Chi Running by Danny Dreyer, Katherine Dreyer

Rating: WARTY!

I'm not a runner although I do really need to get back to exercising more this year, but I was intrigued by what this author had to say and in the end I have to report disappointment. My version (more on this anon) is 320 pages of largely fluff, with occasional interesting bits sown throughout, but you have to read very closely and pay attention to catch those bits as they fly by in what seems like nothing but an endless prologue. I've never read a book that seemed so intent upon disguising the very topic it claims to promote.

Let me say up front that all this business about 'chi' and 'prana' and so on is patent bullshit. There is no such thing. If there were, scientists would have found it by now. The author claims early in the book that "Chi...generates movement in the physical world and is that which animates life." If by 'chi' the author means adenosine triphosphate then they're correct. If not, then this is pure nonsense! What's really confusing though is that the B&N website has two print versions of this book, each with a different cover, one having 320 pages, the other having only 288 pages. The one with fewer pages costs two dollars more. Why? It's chi! Don't question it!

None of this necessarily that the author has nothing valuable to say about improving your running technique. For e, the problem was that even when the book confined itself purely to that, it often made no sense. The author at one point was talking about two forces that are claimed to be at play when you run: gravity, and the road! I'm sorry, but these are the same thing. To be more specific, there is only gravity (and yes, there's your kinetic energy as you move forward, but that's not what's being talked about). Gravity is what pulls you to the road, your legs are what propel you up from it. The force of the road is no more than the resistance of it to gravity trying to pull you down to the center of the globe!

Worse, the examples serve only to obfuscate, not clarify. One of the important points that is made is that you should move your feet to support your body, so you land with your foot flat underneath your center of mass, rather than stretch it out to land on your heel or your toe. This is the main secret to preventing leg injuries such as shin splints and knee problems we're told, but the example used here to illustrate it is the Warner Brothers cartoon Road Runner about which the author says "He had a great lean, while his feet are spinning behind him." Now I personally claim no great insight into the Road Runner's gender. The author seems quite certain, but I'll let that go.

The thing is that this idea of the feet behind the body is precisely the opposite of the technique we're supposedly being taught, which insists that your feet land directly under you. That's the chi running technique in a nutshell, FYI: let your body lead, pulling you forward, and as gravity pulls it down to the ground, place your feet directly under your center of mass to keep your body from falling. In this way you can, we're assured, improve your running and avoid injury.

The problem is that you're still moving your legs forward and pushing off the ground and you can only do this with your toes. You do have a certain amount of momentum once you get going, but without that propelling leverage off the ground with your toes on each stride, you will stop! Or fall flat on your face if you quit putting your feet under you. One or the other. The explanation we're given claims that you really don't need to call upon your leg muscles to run, which is nonsensical throughout, and you cannot run without injury if you're trying to propel yourself forward while your foot is flat on the ground. That for sure will injure tendons.

The author doesn't quite get the first law of motion as expressed by Isaac Newton. It's really the definition of inertia, which people too often mistake for a couch potato, but inertia doesn't mean unmoving, it means unchanging in terms of motion: not only things which are sitting still remaining at rest, but also things which are in motion remaining in motion until and unless they're acted on by an unbalanced force. So the author's right in that your body will not move unless you employ your legs to move it (in this scenario), but this is in direct contradiction to claims at other points in the book that you don't need to hit the ground with your feet to propel yourself forward!

There are pictures in the book aimed at illustrating the techniques discussed, but those often are unclear. One of them which was clear refutes this claim about landing on the flat of your foot rather than your heel, because the third picture in the sequence (figure 57) shows the heel of the foot hitting the ground first! Figure 59 of this same sequence of six photos, shows the leg pushing-off with the toes, so the images that supposedly show the correct technique show the very thing we're purportedly being warned against! Either that or the explanation we're being given is, again, obfuscatory rather than explanatory.

Some of the illustrations themselves are problematical in another way because, as for example in figure 42, the illustration has light text on a light background which is impossible to read. Another (figure 41) which supposedly shows correct technique, has a circular diagram at the lower legs, showing (we're expected to believe) the circular motion of the feet, but feet do not move in a circular motion when running. The foot that's in the air in this image isn't going any higher. It will not complete a circle before hitting the ground again! It's going to swing back and hit the ground in the shortest way possible. The feet therefore move much more like a pendulum below the clock, not like the hands on the clock face! If the author had something else in mind, it was not clear from the writing.

So I have to say I cannot recommend this book at all. Maybe if you're really interested and can get it for free or at a close-out, it may offer useful tips for you, but for my money, I pass. The book does not.

The Story of My Life by Farah Ahmedi, Tamim Ansary

Rating: WORTHY!

For my last review of 2019 I have found a real cracker! Books like this are essential reading because such a book almost comes with a guarantee that no matter how bad you think your life is, no matter how badly you think you've been treated, there's always someone worse-off than you who has struggled through their difficulties and found a life worth celebrating on the other side.

This book was also highly educational in that it reveals the shortcomings of groups that while admirably seeking to help refugees, also inadvertently fail them in really taking care of newcomers, leaving them feeling lost and abandoned just when they were starting to hope their troubles were over. No one in their right mind wants to stand around handing out peeled grapes to someone reclining indolently on a couch, but once you have taken charge of someone's welfare, it is incumbent upon you to see it through to the point where the people you are supposedly helping can stand unaided and take care of themselves. Rescue followed by abandonment halfway through the job does no-one any good, least of all the nation that's adopting the refugees.

Farah Ahmedi was born in Afghanistan - where the people are called Afghans, and they don't speak "Afghani," which is not a language, but their currency! A dozen or more languages are spoken there, the most common of which is Dari, also known as Afghan Persian and Farsi, which is what this author calls it. Farah was born into the Hazara ethnic group, the third largest, concentrated toward the center of the country. She had her earliest years in quite a large family in the time right before the Taliban destroyed Afghan culture, and so had the chance to experience a life without being hidden under a blanket, and which included school, but she had very little of that, because at the age of around 7, running late for school and taking a shortcut across a field, she stepped on a landmine.

She spent the next two years or so alone in Germany being fixed, which in her case meant having pins put into her good leg, because her knee was infected, and having a good portion of her other leg amputated because it was too badly damaged to fix. So she had a 'good' leg she was unable to bend, and a leg she was able to bend, but which was artificial. The Germans took good care of her and fitted her with a prosthetic leg and foot. Returning to Afghanistan, she felt a certain amount of alienation because her own culture now seemed so small and primitive compared with her mind-expanding experiences in Germany, where she had begun learning their language and forgetting her own.

Any relief she may have had at returning was soon stomped on by the Taliban which moved into Kabul like a disease. While out shopping for Afghan clothes now that Farah had decided to give up the western outfits she had worn in Germany, a rocket landed on her home, killing most of her family and leaving only herself, her mother, and two brothers, who quickly had to flee the country because the Taliban was enforcing military recruitment: every family had to give up a son to the Tali-whackers. The problem was that the Taliban would rather shoot than recruit the Hazara ethnic people, so the two young boys fled to Pakistan at their mother's insistence. Farah never saw her brothers again nor learned what happened to them.

'

This began a nightmare for Farah and her mother because they too, were forced to flee, and were lost to a system of deprivation, endurance, bribery and hopelessness. They made it to Pakistan, and learned of a faith program aimed at helping war-torn Afghan families move to the USA. The problem was that they were approved right before 9/11 and so lost their chance to go, but later they managed to make the trip, dreaming of a better life only to find they were largely abandoned once they had been settled in the USA.

Farah seems to have placed far too much faith in her religion which did practically nothing for her, and little to none in people who were really the ones who helped her. Despite barely speaking any English and having no money and no jobs, and no facilities, they were essentially told, after the settling-in period, that they must fend for themselves now. Finally, due to the kindness of one family in particular, they were able to properly make the transition, and Farah wasn't done overcoming obstacles even then. Fortunately, she had a facility for languages and a dedication to achieving her goals which was beyond admirable, and she almost single-handedly kept herself and her mother afloat until life, finally, eased for them.

This is a story of triumph and heroism that the likes of Marvel and DC comics can never hope to match and that alt-right assholes can never begin to understand or appreciate. People like Farah Ahmedi are not a burden on a nation, but the backbone of it, and one can only hope and dream that a disturbingly large forty percent of the US population will one day come to understand that.

William Harvey by Thomas Wright

Rating: WORTHY!

Subtitled 'A Life in Circulation" (humor maybe?!) this biography of Harvey, the man who, in Elizabethan times, went against prevailing teaching and realized that blood doesn't ebb and flow in your vessels like an ocean lapping on the beach, but actually circulates. Galen was wrong! Who knew? Galen was a complete clown from what this book reveals of his teachings, but in Elizabethan times, he was a god of medicine and there were professional penalties for straying from what he taught, no matter how absurd it was.

Harvey came from a relatively modest background and rose to great heights. He lived at the same time as Elizabeth the First, William Shakespeare, Francis Bacon, John Donne, Christopher Marlowe, John Dee, Francis Drake, and Donald Trump (one of those may be fake news). He studied at what was then the center of diversity and education: Padua University.

Language was no barrier because all academics spoke Latin back then no matter which country they hailed from. He kept his head down and studied hard and did well, returning to England to be - eventually - accepted into the world of professional Physicians - such as it was back then. Blood-letting as a cure-all was still in vogue, as it would be for another three hundred years notwithstanding Harvey's discoveries, and his discoveries took time to gain traction since they flew in the face of accepted philosophy.

Those discoveries were made at a high cost to animals which were dissected alive and in great numbers as he demonstrated what he found to be the reality of blood circulation and the heart's purpose being a powerful pump. It turns out that blood was not created in the liver and delivered slowly to the various bodily organs, but was in continuous circulation and revitalized as it went. Parts of this book were hard for me to read as a vegetarian who went into a depression when a pet rat died, but I muddled through it and learned a lot. I commend this as a worthy read.

Time Travelers Never Die by Jack McDevitt

Rating: WARTY!

I used to be a big fan of McDevitt, but lately I haven't liked his new material. Maybe if I went back and re-read some of his older stuff, such as the Academy Series or the Alex Benedict stories, which I loved, I might not like them so well any more, but the last book of his that I read was not entertaining at all. When I saw this audiobook come up on special offer, I jumped at the chance to read something else of his, but I was disappointed in it, too.

Paul Boehmer's narration did not help one bit. I don't know what he was trying to do, but he was making everything seem so dramatic that nothing actually was dramatic, and he put weird inflections on things. He also doesn't seem to realize that coupon does not have the letter 'U' as the second letter, so it's really pronounced coo-pon, Kew-pon. Seriously. That was annoying because it was used often. More on this anon (can I just abbreviate that to moron?!).

Even had I read this as a print or ebook though, I think I would have lost interest in it, because the main protagonist is so profoundly stupid, and events are so predictable that I could barely stand to listen to portions of it. It sounded slow, forced, and pedantic. One of the problems is that McDevitt writes this novel, set in contemporary times (it was published in 2009 based on a novella from 1997), as though no one has ever heard of time travel - not even in fiction.

The main character is Adrian Shelborne, who absurdly goes by "Shel." His father, Michael, has disappeared from a locked house, and no one can figure it out. How they figure he disappeared from the locked house as opposed to just having gone out and locked the door behind him was somehow lost on me. Maybe I missed it because I listen to this while driving and when I need to completely focus on the road, maybe i miss bits, but anyway it's this big mystery.

Adrian's dad has left behind three electronic devices which he inexplcably refers to as 'coupons'. It's like a little Chromebook from what I gathered, and you open it up and set times, dates, and locations, and it whisks you away to whatever you set. There's also a return button, but Adrian is too stupid to figure that button out. His first trip takes him to rural Pennsylvania, which isn't far from his home, but his time-travel visit takes him to the next day and he has no phone or wallet with him. He does this without thinking about what he's doing, like he's booking a trip online. Instead of trying out the return button, he borrows a phone and calls a friend to come pick him up.

When they arrive back at his house later at night, he thinks he sees someone in an upstairs window, but rather than come in with him and check out the house, his friend leaves him there alone and he doesn't even check out the house himself! It was obvious to me that he had seen himself, and this is confirmed later. This is after he spends a totally stupid day at work, not once realizing that he's time-traveled and this explains everything he encounters at work. This man is profoundly stupid. The next thing he does is take a trip back to witness himself and his friend arriving home, thereby confirming my suspicion that he saw his own face in the window.

This read far more like a badly-written middle-grade book than ever it did a grown-up work, and I couldn't stand to listen to any more of it. I can't commend writing like this, and after many wonderful years together, I guess I'm finally realizing that it's time for me and Jack to part ways. I wish him all the best.

The Seven Wonders by Steven Saylor

Rating: WARTY!

Set against the growing conflict between the might of Rome and that of Pontus in 92 BC, this story is of teenager Gordianus who embarks upon a journey with Antipater of Sidon to enjoy the seven wonders of the ancient world. Supposedly he encounters a mystery at each one, and this was what interested me. Unfortunately the author was so intent upon showing us how much research he'd done that he forgot he was supposed to be telling an entertaining story, and I became bored to tears and gave up on it in short order. Maybe a print version would be less galling than this audiobook, but I doubt it. Based on the portion I heard, I can't commend this one. If a story doesn't grab you from the off, give it up and find something that does. Life is too short to read a list of authorial research notes.

The Return of Sherlock Holmes by Arthur Conan Doyle

Rating: WORTHY!

Holmes suffers through some terrible winters and storms in this volume. Why Doyle wanted a good many of these stories to start out with bad weather is a mystery worth exploring, I feel! Maybe they just reflect the time of year he was writing them. The stories are listed below with brief comments.

• The Adventure of the Empty House
  Set in 1894, three years after the supposed death of Sherlock Holmes, the detective returns and contacts Watson. He faked his death - of course - and was scurrying around for thre previous three years trying to lay his hands on Moroarty's confederates. This sotry invovles the trappign of the last of them with a completely unbeleivable dummy of Sherlock Holmes which invites the confederate to murder him using an air gun (that fires real bullets, not BBs or pellets), and thereby get himself captured.
• The Adventure of the Norwood Builder
  This invovles holmes's exoneration of John Hector McFarlane who was set up as a murderer.
• The Adventure of the Dancing Men
  This features the alphabet code of dancing men - each of which has a flag if it's the end of the sentence. Otherwise the code is ocmpeltely simple and unremarkable and does ntothignt o hdie the prevalnece of certain letters of the alphabet, such as the eltter 'E' which is coomon in English writing. It retreads an old story used in other Holmes adventures, of a betrothed woiman who has a previous assignation.
• The Adventure of the Solitary Cyclist
  This sounds like the title of a Monty Python skit, and it's almost as amusing as one, but not quite. It's a story about ruffians deceiving a woman to get at her inheritance.
• The Adventure of the Priory School
  This was a story that was used in the British Sherlock TV series, and features the apparent kidnapping of a schoolboy.
• The Adventure of Black Peter
  Black Peter the pirate! LOL! Really he's a whaler and dishonest to boot!
• The Adventure of Charles Augustus Milverton
  Thgis sotry was also used in the British Sherlock TV series, but it pans out differently in the book than it did in the show. There's no mind palace here, just a blacklmailer.
• The Adventure of the Six Napoleons
  Again, used in the TV series where it became the Six Thatchers and was about spyies. In the book it was about missing jewelery.
• The Adventure of the Three Students
  The three students were all suspects in the theft of exam answers. No murders at all in this one!
• The Adventure of the Golden Pince-Nez
  The golden pince-nez were left a the scene of a murder and Holmes must track down the apparent female guilty party. The story starts out "It was a wild, tempestous night" which is almost as good as the trope 'dark and sotry evening"!
• The Adventure of the Missing Three-Quarter
  The missing three-quarter was a rugby player who apparently let down his side!
• The Adventure of the Abbey Grange
  Sir Eustace Brackenstall has been killed! Holmes rousts poor Watson on minutes' notice to rush away on a train to solve the crime! Why Watson puts up with this treatment from Holmes is the real mystery. Holmes thinks nothing of sticking the doctor with the hotel bill.
• The Adventure of the Second Stain
  The Right Honourable Trelawney Hope, Secretary of State for European Affairs, is desperate for Holmes to find a misisng document before war breaks out! This is also the story in which we hear that Holmes has at last retired, forbidding watson to publish any more accounts of his doings. In an earlier story we'd learned that Holmes was dissatisfied with Watson's telling of these adventures, and was thinking fo writign his own treatise on the detective work he does.

I had never read these stories before, so they seemed fresh and it was an interesting experience to read them rather than go over something I'd read before. It's full of relatively mundane crimes rather than sensational ones, which for me made it more interesting, so I commend this as a worthy read.

The Princess in Black by Shannon Hale, Dean Hale, LeYuen Pham

Rating: WORTHY!

Written by the Hales and illustrated exquisitely by Pham, this short, large print chapter book tells the story of a cute little princess who fights monsters under the guise of The Princess in Black! Definitely empowering, especially for female readers, I felt this was an inspired story designed to quell fears of monsters under the bed and at the same time tell a story to entertain - and it's not all about the princess! There's something in there for boys, too. It was well-worth the reading.

See, Touch, Feel by Roger Priddy

Rating: WORTHY!

This was a highly colorful, fun book full of pictures of young children one one page and a texture to feel on the other, although the textures didn't always seem in sync with the image. You can get a good...feel...for the content here: https://us.macmillan.com/books/9780312527594. Encouraging kids to use all of their sense is a wonderful thin and for those on a budget, finding textures around your own living space is a fair substitute.

The Not So Scary Hairy Spider by Rosie Greening, Stuart Lynch

Rating: WORTHY!

Another touch and feel with a different set of textures, including the very hairy spider! Most spiders are harmless and there's no reason why any child should grow up living in fear of them. Written by Greening, illustrated by Lynch this provides touch sensations galore, but these can also be provided by materials and fabrics around your own living space if you so wish and can invent stories to go with them.

This Little Piggy by Emily Bannister

Rating: WORTHY!

This book is part of a series of touch and trace nursery rhymes (Itsy Bitsy Spider is another one, but it seems to me that once you've done one you've done them all - one being very much like another). Children can use their fingers on each page to explore patterns, pathways, and textures. It's a fun and colorful book allowing kids to explore, and it's better than those which have things stuck on the page (like the one with ten ladybugs) because there's no risk here of having a piece fall off that a child can choke on.

The Story of Rock by by Nicola Edwards

Rating: WORTHY!

This was a cute, colorful, and brief book about famous artists from the rock and roll era from Chuck Berry to Jimi Hendrix, from Janis Joplin to The Beatles, leaving no turn unstoned! It was fun and educational and can be enhanced, should you choose, by playing snippets of songs from your own collection by the artists featured here, and dancing with your baby or toddler!

Never Touch a Shark by Stuart Lynch

Rating: WORTHY!

This is a colorful touch book where various animals have an insert which children can touch and explore. It's fun and brings the senses alive. My parents couldn't afford books like this when I was a kid, but if you can, get this or something like it and let your kids have a sensathon! Or put together an inventive collection of materials from around the house, and let them explore with their eyes closed, guessing which animal it might be!

Baby Feminists by Libby Babbott-Klein, Jessica Walker

Rating: WORTHY!

Written by Babbott-Klein and illustrated by Walker, this book really is just a trip down memory lane, highlighting various feminists and outstanding females of history from Supreme Court Justice Ruth Bader-Ginsburg to activist and assassination survivor Malala Yusafzai, from artist Frida Kahlo to astronaut Mae Jemison, from tennis player Billie Jean King to musician and artist Yoko Ono, and making the point that they were all babies at one point, long before they became known to the rest of us. The adult figure can be lifted up revealing the baby they once were underneath. Baby Frida is adorable with those eyebrows!

The Pigeon Needs a Bath by Mo Willems

Rating: WORTHY!

This is literally a book your kid can read in the bath without it becoming soggy. It comes in its own little plastic bag. The pigeon does not want a bath, but finds out it's bubbly fun when it finally gets in there. Not that my kids ever resisted bathing, but yours might and this might be a great temptation!

My First I See You by Eric Carle

Rating: WORTHY!

Designed by Hannah Frece, this is a cute young children's book which offers a safe mirror on every page of various shapes and styles for kids to discover that they have a face, they are a person just like everyone else they see, and not this blank faceless shell that must feel weird. every young kid should see something like this often.

Giraffes Can't Dance by Giles Andreae, Guy Parker Rees

Rating: WORTHY!

A cute little book for young kids, and an affirmation of do-ability for anything they want to try. The tall, ungainly giraffe wants to enter the jungle dance contest, but while other animals disport themselves famously, the poor giraffe can do a thing until it gets some advice from Jiminy Cricket - or some relative of his, and inspired by the full Moon, it finally finds its groove! This was a very colorful, silly and fun book that children will love.

Eve by Patti Larsen

Rating: WARTY!

This was your standard uninteresting, first person voice, dumb, disaffected girl saved by a boy novel. Nothing new, nothing interesting, nothing worth reading. I was very disappointed, although I kind of half-expected that going into it, but nonetheless, I was hoping for something better. I was disappointed, but unsurprised. For the most part, YA authors are so homogenous that 'bland' is far too vivid a word to cover what they do. How this author can write so badly and yet be "a multiple award-winning author" (her own words), is a complete mystery to me. This is why I have zero trust in awards and would flatly refuse any I was offered rather than be tainted by them.

The fact that this novel was written so badly really intrigues me because I read here: https://medium.com/intellogo/award-winning-writer-patti-larsen-shares-her-experiences-using-intellogos-author-tools-c93fea28338 that the author had used some sort of software at both draft and final stage to assess her work. I'd never heard of "Intellogo" before, but it seems that it's supposed to advise an author as to whether they're hitting the standard test marks for a YA novel. How robotic is that? Seriously? The article about this was badly written too. I read at one point, "how present women are in a central role are" and later, "Was the book moving at a fast enough clip to maintain the intensity for a face-paced page turner." Yes, in this era of Facebook control of your life, you definitely need a face-paced page turner.

But this article also tells us that the author “has a degree in journalism, a background in English, history, and screen writing, and offers courses on story writing and outlining. Patti’s strengths lie not only in her mad writing process but also in her tireless work in self promotion." If she put as much effort into writing as she apparently does into self-promotion, and ditched the artificial intelligence, she might have a book that feels far less artificial and actually intelligent - and focused on telling original, imaginative, and inventive stories instead of writing by numbers and copying what everyone else is doing, which is quite clearly what this novel is.

And that tireless self-promotion really turned me off her. I am not a self-promoter which probably means I will never have a book take off, but I don't care. I'm not going to try to force myself on people. If they want to read me, they will choose to find me and do so. It’s their choice, not mine.

This story sounded like it might be interesting which is why I was foolish enough to pick it up to read, and it probably could have been engaging in more capable hands, but all this author proves is that journalists are not necessarily great novel writers. The blurb informs us that 16-year-old Eve (she should have been named Heave, she's so sickening to read about) is the unholy offspring of Death and Life, and

Her unique parentage ensures Eve isn’t like her angel siblings. She brings Death at the beginning of Life and Life to those meant to die. Her continuing failures create constant disaster for her parents and the mortals she tries so hard to serve. But when Eve accidentally interferes with the Loom of Creation, she sets off a chain of events that leads her to finally understand who she really is.

Yes, she's a special snowflake just like every other YA character in nearly every one of these dull, predictable, boring, unimaginative YA garbage novels. How special is that?! The description had one of those little clickers where you could select more of the blurb or less, but it was less of books like this which I would have truly appreciated. There is no clicker for that unfortunately. No click, only colic.

The writing was average to poor from the off. It was, as I mentioned, worst-person voice, which is the most tedious voice of all for me to read. I am so sick of it that I recently went through my shelf of unread print books and deliberately ditched every last one of them that was in first person, so sick am I of reading this tedious and nauseating voice. Now those books are in the local library, so someone else will have to suffer them, not me! Am I evil or what? Mwah-ha-ha!

Anyway, after Eve screws up yet again, by reviving an old man who was at death's door, she goes into this maudlin introspection. Eve whines that everyone hates her, and her life isn't worth living until of course she's rescued by this guy. I ditched the book right there. I am so sick of reading YA novels about some wretched girl who has to be validated and rescued by a boy. For fuck's sake YA authors, stop it with this shit already! Find something better to do with your life - something that doesn’t involve running your own gender into the ground. This book is shit and that's it.

Mia Marcotte and the Robot by Jeanne Wald, Saliha Çalışkan

Rating: WORTHY!

This is a middle-grade story which isn't exactly my cup of tea, but it's entertaining enough that it passes muster for me. What I liked about it was that it stars a female protagonist who is self-motivated, imaginative, and a strong character, and who is deeply interested in science. All of that is a big plus. What I didn't like about it was that the 'rather dumb, pedantic, literal robot' has been done to death. It was already tiresome when Star Trek Next Generation introduced the ridiculous Commander Data and it could only go downhill from there. I think the science could have been a bit stronger and more prominent, too. Those gripes aside, I liked Mia and her attitude and the story was a short, fast read illustrated nicely by Turkish illustrator Saliha Calıskan.

One annoying thing to me was Mia's father's habit of referring to Mia as 'louloute', which is a diminutive endearment (purportedly!) for a young female child. I felt giving her a pet name and using it so often rather diminished poor Mia, who already had enough to deal with. Plus it felt so out of place. Maybe this family lived in Louisiana, but there was no mention of that state in the novel. The family name is suggestive of French origins, but there was nothing in the story to indicate why her dad would use this term since not a word of French was spoken in the entire story to indicate any such origin or tradition.

Mia really wants to be an astronaut, but in order to get one small step closer, she needs to do well in the science fair, but she needs a project! Can her visiting aunt's robot Aizek help her or will he get her into trouble? And can she help him learn to be a better robot? Those are the questions explored and answered here and despite some issues with it, I consider it a worthy read for a young female - and male - audience.

The Mozart Conspiracy by Susanne Dunlap

Rating: WARTY!

From an advance review copy for which I thank the publisher.

This is volume two in an amateur detective series. I did not read volume one, which is titled The Musician's Daughter. I don't recall ever seeing volume one, but if I had, I would have rejected it for the precise reason that I refuse to read any novel that subjugates a woman to the position of being someone else's "thing": musician's daughter, time-traveler's wife, and so on. It makes the woman a piece of property rather than an actor in her own right and I'm not in favor of such titles.

I'm not a fan of the amateur detective story in general, for that matter, but this title appealed to me because it was set in Austria and in the time of Mozart. I had hoped it would be different from the usual amateur detective story, but the problem with it is that in the end, it was not at all different. In fact, it was exactly the same: first person, featuring a detective with a quirk, and in trying to add that quirk to make her detective different from the hoard of amateur detective stories that now flood bookstores, the author made her detective precisely the same as all the others: first person voice with a quirk!

For me, first person is worst person because it makes the main protagonist so annoying. It's always about him or her. In the words of George Harrison, "I, me, mine, I, me, mine, I, me, mine." It's tedious to read such a self-centered book like that, which is why I recently cleansed my print library of every such book. I'm in process of doing the same with my ebooks. It's very limiting to write this way because nothing can happen unless the main character is there to witness it. Everything else comes from hearsay and is therefore suspect. It's irritating. As it happens this particular one wasn't too bad to begin with, but over the time I read it, it became more annoying.

There was an element of racism in the story too. The racism existed in the time period (as it does today) against the Jewish people, and against the Romany people. This was a fact of history, but because the author harped on it so much, it distracted from the detective's story. In trying to make her seem completely accepting of all people, it made her stand out like a sore thumb, when in fact, the likelihood was that pretty much everyone back then was racist.

Not having read book one in this series, perhaps I missed where Theresa started out prejudiced and learned acceptance over the course of the first volume, or maybe she didn't, but it felt odd that she was so open. It was unrealistic. It would have felt more real to me had she harbored the same prejudices most everyone had back then, and was learning to work around them.

The predictable detective's quirk in this series is that she loves to play the violin, but we're told that she could not play in orchestras because women were not allowed in that era, so she had to disguise herself as a man to play. The thing is that although women were not allowed in men's orchestras (the first woman in a male orchestra was not recorded until the early twentieth century), they were allowed to play in all-female orchestras, but this gets no mention in this novel. So in a sense this was an artificial problem.

Ironically, it became a real problem for this story because then the story became about her problems rather than about solving a murder, which to me was the whole point of the story. The murder became secondary to the soap opera of Theresa's activities, and it was boring because her activities were always the same: dress as a guy, sneak around, play in an orchestra, risk being discovered, sneak back home, change back to female attire. This was repeated over and over and it became tedious to read so often.

Worse than this though was the problem of Theresa's failure to honestly report the crime. Yes, she reported that she had witnessed a man being murdered, but she didn't tell the whole story, and then the body disappeared. Repeatedly she refused to give details to those who wished to help her when she had no valid reason for refusing to share her information, and she continued to investigate the murder, without us being offered any real motive for her to do so.

She did not know the murdered man; indeed, for a while she had no idea even of his name, but when she discovered his name she didn't report this back to the police to whom she'd made her initial report. In short, as is often the case in amateur detective stories, the detective actively withholds information from the police for no good reason, and in doing so is hampering a police inquiry and perverting the curse of justice! It makes no sense, but it does explain why amateur detectives in these stories so routinely beat the police in solving the mysteries! This author isn't the only one who does this; even luminaries like Agatha Christie had their detectives, like Poirot, actively conceal things from the police. I'd dearly love to read a realistic detective story where the detective is arrested and thrown into jail for hampering the police investigation! LOL!

But I digress! Anyways, she'd spoken to the murdered guy before he died (of course!), but instead of trying to recover information from him about who had done this to him, or what motive there might have been, or even ask the guy's name, she just crouched there with him, and all she got was one word, 'Mozart' - or at least something that sounded like Mozart. This was unrealistic and far too invented to sound real.

Experience available to us all these days via news stories, has shown that overwhelmingly, when people are dying or expecting to die, they're going to say something about a loved one: "Tell my wife I love her" or something along those lines. We do not routinely hear of dying people uttering mysterious words or phrases. It's not realistic and in this case the mystery word was so artlessly injected into the story that it sounded quite ridiculous. It took me out of the suspension of disbelief because it felt like such an artificially-created mystery where there was no realistic reason for one, instead of having the mystery develop organically.

The novel is set in Austria, the land of Mozart, but we get no German (or Bavarian) words interjected into the story to create atmosphere. Bizarrely, the word 'madame' is used frequently instead of frau or fräulein. It made zero sense. There's nothing more tedious in a story than putting in a foreign word or phrase and immediately pedantically following it with the English translation, even where such translation isn't at all necessary, but in this case, it would not have hurt, once in a while, to use a German word to describe something where it's obvious what the thing is.

Instead, we got puns that made sense in English, but would not have made any sense in German, such as when a woman is talking of finding a treat for a young girl and she says, "...let's see if I can find some sweets here for the sweet." In English that makes sense, but the Austrian word meaning 'sweets' is 'nachtisch' which sounds nothing like 'süß' (pronounced rather like Zeus and meaning sweet as in 'nice' or 'sweetheart'). In German, the pun doesn't work the way it works in English. It's like the author forgot where the story was set.

So, for these reasons and similar ones I've not mentioned, I quit reading this around the forty-percent mark. It was doing nothing for me and the story appeared to have stagnated, so I lost all interest in it and in the main character, who had started coming off as rather clueless to me. I wish the author all the best in her career, but I cannot commend this novel based on my experience of it.

No Easy Day by Mark Owen, Matt Bisonette, Kevin Maurer

Rating: WORTHY!

This book proved to be so much better than the previous one I read about SEAL life. This guy, who I shall refer to as Owen (because it's easier to type than Bisonette!) seems far less of a puffed-up, self-aggrandizing boor than the other guy. He's a lot more modest, authentic, and straight-forward in how he tells his story, although it occurs to me, since both of these SEALs had co-writers, that maybe the influence of the co-writer might have something to do with the tone of the book. Who knows? I guess writing is one of the very few things SEALs are not professionally trained for huh? LOL!

It also occurs to me that if more SEALs are going to write books about their life, they're going to have to work on a new opening sequence, because all of the ones I've read so far start out with their stringent training, which is seriously strenuous and very tough, make no mistake, but after reading at least three of these now, the routine is starting to be a bit tedious.

Having said that, I have to grant that this one was different enough though that it wasn't too bad as it happens, because this guy was already a SEAL before he started in on the advanced training to join the Green Team. No book had made that clear to me before. When they want to get into the Green Team, which is the anti-terrorism and hostage rescue unit, they have to step-up to a whole new level of training, and no one cuts them any slack. So even though they're already a SEAL before they start, they can and do wash out of this particular training. That was an eye-opener.

>p>
Note that there really is no SEAL Team Six. There was, when there were only two other SEAL teams! They called it Six to mislead the Soviets as to how many teams there were. Team Six actually got sucked into DEVGRU decades ago, although it's still called six for shorthand, but even that's misleading because there isn't one team (and it doesn't have six members!). Teams vary and fluctuate, and are put together in groups suitable for the mission at hand. Thus the last one mentioned in the book, the infiltration of the compound in Pakistan, comprised of 22 SEALs handpicked as the most experienced from several teams, along with an EOD tech (Explosive Ordnance Disposal), a CIA operative, and a dog! And they still had things go wrong.

I liked the author's informative and reserved (and modest!) style, and I enjoyed the descriptive writing, although I did not appreciate the alt-right take on President Obama, which was entirely uncalled-for. The author talked about his SEAL training in only the first two chapters and by the third, he was in the Middle-East on a mission to secure a dam from being blown-up after the invasion of Iraq. This led into, one after another, other stories of missions, from participating in the rescue of Captain Phillips from Somali pirates, to clearing insurgent-held houses in the Middle East and hunting terrorists in Afghanistan. It culminates in the stealth assault on the bin laden compound in Abbottabad, and the entire book is filled with enough detail to satisfy, without Tom Clancy-fying the fuck out of it, about these these Green Teams do their work, what the equipment they use consists of, what the dangers are, and how things pan out. In short it was perfect for my purposes and I highly commend this book as the best I have so far read on special forces.

The Coldest Winter by Antony Johnston, Steven Perkins

Rating: WARTY!

I got this because it's purportedly related to the movie Atomic Blonde which is a really good movie. The problem is that this book, despite having Charlize Theron's image on the front, has nothing whatsoever to do with the movie, which is based on The Coldest City not The Coldest Winter. This is why I have nothing to do with Big Publishing because they're so shamelessly dishonest, it's disgraceful.

Nevertheless, I tried to give this a read and it was boring. The art is thick, ugly, smudgy black and white, and the book was unappealing in every way except that I could close it and return it to the library and pretend I never had it in my hands. That was the best part about it by far.

The Adventures of Sherlock Holmes by A Conan Doyle

Rating: WARTY!

It's important to note that this is The Adventures of Sherlock Holmes by A Conan Doyle, not by the Conan Doyle. Just kidding. Seriously, I came back to this through the British TV series Sherlock penned by Steven Moffat and Mark Gatiss, and wondering whether they would ever get around to a fifth season. It's looking rather like they won't, and maybe that's not such a bad thing after season four. But I got to wondering if they did, what would it be like: would they continue into season arcs like they had, or simply get back to basic mystery solving like the show was when it first began. This led me to the original stories and to this volume which contains a dozen adventures:

1. A Scandal in Bohemia
   This is the only story featuring the absurdly overrated Irene Adler, who is trumpeted today as Holmes's equal, when in reality, all she doe sis protect her property. The sad thing about this story is that Adler's "brilliance" is only visible because all other women in the Holmes canon are treated as cannon fodder, so be shot out as needed to display empty headedness, a predilection to fainting away, and other traditional feminine traits. The fact that Adler is none of these things makes her stand out, but it does not make her a mastermind. Holmes isn't even a mastermind in this story, so it's hardly an act of genius to bea thima t his own game. She just knew what she wanted and succeeded in protecting something that was valuable to her. It had nothing to do with smarts, only with determination if not outright desperation. That's it. The story isn't that good.
2. The Red-Headed League
   A story about a redhead who is tricked into leaving his place of work every day so the villains can dig through to the bank using a basement under his store.
3. A Case of Identity
   In which a money-grubbing stepdad hatches a bizarre scheme to keep his step-daughter;'s income in the family.
4. The Boscombe Valley Mystery
   Two Australians at war in rural England.
5. The Five Orange Pips
   Improbable tale of the KKK
6. The Man with the Twisted Lip
   A married man begging to keep a secret.
7. The Adventure of the Blue Carbuncle
   A stolen blue diamond is added to the crop
8. The Adventure of the Speckled Band
   No one, and I do mean quite literally no one has ever called a snake a 'speckled band" except Doyle in this story! The whole story sucks. Snakes are effectively deaf to airborne sounds; they hear by resting their jawbone on the ground, so the idea of training a snake to respond to a relatively high-pitched whistle is for the birds. Holmes wasn't so smart after all, was he?!
9. The Adventure of the Engineer's Thumb
   Counterfeiting in the English countryside isn't something to thumb your nose at.
10. The Adventure of the Noble Bachelor
    Twice toiled tail.
11. The Adventure of the Beryl Coronet
    Doyle gave us the six Napoleons, Moffat gave us the six Thatchers, this story gives us the three beryls.
12. The Adventure of the Copper Beeches
    An Unwelcome fiancé is made to rue the castle.

Can't commend this based on the average stories inlcude din this collection. Perhaps retirement Holmes rather than Sherlock?

Extreme Medical Services by Jamie Davis

Rating: WARTY!

This was a seriously disappointing audiobook both the story and the reading of it. I should say up front that I'm not a fan of vampire, werewolf, or other shifter stories. I have read one or two that were worthwhile, but those were few and very far between. As for the vast majority of them, they vary only between laughably unimaginative and downright brain-dead stupid, but this one seemed like it offered a new angle: that of a med tech who caters to this supernatural crowd, and I made the beyond the grave mistake of deciding to give it a try. I sure learned my lesson.

The biggest problem is that this story felt like it was written by an author who was not painting by numbers, but writing by numbers, trying to get the 'right' concepts in the publisher-approved spaces, and he became so focused on that, that he forgot he was supposed to be relating an original and engaging story. So while his writing-by-numbers was perfect, in those latter categories, this story was an abject failure. It was so unrealistic - even within its own framework - that it constantly kicked me out of any suspension of disbelief by reminding me far too often of how profoundly stupid it was.

So we start the story with the predictable in the middle of a crisis situation, then we immediately revert to flashback mode, which brings the story to a screeching, jarring halt. Even that might have been survivable had it not been for the brain-dead writing. The author expects us to believe that a med tech who graduated with a great track record in his academic life, and thereby earned himself an unexpected berth in the supernatural med-tech world, would be thrown into a service about which he was profoundly ignorant, never even heard of, let alone knows anything professionally, and in this state of dangerous ignorance, be sent out on emergency calls with absolutely zero preparation and training.

Yes, if your goal is to slaughter your patients through sheer incompetence, then by all means go right ahead and do that. If you're serious about your work though, and intent upon saving lives, then you tell your proby up-front what he's going to be doing, you'll ascertain with certitude if he's okay with that, and you'll train him as to the special needs of the supernatural clientele so he can actually be of use instead of floundering from the off! You don't toss him into it in the dark without a word that his patients will all be supernatural, and that his first call is going to be a werewolf in the middle of a diabetes-induced transition. Wait a minute, a werewolf with diabetes? No, not a werewolf - a lycan! I'm sorry, but this was all horse-shit, and did I mention stupid? As much as I would have liked to have read an intelligent take using this plot, I could not stand to read any more of this absurd garbage.

One of the warning signs, which I ought to have heeded was the EMT lecturing the new guy on the fact that werewolves prefer to be called lycans - a term shamelessly lifted straight from the Underworld movie series. Why would these alien creatures prefer to use a human-invented, if venerable, term for a disease? Like I said, the author was so intent upon conforming to established standards, that he rendered his book into a boring joke instead of an engrossing read. I ditched it very quickly. This is precisely why I don't read this genre: it's boring as hell! It would be nice to find something new and different, but in a way it's quite reassuring and even encouraging to know that nothing has changed. Now I know I don't need to waste any more of my time on this tedious crap for a couple more years at least.

The Lilac Princess by Wanda Luthman

Rating: WARTY!

From an advance review copy for which I thank the publisher.

I realize this book isn't aimed at me, but from my perspective, even taking into account the audience it's intended for, this book was wrong from the very start. For a book supposedly about values, this story places entirely the wrong value on a child when, on only the second line, we learn that the princess is "young and beautiful," as though nothing else matters in a woman: not smarts, not integrity, not loyalty, not good behavior, not helpfulness, not friendliness, not the ability to listen and learn, not hard work, not thoughtfulness, but beauty. I'm sorry, but no. I cannot support a book this shallow, even a very short one aimed at young children, and for that very reason that this is the wrong message to give to young children or any children.

It would have been bad enough if that was the only faux pas, but it got worse. This is your traditional - read: antiquated - story of a damsel in distress who needs a manly man to rescue her. Maybe for this particular princess, beauty is the only thing she actually does have going for her, because she certainly exhibited none of the qualities I listed above. She talks to strangers and doesn't even get kidnapped by one, but voluntarily goes off with him, whereupon of course, she's held prisoner until a boy rescues her. She can't do a this for herself as you know, because she's 'only a poor helpless girl'.

For a moment or two I wondered if this book had been published in 1919 rather than the 21st century, but no, it was originally published in 2014. How it got published I do not know, but I cannot commend a story so far out of touch with modern womanhood.

Code Girls by Liza Mundy

Rating: WORTHY!

Coming from a long line of renowned Mundys, such as the late lamented Sic Transit Gloria, and the animalistic Coty, this author...I'm kidding. The real review starts next.

This book is about the literal thousands of young women such as the work-like Dorothy Braden Bruce and the stellar Ann Caracristi (and some, such as Agnes Meyer Driscoll and Elizebeth Smith Friedman, not so young) who worked in, oversaw, and contributed invaluably to cracking Axis codes during World War Two. Most of these women are unsung and many just as heroic in their way as the men who went into battle. It was that very drafting of men en masse which deprived the allies of critical help in the war effort on the home front, which is where women came in.

Realizing help was going to be needed in the grunt work of cracking enemy coded transmissions, women were initially sought from the upper crust colleges of the northeast, but before long, the trickle of such women became a flow and as soon as the white men running things realized that it wasn't so much a woman's academic qualifications as other characteristics that made her useful (r useless) in not just working the pipeline, but also cracking codes, the floodgates opened and women from all walks of life came in by the hundreds, and not just civilians.

In the course of this recruitment, there was created a Navy branch which came to be known as the WAVES (Women Accepted for Volunteer Emergency Service). Despite these women being summarily rejected at the end of the war, not all of them left the espionage service, and the world would never be the same again after women had finally been given the chance to show what that could do.

I had some problems with the organization and the writing of this book. It had too much extraneous detail, and the time-line jumped around like a grasshopper on a hot tin roof. It made things much more confusing than they ought to have been. It once again only goes to show that a journalist is not necessarily qualified to be a writer of books.

The brainwashing that journalists are given to put some humanity and personal interest items into the story got in the way of this story at times. I know there were a lot of women worthy of mention, but here there were so many that it often got to be a problem keeping track of who was who, and the jumping did not help this. And did we really need to know that so-and so resided at address X in city Y? No! Who cares? Seriously? I sure a shell wouldn't want to see my address appear in a book because so and so lived here in 1943. Hell no!

There was a lot of this kind of thing, and while some details were interesting (such as Bets Colby's "epic" parties about which I actually would have liked to have learned more!), this technique (if you can call it that) failed to make a lot of the women who were mentioned actually stand out. They tended to get lost in the mundane. It seems like those who did stand out, achieved that despite the writing, not because of it, and many did, purely from the sterling contributions they made and the insights they had in the actual breaking of codes, but others, who nevertheless made serious contributions in terms of attention to detail and work ethic, often got lost which was a crying shame.

That said, the author did make a remarkable and very welcome contribution to offset the woeful lack of information out there about what these girls and women did. There were scores of them, far too many to mention here, and they worked their butts off to crack codes and save lives. They lived and breathed their work and it was a sad loss when most of them went back to their unheralded lives after the war, never to be heard from again. Although no doubt at least a few of them were happy to do that, I am sure many more were not. I found this book gripping and fascinating, and could not put it down for the last third because I was so engrossed in it and really wanted to finish it. I commend it fully as a worthy read despite some writing issues.

There were code-breakers and female 'yeomanettes' in World war One, believe it or not, and I found it quite curious how these two wars panned-out in terms of what happened afterwards. Post WW1, we had the era of the 'roaring' twenties and the flappers, but after WW2, all we got was the fifties - not an era known for excitement and rebellion in the lives of women! What happened? What was the difference? Why were these two periods so varied? To me that would be worth a book. But I doubt it will be mine! I do have to say though, that normally when I finish a book or a novel, I donate it to the small local amateur library that serves my area of town; this one I kept because it gave me some ideas for a novel that I might write about this particular era and these women.

Sovay by Celia Rees

Rating: WORTHY!

I enjoyed Celia Rees's Witch Child which was one of the earliest novels I blogged since I first began blogging reviews. I'm happy to report I enjoyed this one, as well.

It's set in renaissance Italy, and Sovay is the bastard daughter of a well-to-do Italian, who had an affair with a seamstress. He loved his daughter and left her a dowry, which her evil stepmother uses to buy not a husband, but a berth in a convent for her detested stepdaughter.

Sovay has other plans, however, and consults an astrologer who informs her she will find her true love despite events. As extra insurance, she buys a charm which is supposed to heat up(!) when her true love shows up. I have to say I felt that the charm was a bit of a waste of time. I admit a curiosity as to why the author put it in there, because for me, it really contributed nothing to the story which would have worked better without it.

Nevertheless, Sovay, something of an artist, attends the convent and starts learning the rules. There are mean rich girls there who bully her - again that's a trope that could have been omitted, but once Sovay's art is discovered, she's taken out of normal convent life and assigned as an initiate into the art department - which is run by a renowned female artist, inventor of the prized and secret 'Passion Blue' pigment, and who helps fill the convent coffers with commissions for her art. Sovay begins learning much, but is not willing to give up her pursuit of true love, and forms an attachment to a boy who is working on restoring a mural at the convent.

Needless to say, things do not pan out the way Sovay was hoping for or expecting, but they do pan out and the story reaches a satisfying conclusion. I enjoyed it very much and will probably seek other work by this author since she continues to bat a thousand with me. I commend this as a worthy read.

And Then There Were Nun by Dakota Cassidy

Rating: WARTY!

For purposes of my own, I've recently been taking a look at some of these detective stories that I quite honestly despise, especially the ones that make a pun out of something - typically the main character's name - in every title. It blows, and this story was predictably yet another fail, despite the premise being a lot more interesting than most.

I liked the idea of the detective being an excommunicated nun, and her 'Watson' being a demon, but after a short time the story became cloying and one-note. It was too extreme and inauthentic even within the premise we're given. Having written a novel myself which features an incarnate demon, I was hoping this would entertain me, but that hope was dashed with disturbing rapidity.

The novel became annoying, in particular at one point where the inevitable body was inevitably found, and the police were called in, and the detective outright asked the main character if her name, Trixie Lavender, was her stripper name. I'm like "WTF?" I seriously do not get why female writers seem to enjoy going out of their way to marginalize, slut-shame, or otherwise denigrate their female characters, and it was at that point that I quit reading this one. I can't commend a novel that has a female cop gratuitously insult a female witness at a crime scene and there's no pushback from anyone, not even the author.

Gate of Air by Resa Nelson

Rating: WARTY!

Errata:
"...and her faith never waived." I think she meant 'wavered'.
"Like all Northlanders (other than Frayka), men and women alike had long blonde hair, pale skin, and blue eyes." Not really.
"No sense in getting all sentimental." That last word didn't exist in Viking times. It comes from Latin sentire - to feel, but the Vikings didn't know it as a word. I get that you can't write a novel like this in the original language, but you can try, as an author, to make it sound somewhat like it's from another era, and not middle-America mall-speak!
Another example is the old guy who said things like: "Njall ain't hating you." And "It be you and Njall!" Seriously?! This is an abject lesson in how to write Northlanders and make them sound American! LOL!
Again with the Aryan cult: "Although he had the height and pale features of all other Northlanders" The truth is that Vikings were no taller than other peoples, and shorter than today's average, women being about 5 feet, men about 5.5 feet. In today's world, the Danes are 4th in line in terms of average height, and Icelanders are 10th so...still not towering.

This novel irked me pretty much from the start and it soon became too nauseating to read. It didn't sound remotely authentic, and much of it was misleading, ill-conceived, or far too American to sound remotely like an ancient people from Scandinavia! One of the early sentences revolved around the fact that main character Frayka (really? Frayka?!), who had just returned from an extended voyage, wasn't wearing her Sunday best or pristine and clean. As if.

I read: "Didn't you hear me ask if she'd ever laundered them? Think of how long she's been wearing them!" Laundered? The Norse peoples were hygienic, but it's highly unlikely someone welcoming back people who had been on a long voyage would make a comment like this! This was nothing more than high-school bullying! It felt so inauthentic and was the first big problem with this novel - the young adult outside who becomes the heroic femme. It's been done to death. Please! Get a new shtick already!

The writing was so clunky and amateurish that I gave up on it quickly and ditched the novel. I can't commend it based on what I read.

Book Scavenger by Jennifer Chambliss Bertman

Rating: WARTY!

Perhaps it isn't a coincidence that the initials for this book title are BS! Again this is a middle-grade book and I'm far from middle-grade, but I've ready many middle-grade novels that have entertained me well. This one did not, and I quit it about three-quarters of the way through, in disappointment.

The premise here is that there is a book publisher based in San Francisco, which fortuitously is the city to which the major character has just moved with her family. This publisher likes to create book games, and one of them is the eponymous scavenging, by which used books are secreted in places around town, and clues to their location are left online. The finder of the book gets to read it, and gets finder points, and then gets to hide it again themselves. It sounds like fun, and while I can see problems with that practice, it's likely to become a dying art with mega corporations like Amazon forcibly moving everyone to ebooks and all that entails, and forcing authors to sell their work for less than a dollar for the most part, or even offer it for free just to get a foot in the door.

The basic plot here, is that this publisher is about to launch a new game, and is off to the launch when he's assaulted by two low-lives who are evidently in the employ of someone who wants the specific book this publisher is going to use to launch the game. Because they're idiots, they fail to secure the novel (The Gold-Bug - a prize winning short story by Poe, which was probably his best-read work during his lifetime).

Instead, the book falls into the hands of the main character, whose name I've completely forgotten at this point, but it's really not important when you get down to it. Instead of trying to get the book back into the right hands, the main character decides to hold onto it and to try and solve the puzzle herself, thereby causing all kinds of horrors, and putting children at risk, including herself, which would never have happened had she acted responsibly. I think this novel could have been written a lot better.

One major problem with it is that it moved appallingly slowly, and would have made for a better read had it been shorter and consequently better paced. Another problem was the fact that young children were put in harm's way and the last thing they think of doing is alerting the police. For me this is a serious problem with the writing. Yes, to have a 'fun' adventure, children often have to be placed in fictional peril, but if you're going to do that, at least have the writing chops to make it work: make there be a reason why the authorities can't help. Don't go writing the idea into children's heads that the best way to deal with an adult threat is go it alone as this author seems intent upon doing!

For these reasons I cannot commend this as a worthy read.

Keara's Raven Escape by Mindy Klasky

Rating: WARTY!

Erratum: "for the entire three days that the titheman ad stayed on the green" 'Had stayed' was required there.

Previously published as Darkbeast, this novel evidently failed its first time out, and was renamed and re-released for a second try. For me it failed that time, too. There were several problems with it. The first was that it was worst-person voice, which I am actively now trying to avoid in novels having pro-actively weeded out my entire aging print book collection of first person voice titles and ditched them unread. I'm slowly doing the same with my larger ebook collection. This one didn't start out too badly, but it soon embarked upon road after road most traveled, and it was boring. The cliff-hanger ending was expected and not appreciated, and I have zero intention of reading any more of this series.

The novel is aimed at a younger audience than the one I (don't!) represent, so take my commentary as you will, but the story had issues. The author set up the girl as having no female friends. Even her sisters hated her, and the only female she meets turns out to be a traitor to her. Her only savior is of course the inevitable boy, because all women are useless unless they have some sort of male validation according to this kind of author. Why so many female authors seem so hell-bent upon denying female friendships to their characters is beyond me.

In this medieval world - where they have female actors strangely enough - every child grows up with a 'darkbeast', which is an animal (bird, amphibian, or reptile, it would seem) which can talk and which plays the role of Jesus, taking away their sins. They're supposed to unload their negative thoughts and emotions on the beast, and at the age of twelve, are required to visit the 'godhouse' and kill the animal, thereby freeing themselves of childhood sins so they can enter adulthood renewed. Keara cannot kill her darkbeast - her only friend - and is forced to flee her community, sought by inquisitors. She runs away and joins the circus - well, a company of traveling players at least, which earns a living by visiting villages and performs plays tied to one or other of the twelve gods

The story was a fast read and I followed it all the way, believe it or not, but by the end I was disappointed and resented the time I had blown reading this when I could have been doing something much more rewarding. This is why I typically do not even try to read a book to the end when it's doing little or nothing for me. With this one I kept hoping it would really have something to offer, but it never did, and I cannot commend it at all. It was full of trope and took forever to really have anything happen despite it being a relatively short read. It was as warty as one of the darkbeast toads - which aren't really warty, but this observation isn't meant to be any more realistic than was this novel, which turbned out to be a dark beast that definitely ought to have been slain.

Arsenic in the Azaleas by Dale Mayer

Rating: WARTY!

I despise what are laughably called 'cozy mysteries' and I particularly despise any novel which has a dog or a cat as a main character. Not that I dislike dogs or cats; I just find their use in detective stories abhorrent. Since I'm interested for my own purposes in this genre, and this one was at loss leader, I decided to give it a try and it fully met my exceedingly low expectations - and then some!

The main character is of course the "recently divorced Doreen," (recently divorced so she can have a love interest because a woman without a man is begging for a handicapped sticker according to the majority of authors of this and other genres such as YA). She's accompanied by one of the few dogs I do dislike, because it is an unhealthily-bred Basset hound and anyone who supports this so-called pedigree breeding cult needs to read up something about Nazi "doctors" like Eduard Wirths, Aribert Heim, and Josef Mengele. The dog breeders are no better, really.

The antique-named Doreen is starting over (of course!) in a house owned by grandmother, but the dog finds a body in the back yard. We're laughably asked, "Can Doreen prove her grandmother's innocence?' No, of course not. Her grandmother is going to be found guilty as sin and given a lethal injection. Seriously?

Of course she'll prove her innocence, and then she'll inevitably go on to prove the innocence of endless others in a tedious series wherein this little community she just moved to proves to be have a higher body-count than cartel-infested regions in Mexico, with victims falling like flies, all of them suspiciously connected with Doreen the Exploiter and her interests and activities. Why more of these amateur "sleuths" aren't arrested for causing all these murders is the real mystery here. And no, I don't read any book with 'sleuth' anywhere on the cover. I'm allergic to them.

This one started out badly. After a road trip ending at grandma's house - and bringing the wolf with her (or at least a descendent of one), Doreen's very last thought is to get the poor dog set up in the house with food and water. No wonder it's out digging in the back yard for bones. I can't remember exactly where I gave up reading this, but rest assured it wasn't far into it. I can't commend this garbage based on what little I could stomach of it.

Seal Team Six by Howard E Wasdin, Stephen Templin

Rating: WARTY!

My problem with this was the complete lack of modesty and boundaries on the part of the author. I get that these guys need to unwind, that they do a job most of us would fail dismally at (even the part about getting through basic training), but this went beyond strutting and into abuse and psychosis. I draw the line there.

The author seemed like he always had to be first and on top, and successful, and he had no respect for those who dropped out of the BUD\S training or who finished behind him, which was disrespectful in my opinion. This arrogance pervaded the entire book and turned me right off it and the author in short order. Much as I would have liked to have read more and learned more, I rang the bell three times about a third of the way through and felt no sense of failure about it at all. The failure is all on the part of the author. There are much better books about Navy SEALs than this one. This is the worst I've read.

The author tells a story about a third of the way through, of visiting a stripper bar one day. Inside the bar, he asked the staff if they'd make an announcement to welcome back soldiers who were recently on foreign operations, which was a bit overbearing, but fair enough. Apparently there were four Tunisian men in the bar, one of whom made a comment about America minding its own business.

How he knew these guys were Tunisian I do not know, but this guy took exception to that comment, and rather than let it go, which in my opinion he ought to have been man enough to do, he literally leaped over the table at the Tunisian guy, and a fight ensued. The cops were called, but rather than be contrite and settle down, the SEALs then got into a fight with the cops, including a female cop who was manhandled, and they were all arrested.

Then this guy has the nerve to say the female cop wrote her phone number on a piece of paper and put it in his shirt pocket. I'm like, "Seriously?" I didn't believe it, and I am sure as hell not going to read any more of that arrogant and puffed-up crap. I'll find other sources to learn about these men - and I mean the men, not the adolescent boys who this author is evidently obsessed with talking about.

I like to learn about these special ops guys, and I don't mind some swagger and bravado. I think they've earned that, but the over-the-top gung-ho bullshit and sense of entitlement this book was larded with left me cold.

The Blue Sword by Robin McKinney

Rating: WARTY!

Me and this novel did not get along. Despite misgivings (see below) I did start to read it but it did not draw me in, and I felt like I shouldn't have started it anyway for reasonsI discuss next.

This novel in print form uses less than sixty percent of the page for text, and only some forty percent on new chapter pages. Naturally no one wants a book that is so print heavy it's like reading in the dark, but publishers could very easily use much more of the page than they do, thereby reducing paper waste and saving trees, which are the only organized institution actually doing anything concrete to seriously fight climate change. They need all the help they can get.

Since this was a recycled read, I don't feel so bad about that, but I have to say that it's not acceptable to sell or buy new books that so foolishly waste trees. That said, the story itself wasn't worth all this waste of trees though, either! No story is. It was boring, slow-moving, uninteresting and tedious, and I started skimming quite quickly trying to find interesting parts, and failed. I gave up less than 25% in.