing, or a regret or anything, and yet now she's suddenly lusting after this rugged commander for whom she's had zero feelings until he all-but beats up on her while she's manacled. I understand that later she has sex with him. But thankfully, I didn't read that far. I'd like to invite the author to abuse herself to the same extent she dictates that her female character gets abused and then see how sexual she feels after it. My guess is that her answer will be 'not bloody much'.

I can see a guy writing bullshit like this, but a female author? I don't get it at all. It’s entirely inappropriate and all it achieves is to turn what was shaping up to be a fine and strong female character into the wilting violet star of a cheesy Harlequin southern romance. It’s barf-worthy. This novel is warty to the max and I don't see where it can possibly go that's intelligent after this. Wherever that turns out to be, I don't want to go there with it. Half of this was too much by half.

Monday, December 14, 2020

A Christmas Cruise Murder by Dawn Brookes

Rating: WARTY!

Read by Alex Lee, this audiobook interested me because I published a cruise ship murder mystery myself some months ago and I was curious to know what another author would do with one. This one with a Christmas theme sounded like it might be fun, but I was wrong! My bad! I could not stand this novel and I ran from it after about five chapters. There were two problems. One was the reading voice of Alex Lee which I did not like at all, but even had the voice been magic in my ears, I still would have given up on this because of the writing style.

This is the first book in a series and I have to say up front that I'm not a fan of series as a general rule, but the first problem here for me is the absurdity of the premise - that a female police constable (later a detective constable and presumably later a sergeant and so on) goes on seven cruises and on every one there is a murder! I'm sorry but no. This is just as stupid as the woman who retreats in disarray to her ancestral home, opens a cupcake shop in this tiny village, and then finds it's the murder capital of the world. No! By far the most common crime on cruise ships is sexual assault, and even that is rare. The truth is that there are 25 times fewer crimes on a cruise ship than in your typcial city - at least as far as an American survey indicated. Maybe Britain is just the opposite....

So this Brit police officer, Rachel is looking forward to this cruise to the Canary Islands with her new fiancé. Her old fiancé is long gone, but evidently makes an appearance in a later book. I guess Rachel's life is just improbably brimming with coincidences. Her plans are scuppered when her new fiancé is called away to Italy to solve a hotel crime. I guess the Carabinieri are completely incompetent.

Another improbable coincidence is that, on the bus journey to the dock at Southampton to get on board, Rachel ends up not only speaking with the murder victim (the ship's Maître D) before he's murdered, but also gets her hands on his wallet which he conveniently leaves behind him on the bus, and which, unless I missed it (I listened to this while driving so my attention wasn't always focused on the story), Rachel never turns in and the Maître D never misses!

Another annoyance was the obsession the author seems to have with people's hair. We always get a hair description no matter how irrelevant it is. To me, unless the person's papeparance is critical to furthering the story it really doesn't matter what they look like and a brief sketch is plenty for me. To go into too much detail or worse, to do a Stephen King and deliver a not-so-potted history of the person's life is an annoyance because it brings the story to a screeching halt for no reason at all. I do not like that kind of writing.

The book description itself tells us what's wrong with this: "Rachel can't resist snooping once she suspects an element of foul play" Snooping. That's the operative word, including breaking into a crime scene with no authorization whatsoever. If the cruise people had asked for Rachel's help, that's one thing, but it's not her jurisdiction. It's the jurisdiction of the Hampshire Constabulary, since the murder took place while the ship was docked and is, as far as I could tell, discovered before the ship has even left British territorial waters.

I thought this might be different from your typical 'cozy mystery', which I avoid like SARS-CoV-2, but no! Even though the main character is a police officer, it turns out that she's still an interfering person who withholds evidence and breaks the law in her selfish and crazed pursuit of a murderer. In fact, one could argue here that so many murders take place around her that she's somehow a trigger for them, and in light of this, ought to be banned from cruise ships altogether. I cannot commend this as a worthy read.

Monday, September 14, 2020

The Vanishing Statue by "Carolyn Keene"


Rating: WARTY!

Keene is the usual pseudonym for these books which are not doing well in their present incarnation as far as I can tell. Carolyn Keene never actually existed - not as an author of Nancy Drew anyways! Having listened to about half of this one, I can understand why. The books are tedious. Nancy is reduced to a fashionista talking about dresses and makeup and showing almost zero interest in the vanishing statue of the title even by halfway through the novel. I grew bored and gave up on it.